We found 123939 price guide item(s) matching your search
There are 123939 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
123939 item(s)/page
Lot 655
A H F Wedgwood & Co bone china part tea service, comprising six cups, milk jug, sugar bowl and cake plate, together with a Bell china part tea service, to include five cups and saucers, eight side plates, cake plate, sugar bowl, etc. (2 trays)N.B. This lot is sold on behalf of the Rotary Club of Grantham.
Lot 2
15cm high; a similar coffee cup and saucer; two creamware teacups and saucers, one printed in puce camaieu with classical scenes, the other decorated with swags of bell flowers; a creamware two-handled strainer, 11cm diameter; an 18th century Wedgewood artichoke pot and cover, 7cm high; an 18th century creamware tortoiseshell glazed moulded bowl, 5.5cm high; a creamware caster, 11cm (13)
Lot 846
the circular silvered dial signed below, with curved later brass tune selection plate below XII, the movement chiming on 8 bells via a 12cm pin barrel, and striking on a further bell, all in a later carved oak case, 211cm highCondition report: dial showing 2 blanked off winding holes from the rear of the dial for an 8 day movement, but dial feet show good attachment to robust looking brass movement without signs of previous attachment. Tune selection curved plate in later 19th century style script. Movement untested.
Lot 849
the inverted bell top mahogany case with handle and four brass ball finials, above arched gilt dial signed at the foot of the silvered chapter ring 'Jno Walker 77 Cornhill London 6777', the twin fusee movement signed and numbered to the backplate, striking on two gongs, with twin brass side fret panels and raised on brass bracket feet, 38cm high
Lot 845
the arched dial signed 'Petit Fils a Couvin 1804', 28cm silvered dial with concentric calendar and aperture below, twin barrel open frame movement with bell strike, in a carved and moulded pale oak case with canted corners and plinth base, 243cm highCondition report: with pendulum and 2 weights; movement in need of some attention.
Lot 426
18th Century oak 8 day longcase clock marked 'John Whitfield, Clifton', the hood with caddy top above square aperture flanked by turned tapering columns, moulded arch waist door on a panel base with skirted support. Brass face with Roman and Arabic chapter ring ,date aperture and with foliate spandrels. Two train movement with baluster columns, striking on one bell. 11" square face. (B.P. 21% + VAT) Caddy top may be a later edition, overall appearing good with reasonable colour. The skirted base is probably also an addition. Pendulum and two weights.
Lot 427
A Victorian brass and steel yarn twist tester by John Nesbitt, the brass gauge with enamel dial inscribed 'J. Nesbitt, Makers, 42, Market Street, Manchester', beneath a hammer and bell, hand cranked, raised on a mahogany base with turned legs, 59cm high, 71.5cm wide, 40.5cm deepCondition report: The enamel of the gauge has a small chip, some long hairline cracks and is discoloured. The brass is discoloured and scuffed. There are signs of there once having been a drawer to the underside, which is now missing. All mechanical parts appear to be in good working order.
Lot 1324
Poljot alarm Dolphin watch, Seiko Bell-matic 17 jewels watch, Sekonda 26 jewels watch, Belzane 17 jewel watch and a Poljot 23 jewel Pycjiah Pilot watch (5) All working at time of inspection. Not tested for time keeping.Signs of wear commensurate with ageAll glasses are scratchedEwbank's do not guarantee the working order or accuracy of any lots sold.
Lot 1452
A silver open face pocket watch, enamel dial signed John Hamilton & Co London with Roman numeral hour markers and a subsidiary dial, with another similar and silver Albert chain and bell ringers silver medal CONDITIONsilver gross weight 250.9 gramsJohn Hamilton & Co is currently working but has not been tested for time keeping, case diameter 53mmthe other pocket watch is not working, case diameter 53mmEwbank's do not guarantee the working order or accuracy of any lots sold.
Lot 66
Red retro rotary dial phone replica of the 1970s GPO746 classic phone with authentic bell ring, compatible with modern telephone banking and any standard analogue landline, with instructions and boxed. Not available for in-house P&PCondition Report: This item was working at the time of lotting.
Lot 147
Pink retro rotary dial phone replica of the 1970s GPO746 classic phone with authentic bell ring, compatible with modern telephone banking and any standard analogue landline, with instructions and boxed. Not available for in-house P&PCondition Report: This item was working at the time of lotting.
