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A Small but Well Proportioned Georgian Oak Housekeepers Cupboard with Breakfront Section Housing Brass Dial Clock by Thomas Ore, Tong, 30 Hour Movement with Bell, Pierced Spandrels and Date Slide. The Base with Two Banks of Three Graduated Drawers, All With Turned Handles Either Side of Dummy Cabinet. Similar Top Section with Panel Doors to Shelved Cupboards. Set on Six Ball Feet and Having Moulded Cornice. 187 cm wide x 60 cm deep x 192 cm tall.
An Exceptionally Fine Empire Ormolu Portico Clock. The painted enamel dial signed Caillouet à Paris and bordering an open centre exposing the workings. The movement having a silk suspension and striking a bell with a rayed face-mask pendulum. Set into a green marble pediment enhanced by a gilt bronze twin griffin appliqués above and female figures clutching fruiting festoons below. The tall fluted Corinthian columns raised on a rectangular plinth upon bun feet 17½ ins (44 cms) in height, 10 ins (26 cms) in width, 5¼ ins (13.5 cms) in width.
A Fine 18th Century Black Lacquered Cabinet on stand decorated with chinoiserie ornithological scenes. The pierced & shaped copper corner brackets, hinges & ornate escutcheon enriched with engraved flowers & foliage defined against a matted ground. The interior fitted with ten variously sized drawers lacquered with landscape scenes. The stand having matted paint-work scallop shells and the legs adorned with bell flowers and raised on ball feet carved with acanthus leaves. 60½ ins (154 cms) in height, 40 ins (102 cms) in width, 22½ ins (57 cms) in depth.
A Large 19th Century Paris Porcelain Garniture Urn & Cover. The urn hand-painted with broad bands of pink roses around the shoulders and in vertical stripes down the tapering body divided by gilt bands; with a fan of stiff leaves rising from the pedestal base above a square simulated green marble plinth. The bell shaped cover ornamented with similar roses and surmounted by a gilded fircone finial, 30 ins (77 cms) in height.
An Ornamental Carved hardwood Six-tiered Pagoda. The graduated hexagonal tiers having fretted gallery rails & supports of carved prunus blossom and tiled canopy edges with an animal form surmount at each corner bearing a pendant bell hanging on a chain. The pediment surmounted by a turned finial. 88 ins (224 cms) high, 26 ins (66 cms) wide.
A Large Edwardian Glazed Mahogany Cabinet. The cornice above a stop-fluted frieze enriched with patera. The glass fronted doors with arched glazing bars enclosing a shelved interior and flanking a panel applied with a bow topped string of bell flowers. The cupboard section having two doors bearing beaded oval mouldings above two reeded and tapered legs terminating with ball feet. 70 ins (178 cms) in height, 41 ins x 17 ins (104 cms x 43 cms).
A Pair of Inlaid Mahogany Occasional Tables. The kidney shaped tray tops decorated with inlaid trophies framed by a border of bell-flower garlands swagged front ribbon bows. The raised sides fitted with scroll handles and supported on square tapering legs united by curved X-form stretchers with an inlaid oval patera to the centre and spade feet terminating on small ceramic castors. 26 ins (66 cms) high, 25 ins x 13½ ins (64 cms x 34 cms).
A Fine Quality Inlaid Flame Mahogany Tray. The oval form having a raised petalled edge with stepped moulding framing a central satinwood patera surrounded by sweeping sprays of foliage, neo-classical urns and bell-flower garlands swagged from flowing ribbon bows; the inlay enhanced with pen-work. 25 ins x 16½ ins (64 cms x 42 cms).
A Set of Eight Chippendale Style Carved Mahogany Dining Chairs. The swept top rails enriched with Rococo scrolls and sprays of foliage above pierced back splats fanned out at the top with interlaced ribbons below and carved bell flower adornments. The cream faux leather drop-in seats on cabriole legs carved with trailing flowers & foliage at the hip and terminating on ball & claw feet.
A Georgian Style Carved Giltwood Wall Mirror. The scrolling pediment carved with eagle head terminals crested with acanthus and bearing in their beaks between them a swag of bell-flowers below a fanned surmount. The bevelled rectangular mirror in a foliate carved surround with S-scrolls of acanthus adorning the sides and a winged cherub`s head to the base, 46 ins x 24 ins (117 cms x 61 cms).
A 9CT GOLD CHARM BRACELET with fourteen charms to include Yorkshire rose, horse shoe with horse`s head, poodle, letter box, cradle with baby, cello, bell, thimble, dice, bellows, all with marks, some rubbed, together with a 9CT. GOLD AND GARNET RING with floral head set with circular garnet surrounded by eight petals each set with a smaller garnet, on plain shank, a PAIR OF EARRINGS, stamped .375, and a PENDANT stamped 9ct.
