A LARGE GILT BRASS PETITE SONNERIE STRIKING AND REPEATING FUSÉE CARRIAGE CLOCKBy James McCabe, Royal Exchange, London, No 1936, circa 1850In a one-piece-style case, with five large bevelled glass panels, folding handle and push/repeat to the back, the silvered dial with Roman chapters, blued steel hands, detailed JAMES MCCABE, ROYAL EXCHANGE, LONDON 1936 below the VI, with large gilt brass platform escapement, engraved cock, gold three-arm balance, triple chain fusee movement with maintaining power to the going train, chiming each quarter and the hour on a bell mounted within the base, the backplate mounted with the strike and repeat work and detailed James McCabe, Royal Exchange, London 1936 at the base, together with a Morocco leather and gilt travelling case and replacement key18cm high (handle up)PROVENANCE: Cyril Fish, thence by descent.Antiquarian Horology, Vol. 10, No. 3, June 1977, page 50, for a biography of the McCabes and their business, with a graph of the numbering system and approximate dates.Another carriage clock by McCabe, No. 2946, was sold in these rooms, lot 624, May 2019.Condition reportThe clock is working and it strikes and chimes. The repeat work functions although the push-piece from the rear door is missing. The quality of the engraving to the dial is not quite as expected and it may possibly be replaced from a previous enamel dial? The key is a modern hand-made replacement.
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AN EARLY FRENCH ENGRAVED GILT BRASS ONE-PIECE CASE STRIKING CALENDAR CARRIAGE CLOCKRetailed by Charles Oudin, Paris, circa 1865The one-piece case engraved all over with foliage, pivotted handle, with four bevelled glass panels below and lift-up brass shuttered back panel, the white enamel dial with gilt 'Breguet' moon hands above two subsidiaries for day and date, detailed Ch. Oudin, A Paris, original silvered platform with plain three-armed brass balance and club-tooth lever escapement, the twin train unsigned movement with countwheel strike on a bell15.8cm high (handle up)PROVENANCE: Cyril Fish, thence by descent.Condition reportThe movement ticks and strikes. The gilding is original but with some wear. The upper bevelled glass has some chips and can fall out with the rear door removed. The bottom section of the case has been fitted back the wrong way around, so that the engraved panel is at the rear. One double-ended key.
A FRENCH ENGRAVED, GILT BRASS ONE-PIECE CASE, STRIKING AND REPEATING CARRIAGE CLOCKRetailed by Barwise, London, circa 1865The engraved one-piece case with folding handle and push/repeat, with five glazed bevelled panels, circular white enamel dial, blued steel 'Breguet' moon hands, within a gilt mask, the gilt platform signed Barwise, London, with bi-metallic compensated balance and club-tooth lever escapement, the twin train movement stamped H.L. to the frontplate and 696 to the inside of the frontplate, striking and repeating the hour and half on a bell, in a red Morocco leather travelling case14cm highPROVENANCE: Cyril Fish, thence by descent.Condition reportWith a double-ended key. Original gilding, some wear. The clock is working, ticking with a strong action. Strikes and repeats. There is a small chip to the bottom left hand corner of the front glass.
A LATE REGENCY MAHOGANY AND BRASS INLAID LONGCASE CLOCKSigned Bentley & Beck, Royal Exchange, LondonThe lancet top case with convex glazed dial surround, above the trunk with fluted quarter-columns and arched panel door, on panelled plinth and stepped base, the 12in. circular dial signed, with pierced steel hands, the twin train movement with anchor escapement and hourly strike on a bell200cm highBentley & Beck are recorded working 1815-24.Condition reportTwo brass-cased weights and a crank key. Wood-rod pendulum with brass bob. The movement requires a clean and full service. The dial paint appears original, the signature is visible faintly. The case is overall of a pleasing colour and in good condition, some marks and knocks consistent with age. A small ebonised fillet is chipped and loose from just under the hood at the top centre of the trunk. Another piece is chipped and lost to the right corner.