Lot 54
Ivory retro push button phone replica of the 1970s GPO746 classic phone with authentic bell ring, compatible with modern telephone banking and any standard analogue landline, with instructions and boxed. Not available for in-house P&PCondition Report: This item was working at the time of lotting.
Lot 60
Black retro push button phone replica of the 1970s GPO746 classic phone with authentic bell ring, compatible with modern telephone banking and any standard analogue landline, with instructions and boxed. Not available for in-house P&PCondition Report: This item was working at the time of lotting.
Lot 150
Mint green retro rotary dial phone replica of the 1970s GPO746 classic phone with authentic bell ring, compatible with modern telephone banking and any standard analogue landline, with instructions and boxed. Not available for in-house P&PCondition Report: This item was working at the time of lotting.
Lot 9
Sebastiaan VrancxDie Speisung der Hungrigen Öl auf Holz, auf Holz aufgezogen (parkettiert). 64,5 x 48,5 cm.GutachtenDer Auktionskatalog von Sotheby-Maak van Way, Amsterdam 1977, erwähnt die Kopie eines Gutachtens von Dr. Eduard Plietzsch von 1947 sowie ein Gutachten von Dr. Walther Bernt von 1963.ProvenienzGalerie Julius Böhler, München. – Sammlung Dr. Lutz, Berlin. – Dr. Hans Wetzlar, Amsterdam. – Auktion seines Nachlasses, Sotheby-Mak van Waay, Amsterdam, 9.6.1977, Lot 69. – Dort erworben.AusstellungenKeuze uit de verzameling Dr. H. A. Wetzlar, Laren, Singer Museum, 14.12.1968-2.1.1969, Nr. 32 (Abb. Kat. Tafel 7).LiteraturFriedrich Winkler: Der unbekannte Sebastian Vrancx, in: Pantheon 22, 1964, S. 322- 334, Abb. S. 322. – Suyin Scheid, in: Ekkehard Mai (Hg.): Das Kabinett des Sammlers, Köln 1993, S. 264 -266, Nr. 104, mit Abb.Das vorliegende Gemälde illustriert mit der „Speisung der Hungrigen“ das erste der sieben christlichen Werke der Barmherzigkeit. Sechs dieser Werke beruhen auf einem im Matthäusevangelium überlieferten Jesuswort (Mt 25,34-46), während das siebte eine Ergänzung aus dem apokryphen Buch Tobit darstellt (Tob. 1,17). Bühnenartig sind im Vordergrund unserer Holztafel mehrere Bettler wiedergegeben, links beginnend mit einem zerlumpten Jungen zwischen den hohen Postamenten zweier Säulen. Daneben führt eine junge Frau ihren blinden Vater und schließlich erhalten eine Mutter und ihre Kinder von einem reich gekleideten Paar vor dem Eingang eines prächtigen Palasts Brote überreicht.Eingefügt ist diese Darstellung in eine prachtvolle, makellose Renaissancearchitektur, die in scharfem Kontrast zu den ärmlichen Figuren des Vordergrunds steht. Zwischen der in starker perspektivischer Verkürzung dargestellten Palastfassade am rechten Bildrand und den von einem klassischen Gebälk zusammengefassten Säulen auf der linken Seite geht der Blick zunächst auf eine weiträumige Platzanlage. Dort springt vor allem ein dreigeschossiger Palast mit offenen Arkadengängen im Erdgeschoss ins Auge. Leicht versetzt zur Mittelachse wird der Blick auf der rechten Seite weiter in den Hintergrund gezogen und trifft schließlich auf die Fassade einer Kuppelkirche und einen Glockenturm als „point de vue“.Unsere Tafel gehört zu einem Zyklus von Einzeldarstellungen aller Werke der Barmherzigkeit, die Vrancx und seine Werkstatt mehrfach ausgeführt haben dürften und stets mit einem klassischen Architekturhintergrund verbunden waren. Weitere, gleich große Tafeln befinden sich u.a. im Museum in Springfield, Massachusetts, und in der Stichting Nederlands Kunstbezit. Ein 1608 datiertes Gemälde von Vrancx in der Sammlung des Niedersächsischen Landesmuseums Hannover zeigt hingegen alle sieben Werke der Barmherzigkeit auf einer Tafel.Sebastiaan Vrancx war in seiner Geburtsstadt Antwerpen Schüler von Adam van Noordt, bei dem auch Rubens und Jacob Jordaens in die Lehre gingen. Nach einem Rom-Aufenthalt von 1596 bis 1600/01 ließ sich Vrancx wieder in Antwerpen nieder, wo er in die Lukasgilde aufgenommen und 1612 zu deren Dekan gewählt wurde. Darüber hinaus bekleidete er zahlreiche weitere Ämter in Schützengilden, Rhetorikgesellschaften etc., die ihn zu einer wichtigen Figur im künstlerischen und sozialen Umfeld Antwerpens machten.Als einer der ersten