A brass cased four glass mantel clock, with eight day movement striking to bell, having porcelain dial with Arabic numerals and mercury pendulum, the glass plates bevelled and concave to sides and supported on barley twist pillars surmounted by finials, the stepped top centred by a two handled urn, on paw feet, 15 1/2" high
A 19th Century longcase clock, with eight day movement striking to bell, the arched painted dial painted with a "Lady of the Lake" scene and head and shoulder portraits of Ramsay, Ferguson, Burns and Scott to the corners, with date and seconds dials, in mahogany case with scroll pediment, the case door cross banded, on platform base and bun feet, 88" high
George III mahogany bracket clock by Hardeman & Son of Bridge. The painted dial with Roman numerals and strike/silent above twelve. The twin fusee movement striking on a bell, signed to the engraved back plate, the pendulum engraved with regulation scale. The case with brass inlay, fish scale fretwork panels and ring drop handles to each side, 50cm high.
A 19th century French ormolu mantel clock the case with an urn shaped finial with ram`s masks and foliate swags, a fluted arched top, fluted side pilasters with pineapple finials and a bow ended base with egg and dart moulded toupie feet, the body inset with Sevres style porcelain mounts and dial on a puce ground, the gilt Roman Numeral dial with a central painted panel depicting a putti in flight, the eight day movement signed Henry Bright of Leamington and striking on a bell, 13.75in (35cm) high.
A George I walnut eight-day longcase clock, William Graham, London, early 18th century, the five finned-pillar rack and bell striking movement with 12 inch brass break-arch dial with star-engraved subsidiary seconds dial, calendar aperture and ringed winding holes to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and lozenge half-hour markers, the angles with Indian mask and scroll pattern spandrels beneath arch centred with a silvered signature boss W"m Graham, London within engraved lappett borders and flanked by unusual cornucopia cast spandrels, the case with later cast brass foliate urn finials to the domed caddy raised on blind fret fronted upstand above moulded cornice, further fret infill and integral columns to hood, the trunk with rectangular door and sides divided into panels, on book-matched veneer fronted plinth base with double skirt, 241cm (7ft 11in) high excluding finials, 253cm (8ft 3.5in) high overall. William Graham is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in London circa 1728. The use of a rectangular trunk door (rather than break-arch) would suggest a date of just prior to 1720 for the current lot. Visit www.dnfa.com for condition reports
A pair of George III mahogany and sycamore marquetry corner cupboards, circa 1780, in the manner of Mayhew and Ince, each of bowfront form with marquetry fluting to the frieze, a vari-coloured wood tambour door flanked by penwork decorated paterae and bell-husks, on square tapering legs with block feet, each 85cm high, 61cm wide, 44cm deep (one rear foot tapered) The penwork and colouring to the inlay and the use of vari-coloured woods in the construction of the tambour doors is similar to other examples by Mayhew and Ince. See Sotheby`s New York Tom Devenish Collection lot 122, 24th April 2008. Provenance: Wormsley Park; formerly in the Drawing Room Visit www.dnfa.com for condition reports
May (Thomas) The History of the Parliament of England, 3 parts in 1, licence leaf, title in red and black with engraved vignette, woodcut ornaments and initials, light marginal soiling, title and one or two other leaves becoming loose, contemporary mottled calf, red morocco label, rubbed, spine a little worn and frayed at head and foot, [Wing T1410], folio, by Moses Bell, for George Thomason, 1647 Visit www.dnfa.com for condition reports
A LOUIS XVI STYLE ORMOLU AND SEVRES STYLE PORCELAIN MANTEL CLOCK, FRENCH, LATE 19TH CENTURY of domed form surmounted by a portrait oval of Marie Antoinette with floral finial and swags, the jewelled panels painted with landscapes, butterflies, cherubs and maidens, on toupie feet, eight day bell striking movement, complete with pendulum and key -- 50cm high
A silver cafe au lait set, maker TER, London 1924, comprising a coffee pot of plain tapering cylindrical shape with moulded rim and foot, with hinged domed cover with bell finial and wooden scroll handle, 18cm high; together with the matching hot milk jug, 18cm high, the bodies of both pots inscribed "M & MHR from your Friends in the 9th Lancers", 27.5oz (2).
An early 19th century Llanelly mahogany long case clock, the eight day movement striking on a bell, the arched dial with moon phase roller, subsidiary seconds, date arc and bridge scene spandrels, the hood with swan neck pediment, the triple arched door between foliate columns, the cross banded base on bracket feet, approximately 230cm (90.5in) high.
Angelica Garnett (British, b.1918) - a Victorian glazed bookcase, circa 1860, the base panels later painted by Angelica Garnett, a member of the Bloomsbury Group, the panels depict Wine, Dead Game, Eggs and Fruit, 223 x 158 x 45cm (88 x 62 x 18in). Angelica Garnett (nee Bell) was born in 1918, the daughter of Vanessa Bell and Duncan Grant, and niece of Virginia Woolf. She is a writer and painter and married David Garnett in 1942. She spent her childhood at Charleston, Sussex. Provenance: Hilton Hall, Hilton, Cambridgeshire. This Lot is from the Hilton Hall Collection.
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123939 item(s)/page