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![An Air Twist Wine Glass, circa 1755], the rounded funnel bowl with shoulder-knopped multiple spiral air twist stem, circular](http://lot-images.atgmedia.com/SR/10041/2669547/18-63-10041_468x382.jpg)
![An Air Twist Wine Glass, circa 1750], the drawn trumpet bowl with multiple spiral air twist stem to a domed circular foot, 1](http://lot-images.atgmedia.com/SR/10041/2669547/22-63-10041_468x382.jpg)
![An Enamelled Glass Tumbler, probably Bohemia, circa 1760], of fourteen-panelled shaped oval section, decorated in vivid enam](http://lot-images.atgmedia.com/SR/10041/2669547/25-63-10041_468x382.jpg)
Lot 1
An Enamelled Glass Tumbler, probably Bohemia, circa 1760], of fourteen-panelled shaped oval section, decorated in vivid enamel colours and gilt with a Turk wielding a gun and brandishing a sword in a woodland glade with altar, solid gilt band to the rim, 7.3cm high (rim chip); and [An Opaque Twist Wine Glass, early 20th century], the bell bowl engraved "Success to the British Navy" over a frieze of battleships, on a double series stem, folding circular foot, 19. 5cm high (2)
![A Matched Garniture of Reticulated White Porcelain Ewers and a Vase, perhaps Grainger's Worcester, circa 1880], the pedestal](http://lot-images.atgmedia.com/SR/10041/2669547/93-63-10041_468x382.jpg)
Lot 1
A Matched Garniture of Reticulated White Porcelain Ewers and a Vase, perhaps Grainger's Worcester, circa 1880], the pedestal baluster vase with inscrolled shoulder handles to a trumpet neck, pierced overall with repeat hexagon and floret motifs, on a bell shape base, 27.5cm high, and a pair of ovoid pedestal ewers, with S scroll handles and pierced all over with scrolls, on square pedestals with chamfered angles, 25cm high (3)
![A Famille Rose Bell Mug, Samson, Paris, circa 1900], painted with two ribbon tied sprays of flowers flanking an armorial of](http://lot-images.atgmedia.com/SR/10041/2669547/168-63-10041_468x382.jpg)
![An Elizabeth II Bell], circular, stepped spreading rim, plain dome, turned silver handle, maker's mark "RC", London 1960, 11](http://lot-images.atgmedia.com/SR/10041/2669547/300-63-10041_468x382.jpg)
![A Gilt Metal Mounted Tripod Storm Shade, 19th century], the elongated bell form shade engraved with two registers of swags o](http://lot-images.atgmedia.com/SR/10041/2669547/1114-63-10041_468x382.jpg)
Lot 1
A Gilt Metal Mounted Tripod Storm Shade, 19th century], the elongated bell form shade engraved with two registers of swags of flowers dependant from ribbon ties amidst stars, socket fitting into a tripod stand with ram mask headers and cloven feet, from a stepped circular guilloche base, 41.2cm high
![A Pair of Regence Style Ormolu Candlesticks, French, circa 1870], each with leaf and berry wrythen campana nozzles, the pans](http://lot-images.atgmedia.com/SR/10041/2669547/1122-63-10041_468x382.jpg)
![A Mahogany Striking Wall Clock, signed Richd Westman, Leeds, circa 1840], the circular case with side doors, 12-inch painted](http://lot-images.atgmedia.com/SR/10041/2669547/1249-63-10041_468x382.jpg)
![A French Brass Striking and Repeating Carriage Clock, circa 1880], the "gorge" case with beautifully engraved floral decorat](http://lot-images.atgmedia.com/SR/10041/2669547/1214-63-10041_468x382.jpg)
Lot 1
