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Lot 1508
Charlie Bears - Handmade Quality Teddy Bears. All Designed by Isabelle Lee ( 4 ) In Total. 1/ Buddy, Number 1338 of 3000. 13.5 Inches, Complete with Tags - Bell. 2/ Mia, Code 35690, 13.5 Inches High, Complete with Label and Tags. 3/ Nora, Code CB10434, Complete with Tags and Label. 14 Inches High. 4/ Whoopsie Daisy, Complete with Tags and Label, Heart Shaped Pendant and Bow Tie, 16 Inches In Length. All The Bears are In Excellent Condition, Well Looked After.
Lot 175
Franklin Mint Deutsches Museum Collection of Eight Highly Detailed Pewter Sculptures / Figures, Made by Franklin Mint In The 1970's, As Part of Their Great Inventors Series From The Deutshces Museum, The Eight Figures Comprises 1/ James Watt 1736-1819. 2/ Johannes Gutenberg 1395-1468. 3/ Louis Jacques Mande Daguerde 1787-1851. 4/ Galileo Galilei 1564-1642. 5/ Thomas Alva Edison 1847-1931. 6/ Wilhelm Conrad Rontgen 1845-1923. 7/ Gottlieb Daimler 1834-1900. 8/ Alexander Graham-Bell 1847-1922. All Pieces are In Excellent Condition.
Lot 413
Royal Doulton Bunnykins - All Boxed and In Perfect Condition. Comprises 1/ Choir Boy - Issued 2000 for International Collectors Club Only. 2/ Rainy Day - Issued 1994. 3/ Fortune Teller - Issued 2000 for Millennium. 4/ Mandarin - With Certificate No 1905, Issued 2001 In Ltd Edition of 2500. 5/ Bridesmaid - Issued 1997. 6/ Liberty Bell - Issued 2001 For The USA Market. Certificate No 1364, In Limited Edition of 2000. 7/ Father - Bunnykins Figure for Year 1996, with Certificate. 8/ Sundial - Bunnykins Figure For Year 2000 with Certificate.
Lot 1112
W. Edington c.1800 Bishops Hat Shaped Mahogany Cased Twin Fuse Bracket Clock, with Five Pillar Movement and Recolo Escapement, Striking Bell on the Hours, The Case with Black Inlay and Boxwood Stringing with Glass Panel Back Door, Twin Brass Handles and Brass Fret Windows to Each Side. Signed to Dial W. Edington. 23 Inches High, 11 Inches Wide & 7 Inches Depth. Excellent Working Order.
Lot 9
A George III Satinwood and Marquetry Pembroke Table the serpentine crossbanded top with a central oval rosewood marquetry medallion inlaid with a neo-classical urn surrounded by engraved bell flowers, within an outer crossbanding inlaid with a running pearl motif border, the leaves each with a fan medallion, the frieze with a single drawer flanked by simulated fluting in boxwood, the square tapering legs decorated with water leaf marquetry feet, terminating in the original brass castors, inlaid throughout with tulipwood bandings and stringing 98cm wide, 68cm high, 70cm deep Comparative Literatue: Clifford Musgrave, am and Hepplewhite and other Neo-Classical Furniture', Faber and Faber, London, 1966, figs. 130 and 131. Provenance: Mallett and Son (Antiques), 1960 The term 'Pembroke' table originated from the Countess of Pembroke who reputedly ordered the first example of its type. The Heppalewhite period in late eighteenth century England is epitomised by the neo-classical designs of the cabinetmaker George Hepplewhite. His furniture patterns are characterized by a classic simplicity and delicacy as well as light, curved forms, painted or inlaid decoration, and distinctive details such as slender tapering legs terminating in spade feet. The three oval panels of neo-classical marquetry, the use of inlaid dentil molding framing the central drawer and the collars on the legs above elaborate marquetry inlay to each ankle, relate to furniture produced by Christoph Furlohg. Furlohg was a Swedish cabinetmaker who was trained in Europe by the French ebeniste Jean-Francois Oeben. He became an employee of John Linnell at Berkeley Square and was much in demand for his marquetry work of curiously inlaid mahogany and satinwood articles . He combined his French techniques with the new neoclassical taste in England, which attracted many distinguished patrons including the Prince of Wales and the Duke of Portland.
