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19th Century oak longcase clock having broken arch pediment over a brass dial with spandrels, silvered chapter with Roman numerals and moon phase subsidiary seconds and date aperture, having two train weight driven movement striking on a bell, the case having single flush panelled door flanked by quarter reeded pilasters and conforming plinth base with bracket feet (with pendulum and winder).
Mahogany line inlaid longcase clock having rectangular hood with broken arch dial, gilt and foliate painted decoration, Roman numerals, subsidiary seconds and date dial with two train weight driven movement striking on a bell, over a flush panelled door with conforming plinth base raised on bracket feet
A GEORGE III MAHOGANY AND STRING INLAID LONGCASE CLOCK, the hood with swan neck pediment above fluted frieze and fluted and turned columns, the silvered dial decoratively engraved with figure scenes emblematic of the seasons within the spandrels, church and buildings within the chapter ring and a horse drawn carriage to the arch, subsidiary seconds dial, date aperture and inscribed `Geo Miles, Sodbury`, the crossbanded eight day movement striking on a bell, 93" high
A George III mahogany longcase clock signed Thomas Trigge, London, the caddy top above brass and silvered dial with subsidiaries seconds dial and calendar dial to the arch, flanked by rococo spandrels, the arched trunk door between stock fluted quadrant corners on plinth base, the eight day movement striking the hours on bell, 240cm height
A PAIR OF DERBY VASES, PROBABLY OUTSIDE-DECORATED of bell shape with entwined gilt handles, painted possibly by William Billingsley with large groups of flowers and two further blooms to both sides, the flared rim and cavetto foot gilt, 13cm h, painted 7 or 12 in grey, c1795 ++Foot of one vase restored
AN ENGLISH BRONZE SHIP`S BELL crowned GRVI cipher, 26cm h, 1937-52 and a Victorian engraved pictorial trade card of Nathaniel Reed Wescott Church Bell Founder 64 Redcliff Street Bristol, printed in blue, 10 x 15.5cm, brass frame (2) ++The bell with a number of knocks and marks; lacks clapper
A GEORGE III OAK LONGCASE CLOCK the brass dial signed on the chapter ring Bell Uttoxeter, having matted centre, subsidiary seconds dial, date sector and eight-day movement, in crossbanded case with cavetto pediment, carved frieze and fluted pillars to the hood, the trunk enclosed by a breakarched door, 205cm h ++The movement and dial associated to the case, the seatboard resting between the cheeks, the movement and dial in good condition, cleaned and overhauled some years ago, the case lightly repolished and slightly faded
A Victorian six piece silver tea set, by William Hunter, London 1842/1843, comprising: a teapot of ovoid shape, the upper body chased with floral scrolling, insulated scroll handle, the flush hinged cover with flattened bell shaped finial, 21.5cm; another smaller teapot of compressed globular form, 16cm; a large teakettle on warmer base, 43cm; together with two companion milk jugs, 13.5cm and 12.5cm and a sugar basin, 13cm, 188.25oz (6)
A 19th century French ormolu and marble clock garniture, the urn topped arched case with 8.5 cm enamelled dial flanked by four fluted tapering columns with Marti bell striking movement, upon a shaped base and four toupie feet; together with a pair of matching twin branch candelabra, clock 33cm high (3)
An 18th century Swedish parcel gilt beaker, C. Jahlberg, Uppsala, of traditional conical form, with moulded edge above a wrigglework band over a row of bell shaped flowers, the upper body engraved with shell scrolling, the lobed foot also with wrigglework band, later inscribed, 19cm high, 12.75oz
A matched silver three piece tea service by the Barnard Bros., the tea pot by Edward & John Barnard, London 1865, the cream jug and sugar basin by Edward, Edward junior, John & William Barnard, London 1831, lobed circular with foliate and flower shoulders, the tea pot with a melon and leaf finial, leaf-capped and bell flower S-scroll handle, on anthemion and scroll feet, engraved with a monogram, the tea pot 31cm (13in) long, 1446g (46.45 oz) gross
A late Victorian gold, aluminium and enamel Royal presentation bangle, dated 1879, the oval clasp with a central enamel portrait of Queen Victoria, the back of the enamel plaque signed ‘Queen Victoria painted by W. C. Bell 1879’, within a dark blue enamel surround, applied with aluminium entwined branches, with a red enamel crown at the top, an enamel English rose and Scottish thistle to the left and right, and a pale blue plaque at the base engraved VR, the reverse of the clasp engraved ‘To Lady Southampton from her affectionate VR February 1879’, on a tapered gold hinged bangle, the centre applied with entwined aluminium stems and polished aluminium borders, 6.1 widest inner diameter. Lady Ismay Catherine Southampton (née Nugent) (died 1918), was the second wife of 3rd Baron Southampton and Lady of the Bedchamber to Queen Victoria. Provenance: By family descent. See Gere, C., and Rudoe, J., “Jewellery In The Age Of Queen Victoria”, British Museum, London 2010, p204 for an aluminium and gold bangle modeled by Honore Bourdoncle, given to Queen Victoria in 1857.
A FRENCH GILT-BRONZE MANTEL CLOCK, 19th CENTURY, the drum-shaped case flanked by a girl holding wheatsheaves, the white enamel dial with Roman numerals, twin barrel movement with outside count wheel striking on a bell, stamped "Linetaine Paris", on a giltwood stand (originally with glass dome, now lacking). Width 35cm
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123509 item(s)/page