A SMALL MAHOGANY REPLICA OF JAMES FERGUSON’S TIDAL LONGCASE CLOCKBy G. H. Bell, circa 1971The case with a broken arched hood and brass finial, above glazed door and sides, the trunk with an arched door, above panelled base and plinth; the 9in arched silvered dial inscribed to the upper left J. Ferguson inv. / London / Ca. 1780 and signed to the upper right G. H. Bell Fecit / Winchester Ca. 1971, the arch engraved with the estuary showing a blue-painted rising and falling shutter depicting the tidal movement, above twenty-four hour chapter ring, enclosing a blue painted ring with ‘sunburst’ hand showing the time; centred by a disc rotating anti-clockwise once every 29 1/2 days, engraved The Moon’s Age, the time of her Southing and time of High Water at London Bridge, with cut-outs to take the readings on engraved and painted discs, the next circlet inscribed High Water and Low Water twice, with an engraved ellipse showing the state of the tides, the A-frame-shaped movement with four knopped pillars, anchor escapement and large drum-shaped weight running on a wire line, wound by a continuous chain, brass cylindrical bob pendulum203cm highThis movement is a replica of one made by Ferguson and detailed in his 1773 compendium Select Mechanical exercises: Shewing how to construct different Clock, Orrieries and Sundials. It was sold Bonhams, New York, 7 June 2016, lot 147.Ebenezer Henderson, Life of James Ferguson, FRS, Edinburgh 1867Henry C. King, Geared to the Stars, Toronto, 1978.Condition reportThe clock is in good condition. Together with its weight and pendulum. The movement would benefit from a clean.
A WILLIAM III WALNUT AND MARQUETRY 10 INCH LONGCASE CLOCKBy Thomas Spencer, LondonThe hood (formerly rising) with moulded cornice above a pair of handed turned columns with glazed front and sides, the trunk inset with a door, decorated in floral and bird marquery within oyster panels, the sides with outlined oyster panels, above a marquetry plinth, the 10in. square brass dial signed on the plate below the VI Thos Spencer, Londini, with cherub mask and foliate spandrels, enclosing silvered chapter ring, narrow seconds ring, matted centre and calendar aperture above the VI, the twin train movement with five ringed and knopped pillars, internal countwheel strike on a bell, and anchor escapement, seatboard replaced, movement and case perhaps associated200.5cm highThomas Spencer (b. 1657) was apprenticed to Solomon Bouquet 1671-1678. He gained his Freedom in 1685. He is not recorded after 1697.Condition reportThe hood still has its original runners for rising. There is no spoon. Section of the backboard is replaced. The base has been rebuilt and the marquetry panel is not original but well matched. There are two brass-cased weights, a winding crank key and a pendulum (of later date).
A LATE GEORGE III OAK, MAHOGANY AND OUTLINED THIRTY HOUR LONGCASE CLOCKThe case with a swan-neck pediment above arched glazed door, the trunk with fluted quarter-columns between a rectangular door, centred with a conch shell, above panelled base, the 12in. arched florally decorated white-painted dial, with calendar aperture, the posted frame movement with anchor escapement and countwheel strike on a bell225cm highCondition reportWith one weight, pendulum and crank key. The clock is in original unrestored condition. Marks, losses and knocks consistent with age to the case. Some loss to elements of the Swan-neck pediment. The panel on the base requires refining. The dial has wear to the chapter ring. Overall crazing, some small chips. The movement requires a service.
A GEORGE III PAINTED STRIKING LONGCASE CLOCK WITH SWEEP CENTRE SECONDSThe movement signed John Hunt, WorleThe case with a moulded pediment above a blind fret frieze and arched glazed dial door, the trunk inset with an arched door, on a stepped base and plinth foot, the 12in. arched brass dial with painted moon phase indicator, above brass spandrels enclosing a silvered chapter ring with matted centre and inscription plate, above calendar aperture, the twin train five knopped and ringed pillar movement with anchor escapement and strike on a bell, movement and case possibly associated210cm highCondition reportWith pendulum and two lead weights, together with crank key. The movement is in good order and may benefit from a clean and service. The case is in reasonable condition, marks and knocks consistent with age. Decoration refreshed. There is a cut-out to the lower part of the dial door.
A GEORGE III OAK, OUTLINED AND CONCH SHELL INLAID LONGCASE CLOCKBy J. Woolley, Codnor, circa 1800The case with a swan-neck pediment above arched glazed dial door, flanked by fluted columns, the trunk with canted angles and inset with an arched panel door, on stepped base, the 13in. arched brass dial, with moon phase, above crown and cherub spandrels, enclosing brass chapter ring with matted and chased centre, seconds subsidiary and signed at VI o’clock, the twin train movement with anchor escapement and strike on a bell218cm highCondition reportWith winding crank, two cast-iron weights and cast-iron bob pendulum. The movement is very dirty and will require a service. The case is in reasonable order, some marks, scratches and knocks consistent with age. A small veneer loss to the crossbanding on top left corner of the base. Filled worm holes to the left side of the hood around the top of the door and in other parts.
