A French ebonised four-glass mantel clock retailed by Charles Frodsham, London the eight-day duration movement having a platform lever escapement and striking the hours and half-hours on a bell, repeating the last hour at will, the frontplate stamped with the initials H.L. for the movement maker Holingue frères of Saint-Nicolas-d'Aliermont, with the backplate numbered 265 and engraved in scroll for the retailer Chas. Frodsham, Clockmaker to the Queen, Paris, the white enamel dial having black Roman hour numerals, blued-steel moon hands, repeat signature, a subsidiary alarm dial and engraved gilt-brass surround, the ebonised case having a brass scroll handle, height 32cms/26cm handle up/down.
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Peter Amyot, Norwich a Victorian lantern mantel clock the eight-day duration, double-fusee movement striking the hours on a bell and the ting-tang quarters on two gongs situated within the bell strap, the dial having a raised chapter ring engraved with black Roman numerals and fleur-de-lys half hour markings, the centre engraved with tulip decoration and signed Peter Amyot, Norwich, with blued steel hands, the case of typical lantern clock form with engraved frets, turned brass finials and feet, height 40cm.
Japy Frères, Paris a gilt-metal and porcelain mantel clock the eight-day duration movement striking the hours and half-hours on a bell and stamped with the trademark of the maker Japy Frères, the blue porcelain dial having Roman numerals and gilt-brass spade hands with the classical shaped gilt-metal case having applied mounts and figure of a woodsman to the side, standing on shaped giltwood bases and further oval ebonised bases under a glass dome, height 43cm clock, 57cm base and dome.
An English rosewood Regency bracket clock the eight-day duration, double-fusee, five-pillar movement striking the hours on a bell, the round white painted dial having black Roman numerals and blued-steel moon hands, the rosewood case with inset brass bound panels, brass frets to the sides, cast carrying handles and a architectural pediment with a cast-brass pineapple finial, height 47cm inc. finial.
Henry Jones in ye Temple, a late 17th Century ebonised bracket clock the eight-day duration, double-fusee movement with verge escapement, bob pendulum and now striking the hours on a bell with signs of former quarter repeat work, the backplate engraved with floral decoration and maker's name Henry Jones in ye Temple, the six-inch square brass dial having a raised chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, with a matted centre and cast-silver cherub-head spandrels to the four corners and strike/silent aperture to the top, the ebonised bell-top case with brass carrying handle, finials and escutcheons and standing on bracket feet, height 38cm.With restorations and alterations.Biography Henry Jones, born circa 1631, was apprenticed to the eminent clockmaker Edward East in 1654 becoming a Freeman of the Clockmaker's Company in 1663. He continued to work for East until at least 1672 after which he worked at Inner Temple Lane. Jones died in 1695.
A Dutch staart wall clock the weight-driven movement striking on a bell, the painted arch dial decorated with a rural scene to the arch and subsidiary alarm setting disc to the centre, the case with ebonised hood pillars with the backboard having a pressed brass cover to the pendulum bob aperture, height 125cm
Benjamin Rogers, Chesterfield, an oak longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and flame half-hour markings, the matted centre having engraved decoration, subsidiary seconds dial, date aperture and silvered plaque engraved Benja. Rogers, Chesterfield, with blued-steel hands, with cast-brass four-seasons spandrels to the four corners and engraved border decoration, the flat-top oak case with mahogany cross-banding to the trunk door and base, the hood with blind-fret and turned pillars, height 203cm.
George Adams, Halesowen an oak longcase clock the thirty-hour duration movement striking the hours on a bell with the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and the maker's name George Adams, Halesowen, with a matted dial centre, date aperture, cast-brass urn corner spandrels and blued steel hands, the flat-top oak case with barley-twist columns to the hood and mahogany crossbanding to the shaped trunk door, height 205cm.
Schwerer, York a mahogany longcase clock the eight-day duration movement striking the hours on a bell with the fourteen-inch painted break-arch dial having black Roman numerals, subsidiary seconds and date dials, decorative brass hands and signed Schwerer, York, with painted scenes to the four corners and arch depicting various ruins, the mahogany case having a swan-neck pediment with fluted columns to the trunk and hood, the trunk door and panel to the base with carved decoration, all standing on bracket feet, height 232cm.The Schwerer family were known clockmakers working in York in the early-to-mid 19th century with brothers Matthew at 6 & 14 Stonegate circa 1846-1858, Peter at Petergate circa 1827-40 and Phillip at 38 Stonegate and 99 Petergate circa 1834-46.Reference: Brian Loomes Yorkshire Clockmakers pub. Dalesman 1972.