Künstler spezialisierte sich Vrancx auf die Wiedergabe von Überfällen, Schlachten und Reitergefechten, als deren Wegbereiter in der Malerei der südlichen Niederlanden er gilt. Darüber hinaus schuf er Ansichten von Gartenfesten und galanten Gesellschaften sowie reine Landschaftsgemälde. Zugleich war der äußerst vielseitige Künstler als Figurenmaler geschätzt und fügte u.a. in Werke von Jan Brueghel d. Ä. und Joos de Momper Staffagefiguren ein. Karel van Mander rühmte den damals erst 31-jährigen Vrancx in seinem 1604 erschienenen „Het schilder-boeck“ insbesondere für seine Darstellung von Landschaften, Pferden und Figuren („eer aerdigh in Landtschap, Peerdekens, en beeldekens“). Sebastiaan VrancxThe Feeding of the Hungry Oil on panel, mounted on another panel and parquetted. 64.5 x 48.5 cm.CertificateThe auction catalogue of Sotheby-Maak van Way, Amsterdam 1977, mentions a now lost copy of an expertise by Dr Eduard Plietzsch from 1947 and an expertise by Dr Walther Bernt from 1963.ProvenanceWith Julius Böhler, Munich;Dr Lutz, Berlin;Dr Hans Wetzlar, Amsterdam;His deceased sale, Sotheby-Mak van Waay, Amsterdam, 9 June 1977, lot 69.ExhibitionsKeuze uit de verzameling Dr. H. A. Wetzlar, Laren, Singer Museum, 14 December 1968-26 January 1969, no. 32 (reproduced in the catalogue plate 7).LiteratureFriedrich Winkler: Der unbekannte Sebastian Vrancx, in: Pantheon, XXII (1964), pp. 322-34, reproduced;Suyin Scheid, in: Ekkehard Mai (ed.): Das Kabinett des Sammlers, Cologne 1993, pp. 264 -266, no. 104, reproduced.The present painting illustrates the Feeding of the Hungry, the first of Seven Christian Works of Mercy. Six of these works are based on the teachings of Jesus handed down in the Gospel of St. Matthew (Mt 25:34-46), while the seventh is a supplement from the apocryphal book of Tobit (Tob. 1:17). In the foreground of this panel, several beggars are depicted as if on a stage, beginning on the left with a raggedly dressed boy between the high bases of two columns. Next to him, we see a young woman leading her blind father and finally a mother with her children being presented loaves of bread by a richly dressed couple in front of the entrance to a magnificent palace.The scene is placed in a setting of magnificent, immaculate Renaissance architecture, which contrasts sharply with the poor figures in the foreground. Between the strongly foreshortened palace facade on the right-hand side of the picture and columns on the left, joined by a classical entablature, the view looks onto a spacious square. There, the eye is drawn to a three-storey palace with open arcades on the first floor. To one side of this central axis, our view is guided towards the background on the right, upon the facade of a domed church and a bell tower as a point de vue.This panel belongs to a cycle of individual depictions of all the works of mercy, which Vrancx and his workshop may have executed several times and which always included a classical architectural background. Other panels of the same size can be found in the museum in Springfield, Massachusetts, and in the Stichting Nederlands Kunstbezit, among others. In contrast, a painting by Vrancx dated 1608 in the collection of the Niedersächsisches Landesmuseum in Hanover shows all seven works of mercy on one panel.In his home town of Antwerp Sebastiaan Vrancx was a student of Adam van Noordt, who also taught Peter Paul Rubens and Jacob Jordaens. After a stay in Rome from 1596 to 1600/1, Vrancx settled again in Antwerp, where he was accepted into the Guild of St. Luke and elected Dean of the Guild in 1612. In addition, he held numerous other offices with the rifle guilds, rhetoric societies, etc., which made him an important figure in Antwerp's artistic and social life.Vrancx was one of the first artists to specialise in depicting raids, battles and cavalry fights, and he is regarded as one of the pioneers of these genres in the southern Netherlands. He also painted views of garden parties and eleFull description on lot-tissimo.com
Lot 11