A LATE GEORGE II/EARLY GEORGE III PARCEL-GILT, RED LACQUER TO IMITATE TORTOISESHELL AND CHINOISERIE DECORATED LONGCASE CLOCKThe case circa 1760, the associated movement by William Gilbert, Gosport, circa 1795The case decorated in red lacquer to imitate tortoiseshell and decorated with chinoiserie figures, pavilions and landscapes, with an ogee pediment and three ball finials, above an arched glazed door, flanked by three-quarter columns, the trunk inset with an arched panel door, on a base and stepped plinth, the later associated movement with arched 12in. silvered and engraved dial, with HIGH WATER AT GOSPORT to the upper edge, above blue painted age of the moon and outer high water time to the arch, the dial with sweep centre seconds, signed in a recess Willm Gilbert, Gosport above another sector for the date, the twin train movement with anchor escapement and strike on a bell, movement and case associated249cm high overallCondition reportWith its pendulum and two-brass cased weights. There is no key. The movement will require a service. The movement and case are associated as stated above. The case is in good reasonable condition considering the age, some marks and knocks consistent with age. A split to the base panel. Some flaking in places.
A GEORGE III MAHOGANY LONGCASE CLOCKBy John Jackson, LondonThe case with an arched hood and three brass finials, above glazed door, flanked by fluted columns, the trunk inset with an arched panel door, flanked by fluted canted angles, on panelled plinth base, the 12in. arched brass dial, signed Jno Jackson, London, with strike/silent to the arch, the chapter ring enclosing subsidiaries for calendar and seconds, with four knopped pillars, deadbeat escapement and strike on a bell, movement and case possibly associated232cm high overallCondition reportThe hood perhaps had an ogee pediment which has been removed to reduce its height. The three brass finials are replacements. The case has been repolished. The door has a slight warp to it, pulling away at the top on the left edge. The dial is lacquered brass, when once it would have been silvered. There are some lines of corrosion to the surface. The movement requires a service. There is a pendulum, no key and two associated wrought-iron weights.
A MINIATURE BRASS LANTERN CLOCK WITH ONE-IN-PASSING HOUR STRIKEThe dial inscribed Tho. Tompion, LondonOf typical form, surmounted by a bell and pierced frets, above 4 1/2in. silvered chapter ring, enclosing an engraved centre inscribed Tho Tompion / London, with silvered alarm disc (decorative only), fitted with a chain fusée movement, anchor escapement and pendulum locking block and nut, perhaps incorporating some earlier elements?23.5cm high (excluding ebonised plinth)Condition reportThere is a steel winding key. The left hand door handle is loose.
A WILLIAM IV SMALL BRONZE MANTEL CLOCKBy Jefferson, Bruton StreetThe case with stepped pediment, above signed 3 1/2in. white enamelled convex dial (restored), pierced blued steel hands, flanked by canted angles to each side with a scroll and an arched glazed panel, glazed hinged back door, the fine twin train chain fusée drum-shaped movement, signed to the backplate, striking on a bell, with pendulum locking block and nut22cm highCondition reportThere is no winding key. One case key. With its pendulum. As noted in the cataloguing the dial is restored. The movement appears in good well-maintained order. It would benefit from a service.
A WALNUT CASED TABLE CLOCKThe movement by Thomas Snelling, London , circa 1680, the later case 20th centuryThe 6 1/4in. square brass dial with winged cherub masks, enclosing a silvered chapter ring with matted centre and calendar aperture below the XII, blued steel pierced hands, the movement with five latched baluster-shaped pillars, verge escapement and foliate engraved backplate, signed Thomas Snelling, Londini, with outside and numbered countwheel strike on a bell, in a later Knibb style walnut case 30cm high (handle down)Thomas Snelling (b. 1659) was apprenticed in 1672. He was Free from 1680. He paid no quarterage to the Clockmaker's Company after 1689.See Sunny Dzik, Engraving on English Table Clocks, Art on a Canvas of Brass 1660-1800, Oxford 2019, p. 133/4 which illustrates two engraved backplates of Joseph Knibb clocks with virtually identical backplates to this lot.Condition reportThe case is in good condition. Some chipping to the upper moulded edge on corners and back. The movement ticks and strikes, it may require a service
A VICTORIAN WALNUT DRUM-TOP STRIKING MANTEL CLOCKBy French, Royal Exchange, LondonThe drum-top case supported on a pair of scrolls, above panelled base and stepped plinth, the 5in circular signed dial with blued steel quatrefoil hands, the twin train fusée movement with signed backplate, striking on a bell, and with pendulum locking nut29cm highCondition reportThere is a key. The clock is in good condition. The bell may be a replacement?
