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A Regency mahogany eight day longcase clock, the 13.5" square painted dial signed 'D Jones, Patton' (indistinct), with subsidiary seconds dial and ring of Roman numerals, the eight day movement striking on a single bell, the hood with wavy pediment over a square glazed hood door, between wrythen moulded front corner pilasters, over an arched trunk door, between wrythen moulded front corner trunk pilasters on a box base and tall bracket feet, 206cm high
An eight day longcase clock, second quarter 19th century, mahogany boxwood and ebony herringbone strung, probably Scottish, the 13" circular painted dial with centred subsidiary seconds dial and date dial within a ring of Roman numerals, the eight day movement striking on a single bell, the arched top hood with circular glazed hood door over a Gothic arch trunk door, between wrythen moulded quarter columns on a box base and shaped bracket feet, 203cm high
A late George III oak eight day longcase clock, the 13" arched brass dial signed 'Taylor, Whitehaven', with silvered chapter ring of Arabic and Roman numerals, centred rolling aperture for flowing and ebbing of the tide, inner date dial, between pierced scrolling spandrels under a rolling moon, the movement striking on a single bell, the hood with swan neck pediment over an arched hood door, flanked by front corner turned pilasters, over a shaped crossbanded trunk door, between front corner quarter pilasters on a box base with canted corners and ogee moulded bracket feet, 227.5cm high
A George III eight day longcase clock oak crossbanded mahogany, the 13" square painted dial signed S Neunes, Whitchurch with centred subsidiary seconds dial and date aperture within an outer ring of Arabic numerals, inner ring of Roman numerals and sunburst design painted spandrels, the movement striking on a single bell, the head of a swan neck pediment over a square glazed hood door between fluted front corner pilaster over a short shaped trunk door with central Britannia inlay between fluted front corner quarter pilasters on an ogee moulded panelled box base and cut out plinth, 212cm high,
A set of eight dining chairs, in the manner of Hepplewhite, early 20th century, mahogany, including two carvers each with arched top rail over a pierced back splat with bell flower mouldings, above a serpentine over-stuffed dished seat, on square tapering front legs, terminating in spade feet, united by a plain H-stretcher (2+6)
A George III pine long case clock, John Andrew, Somerton, with eight day movement, striking one bell, with anchor escapement, the arched dial painted with an urn and swags, Roman numerals, Arabic minutes, with secondary dial and date aperture, the pine arched hood with brass mounted flanking columns, over pine trunk with bracket feet, 208cm (82in) high
A late 18th century 8-day mahogany long case clock, with broken arch dial, the gilt brass dial marked out in Roman numerals, fitted with a strike/ silent, calendar and secondary dial, the case with figured arched topped door, flanked by reeded pilasters, the five pillar movement signed to the backplate 'Fras. Perigal, Royal Exchange, London', chiming on a single bell, 224cm (88in)
A 19th Century Soumak Carpet flat woven with three flattened octagonal motifs contained in dark & mid blue medallions on a red field decorated with further subsidiary octagons and inward pointing bell-like motifs along the edge. The border having a main zigzag band sandwiched between rows of octagonal fleurettes with an outer row of hooks, 75 ins x 56 ins (190 cms x 142 cms) From The Chateau des Ifs, Alsace.
Two 19th Century Copper Measures and an Ovoid Copper Jug. The conical pint measure stamped THE BELL with strap handle and rolled rim. The gallon measure having a conical body on a raised foot with rolled edge, hollow riveted handle and V.R. assay stamps to the rim. The ovoid jug also approximately one gallon in capacity with a hollow riveted handle and raised foot.
A Small 17th Century Oak Court Cupboard. The upper section having a moulded cornice above a carved frieze of repeating leaf forms with engraved decoration and ball turned pendant finials either side overhanging the cupboard. The panel doors ornamented with a carved lozenges framing chip carved whorls and flanking a centre panel depicting a flowering plant issuing two carved ball flowers, pendant bell-shaped blooms and acorn-like pods embellished with punchwork. The lower section having two cupboard doors each with an upper panel over twin base panels in run-moulded frames 48 ins (122 cms) in width, 61 ins (155 cms) in height and 20 1/2 ins (52 cms) in depth.