A French Brass Striking and Repeating Carriage Clock, circa 1880], the "gorge" case with beautifully engraved floral decoration, the top with carrying handle and repeat button, white enamel dial with Roman numerals, moon hands, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, strike/repeat on a bell, movement frontplate stamped "HL" (Henri Lepaute), backplate numbered "3647", 15.5cm hilt of handle
![A Tortoiseshell Striking Mantel Clock, retailed by Goldsmiths & Silversmiths, 112 Regent St, London, circa 1890], the case w](http://lot-images.atgmedia.com/SR/10041/2669547/1224-63-10041_468x382.jpg)
Lot 1
A Tortoiseshell Striking Mantel Clock, retailed by Goldsmiths & Silversmiths, 112 Regent St, London, circa 1890], the case with inverted bell top pediment with carrying handle and finials, glazed sides, rectangular plinth raised on feet, 4-1/2-inch enamel dial with Arabic numerals and swag floral decoration, twin barrel movement striking on a gong, backplate stamped "Medaille D'Argent" and numbered "11 860 3 11", 33cm high
![A Brass Quarter Striking Lantern Clock, circa 1890], the posted case with acanthus finials and foliate scrolled frets, the s](http://lot-images.atgmedia.com/SR/10041/2669547/1225-63-10041_468x382.jpg)
Lot 1
A Brass Quarter Striking Lantern Clock, circa 1890], the posted case with acanthus finials and foliate scrolled frets, the side doors applied with sun masks, on inverted cone feet, 5-1/2-inch with silvered chapter ring with cherub spandrels, the two train movement striking ting-tang quarters on a top mounted bell and a further bell within the case, movement backplate stamped "W & H Sch", 41cm high
![A French Tortoiseshell Boulle Mantel Clock, circa 1880], the Louis XV-style waisted case with foliate inlay and applied gilt](http://lot-images.atgmedia.com/SR/10041/2669547/1226-63-10041_468x382.jpg)
Lot 1
A French Tortoiseshell Boulle Mantel Clock, circa 1880], the Louis XV-style waisted case with foliate inlay and applied gilt metal mounts, side glazed panels and glazed pendulum aperture to the front, 5-1/2-inch twelve-piece enamel cartouche dial with blue Roman numerals, sunburst pendulum, twin barrel movement with outside countwheel striking on a bell, backplate stamped "Oppenheim A Paris" and numbered "657", 53cm high
![A French Ormolu and White Marble Striking Mantel Clock, circa 1880], the case surmounted by love birds and flanked by two pu](http://lot-images.atgmedia.com/SR/10041/2669547/1228-63-10041_468x382.jpg)
Lot 1
A French Ormolu and White Marble Striking Mantel Clock, circa 1880], the case surmounted by love birds and flanked by two putti supporting the drum movement case, 4-¾-inch white enamel dial with Arabic numerals (later re-enamelled), gilt pierced hands, twin barrel movement striking on a bell, backplate numbered "2740 52", 46cm high
![A Gilt Metal and Porcelain Mounted Striking Mantel Clock, circa 1880], case with floral, leaf and swag mounts, blue gilded S](http://lot-images.atgmedia.com/SR/10041/2669547/1229-63-10041_468x382.jpg)
Lot 1
A Gilt Metal and Porcelain Mounted Striking Mantel Clock, circa 1880], case with floral, leaf and swag mounts, blue gilded Sevres style porcelain mounts depicting floral, bird and building scenes, 3-1/2-inch enamel dial with Roman numerals and bird scenes to the centre, twin barrel movement with striking on a bell, backplate stamped "Chenaud, Paris" and "Japy Frères", numbered "2137", 44cm high