A LATE WILLIAM IV MAHOGANY AND BRASS MOUNTED STRIKING AND REPEATING BRACKET CLOCKBy James McCabe, Royal Exchange, London, No 255The case with a chamfer top above arched glazed panel door, with canted edges, flanked to each side by a fretted panel and with a hinged glazed back door, the 6 1/2in arched signed silvered dial with strike/silent subsidiary to the arch, the twin train chain fusée movement with signed backplate, striking on a bell and with pull repeat, brass pendulum locking nut, together with a reproduction bracket36cm high excluding bracketCondition reportWith a brass winding key and a steel case key. In good overall original condition. The movement appears to be tarnished and will require a clean and service.
A GEORGE III BRASS MOUNTED MAHOGANY BRACKET CLOCKBy Morice, Fenchurch Street, LondonThe broken-arched top case with brass carrying handle, above glazed doors, the sides with pierced fish-scale rectangular panels, the 8in arched brass dial with strike/silent above silvered chapter ring, enclosing a matted centre with pierced blued steel hands, the signed twin train chain fusée movement with anchor escapement striking the hour on a bell, with an associated mahogany bracket46cm highCondition reportIn unrestored condition. With a modern crank key. The case has been subject to repairs previously. Some veneer replacement on the top and back door. The movement requires a clean and service. The brass securing brackets are Victorian replacements.
AN APULIAN RED FIGURE BELL-KRATER VASE ATTRIBUTED TO THE CIRCLE OF SNUB-NOSE PAINTER OR THE ‘H.A’ PAINTERMid 4th Century BC One side depicting Dionysus and the other three youths, with double palmettes and scrolling volutes under the handles, with a frieze of meander and crossed-squares below, a laurel leaf band below the rim, 43.5cm highProvenance: Acquired Christie’s, 3 July 1996, Lot 185.Formerly in the Collection of the Fürsten zu Waldeck, Bergheim. Lot Notes: Compare A.D Trendall and A.Cambitoglou, The Red Figure Vases of Apulia, I, Oxford, 197,p.371ff and p.331ff; and op.cit., R.V.A., 2nd Supp.,p.79ff.and p.83ff for the Snub-Nose and ‘H.A’ Painters. Condition Report: Extensive restoration
Morris (Rev F.O.), A HISTORY OF BRITISH BIRDS, second edition, 6 vols, gilt embossed illustration to green cloth boards and spines, bookplate to inside front covers, tissue-guarded hand-coloured engraved frontispieces, tissue-guarded hand-coloured plates throughout, George Bell & Sons, London 1870 (6) (at fault) CONDITION REPORT:Volume I shows a split to the left hand side of the spine approximately 5cm long, and a further split to the top right of the spine approximately 4cm long. Volume II shows a smaller split approximately 1cm. All volumes show wear to the top of the spines, most noticeable on volumes IV, V and VI which show small splits to the top of the spine. All volumes show shelf wear and bumps to the front corners. Volume II shows slightly loose split binding at pp128-129, Rock Pipet plate detached but present. Volume III shows slightly split binding at p65. All blocks show some foxing. Most pages show some fox marks and the odd stain. Some pages show the odd small crease to the corners.
A servant's/butler's bell call box, early 20th century, within wooden and glazed case, nine labelled indicators (three bedrooms, bathroom, study, drawing room, lounge, billiard room, tradesmen), 42cm W x 24cm H x 6cm D (at fault)Condition reportPush buttons to the side are non-functional, hinged to one side but fastened with brackets to the opposite side, brackets would need to be removed to gain access to the mechanism.Mounted upon a later board, general marks and wear commensurate with age and use, no visible damage or faults to the case.
