A George III oak and mahogany long case clock, the 32cm arched painted dial with Arabic numerals, floral spandrels, painted ship to arch, subsidiary date aperture, thirty hour movement striking on a bell, the hood with swan neck cresting terminating with brass stamped roundels turned columns, arched door to wast centred by an urn patera, plinth base bracket feet, 221cm high, c.1800
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A George III oak and mahogany long case clock, the square 30cm enamelled dial inscribed William Jones, Ludlow, gilt spandrels, Roman numerals, subsidiary seconds dial and date apertures, twin winding holes eight day movement striking on bell, the hood with swan neck cresting terminating with brass roundels, fluted columns, rectangular door to waist flanked by brass capped fluted quarter columns, plinth base bracket feet, 209cm high, c.1800
A George III oak long case clock, the 33cm arched painted dial inscribed Jas Bown, Matlock, floral spandrels, floral bouquet to arch, Arabic numerals, thirty hour movement striking on a bell, the hood with swan neck cornice, terminating with brass floral roundels, turned columns, short and panel to waist, inlaid with shell and floral patera, plinth base, 216cm high, c.1820 James Bown II of Matlock was the son of James Bown I (1740-1811) who marred Elizabeth Stevenson in 1762. James, junior, was born in 1764, being apprenticed to his father 1778-1785 before succeeding him, and he was still working at his death c. 1847. The family are recorded as blacksmiths at Matlock back to the mid-16th century.
A George III oak long case clock, the 36cm arched painted dial indistinctly inscribed, painted with figures allegorical of the four continents to spandrels, landscape to arch, Roman and Arabic numerals, subsidiary seconds and date dial, thirty hour movement striking on a bell, the hood with swan neck cresting terminating with brass roundels, turned columns, shaped door to waist, flanked by fluted square columns, 228cm high, c.1800
A George III Scottish mahogany long case clock, 32cm circular dial , inscribed George Edward, Glasgow, Roman numerals, subsidiary seconds and dates, twin winding holes eight day movement striking on a bell, the domed hood centred and flanked with gilt brass ball and spire finials, fluted Corinthian columns, shaped door to waist, bracket feet, 211cm high, c.1820 George Edward was a member of a family that had begun clockmaking in Edinburgh in 1732, although he himself was born c. 1768, set up in Glasgow c. 1790 and was still working in the City when he married a second time in 1814.
A George IV oak and mahogany long case clock, the 31cm arched painted dial inscribed G. Younge, Selby, painted architectural spandrels, figure to arch, Roman numerals, subsidiary seconds dial, twin winding holes, eight day movement striking on a bell, the hood with swan neck cresting, terminating in brass turned roundels, ball and spire finials, shaped rectangular door to waist, shell patera, canted angles, shaped plinth base, 221cm high, c.1830 George Younge was born 1798, apprenticed in 1812 and set up in Selby in 1820.
A large George III mahogany long case clock, the 35cm arched brass dial inscribed William Boot, Sutton, pierced spandrels and fret work to arch, Roman and Arabic numerals, subsidiary date dial, twin winding holes, eight day movement striking on a bell, the hood with swan neck cresting terminating with flowerheads, turned columns, shaped door to waist, centred with a shell patera, canted angles, bracket feet, 240cm high, c.1790 William Boot of Sutton-in-Ashfield, was a member of an extensive dynasty of clockmakers in the town founded by his father John and which included James Foxton. William was born 1735, apprenticed to his father 1749-1755, married Elizabeth Hufton in the latter year and worked until his death in 1792, when he was succeeded by his sons John and William.