![A French Ormolu Mounted Marble Mantel Clock, Planchon a Paris, circa 1870], of vase form, surmounted by a vase of fruits and](http://lot-images.atgmedia.com/SR/10041/2669547/1230-63-10041_468x382.jpg)
Lot 1
A French Ormolu Mounted Marble Mantel Clock, Planchon a Paris, circa 1870], of vase form, surmounted by a vase of fruits and flowers over a billing dove over rowing boat brimming with bulrushes, flanked by two tritons, on an octagonal plinth applied with seven small watercolour and gouache country scenes in Dutch 17th century style, button feet, the movement with platform escapement (stamped "Planchon Paris 2100"), countwheel striking on a bell, 50.5cm high
![A Marble and Bronze Striking Mantel Clock, circa 1840], the rectangular shaped marble case surmounted by a cast bronze depic](http://lot-images.atgmedia.com/SR/10041/2669547/1231-63-10041_468x382.jpg)
Lot 1
A Marble and Bronze Striking Mantel Clock, circa 1840], the rectangular shaped marble case surmounted by a cast bronze depicting a standing horse, acanthus leaf decorated plinth and raised upon rectangular block feet, 4-inch silvered dial with Roman numerals, moon hands, twin barrel movement with silk suspension, outside countwheel striking on a bell, backplate stamped "EED Bakkard" and numbered "142 72", 49cm high
![A French Bronze and Ormolu Striking Mantel Clock, signed Lesieur, a Paris, circa 1830], the case with a cast bronze of Venus](http://lot-images.atgmedia.com/SR/10041/2669547/1232-63-10041_468x382.jpg)
Lot 1
A French Bronze and Ormolu Striking Mantel Clock, signed Lesieur, a Paris, circa 1830], the case with a cast bronze of Venus dressed in the classical style and nursing cupid, rectangular plinth raised on bun shaped feet, 4-inch white enamel dial with Roman numerals and signed "Lesieur a Paris", twin barrel movement with silk suspension and outside countwheel striking on a bell, movement backplate signed "Lesieur", 47cm high
![A French Ormolu and White Marble Striking Mantel Clock, circa 1790], the case surmounted by a urn and flanked by two further](http://lot-images.atgmedia.com/SR/10041/2669547/1233-63-10041_468x382.jpg)
Lot 1
A French Ormolu and White Marble Striking Mantel Clock, circa 1790], the case surmounted by a urn and flanked by two further urns holding fruits, applied foliate mounts, raised on reeded bun shaped feet, 4-inch white enamel dial with Roman and Arabic numerals, pierced filigree hands, twin barrel movement with silk suspension and outside countwheel striking on a bell, 36cm high
![A French Marble Portico Mantel Clock, signed Cachard, Sucr de ChLeRoi, circa 1790], the drum shaped case with urn finial, fl](http://lot-images.atgmedia.com/SR/10041/2669547/1234-63-10041_468x382.jpg)
Lot 1
A French Marble Portico Mantel Clock, signed Cachard, Sucr de ChLeRoi, circa 1790], the drum shaped case with urn finial, flanked by the black marble and ormolu foliate apron, 4-1/2-inch white enamel dial with Roman and Arabic chapter signed "Cachard, Sucr de ChLeRoi", twin barrel movement with outside countwheel striking on a bell, 53cm high *Cachard was a famous maker in Paris during the last 20 years of the 18th century and was successor to the firm of Charles LeRoy. Similar clocks by the same maker are today exhibited in the Garde Meuble in Paris, Chateau de la Malmaison and the Hamburg Museum fur Kunst und Gewerbe.