A PAIR OF LATE 18TH CENTURY MOURNING GOLD BRACELETS, CIRCA 1773-1781, FRENCH Each basket-weave brushed gold links, ending with an oval-shaped glazed locket within bell flower borders, one with hairwork lock, the other with rose gold initials, within their fitted case, mounted in 18K gold, French assay marks for Dijon late 18th century, French assay mark for date between 1773-1781, maker's mark 'JB FL', one with security chain, lengths 18.7 & 19cm, Total gross weight approx: 73.37g
Lot 338
Quentin BellPlatter with dancing female figures, circa 1980Glazed earthenware with incised decoration.Length 47cm Produced for the Fulham Pottery. Incised Fulham Pottery/Quentin Bell.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
![CEYLON - Ceylon. Archaeological Survey of Ceylon. Plans and Plates for Annual Report, 1892[-93-94] ... By H. C. P. Bell. Colo](https://cdn.globalauctionplatform.com/90ffa5c4-0670-4589-81bb-ac7e00fac987/fa951fe2-d785-41c6-8471-ac7e010f2624/468x382.jpg)
Lot 343
CEYLON - Ceylon. Archaeological Survey of Ceylon. Plans and Plates for Annual Report, 1892[-93-94] ... By H. C. P. Bell. Colombo: Printed by H. C. Cottle, 1914. Eighth - Thirteenth Reports bound in one, folio (333 x 200mm). Numerous lithographed plates, many folding, some printed in colours (a few torn). Contemporary black library buckram. Sold not subject to return.
Lot 505
STURM, Johann Christoph (1635-1703). Collegium experimentale sive curiosum in quo primaria seculi superioris inventa & experimenta physico-mathematica, spetiatim campanae urinatorie, camerae obscura, tubi Torricelliani, seu baroscopii, antliae pneumaticae, thermometrorum, hygroscopiorum, telescopiorum, microscopiorum & c. phaenomena & effecta. Nuremberg: Sumptibus Wolfgangi Mauritii Endteri, 1701 [third and fourth parts dated 1685; fifth part dated 1699]. 5 parts bound in one volume, 4to (195 x 155mm). Half title, 8 folding engraved plates including 4 mounted on stubs at the end [?extracted from another work], engraved illustrations and diagrams, some full-page, woodcut initials and ornaments, tables (some light browning, a few dark spots and small rustholes occasionally touching letters). Contemporary panelled calf, spine with tan morocco lettering-piece (rubbed, some minor erosion to foot of spine). A flying machine is illustrated on p. 64 of the first part and a diving bell on p. 4 of the second part. Graesse VI, 517 (citing the first edition of 1676); not in Brunet. Sold not subject to return.
![[BRONTË, Charlotte (1816-55), Emily (1818-48) & Anne (1820-49)]. Poems by Currer, Ellis, and Acton Bell. London: Smith, Elde](https://cdn.globalauctionplatform.com/90ffa5c4-0670-4589-81bb-ac7e00fac987/9db97a7c-850e-48ce-9961-ac7e010edbd2/468x382.jpg)
Lot 337
[BRONTË, Charlotte (1816-55), Emily (1818-48) & Anne (1820-49)]. Poems by Currer, Ellis, and Acton Bell. London: Smith, Elder and Co., 1846 [but 1848]. 8vo (169 x 110mm). Errata slip, one-page of publisher's advertisements at the end. Original green cloth with a lyre stamped in blind on the covers, blind-stamped foliate borders, spine lettered in gilt, yellow endpapers (upper joints split, some erosion to foot of spine, some light staining to covers, spine a little faded, corners bumped). FIRST EDITION, second issue. RARE. In 1846, Aylott and Jones of London published the three Brontë sisters' collection of poems under the pseudonyms Currer (Charlotte), Ellis (Emily) and Acton (Anne) Bell. This being their first appearance in print, the authors were completely unknown and the book sold very poorly, with estimates of the number of copies sold of the 1,000 printed ranging from just two to a still paltry thirty-nine. In 1847, Charlotte, still using her pseudonym, published Jane Eyre, and the book was a huge critical and commercial success. On the strength of this, her new publishers, Smith, Elder and Co., bought up the remaindered copies of Poems and published them, in 1848, with a new, or cancel, title page bearing their imprint but with the retrospective date of 1846. By this time, Charlotte's sisters had also had some success with their own novels and the publisher's advertisement at the end of Poems lists, in addition to Charlotte's Jane Eyre, Emily's Wuthering Heights and Anne's The Tenant of Wildfell Hall, whilst still using their Currer, Ellis and Acton Bell pseudonyms. Smith The Brontë Sisters 1.
