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A Georgian Wine Glass with bell bowl having tear drop base on plain column with folded foot, 6 3/4in and a small Glass with funnel bowl on plain stem, 5 1/2in Larger Glass - appears to be in good condition with no major faults, just a few surface scratches and marks in places.Shorter Glass - appears to be good, again just a few marks and scratches.
A 19th Century Mantel Clock with drum dial having enamel numerals on gilt metal ground, two train movement striking on single bell, backplate stamped S Marti et Cie, Medaille De Bronze, in spelter elephant, lion and howdah case with mask and trunk supports, 17in high The clock has a bell and a pendulum. The sword is loose and possibly a replacement. One rear foot has some restoration.
A Georgian style Wine Glass with bell shape bowl on double knop stem with multi series opaque twist stem, 6in, chip to foot rim, and a larger Glass with round funnel bowl on double series opaque twist stem, 7in The larger Glass appears to be in good condition, there is a blemish/fault where the Stem meets the Foot and there are bubbles and swirls in places which you'd expect to see - and there are surface scratches in places.Double knopped Glass has a fairly large chip to the foot.
A gentleman's Bell & Ross Automatic BR03-94-S-04317 Chronograph Wristwatch the black circular dial with arabic numerals at 6 and 12 the remainder baton markers, sweep seconds hand and two subsidiary dials in square stainless steel case, case width approx 41mm, on original brown leather strap with box and papersHands adjust, currently running, slight surface scratching, some wear to strapPLEASE NOTE: All watches are sold 'as seen' and with no guarantee as to working order
Mixed ceramics, comprising an Art Deco Burleigh ware jug with kingfisher handle, height 20cm, a Carlton ware small bachelor teapot decorated with relief flowers, Edward VIII commemorative teapot, a 'Heckmondwike and District Co-Operative Society Ltd 70th Anniversary 1860-1930' dish, an Art Deco floral dish, a Continental porcelain centrepiece with dancing children, height 17cm, a boxed Royal Doulton 'The Speech of Angels' limited edition bell, and a contemporary clock in the form of an embracing couple, on marble-effect plinth, height 23cm (8).
A collection of pins and badges, to include a Pink Floyd 'Division Bell' pin badge, a Queen 'Juggler of the Universe' pin badge, one other Queen brooch, a wooden guitar badge with pen signature to reverse, and various other badges including Mutley, Gobby, and Carnival of States Association football medal Longbeach California 1924.
A collectors' lot comprising various wooden boxes including Vizagapatam decorated examples, a Bakelite cigarette box, a musical inlaid example, also a ten-piece ebonised dressing table set, a treen needle box, a Colibri table lighter, a brass bell with turned handle, a Woods Areca Nut Toothpaste pot, a travelling vanity case with chrome topped glass bottles in red leather case, a hallmarked silver picture frame, a cased hallmarked silver backed baby's brush and comb set, etc.
THE ROYAL MINT; ten UK £2 brilliant uncirculated coin presentation packs comprising 'The Centenary of The Flying Scotsman', 'Dame Vera Lynn', 'Alexander Graham Bell', 'Sir Walter Scott', 'An Enduring Romance with Jane Austen', 'Before, Beyond, Above', 'The Great Fire of London', 'Edward Jenner', and two 'Celebrating Twenty-Five Years of the £2 Coin' (10).