![A Gilt Bronze and White Marble Striking Mantel Clock, signed Raingo Fres, a Paris, circa 1880], the case surmounted by a bro](http://lot-images.atgmedia.com/SR/10041/2669547/1235-63-10041_468x382.jpg)
Lot 1
A Gilt Bronze and White Marble Striking Mantel Clock, signed Raingo Fres, a Paris, circa 1880], the case surmounted by a bronze figure amongst flowers blowing a horn and numbered "158" to the base, 3-1/4-inch white enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped "Raingo Fres, Paris" and numbered "158", 35cm high
![A French Bronze and Ormolu Striking Cartel Clock, late 18th Century], the case surmounted by a goat's head handled urn over](http://lot-images.atgmedia.com/SR/10041/2669547/1237-63-10041_468x382.jpg)
Lot 1
A French Bronze and Ormolu Striking Cartel Clock, late 18th Century], the case surmounted by a goat's head handled urn over drapes of ribbon tied laurel and berry leaves, glazed front pendulum window, 6-1/2-inch white enamel dial with Arabic and Roman numerals, pierced gilt hands, the large rectangular movement with canted corners and tic tac escapement, silk suspension and striking the hours and the half hours on a bell, 72cm high
![A Mahogany Striking Wall Clock, signed John Scott, London, circa 1790], the circular mahogany case with side and bottom open](http://lot-images.atgmedia.com/SR/10041/2669547/1243-63-10041_468x382.jpg)
Lot 1
A Mahogany Striking Wall Clock, signed John Scott, London, circa 1790], the circular mahogany case with side and bottom opening doors, 12-inch silvered dial with Arabic and Roman numerals and signed "John Scott, London", five pillar twin fusee movement with anchor escapement and rack striking on a bell, movement backplate with engraved foliate decoration, 38cm high
![A George III Mahogany Striking Bracket Clock, signed Willm Willington, London, circa 1790], the case with inverted bell top](http://lot-images.atgmedia.com/SR/10041/2669547/1264-63-10041_468x382.jpg)
Lot 1
A George III Mahogany Striking Bracket Clock, signed Willm Willington, London, circa 1790], the case with inverted bell top with carrying handle, "later finials", "later" pierced side frets, upon bracket feet, 6-1/2-inch arched silvered dial with Roman and Arabic numerals, dial centre with date aperture and signed "Willm Willington, London", strike/silent in the arch, twin fusee movement with anchor escapement and striking on a bell, movement secured by two brackets, 52mm high, together with receipt dating back to 1970
![An Ebonised Striking Bracket Clock, signed Webster, Cornhill, circa 1800], the case with arched top and carrying handle, gla](http://lot-images.atgmedia.com/SR/10041/2669547/1265-63-10041_468x382.jpg)
Lot 1
An Ebonised Striking Bracket Clock, signed Webster, Cornhill, circa 1800], the case with arched top and carrying handle, glazed sides, bracket feet, 7-inch arched painted white dial with Roman numerals signed "Webster, Cornhill", arch with strike/silent, twin fusee movement with anchor escapement and striking on a bell, backplate signed, movement secured by brackets, 42cm high, together with receipt dating back to 1976
![A Fine French 18th Century Tortoiseshell Boulle Bracket Clock, signed Raymond, Paris, circa 1750], the highly elaborate wais](http://lot-images.atgmedia.com/SR/10041/2669547/1267-63-10041_468x382.jpg)
Lot 1
A Fine French 18th Century Tortoiseshell Boulle Bracket Clock, signed Raymond, Paris, circa 1750], the highly elaborate waisted case with brown tortoiseshell inlaid with brass and foliate gilt-brass applied mounts, the flower-trellis cresting surmounted by the goddess Flora, 9-3/4-inch twelve-piece enamel cartouche dial with blue Roman numerals, the rectangular plated movement with baluster pillars, verge escapement with silk suspension and outside countwheel striking on a bell, movement backplate finely signed "Raymond Paris", clock 87cm high, together with conforming ogee wall bracket with applied acanthus leaf gilt-brass mounts and a scrolled base finial, bracket 34cm high, (both clock case and bracket with imperfections)
![A Mahogany Striking Bracket Clock, signed John Walker, 40 Princes St, London, circa 1830], the nicely figured mahogany case](http://lot-images.atgmedia.com/SR/10041/2669547/1268-63-10041_468x382.jpg)
Lot 1
A Mahogany Striking Bracket Clock, signed John Walker, 40 Princes St, London, circa 1830], the nicely figured mahogany case with bevelled glazed flat top, glazed sides flanked by canted corners to the front, raised on square block feet, 6-inch white painted dial with Roman numerals and signed "John Walker, 40, Princes St, London", spade hands, twin fusee movement with anchor escapement and striking on a bell, 34cm high