John Spier, Newton Stewart, a Scottish mahogany longcase clock, the eight-day duration movement striking the hours on a bell with the twelve-inch round painted dial having a subsidiary seconds dial, black Roman numerals, blued-steel moon hands and indistinctly signed John Spier, Newton Stewart, the mahogany case with inset panels and quartered-columns to the trunk and surmounted by a swan-neck pediment to the hood, height 225cm inc. finials.
Benjamin Trist, Brixham a mahogany longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch arched brass dial having blued steel hands and engraved with black Roman numerals, scroll corner spandrels, and eagle within the arch, subsidiary seconds dial and date aperture and signed in scroll Benjm. Trist, Brixham, the mahogany case with Sheraton style boxwood inlay and stringing, quarter columns to the trunk, columns to the hood and surmounted by a swan-neck pediment with cast-brass finials, height 224cm (inc. finial)Notes: Benjamin Trist is recorded as working in Fore Street, Brixham from before 1830 until at least 1844 with the business under the name of Sarah Trist from 1850. He was quite probably related to the Trist clock makers recorded in Torquay and Exeter.
W.C. Tooke, Lynn, a mahogany longcase the eight-day duration movement striking the hours on a bell with the twelve-inch arched silvered dial engraved with black Roman numerals, the centre with subsidiary seconds and date dials and signed W.C. Tooke, Lynne, with a Strike/Silent dial within the arch, the mahogany case having panelling to the base, the hood with brass capitals to the fluted pillars and surmounted by a pagoda top, height 235cm.notes William .C. Tooke is recorded a working in Kings Lynn, Norfolk as a watch and clockmaker in the late 18th century.
Peter Green, Apenrade, a Danish walnut moonphase longcase clock the eight-day duration movement striking the hours on a bell with the thirteen-and-a-half-inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals and maker's signature Peter Green, Apenrade, the matted dial centre having engraved c-scroll decoration, a subsidiary seconds dial and date aperture, with cast-brass c-scroll spandrels to the four corners and blued-steel hands, the arch with a moonphase disc, the walnut case having quarter fluted columns and raised shaped panelling to the sides, the hood with cast-brass Corinthian capitals to the fluted columns and surmounted by a swan-neck pediment, the base with canted corners and further raised panelling, height 233cm.Notes: Peter Green emigrated from Liverpool to Aabenraa, Denmark, also known by the Germanic name Apenrade, with his family in circa 1745, quite possibly due to the close shipbuilding links between the two sea-ports. He was known working there until his death in 1795. His two sons, William, born 1733 died 1817, and Jonathan, were also clockmakers in the town with William's son Jakob continuing the family clockmaking tradition until his death in 1847. Reference: D. Yde-Andersen, Bornholmere og andre gamle Ure, Pub. Borgens Forlag, 1974.
Three Canon Dial 35 Half Frame Cameras, a Canon Dial 35-2,spring drive working, shutter working, meter untested, body G, elements G, in soft case, a Bell & Howell Canon Dial 35 & Bell & Howell Dial 35, spring drives working, shutters working, bodies G, elements G, both showing signs of battery leakage, in cases, with a Canon Dial 35 maker's box
DEVILLAINE, RUE NEUVE DES PETITS CHAMPS N.33 A PARIS; a French Empire bronze ormolu and brass mantel clock, the circular white enamel dial with Roman numeral hours and Arabic numeral quarters, signed and inscribed, with eight day movement striking on a bell, the case surmounted by books on a drape, the front with a cockerel flanked by flaming torches, height 37cm. Devillaine is recorded by Tardy as working in the Rue Neuve des Petits Champs in 1800.Provenance: Purchased at Dreweatts of Newbury on 4th October 2022 and previously purchased at Christies, London 14th April 2005 Lot 279.
A collection of six vintage 20th century Coalport fine bone china Royal commemorative items. The lot to include a commemorative handled cup for the marriage of the Prince Andrew with Miss Sarah Ferguson, cup & saucer for the 60th birthday of Her Majesty Queen Elizabeth II, a cup & saucer The Gilded Floral Coffee Cup from the Historic Coalport Coffee Cup Collection, bone china bell for the marriage of the Prince Andrew with Miss Sarah Ferguson, a handled mug for the 60th birthday of Her Majesty Queen Elizabeth II, together with a limited edition no. 326 of 2000 commemorative cup for the 40th anniversary of H. M. Queen Elizabeth II 1952-1992. All in original boxes.