A collection of contemporary artwork to include the following: John Loker (b. 1938) Untitled - 1983 Lithograph Signed and dated by the artist. Measures 37cm x 34cm. Framed and glazed. Born in Leeds, Loker has lived and worked throughout his career in London and East Anglia. He studied Graphic Design at Bradford College of Art and Design from 1954-58; and went on to study Painting at the Royal College from 1960-63. With the exception of a brief period spent in Manchester in the mid 1960s, he continued to live and work in London until 2002. He has exhibited widely internationally, and was included in many survey exhibitions of British art of the 1970s. In 1980, a travelling retrospective was curated by Lewis Biggs at the Arnolfini in Bristol. Loker’s work is in the collections of the Arts Council of Great Britain; British Council; CODA Museum Collection in Apeldoorn, Holland; Hunterian Collection, Glasgow; Power Institute of Fine Art, Sydney; Royal College of Art; Tate; and the Victoria and Albert Museum. Loker is also represented in the corporate collections of Deutsche Bank, ABH Bank Amsterdam, De Beers and Unilever. Linda Eaves (b. 1967) Unspecified Purpose No. 5 Acrylic, Conte, Charcoal on Paper Measures 66cm x 85cm. Framed and glazed. Chitra P Merchant Devakad Bell Jar - Xl Screen-print on paper Signed titled and numbers by the artist. No 6/30. 58cm x 47cm. Framed and glazed. Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa. She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she prints, exhibits and works to commission on a regular basis. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Victorian Wedgwood Majolica cheese dome and cover on a mustard and pink ground decorated with relief flowers, foliage and other repeating designs. Impressed mark to the underside for Wedgwood. 22cm high approx. (B.P. 21% + VAT) Noticeable hair cracks to the bell and chip to the rim, the stand is very stained and crazed.
Five aviation prints to include: After Keith Woodcock, 'B 17 Memphis Bell', signed in pencil, 'Trouble Brewing', after Keith Aspinall, featuring Beaufighter and Torbeau, signed in pencil No. 118/246, after Mark Postlelthwaite, 'Concorde Roll', signed coloured print of the 1992 of The Red Arrows flight, and two further after Robert Taylor, 'Lancaster' signed by Leonard Cheshire and 'Hurricane' signed by Bob Stanford-Tuck. (5) (B.P. 21% + VAT)
A George III oak longcase clock, with a square dial, later re-painted, marked Spendlove, Thetford, dial bearing Roman numerals, two train movement, with bell strike, the hood with a broken arch pediment with central brass finial, raised on brass capped, fluted columns, above a plain trunk and plinth base, with pendulum and weights, 204cm high.
An Imperial brass and enamel clock garniture, the clock with a circular dial bearing Roman and Arabic numerals, German Franz Hermle eight day movement with bell strike the case of lyre form with urn surmount, flanked by two fauns raised on a shaped oval base above four lions paw feet, with key, 62cm high, together with a pair of seven branch candelabra of matching design, 68cm high.
9th-10th century A.D. or earlier. Bell-shaped cup with suspension loop, inset irregular amethyst. 0.73 grams, 15 mm (5/8 in.). From a late Japanese specialist collector, 1970-2000s.This amulet was believed to offer protection against 'Elfshot'. The attack of elves was believed responsible for mysterious suffering in men and livestock. 'Elfshot' described sudden shooting pains localised to a particular area of the body, such as in rheumatism, arthritis or muscle stitches or cramps. Elves were thought to shoot darts or arrows where such pains had no obvious external cause. Belief in elfshot persisted into the 20th century in rural areas, and as proof country folk would sometimes find small arrowheads (the remains of Neolithic or Mesolithic flints, or naturally-occurring spear-shaped stones) that were believed to be the magical weapons that caused the afflictions. Belief in elfshot began in the Pagan Germanic period.
Han Dynasty, 206 B.C.-220 A.D. or later. Hollow-formed figure modelled in the round of a dancer wearing a cross-over jacket with bell sleeves hanging at her sides, hair drawn back and secured in a chignon. See Bower, V., From Court to Caravan: Chinese Tomb Sculptures from the Collection of Anthony M.Solomon in the Harvard Art Museum, Yale, 2002, for discussion. 4.4 kg, 45 cm high (17 3/4 in.). From a West Country, UK, collection, formed in the 1990s.