![A George III Mahogany Striking Bracket Clock with Pull Repeat, signed Stephen Hale, Highgate, circa 1790], the case with inv](http://lot-images.atgmedia.com/SR/10041/2669547/1269-63-10041_468x382.jpg)
Lot 1
A George III Mahogany Striking Bracket Clock with Pull Repeat, signed Stephen Hale, Highgate, circa 1790], the case with inverted bell top with pineapple finials and carrying handle, the sides with glazed panel and pull repeat cord, 7-inch arched brass dial with silvered chapter ring, finely matted dial centre with date aperture and signed on a silvered arched plaque "Stephen Hale, Highgate", the arch with strike/silent dial, twin fusee movement with verge escapement and striking on a bell, bob pendulum, backplate engraved with foliate decoration, movement secured by brackets, 51cm high hilt of handle, together with matching mahogany wall bracket
![A French Boulle and Ormolu Bracket Clock, Mynuel a Paris], the waisted case surmounted by a seated figure of Diana, the dial](http://lot-images.atgmedia.com/SR/10041/2669547/1271-63-10041_468x382.jpg)
Lot 1
A French Boulle and Ormolu Bracket Clock, Mynuel a Paris], the waisted case surmounted by a seated figure of Diana, the dial with black and white enamel tablet numerals, the central field chased with a profile head portrait of a king amongst military trophies and a crown, with lower tablet "Mynuel a Paris", the “later” twin fusee movement with striking on a bell, whole case highlighted in stained ivory and mother of pearl, the lower case with eagle and viper mount amongst scrolls, on scroll form feet, 71cm high, conforming wall bracket, 95.5cm high overall
Lot 1
A George I Ebonised Striking Bracket Clock with Pull Quarter Repeat, signed Jos Antram, London, Watch & Clock Maker to his Majesty, circa 1720], the case with inverted bell top with carrying handle, pierced brass side sound frets and pull quarter repeat cord to the side, moulded plinth raised on small bracket wooden feet, case front door with slight (imperfections), 7-inch arched brass dial with silvered chapter ring, matted dial centre with mock pendulum aperture, dummy date aperture and signed "Jos Antram, Watch & Clock Maker to his Majesty London" on a arched silvered plaque, the arch with strike/silent selection dial, twin fusee movement with verge escapement and pull quarter repeating on two bells, movement backplate elaboratly engraved and signed within a cartouche, movement secured by two brackets, 48cm high hilt of handle *Joseph Antram is recorded as a Royal Watch & Clock Maker in the early 18th century to King George I. A very similar clock by this maker is illustrated in "British Clocks Illustrated" by Brian Loomes, pg 220.
![A Thirty Hour Longcase Clock], Japanned case with flat top pediment and depicting oriental scenes, trunk door with moulded b](http://lot-images.atgmedia.com/SR/10041/2669547/1274-63-10041_468x382.jpg)
Lot 1
A Thirty Hour Longcase Clock], Japanned case with flat top pediment and depicting oriental scenes, trunk door with moulded border and glazed lenticle, 'shortened' plinth, 12-inch square brass dial with silver chapter ring signed "Thomas Kefford, Royston", dial centre with date aperture, four pillar movement with outside countwheel striking on a bell, dial and movement (circa 1730) associated to case (mid-18th century), 188cm high
![A Carved Oak Single Hand Thirty Hour Longcase Clock, signed Rd Bullock, Ellesmere, circa 1730], the highly carved case with](http://lot-images.atgmedia.com/SR/10041/2669547/1275-63-10041_468x382.jpg)
Lot 1
A Carved Oak Single Hand Thirty Hour Longcase Clock, signed Rd Bullock, Ellesmere, circa 1730], the highly carved case with flat top pediment, arched trunk door, "shortened" plinth, 10-inch square brass dial with single hand, alarm disc and dummy date aperture, four pillar movement with anchor escapement and outside countwheel striking on a bell, 202cm high
![An Oak Single Hand Thirty Hour Longcase Clock, signed Willm Porthouse, Penrith, circa 1740], the case with flat top pediment](http://lot-images.atgmedia.com/SR/10041/2669547/1276-63-10041_468x382.jpg)
Lot 1
An Oak Single Hand Thirty Hour Longcase Clock, signed Willm Porthouse, Penrith, circa 1740], the case with flat top pediment, the trunk with shaped door, 10-1/2-inch square brass dial, matted dial centre with date aperture and plaque signed "Willm Porthouse, Penrith", single hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, 206cm high *William Porthouse was from a family that made clocks for several generations. He is recorded as between 1706-90.