A collection of 19th century Victorian carte de visite and studio portrait and similar photographs to include shopfronts, people, Ethel Cadogan, Joseph Parker, hand coloured swiss photographs, General Tom Thumb, country houses, theatre actors and more. The studios to include examples of Speight, Hills & Saunders, Brown, Barnes & Bell, Aldred Cox & Co, Provost & Co, W. & D Downey, Rahams, Byrne & Co and Stanley Hurst.
A 19th century Victorian album of carte de visite studio portrait photographs. The large majority being stamped for Scottish Glasgow and Carlisle Photography studios The Carlisle Photographic Gallery, Turnbull & Sons, H. Andrews, T. Ridley, Hampton Brothers, Patersons & Co, O'Malley Paisley, R. C Thomas, Queens Jubilee, James Bowman, Alex & Macnab, George Bell, W Murray, Alexander, James Porter, Frederick Brown. To include portrait of men women and children shown seated and standing. The album itself being bound in tooled green leather with the interior pages featuring hand coloured borders of florals with lines of poetry written in pencil beneath with gilt text block.
A Victorian eight day oak wall clock, the 12" painted dial with brass ringed winding squares, subsidiary seconds ring and brass twin barrel movement, turned pillars and striking on a bell, in panelled case, pendulum and weights, 141cm h Base of case modified for standing, dial discoloured and dial painted a little worn
Renaissance-Glockenfußleuchter, Spanien, Mitte 16. Jhdt. Zweiteilig gearbeiteter Leuchter aus Messing. Weit ausgestellter glockenförmiger Fuß, die große flache Tropfschale mit gekehlter Randverstärkung. Am Rand der Tropfschale eingeschlagene verputzte Marke(?). Vernietete sechskantige Tülle mit rechteckigen Reinigungsöffnungen, blütenförmig gelappte Verstärkungsbänder. Der obere Tüllenrand seitlich eingerissen. Höhe 13 cm. A Spanish Renaissance brass bell-bottom candlestick, circa 1550 A Spanish Renaissance brass bell-bottom candlestick, circa 1550Zweiteilig gearbeiteter Leuchter aus Messing. Weit ausgestellter glockenförmiger Fuß, die große flache Tropfschale mit gekehlter Randverstärkung. Am Rand der Tropfschale eingeschlagene verputzte Marke(?). Vernietete sechskantige Tülle mit rechteckigen Reinigungsöffnungen, blütenförmig gelappte Verstärkungsbänder. Der obere Tüllenrand seitlich eingerissen. Höhe 13 cm.Condition: II -
Spätbarocke Bronzeglocke, süddeutsch, datiert 1756 Bronzeglocke mit in die Wandung eingehängtem eisernen Klöppel, auf der Schulter erhabene Inschrift "Santa Maria Ora Pro Nobis" und Datierung "MDCCLVI" (= 1756), auf der Flanke Darstellungen der Muttergottes, des Kruzifixus und zweier Heiliger. Schulter, Wolm und Schärfe mit einfachem Banddekor. Holzjoch und Hängeeisen später. Dazu verschiedene neuere Montageteile beiliegend. Gleichmäßige grüne Patina. Höhe (inkl. Joch) 52 cm. A South German late Baroque bronze bell, dated 1756 A South German late Baroque bronze bell, dated 1756Bronzeglocke mit in die Wandung eingehängtem eisernen Klöppel, auf der Schulter erhabene Inschrift "Santa Maria Ora Pro Nobis" und Datierung "MDCCLVI" (= 1756), auf der Flanke Darstellungen der Muttergottes, des Kruzifixus und zweier Heiliger. Schulter, Wolm und Schärfe mit einfachem Banddekor. Holzjoch und Hängeeisen später. Dazu verschiedene neuere Montageteile beiliegend. Gleichmäßige grüne Patina. Höhe (inkl. Joch) 52 cm.Condition: III
Eiserner Jacquemart (Glockenschläger), Frankreich, 15. Jhdt. Schmiedeeisen. Glockenschläger: eine Figur, die mit Hilfe des Hammers bei Turmuhren die Glocke anschlägt, plastisch in Form eines Mannes gearbeitet. Korrosionsspuren. Moderner Stand. Höhe 17,5 cm bzw. 19,2 cm (mit Sockel). A French wrought iron bell-stricker (Jacquemart) in the shape of a man, 15th century A French wrought iron bell-stricker (Jacquemart) in the shape of a man, 15th centurySchmiedeeisen. Glockenschläger: eine Figur, die mit Hilfe des Hammers bei Turmuhren die Glocke anschlägt, plastisch in Form eines Mannes gearbeitet. Korrosionsspuren. Moderner Stand. Höhe 17,5 cm bzw. 19,2 cm (mit Sockel).Condition: II
Tempelglocke mit geschnitztem Ständer, China, 20. Jhdt. Umlaufend mit Drachen und weiteren Ornamenten reliefierte Glocke aus Bronze. Ständer aus Hartholz in Form von zwei Mönchen geschnitzt und mit Neusilberdraht floral verziert. Leicht bestoßen, restauriert. Höhe 40 cm. A Chinese temple bell with carved stand, 20th century A Chinese temple bell with carved stand, 20th centuryUmlaufend mit Drachen und weiteren Ornamenten reliefierte Glocke aus Bronze. Ständer aus Hartholz in Form von zwei Mönchen geschnitzt und mit Neusilberdraht floral verziert. Leicht bestoßen, restauriert. Höhe 40 cm.Condition: II
Table bell silver. Beautiful model decorated with repoussé and engraved floral arrangements. The inner bell is made of brass with a Zeeland knot as clapper. The Netherlands, Amsterdam, Jacobus Held, 1864, hallmarks: lion, Minerva, maker's mark, year letter e - light signs of wear and dents. 188 grams, 833/1000. Dim. H 17.1 cm, diameter 9.8 cm.