A French gilt metal and rouge marble mantel clock, late 19th century, the case surmounted with a winged cherub upon a rocky outcrop, apace with a the 9cm white enamelled dial, applied with Arabic numerals and floral swags, enclosing the two train movement, signed 'Marti, Paris', lacking saucer bell, all upon a variegated marble plinth base, 34cm high
A Scottish George III mahogany cased eight day longcase clock, signed David Hill, Edinburgh, the hood with a twin swan neck pediment over beaded brass mounts and a pair of brass embellished freestanding fluted pillars, flanking the 31cm silvered break arch dial, applied with Roman and Arabic numerals, silent/strike indicator and subsidiary seconds dial, signed with the makers name and enclosing the four pillar, two train movement striking on a saucer bell, over the shaped flame mahogany door and conforming quarter columns, canted lower board, 216cm high, two weights and pendulum
A mid 18th century oak cased eight day longcase clock, signed ‘E.Bullock, Ellesmere’ (Shropshire), the moulded cornice and tapering half pillars flanking the 31cm square brass dial, centred with a date and moon phase aperture, applied with Roman and Arabic numerals, signed with the makers name, enclosing the two train movement striking on a saucer bell, the profusely later carved case inset with a glazed circular viewing window, over a conforming lower board and bracket feet, 216cm high, two weights and pendulum, bezel diameter 26cmCondition reportGlass side panels and glass door appear to be later associated.Additional laths have been applied to the top of the backboard on both sides, along with runners and cut aways to the cheek pieces indicating a level of alteration/restoration.General tarnishing to the dial, movement is un-tested however appears dirty and dusty, evidence that it hasn't run for some time.Glass viewing aperture is later, hinges are also later with blocks added to the interior, the plinth base also appears to be later.Case with some minor chips and splits commensurate with age and use.Overall the case appears to have undergone a degree of restoration.
A thirty hour oak cased longcase clock, signed Thomas Lister, mid to late 18th century, the moulded cornice over a pair of freestanding pillars flanking the 31cm silvered and brass dial, applied with Roman and Arabic numerals, centered with a 'half penny' moon phase aperture, along with a date aperture and the makers name, enclosing the thirty hour movement striking on a saucer bell, the oak case with conforming quarter pilasters flanking the arched door, 211cm high, weight and pendulum
An oak cased thirty hour longcase clock, signed Phillips, Ashburne, the 28cm square brass dial applied with Roman and Arabic numerals, centred with a date aperture and signed with the makers name, the thirty hour movement striking on a saucer bell, to a cross banded oak case with an arched door and plain lower board, 200cm high, weight and pendulum
Elkington & Co. silver plated table bell, surmounted with a cherub figure, the bell further worked with dancing cherubs, height 16cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
French Art Deco marble and chrome clock garniture, the clock with rectangular dial, signed 'Comptoir General M Schnerb.', the movement striking on a bell, the clock 44cm , height 23cm, with matching ornamental vases, height 15.5cm, with key and pendulum (currently in working order)Please note our special conditions regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
French walnut and ormolu lyre shaped mantel clock, white enamelled dial with Arabic numerals, the movement signed 'A D Mougin' striking on a bell, with pendulum, height 51cmPlease note our special conditions regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Thomas Richardson, Weaverham, mahogany eight day longcase clock, circa 1795, the hood with brass capped turned columns flanking a 14 inch square dial with signed silvered chapter ring, subsidiary seconds and a matted centre, the movement striking on a bell, the trunk having a well figured door and quarter pilasters over a box base with canted corners, raised on bracket feet, with pendulum and two weights, height 213cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Edwards of Bishops Castle (1771 - 1791) oak eight day long clock, having a brass 12 inch dial with subsidiary seconds and date aperture, signed, eight day movement striking on a bell, plain trunk and box base, with pendulum (a/f) and two weights, height 208cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Walnut 30 hour longcase clock, 18th Century, with a brass 11 inch dial with matted centre and date aperture, striking on a bell, plain trunk with box base, with pendulum and a single weight, height 190cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
J Carter, Warrington, mahogany eight day longcase clock, circa 1820, the hood with turned wooden finials and turned columns flanking a painted 14 inch arched dial with moon phase, Roman numerals, subsidiary seconds and date dials, floral painted spandrels, the movement striking on a bell, the trunk with figured door within reeded pilasters, over a canted box base, height 216cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Samuel Collier, Eccles, a mahogany eight day longcase clock, circa 1770, the hood with verre eglomise panels and brass capped reeded columns, flanking a 14 inch painted arched dial with moon phase, Roman numerals, subsidiary seconds dial and date aperture, the movement striking on a bell, the trunk with well figured door within quarter pilasters, on a canted box base with raised panel, height 227cmPlease note our special conditions regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Unusual oak 30 hour longcase clock, possibly Dutch, the hood with dentil arch enclosing a 6 inch copper dial with brass chapter ring with Roman numerals, 30 hour movement, striking (bell deficient), no pendulum or weight, within a tall fielded panel case on a box base, height 245cm, width of the hood 36cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Francis Wheatley, RA, British 1747-1801- Apple Gathering; pencil and brown wash on paper, signed 'F. Wheatly' (lower right), 19.5 x 25.2 cm. Provenance: with The Bell Gallery, Belfast. with The Fine Art Society, London, no.9585. Private Collection, UK. Note: Wheatley was a hugely versatile artist, with an output which ranged from smaller-scale portraits and conversation scenes, often informed by the compositions of Johann Zoffany (1733-1810), to history paintings and landscapes which he moved towards later in his career. Idyllic pastoral scenes often form the subject of his works, with this drawing - a romanticisation of rural life in England or Ireland - a particularly charming example.
