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Click here to subscribeA MAHOGANY LONGCASE CLOCK by William Nicholson, Edinburgh, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with Roman and Arabic numerals, seconds dial, calendar aperture and signature ark, strike/silent dial in the arch, the case with scrolled broken pediment, carved rosettes and turned brass finial on fluted columns, canted panel base and bracket feet, 88" high (Illustrated)
A BRASS "MARINER" CLOCK by Mappin & Webb, modern, the prototype first produced for the Festival of Britain 1951, the twin barrel movement with platform escapement striking the glass bell surround on on the hour and half hour, 4 1/4" silvered dial with Roman numerals, raised on moulded mahogany circular base with applied brass rope twist edging and applied brass plaque inscribed "Maritime England 1982", on turned brass feet, 10 1/4" high
AN EDWARDIAN EASEL BACK SILVER PHOTOGRAPH FRAME, maker J S Bell, London 1906, of vertical oblong form with applied scroll angles and supports, internal dimensions, 5" x 3 1/4", together with another frame, maker's mark indistinct, Birmingham 1902, of shaped square form with stamped stylised escallop shell angles, internal dimension 3 3/4" diameter (2)
GENTLEMAN'S STAINLESS STEEL SEIKO BELL-MATIC AUTOMATIC ALARM WRISTWATCH model number 4006-6011, signed seventeen jewels automatic calibre 4006a alarm function movement, the silvered dial with applied baton hour markers, day and date aperture at three, silvered hands, signed stainless steel case numbered 150993, 36mm, fitted with a stainless steel strap with deployment clasp
EARLY TWENTIETH CENTURY BRASS AND STEEL YARN WRAP REEL WINDER made by Goodbrand & Co Ltd, Manchester, Staleybridge, with four brass bobbin holders, brass gears and crank handle and a brass yard meter chiming on a bell to mark 120yds wound, all on a mahogany base with single drawer beneath, brass makers plaque, 72cm long, 57cm high
EARLY VICTORIAN MAHOGANY LONGCASE CLOCK by R Stewart, Ayr, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed painted 13" dial with Roman numerals, subsidiary seconds and calendar dials at twelve and six respectively, pierced brass hands, encased within an arched hood with thistle pediment, contained within a mahogany case with inlaid door, on plinth base with bracket feet, 224cm
EARLY NINETEENTH CENTURY OAK LONGCASE CLOCK the unsigned eight day two train movement with anchor escapement striking on a bell, the arched 12" painted dial with Roman numerals and outer Arabic seconds, subsidiary seconds dial and calendar aperture at twelve and six respectively, painted pierced steel hands, the arched hood with swan neck pediment and doric columns, contained within a waisted oak case, on plinth base with bracket feet, 227cm high
EARLY TWENTIETH CENTURY FRENCH SLATE MANTEL CLOCK by Japy Freres & Cie, Paris, the signed two train movement striking on a bell and numbered 4107 46, the white dial with Roman numerals and two front winding holes, pierced steel hands, the arhitectural slate case with ochre and pink veined marble panels, on stepped plinth base, 22cm high
FRENCH VICTORIAN SLATE COMBINED MANTEL CLOCK AND BAROMETER by Vicenti & Cie, the signed two train movement striking on a bell and numbered 927 92, with Medaille d'Argent stamp, the white dial with Roman numerals and two front winding holes, visible brocot escapement, pierced blued steel hands, above a matallic barometer dial in white enamel with two badge stamps, one reading "E. Bourdon and Richards Patent Paris" and the other "Universal Exhibition Council Medal, London 1851", the arched architectural slate case on stepped plinth base, 46cm high
EARLY TWENTIETH CENTURY FRENCH SLATE MANTEL CLOCK by Japy Freres & Cie, Paris, the signed two train movement striking on a bell and numbered 1079, the white dial with Roman numerals and two front winding holes, pierced steel hands, the rectangular slate case with orange and brown veined marble panels, on stepped plinth base, 28cm high
FRENCH VICTORIAN SLATE MANTEL CLOCK BY DELETTREZ retailed by Stewart, Glasgow, the signed two train movement striking on a bell and numbered 24566 243, the white dial with Roman numerals and two front winding holes, visible brocot escapement, pierced steel hands, the arched slate case on stepped plinth base, 35cm high