Lot 1
A Mahogany Eight Day Longcase Clock, the case with flat top pediment and "later" inlay around the case, reeded columns, broken arched trunk door flanked by canted corners, rectangular plinth with raised quatre form moulding, 13-inch silvered circular dial with Roman and Arabic chapter, dial centre signed "Jno Agar & Son, York", four pillar movement with anchor escapement and rack striking on a bell, 207cm high, dial and movement circa (1790), case with "later" inlay (19th century)
![An Oak Single Hand Thirty Hour Longcase Clock, signed R Hardwick, Ashwick, circa 1740], the case with flat top pediment, pla](http://lot-images.atgmedia.com/SR/10041/2669547/1277-63-10041_468x382.jpg)
Lot 1
An Oak Single Hand Thirty Hour Longcase Clock, signed R Hardwick, Ashwick, circa 1740], the case with flat top pediment, plain turned brass capped columns, plain rectangular trunk door upon 'shortened' rectangular plinth, 10-inch square brass dial with silvered chapter ring, matted dial centre with recessed silvered plaque signed "R Hardwick, Ashwick", single pierced hand, four posted movement with slender pillars, anchor escapement and outside countwheel striking on a top mounted bell, 189cm high, dial and movement (circa 1740) and case (later)
![A Mahogany Eight Day Longcase Clock, G.Brabbs, Asselby, circa 1825], the case with pagoda inlaid pediment, central inlaid wi](http://lot-images.atgmedia.com/SR/10041/2669547/1278-63-10041_468x382.jpg)
Lot 1
A Mahogany Eight Day Longcase Clock, G.Brabbs, Asselby, circa 1825], the case with pagoda inlaid pediment, central inlaid with a marquetry vase of flowers, reeded columns with brass Corinthian capitals, the trunk of good patination flanked by ebony inlaid canted corners, rectangular inlaid plinth raised upon 'later' shaped feet, 12-inch painted arched dial with Roman chapter, dial centre with subsidiary seconds, date aperture and signed "G.Brabbs, Asselby", the corners and arch with painted scenes depicting ruins of churches and monasteries, four pillar movement with attached falseplate stamped "Wilson", anchor escapement and rack striking on a bell, 243cm high
![A Japanned Eight Day Longcase Clock, signed Robt Donne, London, circa 1780], the case with gilt chinoiserie pictures depicti](http://lot-images.atgmedia.com/SR/10041/2669547/1279-63-10041_468x382.jpg)
Lot 1
A Japanned Eight Day Longcase Clock, signed Robt Donne, London, circa 1780], the case with gilt chinoiserie pictures depicting Oriental scenes, broken arched trunk door with moulded borders, rectangular plinth with stepped base, 12-inch arched brass dial with Roman and Arabic chapter ring, floral engraved dial centre with subsidiary seconds dial and date aperture, the arch with recessed silvered plaque signed "Robt Donne, London", four pillar movement with anchor escapement and rack striking on a bell, 245cm high
![An Oak and Mahogany Eight Day Longcase Clock, signed Hudson Fox, Beverley, circa 1825], the case with pagoda pediment and ea](http://lot-images.atgmedia.com/SR/10041/2669547/1280-63-10041_468x382.jpg)
