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A brass skeleton clock, late 19th century, the pierced frame with spire finials, bell striking fusee movement with axe head striker, the pierced dial later painted with roman numerals, replaced hands and raised on four bell feet and white marble plinth, ebonised base under a glass dome, restorations, 14'' high
A Victorian brass lantern clock, 19th century, in 17th century style, with turned finial and bell above four pierced brass entwined dolphin crestings over a 6.5'' engraved brass dial with roman numerals, the case enclosing a double fusee movement with anchor escapement, raised on turned brass feet, 15'' high
An oak and mahogany crossbanded longcase clock, first half 19th century, the broken scroll pediment centred by a later brass ball and eagle finial, above an arched glazed door enclosing a 13'' white painted arched enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked 'David Jones, Newtown', painted with a shepherdess and sheep in the arch and sheep to each corner, eight-day movement striking on a bell, between turned pilasters over a crossbanded frieze and ogee arched top, lozenge centred, three-quarter length trunk door flanked by fluted quarter pilasters over a further panel, ogive moulding and lozenge centred base panel and raised on bracket feet, restoration, 83'' high
A George III elm cased longcase clock, late 18th century, the ogive cornice above a lacquered frieze and square glazed door enclosing a 10'' brass dial with roman numerals and inscribed 'G Payne, Ludlow', and engraved with a rural cottage and castle scene, pieced mask head spandrels, 30-hour movement striking on a bell between turned pilasters above a full length bevelled square trunk door, ogive moulding, plain baseboard and plinth, plinth damaged, 78'' high.
A rosewood and brass inlaid mantle clock, 19th century, with fruit and leaf carved finial above an inlaid sarcophagus top and brass inlaid square glazed door enclosing 6.5'' square silvered dial with roman numerals, the sides with foliate cast ring handles and fish scale grills, eight-day double fusee repeating movement striking on a bell, and raised on bun feet, moulding losses, glazed back door cracked, 18'' high
A George III mahogany and boxwood strung longcase clock, late 18th century, the broken scroll pediment with stamped gilt brass flowerhead terminals above a boxwood and ebony strung frieze over an arched glazed door enclosing a 14'' silvered dial with rolling moon phase in the arch showing the moon and three masted ship, roman numerals, subsidiary seconds dial and date aperture and marked 'Bloor, Newcastle', eight-day movement striking on a bell, flanked by fluted brass capped pilasters over a shaped top, boxwood strung door flanked by fluted brass capped quarter pilasters above a stepped moulding and raised panel baseboard with concave corners and raised on shaped bracket feet, restorations, 92.5'' high
A monumental French serpentine marble and ormolu-mounted clock garniture, mid 19th century, the clock surmounted by bronze figures of a nymph placing a garland of flowers on a winged Eros' head, flanking an arched pillar mounted with a relief depicting Vesta, on a rectangular pedestal inset with an ormolu plaque cast in relief with putto and garlands of flowers, on a stepped plinth and four mythical beast cast bracket feet, the circular white enamel dial, indistinctly signed, with flower cast bezel, the two train brass movement with anchor escapement and strike (bell lacking), 82cm high, together with a pair of en suite five light candleabra, the leaf cast nozzles set on acanthus scrolled branches above a winged caryatid and a square pedestal mounted with cast ormolu masks and flowers, on step plinths and four engine turned feet (minor damage), 90.5cm high (3)
An early 20th century carved mahogany display cabinet, the urn and leaf scroll carved crest above an oval bevelled mirror and a raised central cabinet fitted with an astragal glazed door enclosing two velvet lined shelves, flanked to each side by a shaped bevel mirror and a glazed cabinet door enclosing a single shelf, above a bell husk and flower carved apron, on six leaf carved scrolled legs, 208cm high, 124cm wide
* Bell Aircraft and Bell-Boeing. A collection of manufacturers' press, publicity and private photographs of fixed and rotary wing aircraft built by this company, including the XFM-1 'Airacuda', the X-series experimental aircraft, tilt-rotor types, mock-ups, icing tests with the Bell 214, the Sioux in mountain terrain, technical details and similar, together with various manufacturers' brochures (hole punched for filing) plans, drawings and other technical data, contained in four modern ring binders, approx. 250 images. (4)
* Bell UH-1 (Series) Helicopter. A fine collection of manufacturers', service press, publicity and private photographs of this aircraft, many in colour, images include air-to-air, air-to-ground and ground-to-air, aircraft portraits, cockpit and technical details, armament and weapons systems, mountain rescue aircraft under production and similar; together with a quantity of U.S.A.F. related literature, contained in four modern ring binders, approx. 300 images. (4)
