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Click here to subscribeLongcase Clock with square brass dial, with applied plaque inscribed, "Robert Crook", silvered chapter rings, pierced and cast spandrels, thirty-hour movement, striking on a bell and contained within an oak case with a moulded cornice, turned column pilasters, ogee door, with moulded edge and on a plain base, 206cms, (6'9").
J W Ambler, Church Green, Keighley, 30 hour oak and mahogany longcase clock, hood with broken swan neck pediment and three turned finials over plain turned columns and a silvered brass 13ins dial, with silvered chapter ring with Roman numerals and outer seconds subsidiary date dial and with rolling moon phase and engraved with pheasants on rococo style branches, cast brass spandrels, the movement striking on a bell, over a trunk with quarter pilasters and recessed panel box base, height 87ins
William Porthouse of Penrith 30 hour oak longcase clock, later carved and ebonised case, with brass 10.25ins square dial with signed chapter ring with Roman numerals, matted centre with a single hand and inscribed 'John and Mary Moorehouse 1746' and with date aperture, cherubian and coronet spandrels, the movement striking on a bell, height 77ins
Inlaid bow fronted dressing table, in the Sheraton revival style, shaped bevelled glass mirror supported on two inlaid columns with bell flower inlays in satinwood and harewood, over a shaped shelf with two jewellery drawers and base fitted with two deep drawers and centred with a bow fronted kneehole drawer, all with chequer border inlays and raised on tapered square section legs with boxwood stringing, pot castors, width 45ins
Evan Williams, Trecastle, an oak 30 hour longcase clock, early 19th Century, swan neck pediment over two turned columns flanking a painted arched dial, signed to the centre, with Roman numerals and date aperture, with a castle to the arch and architectural spandrels, the movement striking on a bell (no pendulum or weight), the trunk with mahogany banded and inlaid door within quarter pilasters over an inlaid box base, height 85ins
A mahogany Scottish longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the enamelled round dial with Roman numerals, Arabic quarter hour divisions, subsidiary date dial and seconds dial, indistinctly inscribed .......AYR, the plain case with flame mahogany door, the hood with swan-neck pediment, 215cm high
An oak and mahogany inlaid longcase clock, the eight-day two-train movement with rack strike on a bell, the arched brass 12 1/4in dial with silvered chapter ring with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and calendar dial, the arch with silvered boss inscribed Hy. Jones Chabford, dolphin and foliate spandrels, the case with canted and fluted pilasters, the shaped door inlaid with a shell motif, the hood with broken pediment, 214cm high
A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial and date aperture, the arch and spandrels painted with rustic villas, the dial inscribed WILLIAMS, Cheltenham, the case with a shaped flame mahogany door, the hood with shaped pediment and three brass ball finials, the central surmounted with an eagle, 226cm high
A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted square dial with Roman numerals, Arabic five-minute divisions and moonphase automaton, painted and gilt with floral spandrels, the case with shaped door, plain fluted pilasters, the hood with swan-neck pediment, 221cm high, (damage and losses to case)
An oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the 12in square brass dial with silvered chapter ring, Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and date aperture, within gilt foliate spandrels, plain case, the hood with a carved pediment, 203cm high, (some damage and losses to the case)
A French gilt-metal and porcelain mounted Sevres-style mantel clock, the eight-day two-train movement striking on a bell, the painted round porcelain dial with Roman numerals and decorated with a winged putto, reserved on a blue ground, the other porcelain panels similarly painted, the elaborate gilt-metal case surmounted with a maiden, 26cm high (dial cracked); and a giltwood stand
HOLY BIBLE, Commences p.5 of Genesis, New Testament with engraved title, engraved map, Sternhold & Hopkins Psalms at end (incomplete), binding defective, the Deputies of Christopher Barker, 1599 with five other antiquarian books including R.B - The General History of Earthquakes, printed for Nath. Crouch at the Bell in the Poultrey near Cheapside, 1694 and rebound half calf (lacking pages 7 - 10)
A Victorian 18ct gold keyless pocket watch with crested case and enamelled Roman dial with subsidiary seconds, state of wind indicator and blued steel hands, freesprung lever movement with cut bi-metallic compensation balance and blued steel spiral spring, signed R C Bell, Braeside, Silverdale Road, Eastbourne, no. 2619, dial signed W G Schoof, London, no.2619, hallmarked for London 1882.