A printed card portfolio containing twenty printed images on glossy stock, each page 21 x 29.5cm. Printed sticker affixed to inner portfolio cover is dated December 1978 and details the 'Mixed Media Montages' in the folder as being created by artists Edward Bell, Linder (Sterling), Ian Pollock, Jon Savage and George Snow. Prints show very mild discolouration but are otherwise in excellent condition. Portfolio shows sticker residue, age wear, wear to edges, creasing, some splitting but all generally consummate with age and is intact.
Two original drawings by acclaimed cartoonist Steve Bell (British, 1951), each approx 17 x 18cm, pencil and ink on paper. Both were created by Bell as a response to the Clash song 'Ivan Meets G.I. Joe' and were included on the printed inner sleeve for Sandinista! (1980). Mounted and framed to an overall size of 64x54cm. With an accompanying letter of provenance dated 2016 detailing that the originals were framed for a touring exhibition titled 'Punkulture'. Also with Steve Bell book of cartoons.
Oak longcase clock, the hood with swan neck pediment, turned columns, trunk with long door, plinth base (adapted), twelve inch square painted dial signed Jno. Deacon, Leicester, thirty hour movement striking on a bell, height 211cm.Condition report:Weight and pendulum present but lacking the weight chain so not able to determine if in working order. Dial repainted in part. The hood with various replacements and restorations. The trunk is generally ok, the base front panel is split and there are numerous lengths of missing crossbanded outlines, with the lefthand bas panel coming away slightly. Adaptation to the baseline.
Scottish mahogany longcase clock, hood with swan neck pediment and eagle finial, Corinthian column supports, trunk with long arched door, fluted quarter pilasters, plinth on short turned legs, thirteen inch arched brass dial with subsidary seconds dial and date aperture, signed James Bowie, Kirkcaldy, eight day movement striking on a bell, height 218cm.Condition report:Two weights and a pendulum are present (the pendulum shaft is bent and misaligned). Not set up in the saleroom to determine if fully working. The movement appears complete. The minute hand has been replaced. Some spot tarnishing on the dial. HIstoric repairs to the swan necks on the hood. The rest of the case is generally in good presentable condition, some of the crossbanding is replaced. Adaptations to the base and feet.
Four framed 19-20th century prints and paintings, to include: V. S. Barnes - Hills and Trees, watercolour on paper, signed and dated Sept. 1937 lower right; Street Scene, watercolour on paper, inscribed 'Miss Stanton, 1879' verso; Army on Horseback, possibly Ottoman soldiers, watercolour on paper, unsigned; together with Frederick Marriott - large print of street scene, signed in pencil below, published 1923 by Alfred Bell & Co., London, frame size: 73 x 67 cm, all framed and glazed (4)
A collection of miniature silver items to include two trophies, a wicker fruit basket, wishbone menu holder, a St Christopher lucky charm on a chain, two shield shaped badges inscribed Savage is a Savage 1864-1904, a bottle stopper, a small pepperette and the front page of a prayer book and a bell
A regency period mahogany bracket clock the case with ogee outline and repeating inlaid brass detail, marked C (Cyrus) Crewe, Tetbury, with embossed brass carrying handles and side grills, enclosing an eight day striking movement on a single bell with strike/silent selector and repeat pull, complete with key and pendulum, 48cm high
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123896 item(s)/page