A Victorian mahogany long case clock, the 34cm arched painted dial inscribed John Smith, Derby, painted with the four continents to spandrels, lunar phases to arch, Roman numerals, subsidiary second and date dial, twin winding holes, eight day movement striking on a bell, the hood with swan neck cresting terminating with draught turned roundels, turned columns, shaped door to waist, flanked by fluted angles, bracket feet, 220cm high, c.1840 John Smith (1813-1886) was born at Hognaston, where his father was a tenant farmer, but who sprang from a line of braziers in Derby. He was apprenticed to John Whitehurst II in 1827, becoming an employee with his son, John Whitehurst III in 1834. He resigned after a disagreement with the works manager, Thomas Wodward in 1846, and set up on his own at 126, Nun Street, Derby moving to 27, Queen Street as John Smith & Sons in 1850, and his posterity ran the firm from these premises until 1999 when Smiths, since the 1870s concentrating on turret clocks, moved to Alfreton Road, Derby. The present clock probably dates from the 1850s. The artist who painted the dial seems to have been a prolific local man; another clock (by a different maker) has been noted with the same country house in the breakarch. The artist probably had to hand engrave Basildon Park, from J. P. Neale, Views of Seats, etc., 2nd Series, (4 Vols., London 1825) II, although the rendition here is slightly simplified and impressionistic
An 18th century oak long case clock, 25cm square brass dial, inscribed Webster, Salop, Roman and Arabic numerals, subsidiary date aperture, pierced spandrels, thirty hour movement striking on bell, he rectangular hood with ogee cornice above a pierced frieze, turned columns, shaped rectangular door to waist centred by a seven pointed bog oak and sycamore star burst, plinth base, bracket feet, 197cm high (altered) James Webster of Shrewsbury was born at Sheriff Hales in 1707, married there in 1744 to Ann Liversage, having set up in Shrewsbury in 1730; he was working there 1750-1760 and was succeeded by his son Robert (born at Shrewsbury 1755), working at Madeley 1776-1787 and at Shrewsbury to 1805
A 19th century oak and mahogany long case clock, the 34cm arched painted dial inscribed Chas Wratten, Cheadle, with architectural spandrels and lunar phases to arch, Roman numerals, subsidiary seconds and date dials, twin winding holes, eight day movement striking on a bell, the hood with swan neck cresting terminating with floral roundels, inverted brass capped Corinthian columns, short door to waist, flanked by fluted quarter columns, plinth base, 220cm high, c.1840 Charles Wratten was born at Holborn in 1811; his brother George remained in London at a watchmaker, both living 1855
A George V rounded rectangular trinket tray, beaded border, the field embossed with fan paterae and ribbon-tied bell husk pendants, 22.5cm wide, William Neale & Son Ltd, Chester 1914; a George V sauce boat, pie crust rim, capped double scroll handle, hoof feet, 16cm long, Birmingham 1915; a George VI five bar toast rack, angular loop handle, canted arched divisions, 7.5cm long, E Viners, Sheffield 1940; a George V tankard mustard, hinged domed cover, shell thumbpiece, scroll capped handle, skirted base, 6cm high, Mappin & Webb, Birmingham 1915 (4), 9oz gross
A Queen Anne Britannia standard baluster sugar caster, knop finial, lofty bell shaped cover drilled and pierced with bands of stylised geometric and leafy forms divided by a girdle, further girdle to centre, moulded circular foot, crested, 18.5cm high, John Fawdrey, London 1711, 8oz The crest is that of an untitled member of the family of the Nottingham banker Abel Smith, whose numerous descendants include the Lords Carington (briefly Marquesses of Lincolnshire). Locally members of the family were seated at Duffield Hall and Wingfield Park.
A large silver quaich, by Adie Brothers, Birmingham 1922, of usual form, 19cm across, handle to handle; with a late Victorian silver double bon bon dish, Sheffield 1898, the trefoil embossed bowls with a fixed overhead handle; 400g (13 ozs) gross; Mexican oval dish, stamped `GIM 0.925` and with bell mark, 17.5cm long; and a pair of Georgian silver sugar tongs, marks worn Visit www.dnfa.com for condition reports
C19th Oak Cased 8 Day 2 Train Long Case Clock, movement with silvered chapter ring signed Henry Harrison, High Wicomb, secondary seconds dial, date aperture, granulated gilt centre engraved with birds & flowers with cherub spandrels in fully restored condition, striking on bell, lead weights, the case on shaped plinth, trunk with canted corners, shaped door, hood with twin pillars with gilt brass capitols under plain plinth, 12" square dial
A painted papier mache tray, probably early 20c. Of shaped form, the gilt rim broken by areas of fluting, the centre decorated with flowers. Signed lower right and stamped "Made in Italy" verso. 47 cms. wide, a glass paperweight etched with a Kingfisher, a Dresden hand-bell, a Crown Staffordshire swan shaped pin dish, a Coalport cottage and another three items of copper lustre ware and an Aynsley loving cup commemorating the Queen`s Silver Jubilee. (various other dimensions, 10)
Assorted 1950`s And Later Costume Including `Jean Varon` Black Lace Mini Dress with bell shaped ribbon tie sleeves; `Elka Couture` floral chiffon printed full length dress with bat wing sleeves and green velvet belt; black velvet evening coat with white fur trimmed collar; `Charles Creed London` brown, white and black patterned dress with tie back detailing (size 16); caramel coloured cocktail dress with corset insert; black crepe dress with scoop back and tie detailing; brown patterned dress with cap sleeves; and other items
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123939 item(s)/page