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A Victorian brass skeleton clock, having a white painted dial with Roman numerals, single winding hole for a chain driven eight day four pillar fusee movement with anchor escapement and striking on a bell, housed under a glass dome (dome a/f) on a marble plinth, height 41cm (excluding glass dome)
A circa 1800 oak and mahogany longcase clock, having broken swan neck pediment with satinwood fan inlays above twin fluted pilasters flanking arched brass dial (width 12 inches), signed to the arch William Sykes, Holbeck painted with a figure scene above a brass chapter ring with Roman and Arabic numerals, cast brass scroll corner spandrels, the centre with scroll leaf engraving, subsidiary seconds dial and date dial, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the case having quarter turned fluted pilasters flanking oak and mahogany banded door above a mahogany and oak box base, height 220cm
A circa 1800 oak and mahogany longcase clock, having a small swan neck pediment above twin fluted pilasters flanking brass arched dial (width 12 inches), the dial with Roman numerals, C scroll cast corner spandrels, subsidiary seconds dial and signed J Mawkes, Derby (face extensively restored), twin winding holes for an eight day brass four pillar twin train movement striking on a bell, the oak case with all-over oak and mahogany crossbanding, quarter turned fluted pilasters flanking conch-shell inlaid crossbanded door above a box base on bracket feet, height 208cm (see lot 415 for illustration)
An early 19th Century mahogany longcase clock, having a swan neck pediment above twin fluted pilasters flanking painted arched dial (width 12 inches), signed to the centre Thomas Scott of Gainsbro, having Roman and Arabic numerals, subsidiary seconds dial and rolling date dial, twin winding holes for a brass eight day four pillar movement striking on a bell, the case having marquetry floral urn inlaid panelled door within quarter turned fluted pilasters to a further marquetry inlaid box base raised on ogee bracket feet, height 215cm (see lot 415 for illustration)
A 19th Century French painted bisque mantel clock, the case surmounted with winged cherub flanked by twin classical maidens bearing gifts above a convex white enamel dial with Roman numerals and signed to the centre Lesevre Suc de BELLE, Paris brass eight day cylinder movement with outside count wheel striking on a bell, the case with gilt brass mounts and raised on turned brass feet (with restoration), height 41cm.
A 19th Century French gilt bronze and white marble mantel clock, having pedestal urn and cover finial issuing fruit and flowers on a white marble plinth above a convex white enamel dial with Roman and Arabic numerals and signed Balthazard, Paris, twin winding holes for an eight day brass cylinder movement with outside count wheel and striking on a bell, all supported on two cherub mounted scrolls with applied leaf and flower decoration on a stepped beaded and further grape and vine leaf applied plinth to a marble base, turned feet, height 56cm (see lot 300 for illustration)
A French Louis XV style bronze mantel clock in the form of an elephant supporting convex white enamel dial with Roman and Arabic numerals and signed Lenoir, Paris, twin winding holes for a brass eight day cylinder movement with outside count wheel and striking on a bell, the whole surmounted with a winged cherub and raised on a Rococo base, circa 1855, height 45cm
A mid 19th Century French porcelain and gilt bronze mounted clock (converted to a table lamp) in the form of a pedestal urn with inset enamel clock face, painted with flowers and having Roman numerals and twin winding holes for a Japy Freres cylinder movement with outside count wheel and striking on a bell, the whole with all-over gilt bronze mounts including ram mask sides, shaped circular base adorned with twin cherubs, height 45cm (see lot 433 for illustration)
A hallmarked silver canteen of cutlery for twelve place settings comprising of table and dessert forks and spoons, teaspoons, soup spoons. six table spoons and two sauce ladles and twenty four silver handled knives with a set of carvers all decorated with a ribbon and reed border and contained within a mahogany twin drawer case raised on four cabriole legs. Sheffield 1982, Roberts and Bell.