Lot 459
A LATE 17TH/EARLY 18TH CENTURY LANTERN CLOCK, the Roman chapter ring with stylised sword hilt half hour marks, signed I Gibson, Ongher with foliate engraved centre and single ring hand beneath a dolphin fret and bell, the posted movement with verge escapement, short bob pendulum and outside count wheel strike, 33cm high
Lot 464
A GEORGE III EBONISED BRACKET CLOCK with break arch silvered Roman dial with Arabic five minutes, the centre with mock pendulum and date apertures, pierced steel hands, the arch inscribed Francis Perigal, London with strike/silent and regulation dials, the twin fusee movement with verge escapement, bell strike and pull repeat, foliate scroll engraved back plate with signed cartouche and pendulum hold fast, the inverted bell top case with brass swing handle, glazed sides, upon brass ogee bracket feet, 48cm high handle down
Lot 445
A REGENCY MAHOGANY MANTEL OR TABLE CLOCK the white Roman convex dial inscribed Handley & Moore, Clerkenwell, the twin train fusee movement with bell strike, the shouldered plates with engraved border and pendulum hold fast, the arched case with brass swing handle, inset panel front and fish scale side frets upon a moulded plinth base with brass ball feet, 39cm high handle down
Lot 415
A 19TH CENTURY MAHOGANY MANTEL OR TABLE CLOCK, the convex Roman dial inscribed B. Lautier, Bath, the twin train fusee movement with shouldered plates, bell strike with pull repeat and pendulum hold fast, the arch top case with acanthus scroll and rosette cresting over brass inset canted corners, twin brass ring handles, fish scale side frets and inset panel skirt base with turned feet, 42cm high
Lot 427
AN EARLY HOOK AND SPIKE WALL CLOCK the 9 1/8" square brass dial with Roman chapter ring, stylised fleur-de-lys half hour marks, concentric circle and wriggle work centre with pierced iron hand and acanthus scroll spandrels, posted count wheel bell striking movement (parts missing), unsigned, Oxfordshire Quaker work, possibly Gilkes, lacking pendulum and weight
Lot 444
A REGENCY MAHOGANY TABLE CLOCK, the white convex Roman dial inscribed Wm. Cribb, Theobalds Road, London, the twin train fusee movement with bell strike, pull repeat, shouldered plates and pendulum hold fast, the arched case with raised brass urn finial, foliate scroll brass inlay, ring side handles over fish scale frets upon a moulded plinth base with brass ball feet, 51cm high
Lot 407
AN EARLY 30 HOUR CLOCK MOVEMENT the 10" square brass dial with Roman chapter ring, stylised fleur-de-lys half hour marks, signed Wm Monk, Barrick St. John, matted centre with single iron hand, cherub and coronet spandrels, the turned posted movement with outside count wheel bell strike upon four iron spike feet, within a plain pine case, 201cm high
Lot 585
AN OAK LONGCASE CLOCK by William Lister, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with chased foliate centre, Roman and Arabic numerals, half penny moonphase and calendar dial, the case with inverted breakfront moulded cornice on turned columns, verre eglomise frieze, arched door flanked by quarter columns, panelled base and bracket feet, 81" high
Lot 587
AN OAK LONGCASE CLOCK by William Billsborrow (sic), the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 11" square brass dial with Roman and Arabic numerals, silvered centre chased with Masonic emblems and with calendar aperture, the case with moulded cornice and plain frieze on quarter columns, plain trunk and door, panel base on plinth, 82 1/4" high
Lot 590
A BRASS SKELETON CLOCK, the single fusee movement with anchor escapement, hour striking on a top mounted bell, 5 3/4" pierced silvered dial with Roman numerals, mounted to an open scrollwork frame, 14 1/2", raised on ebonised moulded oval base with bun feet and with glass dome, 16 1/2" high overall (Illustrated)
Lot 219
A SET OF SIX GEORGE III SILVER TEASPOONS, maker Hester Bateman, London, no date, in Old English pattern, bright cut engraved with a shield enclosing initials, together with a similar set of four late George III teaspoons, engraved "D", maker George Ferris, Exeter 1827, a fancy back teaspoon, maker Burrage Davenport, London no date, a teaspoon, maker Joseph Bell, London no date, an oyster back King's pattern egg spoon, maker's mark indistinct, London 1825, together with eight other teaspoons, various marks, 8ozs dwts total (21)
Lot 583
AN OAK LONGCASE CLOCK by William Elliot of Whitby, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with foliate chased centre and with Roman and Arabic numerals, calendar dial, signature roundel to arch, the associated case with dentil inlaid and moulded cornice below a raised surmount with turned finials, deep frieze with applied fretwork on fluted columns, chamfered trunk with arched door, panel base and bracket feet, 86" high
Lot 594
A GEORGIAN WALNUT CASED TABLE CLOCK, c.1730, by James Backhouse, Lancaster, the six pillar fusee movement with verge escapement and pull repeat on a bell, back plate engraved with grotesques, birds and foliate scrolls, 7" arched brass dial with foliate chased centre and silvered chapter ring with Roman and Arabic numerals, signature plaque, the arched with silver boss chased with an eagle inscribed "Tempus Fugit" and with calendar aperture below, the case with caddy top and brass carrying handle, pierced fretwork door panels, similar sound frets to the sides, moulded base and bracket feet, 11 1/2" x 20" (Illustrated) c.f. Biographical list of Clockmakers North Lancashire and South Westmoreland 1680-1900 by Susan Stuart for a biographical of a similar clock by Backhouse
Lot 581
A MAHOGANY LONGCASE CLOCK by William Nicholson, Edinburgh, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with Roman and Arabic numerals, seconds dial, calendar aperture and signature ark, strike/silent dial in the arch, the case with scrolled broken pediment, carved rosettes and turned brass finial on fluted columns, canted panel base and bracket feet, 88" high (Illustrated)
Lot 591
A BRASS "MARINER" CLOCK by Mappin & Webb, modern, the prototype first produced for the Festival of Britain 1951, the twin barrel movement with platform escapement striking the glass bell surround on on the hour and half hour, 4 1/4" silvered dial with Roman numerals, raised on moulded mahogany circular base with applied brass rope twist edging and applied brass plaque inscribed "Maritime England 1982", on turned brass feet, 10 1/4" high
Lot 231
AN EDWARDIAN EASEL BACK SILVER PHOTOGRAPH FRAME, maker J S Bell, London 1906, of vertical oblong form with applied scroll angles and supports, internal dimensions, 5" x 3 1/4", together with another frame, maker's mark indistinct, Birmingham 1902, of shaped square form with stamped stylised escallop shell angles, internal dimension 3 3/4" diameter (2)
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123896 item(s)/page