Lot 504
STURM, Johann Christoph (1635-1703). Collegium experimentale, sive curiosum in quo primaria seculi superioris inventa & experimenta physico-mathematico. Nuremberg: Sumptibus Wolfgangi Mauritii Endteri, Typis Johannis Ernesti Adelbulneri, 1701. 2 parts bound in one volume including "Addenda", 4to (201 x 162mm). Half title, 4 folding engraved plates, numerous engraved illustrations and diagrams, some full-page (minor worming to first few leaves, occasional light spotting and staining, ending rather abruptly at Ii4, p.256). Contemporary speckled calf (rubbed, some staining). Second edition. A fascinating compendium of experiment and invention and including, on p. 64 of the first part, a full-page engraving of a flying machine and, on p. 4 of the second, a diving bell. cf. Graesse VI, 517; not in Brunet. With the same author's Epistola qua de ipsus principio hylarchico seu spiritu naturae. Familiari modernis hydrostaticis aëris gravitatione & elatere (Nuremberg, 1715, 2 parts including appendix [bound with the same author's:] Iridis admiranda sub rationis accuratius examen revocata (Nuremberg, 1699), uniformly-bound with the first book (as if they are two volumes of the same work, as they are sometimes considered - please see the following lot where the works are bound together). Sold not subject to return. (2)
Lot 703
A COLLECTION OF SILVER, comprising a sugar basin, of rectangular chamfered form, by A.E. Poston & Co. Ltd, Birmingham 1940, a shallow twin handled bowl, an ashtray, a bell shaped inkwell, four various napkin rings, a hand mirror, and a silver handled shoe horn and two button hooks, cased, approximately 12oz weighable (qty)
Lot 545
A 19TH CENTURY SILVER NEEDLE CASE, of tapered cylindrical form, maker's mark only for Joseph Willmore, 8.2cm, another, of reeded oval section, by Samuel Pemberton, 7.5cm, a silver mother of pearl fruit knife, by Edmund Bell, Sheffield 1902, another silver fruit knife, Sheffield 1902, a modern silver novelty cigar piercer decorated as a rifle, a nail file, and three other small items (9) Condition report: needle cases have some small dings and knocks, other items good overall.
Lot 948
A LATE VICTORIAN SILVER TABLE LIGHTER, with wrythen globular body and hinged lobed cover, on beaded circular pedestal foot, by B.H. Joseph & Co, Chester 1890, 11.5cm high, together with an Edwardian silver hand bell, Birmingham 1906, and a silver table bell, Birmingham 1911 (3) Condition report: good overall, minor knocks and scratches.
Lot 571
Third quarter of 20th century h/m silver cased reproduction carriage clock by Mappin & Webb, having blued steel hands to a silvered dial with black Roman numerals and having a foliate and floral engraved outer, further engraved detail to the top and back door, turned column to each corner with pointed finials and bun feet, top folding carrying handle, h/m London 1975, the striking movement on a bell, inscribed to back plate Mappin & Webb, 141/200 (limited edition), complete with winding key, 14cm tall
Lot 79
An Edwardian Britannia standard silver baluster sugar caster by Crichton Brothers, London 1907, with a bell shaped finial to the pierced cover, the body chased and engraved with scrollwork and cherub masks, on a conforming circular moulded spreading foot, 17cm (10 1/2in) high, 833g (26.8 oz)This is a copy of design by Paul de Lamerie, the original is in the Victoria and Albert Museum Condition Report: Slightly wobblesCover fits tightlyDecoration goodLight scratches and wear commensurate with age and useCondition Report Disclaimer
Loading...-
123939 item(s)/page