Lot 1
An Oak and Mahogany Eight Day Longcase Clock, signed Hudson Fox, Beverley, circa 1825], the case with pagoda pediment and eagle finials, reeded brass capped columns, the trunk door with mahogany crossbanding and flanked by canted corners, rectangular crossbanded plinth with (feet missing), 13-inch painted arched dial with Roman chapter, dial centre with subsidiary seconds, date aperture and signed "H.Fox, Beverly", multi-coloured corners and the arch also with flower decoration, four pillar movement with attached falseplate stamped "Wilkes & Son, Birmingham", anchor escapement and rack striking on a bell, 230cm high
![A Scottish Mahogany Eight-Day Longcase Clock, signed Geo Graham, Glasgow, made by Jon Key, circa 1780], case with flat top p](http://lot-images.atgmedia.com/SR/10041/2669547/1282-63-10041_468x382.jpg)
Lot 1
A Scottish Mahogany Eight-Day Longcase Clock, signed Geo Graham, Glasgow, made by Jon Key, circa 1780], case with flat top pediment, pierced side sound frets, wavy shaped trunk door flanked by twisted inset pilasters, plain rectangular plinth raised on bracket feet, 13-inch arched brass dial with silvered chapter ring, engraved floral dial centre with date aperture and subsidiary seconds, "later" minute hand, silvered plaque signed "Geo Graham, Glasgow, made by Jon Key", twin barrel movement with anchor escapement and with rack striking on a bell, 199cm high
![A Scottish Mahogany Eight Day Longcase Clock, signed John Stewart, Edinburgh, circa 1780], the case with swan neck pediment](http://lot-images.atgmedia.com/SR/10041/2669547/1284-63-10041_468x382.jpg)
Lot 1
A Scottish Mahogany Eight Day Longcase Clock, signed John Stewart, Edinburgh, circa 1780], the case with swan neck pediment and with central eagle finial, reeded columns with Corinthian capitals, wavy shaped trunk door flanked by inset reeded Corinthian pilasters, rectangular flame mahogany plinth raised on 'later' block feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with date aperture, subsidiary seconds dial with pie crusted decorated border, and a silvered arched plaque signed "John Stewart, Edinburgh", the arch with strike/silent selection, four pillar movement with anchor escapement and rack striking on a bell, 218cm high
Lot 1
A Mahogany Eight Day Longcase Clock, signed Joseph Denton, Hull, circa 1780], the case with pagoda pediment with shell inlaid front, wood stop fluted Corinthian columns, the arched trunk door of good colour with barber pole stringing flanked by canted corners, rectangular plinth with moulded frame, 12-inch arched brass dial with silvered chapter ring, dial centre with fine engraved floral decoration and subsidiary dials for seconds and date, the arch with rolling moon with lunar scale, silvered arch plaque signed "Joseph Denton, Hull", four pillar movement with anchor escapement and rack striking on a bell, 230cm high *Joseph Denton is recorded as working in Hull between 1779-1814.