EARLY NINETEENTH CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK by A. Cockburn, Haddington, the unsigned eight day two train movement with anchor escapement striking on a bell, the 12'' painted dial with Roman numerals and outer Arabic seconds, subsidiary seconds at six and date at twelve, pierced steel hands, encased within an arched hood, the mahogany case with satinwood cross banding, on plinth base with bracket feet, 198cm high
A good French gilt metal mantel clock having a ploughman and two horse team flanking a drum casing with spoke wheel blue and white enamel dial before a bell striking movement on a veined red marble rectangular base with hoof corner supports, inset cast gilt panels depicting rural village scenes and windmills, circa 1890, 32 x 49 cms (enamel dial cracked above twelve, chip and losses to marble one corner)
A 19th Century oak longcase, the pagoda top hood with turned door pillars and brass caps over a 12 ins arched top brass dial, chased decorated set with Roman numerals, subsidiary seconds and date aperture, maker's name William Emerton, Wootton, twin weight pendulum driven movement striking on a bell, pendulum, weights and key included, 216 cms overall height (cracked door glass)
Holmes of London. A George III mahogany eight day longcase clock, the 12 inch arched silvered dial with Roman chapter ring, strike silent and subsidiary seconds, movement with anchor escapement movement striking on a bell, with later? lead pendulum and two brass cased weights, 7ftProbably John Holmes of London, recorded 1761-1802.
Robert Williamson of London. A William & Mary walnut and marquetry eight day longcase clock, the 11 inch square brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, four pillar two train movement striking on a bell, 6ft 9in.Robert Williamson of London, recorded 1658-1740.
A Regency mahogany bracket clock, the case with gilt brass pineapple finial, fielded canted spandrels, brass diaper inlay and knulled moulding to the base, fitted a white enamel dial with Roman numerals and eight-day movement striking on a bell/see illustration Condition Report: The case is rather dull and needs a good clean, there is a split to veneer to lower section of the case between 4 o'clock and 7 o'clock. Bolt on left hand spandrel with split moulding and missing. Rear door repaired at lock and later button latch fitted to base of door. Grills in need of re-silking. Face rubbed, complete with pendulum, no key.
A 19th Century table clock mounted in a cut glass two handled vase, the ormolu bezel with floral surround and with white enamel chapter ring having Roman numerals, fitted an eight-day movement striking on a bell/see illustration Condition Report: Gilt metal mounts dull but in good condition, vase with chips to stepped base at all four corners, half hour striking movement , gilded bezel and centre dull, enamel chapter ring cracked just above 2 o/c , strike arm and pendulum missing, movement very dirty
A 19th century French brass clock movement by Vincent et Cie, 1855, striking on a bell, the floral-painted 5.5 cm dial a/f, fitted in an early 20th century turned ivory desk-clock case Condition Report Dial heavily cracked and inexpertly restored movement working, with replacement platform escapement
Vintage and later children's volumes: At Home Again by J. G. Sowerby and Thomas Crane, Marcus Ward & Co., (verses by Eliza Keary), 'Stories Told to Scamps' by Rev. C. S. Woodward, The Treasure Ship edited by Lady Cinthia Asquith, tipped-in colour plates by various artists, 'Chopsticks' by F. I. Codrington, illustrated by Helen Jacobs, The Baby's Opera by Walter Crane, Androcles and the Lion pub. Seeley & Co., Stories of Our Lord, Tanglewood Tales by Nathaniel Hawthorne, The Meeting - Pool by Mervyn Skipper, illustrations by R. W. Coulter, 1929, A Dozen Dogs or So by Patrick Chalmers, illustrations by Cecil Aldin, London 1930, The Lost Garden by Lettice Bell, and Richard Adams The Iron Wolf & Other Stories, 1st, 1980 (12)
John Weston, Wolsingham: an oak thirty hour longcase clock, the brass roman dial with outer arabic numerals, engraved bird and swag design to centre and with date aperture, inscribed 'made nos 60' under maker's name, foliate spandrels, anchor escapement striking on a bell, the case with arched glazed door flanked by columns, shaped waist door, panelled base on bracket feet, 82in. high.
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