Good three train longcase clock movement, the 12" brass arched dial signed S. Asselin, London on the brass chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the movement playing on a nest of six bells and striking the hours on a larger bell (winding key)
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Good mahogany three train longcase clock, the 12" brass arched dial with silvered chapter ring signed Morgan, Leominster, enclosing a foliate engraved centre with subsidiary seconds dial, also with a calendar dial to the arch, the movement playing on a graduated nest of eight bells and striking the hours on a larger bell, the flame mahogany case with long door flanked by quarter fluted columns and the hood surmounted by a pierced rounded diaper cornice over a blind geometric fretwork carved pediment, 90" high (pendulum, three weights and keys) *This clock has been privately owned by the same extended family for over 100 years
Good English ebonised and ormolu mounted double fusee lancet bracket clock, the 7" white enamel dial signed Richard Ganthony, Lombard Street, the movement with adjustable pendulum and striking on a bell, within an ormolu bound lancet stepped case with raised geometric decoration, 15.75" high (restored dial), (pendulum and door key)
Large Black Forest two train mantel clock garniture, the S. Marti movement with outside countwheel striking on a bell, the 5.25" dial with Roman cartouche blue enamel numerals, within a demi lune case carved overall with birds and chicks amidst foliage, 27.25" high; also with a pair of matching vase side pieces with fluted cut glass trumpet bowls, 17" high (pendulum and key)
Fine French Empire bronze and ormolu portico two train swinging pendulum mantel clock, the 3.5" silvered chapter ring enclosing an engine turned centre signed Paul Garnier á Paris, the movement also signed Paul Garnier, Horloger Du Roi, with outside countwheel and striking on a bell, within an ornate foliate cast case under a regulated gridiron pendulum, over a pendulum swinging scale fitted to the top of the stepped base with egg and dart cast frieze, the tapered columns also cast with foliate bands and surmounted by an ornate stepped pediment applied and pierced with foliate ormolu mounts, 21.25" high
Good French bronze and ormolu two train waterfall mantel clock, the Pons movement no. 3821 with silk suspension, outside countwheel and striking on a bell, the 3.5" silvered dial within a drumhead casing cast with foliage over a bronze pillar fitted with an ormolu mask gargoyle over a shell receptacle, upon a stepped rectangular base with ormolu cast egg and dart frieze, 17.25" high (pendulum and key)
A French patinated and gilt metal mounted marble figural mantel clock garniture, late 19th century, the eight-day bell striking movement with circular white enamel Arabic numeral dial, set into a case cast with foliate surmount and with dolphins behind, on shaped pink and brown veined moulded white marble base with cast feet, 47cm high; with a pair of matching urn side pieces, 37cm high
The Diary of Samuel Pepys in eight volumes (G. Bell & Sons 1893), Pepysiana and three books of the Correspondence of Samuel Pepys 1662-1703, together with twenty books of Shakespeare (Dent & Co. 1901), Decorative Textiles by George Leland Hunter, The Soapmaker’s Private Manual, Oliver Cromwell by John Buchan and The Brighton Pavilllion by Hugh Walpole.
Rozanne Bell (South African b.1962 - ) Original Oil On board 'Church On The Hill' A large landscape image depicting whitewashed church and surrounding dwellings amongst autumnal fields. The whole finished in impasto oils, signed to bottom centre in umber oil. Housed in contemporary black and pewter distressed frame with broad white inner mount. Excellent condition, 39 x 14.5 inches. Provenance, purchased by our client in 2011 - Hepplestone Fine Art.
FIVE JAPANESE WOOD NETSUKE EDO/MEIJI PERIODS Four carved as figures, one beating a drum with a two character mark to the base, another a temple servant polishing a giant bell, the third with a moveable head holding a brazier and the last holding a fan, the fifth netsuke depicting a monkey dressed as a monk, all unsigned, 7.7cm. (5)
Interesting collection of European PGA golfing tournament related items: Lancôme Golf Tournament bag and 5x Eau de Toilette fragrance in the original boxes (not for sale to the public); 2x 1970 European Bronze medals in original cases; Seve Ballesteros European Open set of Bridge Playing cards unused and boxed;1975 Carnoustie Open Golf Championship glass butter dish; Woburn Golf Club Money Clip and Pitch repairer in original box;2x Heineken Open golf caddie and staff pin badges; Golf dice game c/w instructions; Dunlop style reproduction brass Caddie bell; quantity of BT Open Golf Championship phone cards still in their wrappers: 1940's Elgin American Co cigarette case; Radio Shack computer golf game in original box; Bob Hope Music Box et al and Craftsman Quality Lockers makers light stained wooden wall clock (needs attention) - overall 15.5" dia - all ex Brian Bellinger US and PGA Tour caddie (35plus#)
Wilberforce, H.W.W. - 'Lawn Tennis' 1891 Book - The All-England Series published London: George Bell & Sons, 2nd edition, 78pp with adverts to front and back, bound in red decorative cloth boards, some damage to front board, marks present otherwise in A/G condition. Note: Directly from the private collection of London Tennis Racket maker H. Preston.
A mid-18th century longcase clock by Robert Davis of Burnley with later carved oak case, the longcase has profuse relief carving throughout, the caddy-topped hood has free-standing barley twist columns over carved reeded quarter columns to the trunk, the base has a raised panel, reeded canted corners, standing on carved bun feet, the 12-inch dial has mask and foliate spandrels, signed chapter ring, matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the weight-driven movement has an anchor escapement and internal countwheel striking on a bell
A late 19th-century skeleton clock in the form of York Minster, attributed to Evans of Handsworth, Birmingham, the twin chain fusee movement has six-spoked wheels, anchor escapement, rack striking on a gong and passing half-hour strike on the centrally mounted bell, the pierced silvered chapter ring has Gothic Roman numerals and blued-steel hands, 58cm high(including gilt wood plinth)
A late 19th-century skeleton clock movement and plinth, the single chain fusee movement stands on a white marble base, has anchor escapement, and passing strike on a single bell, the silvered pierced chapter ring has Roman numerals on shield medallions interspersed by fleur-de-lys motifs, 46cm (including plinth)
A late 19th-century French oval four-glass mantel clock by S. Marti of Paris, the brass case has opening front and back and is glazed with four curved and bevelled glass panels, the two-piece enamel dial has visible Brocot escapement with ruby pallets, Roman numerals and fleur-de-lys hands, the 8-day bell-striking movement has a polished brass and steel pendulum, 32.5cm high
A third quarter of the 18th century oak 30-hour longcase clock by John Roberts of Wrexham, the hood with moulded cornice over freestanding ornately turned spindle columns, the trunk with quarter columns and crossbanded door stands on a rectangular base with tall plinth, the 12-inch signed brass dial has rococo spandrels, subsidiary seconds dial, and calendar aperture, the weight-driven movement has external countwheel striking on a bell, and anchor escapement, 206cm high.
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