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Click here to subscribeA George III mahogany longcase clock, the 8 day five pillar movement striking on a bell, to a 12inch brass arched dial, with a silvered chapter ring and silvered centre with subsidiary seconds and date dials inscribed 'Joseph Roe, London,' the arch with a strike/silent dial, (handle missing), the gilt brass corner spandrels pierced musical trophies, the case with brass stop fluted columns and pilasters moulded panels on bracket feet, 101.5in (258cm) h.
* Armour (George Denholm, 1864-1949). Huntsman with Hounds, pub. Alfred Bell & Co. Ltd., October 1st, 1926, colour reproduction print, signed in pencil and with remarque to lower margin of a hunting dog, blindstamp of the Fine Art Trade Guild to lower left corner, image size approx. 305 x 420 mm. (12” x 16.5”), framed and glazed (1)
Churchill (Winston S.). The World Crisis 1916-1918, parts 1 & 2, 1st eds., 1927, orig. navy cloth gilt, sl. rubbed and marked, together with Churchill (Randolph S. & Gilbert, Martin), Winston S. Churchill, vols. 1-5, 1st ed., 1966-76, one volume with author's compliments slip taped-in, orig. cloth gilt, 8vo. Contained with a TLS from Martin Gibert to a Mr. Bell dated 1975 in which he refers to a recent lecture given at Highgate and promises to send a complimentary copy of one of the latest Churchill volume. (7 plus letter)
A LONGCASE CLOCK by John Carmichael, Greenock, the eight day movement with anchor escapement and rack striking on a bell, 13" arched brass dial with silver chapter ring having Roman and Arabic numerals, chased foliate centre with seconds dial and calendar aperture, the arch with signature in a silvered roundel, in mahogany case, the scrolled and dentil moulded pediment carved with florettes on fluted columns, surmounted by a carved eagle and turned finials, the trunk with blind fret banding and arched door flanked by fluted pilasters, panel base with flattened bun feet, 91 1/2" high
A FRENCH GILT METAL MANTEL CLOCK, the eight day movement striking on a bell, 3 1/2" brass dial with Roman numerals, in stepped oblong brass case surmounted by male classical figures with lyres, the base applied with urn and festoons, on leaf moulded plinth, 19th century, 11 3/4" wide, 16 3/4" high
AN ART DECO CLOCK GARNITURE the eight day movement with count wheel striking on a bell, 4" white enamel dial with Arabic numerals and set in a moulded gilt metal surround, in veined red and green marble case with gilt metal mount, arched top, splayed sides and bracket feet, 8 3/4" high, and a pair of urns to match
A LONGCASE CLOCK by John Walker, Newcastle, the eight day movement with anchor escapement, and rack striking on a bell, 13" arched brass dial chased with foliate scrolls, secondary dial and calendar aperture, in oak and mahogany case crossbanded with chequer stringing, turned finial on scrolled pediment, fluted columns, arched door flanked by fluted quarter columns, panel base and bracket feet, 88 1/2" high
Utagawa Hiroshige (1797-1858) - two Japanese woodblock oban tataye prints from the series 'Fuji Sanju Rokkei' (thirty-six views of mount Fuji) circa 1858, comprising 'Mushashi koshigaya zai' (koshigaya in Musashi Province) and 'Musashi noge Yokohama' (Noge and Yokohama in Musashi Province), together with a Hiroshige woodblock oban tataye print from the series 'Meisho Yedo Hiakkei' (One hundred famous views of Yedo) depicting 'Ayase-gawa, Kane-ga-guchi' (the Pool of the Bell, Ayase river), all framed and glazed.
A mid 18th Century Oak and Pine cased 30-hour Long Case Clock, W Butterley of Horsham, the hood with overhanging cornice to a plain frieze and three quarter columns to an ogee throat and long trunk door, on a reduced plinth base, to a 10” square brass dial with cherub and foliate, cast and applied spandrels enclosing a Roman chapter ring with inside quarter track and fleur de lys half-hour markers, to a matted centre and single blued steel pierced hand, to a posted movement with rear mounted count wheel and anchor escapement, strike on a bell, height 74”
An early 18th Century oak cased Eight Day Long Case Clock, John Thornton, the hood with overhanging cornice and shaped pediment over free standing baluster columns to an ogee throat with long plain trunk door, and raised on a plinth base with shaped bracket to an 11” square brass dial with cherub and crown cast and applied spandrels to a silvered Roman and Arabic chapter ring with outside track and inside quarters with fleur de lys half hour markers with matted centre containing subsidiary seconds over a date sector with ringed winding squares, to a movement united by four knopped and thinned pillars with anchor escapement and count wheel strike on a bell (case and movement associated), height 80 ½”
A late 19th Century Walnut Cased Postman’s Alarm Clock, the moulded and simulated surround to a 7” reverse painted on glass Roman dial with outside minute track and pale blue chapter ring, with alarm wheel and black painted hands to a wooden posted movement with anchor escapement and strike on a bell, diameter 10”
A late 19th Century walnut and fruitwood inlaid drop dial Wall Clock, the sectioned bezel with foliate inlay to a glazed drop trunk door with shaped base and carved ears, with spun brass bezel enclosing an 11” painted Roman dial with outside minute track and black spade hands, to a spring driven movement with anchor escapement and strike on a bell, height 28”
A late 19th Century drop dial Wall Clock, the walnut surround with line inlaid and cross banded border over a glazed drop trunk flanked by carved ears, to a sprung brass bezel enclosing an 11” painted Roman dial with blued steel spade hands, the spring driven movement with anchor escapement and strike on a bell, height 24”
A late 19th Century cast brass Mantel Clock, the plinth shaped case surmounted by a classical urn over grotesque mask ring side handles, and raised on a splayed and scrolling base to a cast brass bezel, enclosing a 4” dial with applied Roman enamel lozenges and blued steel fleur de lys hands, to a circular brass movement with outside count wheel, anchor escapements, strike on a bell, height 19”
A 20th Century cast brass Mantel Clock Garniture, the elaborately cast and scrolling case set with foliate and grotesque mask detail, surmounted by an urn and raised on scrolling feet, to a moulded dial set with Roman lozenges to a circular brass movement with anchor escapement, strike on a bell; together with a pair of similarly decorated cast brass five light Candelabra (3)
A late 19th Century Black Slate Mantel Clock, the plinth shaped case with applied presentation plaque, “Presented to Mr A A West as a token of esteem by the Postal Clerks of Norwich Post Office, July 1882”, with plain cast brass bezel and heavy bevelled glass, to a 4 ¼” Roman enamel dial with outside minute track and black spade hands, to a circular brass movement, with outside count wheel and anchor escapement strike on a bell, (bell lacking), height 11”
An early 20th Century cast brass lantern type Clock, the strapwork frame supporting a bell over cast and applied dolphin frets, over a 4 ½” Roman chapter ring with foliate engraved centre, and raised on four peg feet, to a circular brass movement with lever platform escapement and strike on the bell, height 11 ½”
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