A mid 19th century French gilt and silvered brass portico clock, the Chappuis a Paris twin train drum movement with outside count wheel, silk suspension striking on a bell, stamped 1368, the circular ormolu dial cast with twelve petals and bearing Roman hour numerals, the lancet shaped case surmounted by crocketed finials above the figure of a kneeling and praying lady at an altar, flanked by cluster columns, above a patterned stepped plinth, on crenated feet, 55cm high
A late 19th century French ormolu and champleve mantel clock, of arched form, the ‘CAF’ twin train drum movement with anchor escapement striking on a bell, the gilt and champleve enamel dial bearing Roman hour numerals, surmounted by a cupola above turned columns with putti, on a shaped plinth and turned feet, complete with a separate giltwood plinth, 45.5cm high in total
A George III oak longcase clock, the twin train movement with anchor escapement striking on a bell, the twelve inch white painted break arch dial with moon phase, subsidiary seconds dial and date aperture, with fruit and flower painted spandrels, marked for Thomas Felton, Handsworth, the hood with swan neck pediment and reeded Corinthian columns, the trunk with mahogany cross banded door between reeded quarter pilasters on plinth base and bracket feet
A set of seven George III Hepplewhite period mahogany dining chairs, to include an open armchair, the triple arched back carved with bell husk pendants above a pierced vase shaped splat and a drop in seat flanked by out scrolled arms, on square moulded legs united by H-shaped stretchers, single chairs with faults, together with a George III mahogany open armchair, the serpentine cresting rail above a vase shaped splat, out scrolled arms and a stuff over seat, on square moulded legs united by a H-shaped stretcher, some later carving (8)
A George III style mahogany demi-lune side cabinet, early 20th century, the shaped top above a central frieze drawer above a cupboard door, flanked to each side by a hinged drawer, a cupboard door and leaf and bell husk carved uprights, on four square tapered legs with spade feet, 91.5cm high, 122.5cm wide, 53cm deep
An early 19th century English porcelain trio, comprising a breakfast cup, a coffee cup and saucer, each painted to the centre with flower spray within a gilt foliate and orange band and a gilt bell husk cobalt blue border band, the saucer 17cm diameter, an English porcelain Bute shaped teacup and saucer, with gilt greek key and cobalt blue banded borders, the saucer 15cm diameter, an early 19th century English porcelain breakfast cup and saucer, each piece painted with flower sprays amidst gilt foliate scrolls, possibly Derby, the saucer restored, 16cm diameter, a pair of mid 19th century English porcelain mugs, each decorated with three gilt oval reserves, two flower painted the centre inscribed ‘remember me’ and ‘forget-me-not’, on a cerise ground, 8.5cm high (9)
A pair of rare Chinese export pugs, Quinlong, circa 1760, each seated, with brown painted hair, with black pupils on white eyes, and with red collar suspending gilt bell (2) 18cm high Literature: David S Howard 'The Choice of the Private Trader: The Private Market in Chinese Export Porcelain illustrated from the Hodroff Collection', number 331. David S Howard 'A Tale of Three Cities: Canton, Shanghai & Hong Kong", number 177 This type of pug was not as popular as spaniels. This pair has long ears, without European clipped ears.
Mackay and Chisholm, Edinburgh A late Victorian oak cased 8-day bracket clock, the twin train fusee movement with anchor escapement striking on a bell and gong with richly chased arched brass dial, silver chapter ring and subsidiary strike/silent and a slow/fast dials, the case profusely carved allover with scrolling foliage, the domed top incorporating green man above a caryatid pilasters and sides with pierced panels on gadrooned and stepped plinth bearing inscribed silvered plaque 68cm high
An early 19th century stained mahogany 8-day longcase clock, the twin train movement with anchor escapement striking on a bell, the incised arched brass dial with silvered chapter ring and subsidiary seconds dial and date aperture, incorporating moonphase with tidal dial indicating High Water in Leith, the hood with swan neck pediment and wrythen columns, panelled trunk door with similar columns, base with plinth and turned feet 230cm high
Tobias Fletcher, Barnsley A late 18th century oak and mahogany crossbanded 8-day long case clock, the twin train movement with anchor escapement striking on a bell, circular brass dial with subsidiary seconds dial, hood with swan neck pediment above plain trunk, quarter scroll columns, square base 221cm high
J Barns, London An 18th century mahogany musical long case clock, circa 1770, the twin train movement striking quarters and half on eight bells and hours on one bell, pull repeat, arched brass dial with strike silent to the boss, the chapter ring with Roman and Arabic numerals and subsidiary seconds dial and date aperture, the case with pierced fret surmounts above quarter reeded columns, central oval paterae and panel base 245cm high Note: Many Barns are recorded, stylistically the spandrels are similar to those illustrated in Loome's book indicating 1760-85
A brass framed musical skeleton clock of Gothic design the silvered chapter ring with Roman numerals on shield shaped plaques headed by crowns inscribed 'Barns Nottingham England' with calendar sweep eight day movement striking on a bell and chiming on eight bells on moulded conical feet the bow end verde marble plinth beneath a glass shade