An C18th Lacquered Eight Day Arch Dial Longcase Clock, Bearing Signature Of Edward Speakman, London, The Columned Hood And Trunk Having Later Decoration, The Twin Train Movement Striking On A Bell, The Circular Name Plate Between Fretted Spandrels, The Silvered Chapter Ring Between Spandrels, With Seconds Ring And Date Aperture, 212cm High (In Need Of Restoration, Not Running)
An early 19th Century French time piece, by Dubois, Fils, Rue St Honore, No207, the eight day movement striking to bell and with white enamel dial, the Ormolu case with wreath and acanthus side pieces and surmounted by a cherub reaching for a bird, raised on adjustable circular feet, 14" high
FRY (ROGER) BELL (VANESSA) GRANT (DUNCAN)-THE ART OF BLOOMSBURY Tate Gallery Publishing 1999, green cloth, dust jacket; Compton (Susan)-Chagall, Weidenfield and Nicolson London 1985, blue cloth, dust jacket, Gentlemen (David)-Britain and London, 2 vols, Weidenfield and Nicholson 1982 & 1985, dust jackets; five further titles on art (9)
A LATE 19TH CENTURY FRENCH GILT METAL AND PORCELAIN CLOCK GARNITURE the clock with an eight day movement chiming on a bell, florally painted Arabic dial with bevelled glass, crested by a two handled urn, painted with a Watteauesque panel, flanked by painted pilasters, on scroll feet, 43cms high, flanked by two pedestal urns, each painted with landscapes against a puce ground, on conforming bases, 35cms high, all on giltwood bases
A 19TH CENTURY FRENCH GILT METAL AND ALABASTER MANTEL CLOCK the circular dial with Roman numerals, the eight day movement striking on a bell, the case surmounted by two armorini and a basket of plenty, the dial flanked by two floral garlands on scroll feet, stamped P H Mourey, on a giltwood stand, 37cms high
A 19TH CENTURY FRENCH GILT METAL MANTEL CLOCK BY JAPY FRERES with an circular enamelled dial, the eight day movement striking on a bell, the drum shape case crested by an eagle, the waisted oval base mounted with a classical female figure, raised on four scroll feet, on a shaped giltwood, velvet lined base, 30cms high
A 19TH CENTURY FRENCH GILT METAL AND SEVRES STYLE PORCELAIN MOUNTED MANTEL CLOCK of eight day movement striking on a bell, with a circular blue ground cartouche dial, surmounted by an urn, over a painted panel of a young girl with a puppy, raised on caryatid and scroll front supports, on a giltwood, velvet lined plinth, 38cms high
FINE EBONISED TRIPLE FUSEE MUSICAL BRACKET CLOCK, signed Francis Dorrell, London, chiming four tunes on eleven bells and with engraved back plate, the 8" brass dial with two subsidiary dials and name plate to the arch over the matted centre, the ebonised case applied with gilt metal mounts and surmounted by a bell top, 25" high
French Napoleonic Mantel Clock, circular dial with gilt numerals, French movement striking on a bell contained within a polished slate case, surmounted by a bronze bust of a classical youth with grapes and leaves in his hair and on shaped gilt metal supports, 64cms, (25"), (see illustration).
19th Century and later Longcase Clock, with painted square dial, 30cms, (12"), inscribed, "R. Baker, Tamworth", with secondary date dial, the spandrels painted with gilt scrolls, thirty-hour movement, striking on a bell, contained within an oak case, the hood with moulded corners and tapered brass mounted columns, the arched door with star inlay, brass escutcheons flanked by quarter column pilasters and on a plain base with canted corners, 190cms, (6'3").
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123896 item(s)/page