* R100 - Unique Relics. The original Forward and Aft aluminium framed engine telegraphs, inscribed A. Robinson & Co. Ltd., Manufacturer, Bootle, Liverpool, annotated with engine r.p.m. data with instructions and geared bell-crank mechanism, bell, cable drum and mounting plates, the glazed covers within aluminium frames, 9 7/8' (25.2 cm) dia.; a bulkhead overhead lamp socket; a fragment of framework fabric and a length of control wire; together with associated correspondence from Elton, Levy & Co.. (-)
Bentley Motors Ltd. Colour print of racing cars at Brooklands, 1931, pub. P.M. Greenwood, n.d., c.1980's, colour print after the watercolour by Bryan de Grineau, signed in pencil by Walter Hassan, O.B.E., and inscribed for `the Bell Hotel Charlbury', marked `Proof', approx. 42 x 58cms., framed and glazed. (1)
Bell, Currer [Bronte, Charlotte], Villette, London, Smith, Elder & Co, 1853, 8vo (195 x 120mm.), three volumes, occasional spotting, volume I lacking publisher's catalogue at end, some spotting, bookseller's description partly removed from front free end-paper, later red half calf, green morocco lettering pieces, First Edition
Bloomfield, Reginald, A History of French Architecture from the death of Mazarin till the death of Louis XV 1661-1774, London, G. Bell and Sons Ltd, 1911, 4to (275 x 185mm.), half titles, titles printed in red and black, title vignettes, plates, and illustrations, original brown cloth, spine lettered in gilt With a duplicate 1921 edition of the above work, bound uniformly
Buckler, George, Twenty-two of The Churches of Essex, London, Bell and Daldy, 1856, 4to (260 x 170mm.), lithographed frontispiece, title illustrated, initials, head-pieces, and 29 plates, frontispiece loose, signed by the author on the front free endpaper, contemporary cloth, rebacked Author's Copy
Roberts, W., Memorials of Christie's A Record of Art Sales from 1766 to 1896, London, George Bell and Sons, 1897, 8vo (250 x 160mm.), two volumes, titles printed in red and black, 2 half titles, 2 colour frontispiece plates, plates, head-pieces, and initials, original two tone cloth, spines lettered in gilt, t.e.g.
Morris, Frances Orpen (1810-1893), The Ancestral Homes of Britain; containing examples of its Noblest Castles, Halls, and Mansions, London, Bell and Daldy, 1868, 4to (270 x 210mm.), coloured illustrated additional title, colour frontispiece plate, and 38 colour plates, contemporary red morocco gilt, g.e.
Bell, Gertrude, & Sir Kinahan Cornwallis (introduction), The Arab War confidential information for general headquarters from Gertrude Bell being despatches reprinted from the secret 'Arab Bulletin', London, The Golden Cockerel Press, 1940, 8vo (250 x 185mm.), original Niger green morocco backed spine by S & S of London, spine lettered in gilt, t.e.g., No. 197 of 500 Limited Edition copies
A good collection of Victorian painted papier mache items, painted with sprigs of buttercups, bell flowers and butterflies, to include 5 various folding wall sconces, 3 graduated pots & cover, a circular tray, a crumb scoop & matching brush, 2 x blotters, a glove box & three graduated box & covers,/17.
A 19th century mahogany longcase clock, arched painted dial, black Roman numerals, date aperture and subsidiary seconds, (defective), inscribed 'Wetherell Dudley Port', triple arched Gothic crossbanded door enclosed by half turned baluster pilasters, panel base on tapering bracket feet, 8 day movement striking on a bell, 234cm high overall
A good 19th century open mahogany eight day long case clock by M Moody of Cambridge striking on a bell. The arched top with triple brass finials and applied jewelled decoration. Revealing a painted dial with a church and cottages. The case flanked by turned pilasters and an arched top door, raised on a shape bracket plinth. 88 1/2" high.
An early 20th C French mantle clock in a lyre form onyx case with classical style ormolu mounts and swags. The dial bezel inset with diamante 8 day bell striking movement by A D Mougin and with platform cylinder escapement. The white circular enamel dial with Arabic numerals and decorated with floral swags and with pierced and gilded hands. 15" High.
Bible [English]. The Holy Bible, Containing the Old Testament and the New ..., printed by Charles Bell, and Thomas Newcomb, 1696, occn. minor marginal annotations, early 19th c. leaf of genealogical notes in manuscript bound in before New Testament, title and first few leaves of Book of Common Prayer at end of vol. archivally repaired, some fraying to outer corners towards rear of vol., modern antique-style blind-panelled full calf, gilt dec. spine with crimson morocco label, folio (1)
Bronte (Charlotte, "Currer Bell"). The Professor, A Tale, 2 vols., 1st ed., 1857, half-title present to second vol. only, without pubs. ads., some soiling and marks to margins, first few leaves to second vol. restrengthened to inner margins, near-contemp. library cloth, rubbed and minor fraying to extrems., 8vo. Sadleir 347. (2)
A small walnut longcase clock, circa 1680, 9.5-inch latched dial with cherub spandrels, narrow chapter ring, finely matted centre with seconds dial and calendar aperture, signed Eduardus East, Londini along the lower edge, the bell striking movement with seven ring-turned knopped latched pillars, outside count wheel and external detent, bolt and shutter maintaining power, the associated but contemporary case with moulded flat top rising hood, spiral pilasters and long glazed side panels, long rectangular trunk door, the plinth with later bun feet 190.5cm., 6ft.3in. high.
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123509 item(s)/page