Thomas Shotter Boys, NWS, British 1803-1874- View of the Thames towards Battersea Bridge, showing the construction of Chelsea Bridge; pencil and watercolour on paper, signed with initials 'TB' (lower left), inscribed 'Battersea Church' and 'Chelsea Church', 5.6 x 19 cm. Provenance: Anon. sale, Sotheby's, London, 11 July 1985, lot 74. with The Bell Gallery, Belfast. Private Collection, UK. Note: Shotter Boys worked as a watercolourist and engraver over the course of his career and was heavily influenced by Richard Parkes Bonington (1802-1828). Chelsea Bridge was built by the civil engineer Thomas Page (1803-1877). He was commissioned to design the bridge in c.1846 and the building was completed in 1858. The present work, showing a dredger at work in the initial stages of the project, probably dates from the late 1840s. Shotter Boys has depicted a west-facing view along the Thames, looking towards the construction of the bridge which was replaced in the early 20th century by the current bridge.
FIVE BOXED MINICHAMPS MCLAREN MODEL CARS 1:43 SCALE, to include, a F1 GTR 4 Le Mans, Bellm-Blundell-Sala, numbered 530 154324, a F1 GTR 3 Le Mans, Wallace-Bell-Bell, numbered 530 154351, a McLaren Mp4-12C, 2011 in orange metallic, numbered 530 133020, a McLaren 675LT in Napier Green, numbered 537 154422, and a McLaren F1 in yellow, numbered 530 133436, all are in new condition with only dust and light wear
A TRENCH ART MANTLE CLOCK FORMED FROM A BOMB CASING, 19th century movement free from the case, damaged dial, roman numerals, 8 day movement, bell strike with issues, the movement stamped although lost some detail 'Machenaud Paris, S. Marti et Cie', numbered 1522, 52, numbered to the outer edge of movement casing 369 with star, without pendulum and key, exterior casing has been heavily painted black, inside and some detail in red, with additions added to the exterior and wooden panel door to the back, glass is included but not attached, fuse numbered 583?, stamped to the inside base E.W., some of the rings do turn but most other detail has been lost, overall worn condition with the movement and dial in need of attention, clock not tested for working condition or accuracy, standing approximately 40cm tall, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
FIVE BOXED SPARK MODEL MINIMAX VEHICLES 1:43 SCALE, to include a Jaguar XJ220 Metallic Blue 1992, numbered S0767, a Jaguar XJ12C white and blue no 14th Tourist Trophy 1977, A. Rouse-D. Bell, numbered S0777, an Astin Martin DP214 Daytona 2000km 1964, B. Hetreed-C. Kerrison, numbered S3685 in plastic wrapping, an Aston Martin DB4 Convertible Silver, numbered S2426 in plastic wrapping, and an Aston Martin DB6 Volante Blue1969, numbered S2431 in plastic wrapping, all are in new condition with only dust and light wear
A late 19thC French brass cased mantel clock, circular enamel dial bearing Roman numerals, eight day movement with bell strike, the case stamped Labolle, surmounted with a figure of a writer against a naturalistic garden ground, above floral panels and rococo scrolls, the dial above a shield reserve, with pendulum and key, 41cm high, 36cm wide.
A late 19thC French ormolu marble and porcelain mantel clock, circular enamel dial bearing Roman numerals, eight day movement with bell strike, the case surmounted by a pair of doves and a torchere, and the sides with symbols of music and war, raised on a bow fronted white marble base, on brass feet, with pendulum, no key, 30cm high, 21cm wide.
A Georgian oak and mahogany longcase clock by William Green of Grantham, the enamelled break arch dial painted with an homestead and shell spandrels, dial bearing Roman numerals, subsidiary seconds dial, eight day two train movement with bell strike, the hood with a brass ball capped break arch pediment, over turned columns, the case with crossbanding and line inlay, trunk door with quarter pilasters, with weights and pendulum, no key, 218.5cm high.
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123896 item(s)/page