A bronzed brass four-glass mantel clock in rococo revival style the ivory enamelled dial with Roman chapter ring and visible escapement eight day movement striking on a bell mercury pendulum bevelled glass panels the case of scrolling rectangular form cast with flowers leaves and rocaille 39cm high
A French porcelain gilt metal mantel clock in Louis XVI style the circular 'Svres' dial with Roman chapter ring the centre painted with Cupid and musical trophy reserved on a dark blue ground eight day movement striking on a bell the beaded cylinder case beneath a porcelain bodied two-handled urn and supported by flower sprays the bow-end breakfront base beneath a tasselled lambrequin framing a porcelain panel painted with a Grecian maiden holding a flower spray infant demi-figures issuing from acanthus scrolls to each side 42cm high mid-19th century
A mahogany musical bracket clock the arched silvered 20cm dial with Roman and Arabic chapter ring engraved oak spray spandrels the centre with fruit flower spray and basket the arch inscribed 'Thomas Doughty Wisbeach (sic)' and inscribed with seven airs - 'Psalm Minuet Lango Lee Song Wars Alarms Waterman Changes' eight day repeating movement striking on a bell and chiming on nine bells floral engraved backplate the stepped rectangular moulded bell top case with brass lifting handle and pierced floral spandrels arched glazed side panels brass leaf scroll feet 51cm high excluding handle
A mahogany longcase clock the enamelled 33cm dial painted to the arch with anglers in a river landscape the spandrels with Eastern scenes Roman chapter ring seconds dial and calendar sector pierced brass hands inscribed 'J. Hummel & Co Derby' eight day movement striking on a bell the hood with moulded barrel cornice above fluted tapering pilasters the trunk with an arched door flanked by lotus turned split balusters above a canted base outlined throughout with pollard oak bandings on bracket feet 220cm high
An oak and mahogany longcase clock the enamelled 33cm dial with floral painted arch and spandrels Roman chapter ring calendar sector inscribed 'Thos Hallam Nottingham' thirty hour movement striking on a bell the arched hood with brass mounted swan neck pediment above brass mounted freestanding pillars the trunk with arched door and canted strung angles panelled base mahogany veneers and bandings throughout and inlaid with stringing 221cm high overall
An oak longcase clock the brass 33cm dial with dolphin and eagle spandrels silvered Roman and Arabic chapter ring the matted centre with engraved leaf scrolls calendar sector and lunar phases inscribed 'John Schofield' eight day movement striking on a bell the hood with barrel cornice and turned finials above freestanding turned pillars the plain case with arched moulded trunk door flanked by reeded canted angles 226cm high (composed)
An oak longcase clock the square 31cm enamelled dial with Roman and Arabic chapter ring subsidiary seconds dial calendar aperture pierced brass hands eight day movement striking on a bell the square hood with moulded cornice above brass mounted fluted pillars the trunk with arched moulded door flanked by fluted canted angles outlined with mahogany crossbands on a moulded plinth 203cm high
An oak longcase clock the enamelled 30cm dial painted to the arch with a seated neo-classical maiden in an oval within raised burnished gilt wheat and barley cartouche the spandrels conforming Arabic chapter ring subsidiary seconds dial calendar sector pierced hands eight day movement striking on a bell the arched hood with brass mounted swan neck pediment and spire-and-ball finial above brass mounted plain tapering pillars the trunk with an arched moulded door outlined throughout with mahogany crossbands skirted base 203cm high overall
An oak longcase clock the enamelled 31cm dial with rustic arch and rose spandrels Roman chapter ring cut brass hands calendar sector indistinctly inscribed thirty hour movement striking on a bell the hood with brass mounted swan neck pediment and plain freestanding pillars re-entrant trunk door flanked by canted angles outlined with stringing and crossbanded borders on bracket feet 213cm high
An attractive wool and silk tapestry border fragment with an ovoid baroque cartouche containing a figure of Spring with flowers above and spray of tulips and irises beneath. Probably Aubusson late 17th-early 18th century 65in. x 23in. 165cm. x 59cm. Reweaves and repairs. And two bell pulls one in wool crewel work with silk highlight the other in wool gros point both with original ornate tassels probably English mid 19th century. Sold as a collection with all faults not subject to return./t
A mid 19th Century French brass mantel clock, the ornately cast rectangular case centred by a round dial, with Roman numerals above an acanthus mask within florentine scrolls and flanked by high relief female caryatid's, surmounted by two figures in a boat, on scroll feet, the two-train movement chiming a bell, 58cm high.
A Meissen porcelain bell, late 19th Century, reserve decorated port and ruin scenes interspersed by flowers against a turquoise ground, underglaze blue AR mark, together with a Meissen porcelain inkwell and stand, the well reserve decorated flowers against a pink scale ground, the stand similarly decorated within a pierced floral border, blue crossed swords mark.
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123896 item(s)/page