West Indies. Johnston (A.K.), West India Islands, c.1850s, engraved map, hand coloured in outline, approx. 500 x 600 mm, together with Bell (A., eng.), West Indies, c.1750s, uncoloured engraved map, some brown spots, approx. 80 x 290 mm, and Hamilton, Adams & Co. (pub.), The West Indies, c.1805, uncol. engraved map, approx. 230 x 290 mm, plus Thomson (John, pub.), Atlantic or Western Ocean, c.1820s, engraved map, hand coloured in outline, approx. 500 x 620 mm, and four other nineteenth century maps of the West Indies (8).
Greenwood (Jeremy). Omega Cuts, Woodcuts and Linocuts by Artists Associated with the Omega Workshops and the Hogarth Press, Wood Lea Press, 1998, numerous illusts., after Vanessa Bell, Roger Fry, Duncan Grant, McKnight Kauffer, Simon Bussy, Edward Wadsworth and others, including seventeen tipped-in col. plts., orig. morocco-backed patterned boards, with slipcase, folio, VG Special edition 77/105. Accompanied by the booklet 'Original Woodcuts by Three Artists' that only comes with this edition. (1).
Woolf (Virginia). The Letters of Virginia Woolf, ed. Nigel Nicolson & Joanne Trautmann, 6 vols., pub. Harcourt Brace Jovanovich, 1975-80, together with The Diary of Virginia Woolf, ed. Anne Olivier Bell, 5 vols., pub. Harcourt Brace Jovanovich, 1977-84, plus Smith (Stevie), The Collected Poems of Stevie Smith, ed. James MacGibbon, reprinted, 1982, all orig. cloth in d.j.s., 8vo, G/VG, and three others (Poems by Violet Fane, 2 vols., 1892, & Leslie Stephen by Noel Gilroy Annan, 1952) (15).
A Murano glass chandelier, 20th century, with moulded tinted green glass central column and basket issuing six candle sconces below five bell shaped shades fitted for electricity and interspersed by pink and blue rose branches, candle sconces linked by coloured chains applied throughout with pink and blue flowerheads, some damage, 36" high, 36" wide
A crossbanded mahogany longcase clock, second quarter 19th century, the arched hood above a shaped door flanked by octagonal pilasters enclosing a 13" white painted enamel arched dial with rolling moon phase in the arch, Roman numerals, subsidiary seconds dial and data aperture and marked 'Josh Kerry?, Swansea', painted with castles and abbey ruins to the corners, eight-day movement striking on a bell above a crossbanded three-quarter length trunk door flanked by octagonal pilasters over a figured mahogany panel and ogive moulding and crossbanded base board and raised on shaped bracket feet, 86" high
An ebonised chinoiserie bracket clock, early 18th century, with caddy top and brass swing handle and four later gilt brass turned finials, above an arched glazed door with top corner spandrels enclosing 7" dial with silvered chapter ring and Roman numerals and visible pendulum disc and date aperture with strike/silent dial in the arch, mask and foliate spandrels, with later sash marked 'Thomas Hally, London', glazed side panels and arched glazed back door with double fusee hour striking movement with pull repeat, six graduated bells flanked by a larger bell, the escapement converted to anchor, foliate engraved back plate, gilt plinth, 16.5" high, 6.25" deep, 10.5" wide
A George III oak boxwood and ebony strung longcase clock, late 18th century/early 19th century, the ogive cornice above a faux lattice inlaid frieze and square hood door flanked by fluted pilasters enclosing an 11" square brass dial marked 'Webster & Son, Salop', with Roman numerals, date aperture and figural spandrels representing the seasons, 30 hour movement striking on a bell, dial repaired, above an ogive moulding and chequer strung shaped top trunk door between fluted canted angles, raised over an ogee topped baseboard and shaped plinth, 81" high
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