Lot 1
A Victorian Mahogany Chiming Longcase Clock, signed William Page, West End, Chime & Turret Clock Manufacturer, Gt Portland St, London, No.559, circa 1850], the case with pagoda pediment and eagle finials, brass capped fluted columns, shaped trunk door inset with reeded pilasters, moulded quatre form rectangular plinth raised on bracket feet, 12-inch arched brass dial with silvered chapter ring signed "William Page, Gt Portland St, London, No.559", matted dial centre, silent/chime selection lever positioned above 12 o'clock, pierced ornate cast filigree work in the arch, the massive triple weight driven movement with anchor escapement and chiming eight hammers on eight bells and a further hammer striking a bell for the hours, 268cm high
![A Mahogany Eight Day Musical Longcase Clock, signed Edwd Shepley, Manchester, circa 1820], the swan neck pediment centred by](http://lot-images.atgmedia.com/SR/10041/2669547/1288-63-10041_468x382.jpg)
Lot 1
A Mahogany Eight Day Musical Longcase Clock, signed Edwd Shepley, Manchester, circa 1820], the swan neck pediment centred by a fleur de lys finial and inlaid fleur de lys medallion and stringing, the 16 inch painted arch dial with rolling moon disc, subsidiary dial for days of the week and specified tunes (named Carpet Weaver, d. of Yorks March, St Bride's bells, and Life Let us Cherish), the central reserve painted with angels and symbols of the Passion, one of the four Evangelists to each spandrel, the movement striking the hours on a bell, with pin barrel and graduated bells for seven tunes, in a richly figured mahogany case, the bracketed door with turned bone vase finial, cluster column stiles and husk inlay, on ogee bracket feet, 261cm high
![An Exceptional William and Mary Walnut and Marquetry Longcase Clock, signed Christopher Gould, London, circa 1695], the case](http://lot-images.atgmedia.com/SR/10041/2669547/1289-63-10041_468x382.jpg)
Lot 1
An Exceptional William and Mary Walnut and Marquetry Longcase Clock, signed Christopher Gould, London, circa 1695], the case pediment with barley twist pilasters and scroll fretted frieze, glazed side panels, early concave moulding beneath the hood, the moulded trunk door with brass edged lenicle and three marquetry panels edged with boxwood stringing and depicting birds, tulips, carnations and other flowers around acanthus foliage, the sides also panelled with boxwood stringing, conforming plinth raised on bun shaped feet, 10-1/2-inch square brass dial with silvered chapter ring, dial plate with engraved floral decoration to the borders and positioned at 6 o'clock signed "Christopher Gould, Londini, Fecit", the finely matted dial centre with engraved central Tudor rose, date aperture and subsidiary seconds dial, ringed winding holes, pierced cherub and leaf spandrels, the eight day five pillar movement with bolt and shutter maintaining power, countwheel striking on a bell, 203.5cm high *Christopher Gould (1655-1718) was a famous maker of fine clocks. He was admitted to the Clockmakers' Company as a Free Brother in 1682. He took on several apprentices between 1682 and 1718, but despite his skill as a good clockmaker he was declared bankrupt in 1706, and from that time on he suffered misfortune, until his death in 1718. He worked near Royal Exchange in London and was a great repute making a number of well made clocks in superb cases, bracket and grande sonnerie examples, and for which he was particularly noted from his longcase clocks. His work is illustrated and described in all the major horological reference books and there are examples of his clocks in the British Museum and Metropolitan Museum of Art. Four of his longcase clocks were in the Wetherfield Collection including three walnut marquetry and one which is also illustrated in Cescinsky and Webster's "English Domestic Clocks" in a black lacquered case.
Lot 1
Trevor Bell b.1930 sea and sky movements signed and dated 58 ink and goucahe 21x29cm.; 8.25x11.5in. (2) To be sold together with Grey Day in the Mountains signed and dated 1961 ink gouache and charcoal by the same hand Provenance Waddington Galleries London whence purchased by the present owner
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Jasper Tayler (Taylor) Greys Inn London an ebony veneered bracket clock with pull-quarter repeat on four bells the gilt brass basket top case with shaped handle and four urn finials the glazed front flanked by pierced mounts the 7inch dial with winged cherub mask spandrels engraved border silvered chapter ring signed about VI matted centre with ringed winding holes mock pendulum and date apertures the bell-striking verge movement with pull-quarter repeat on four bells and signed in a cartouche to the well-engraved backplate the whole raised on brass disc feet 38cm high *According to Britten Jasper Tayler is recorded as working 1685-1695 and was free of the Clockmakers Company in 1695.
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Barwise London a Regency mahogany longcase clock the hood with three ball finials and circular glazed door flanked by canted corners the trunk with arched long door and flanked by quarter columns raised on a panelled plinth with stepped base and bracket feet the 12inch (30.5cm) silvered circular dial with seconds subsidiary and strike/silent lever above XII the five pillar bell striking movement with deadbeat escapement and brass bob pendulum with rating nut 208cm high
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