Circa 8th-7th century B.C. An Assyrian or Urartian bell-shaped seal featuring a ribbed suspension loop attached to a stepped base; on the convex underside of the seal, there is an intricate engraving depicting a mythical creature that combines the body of an eagle with a fish tail; this hybrid creature is depicted facing to the left and holding a hare in its beak, with a snake coiled around the seal's perimeter; accompanied by a museum-quality impression and a typed and signed scholarly note issued by W.G. Lambert, late Professor of Assyriology at the University of Birmingham, 1970-1993, which states: 'Stamp Seal of Chalcedony / 23 x 14.5 mm. / This has a round, convex face, and above it is a cylinder with sharply concave sides, on top of which is (of one piece with the rest) a pierced lug with grooves over its top. The design on the base shows a standing composite creature: legs, wings and head of a bird, but body of a fish. In its beak it is holding a dead hare or other such creature. Around the design is a snake, whose body does not quite complete the circle. / This is an Urartian seal, from the ancient Kingdom of Urartu, c. 800-650 B.C. It comes from the area around Lake Van. The composite creature is a typical feature of the art of this kingdom. The snake is interesting, since it is the forerunner of the famous Ourobouros on magic gems of the period c. 100 B.C. to 200 A.D. It often appears surrounding a design, but it has its tail in its mouth. This seal has very slight chipping of the edges, but generally is in very good condition.' Cf. a chrysotite Urartian loop-handled stamp seal in the Metropolitan Museum of Art, New York, acc. no.1984.175.28, which shows a similar bird-fish hybrid monster. 4.71 grams, 23 mm (17/8 in.). Private collection, England, 1990.European art market.Anonymous sale; Christie's, New York, 6 December 2007, no.374.From the 'Empire' collection, an important UK private collection of seals.with Bonhams, London, 7 December 2021, no.64 (£3,000 - £4,000).Accompanied by a copy of a typed and signed scholarly note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993. [No Reserve]
1870 A.D.. Edward T. Stevens - Flint Chips - A Guide to Pre-Historic Archaeology in the Collection of the Blackmore Museum, Salisbury - Bell & Daldy, London, 1870 - hardback, cloth covers, gold titling to spine - 893 pp, text figures. 1.29 kg, 22.5 x 15.5 cm (8 7/8 x 6 1/8 in.). Property of a Kent, UK, collector. [No Reserve]
2nd-1st century B.C. Bell-shaped profile, concentric parcel-gilt bands to the inner face and central disc. Cf. similar item in the British Museum, London, under accession no.1963,1012.2. 330 grams, 17.5 cm (7 in.). Ex London, UK, gallery, 1971.This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12123-213138. [No Reserve]
20th century A.D.. Bell-shaped in profile with broad foot and carinated rim; at the neck an applied gold-coloured inlaid band of undulating tendrils, with alternating inset ruby petals; at the shoulder, four small applied plants with green lozengiform flowers; at the waist four large plants with laterally-extended shoots, petals with inset rubies and green inlays; below the waist, a similar band of flowers to that at the shoulder; some wire lose or absent. 468 grams, 12.8 cm high (5 in.). Property of a South West London gentleman. [No Reserve]
4th-6th century A.D. or earlier. 'Bell-shaped' bowl with rounded base, the exterior decorated with a polychrome geometric scheme including arrows, circumferential bands and quartered panels. See Pimentel, V., Peru, Kingdoms of the Sun and the Moon, 5 Continents, Milan, 2014, for a range of Nazca vessels. 263 grams, 15 cm (5 7/8 in.). Private U.K. family collection formed in the early 1970s.The property of Mr and Mrs P.R. of East Sussex.Thence by descent to family members. [No Reserve]
33rd-13th century B.C. Tubular figurine depicting a stylised female with hands clasped beneath the breasts, incised linear hem to the bell-shaped skirt, pinched facial features. 491 grams, 16.2 cm (6 3/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [No Reserve]
Circa 1st-2nd century A.D.. Each bell-shaped in profile with carinated rim and stub of the lateral handle. 742 grams total, 11.5 cm each (4 1/2 in.). Found by construction workers in the 1950s-1960s.From the private collection of Mr A Hills, Kent, UK; received by gift circa 2015. [2, No Reserve]
Circa 1840 A.D.. Showing a travelling pilgrim blowing a horn, dressed in an animal skin cape and short tunic, carrying two ceremonial daggers, wearing copious jewellery; accompanied by a small goat wearing a bell collar; a panel of inscriptions above. 11 grams, 24.5 cm (9 3/4 in.). Acquired from the UK art market.Private Scottish collection.
20th century A.D.. Group of two silver-coloured metal pomanders comprising: bat-shaped suspender with two short chains, openwork pomander with chained stopper, sun-wheel design flanked by flowers and robed female supporters; floral suspender with two short chains, openwork pomander with chained stopper, two fishes modelled in the half-round on a field of openwork scrolls, five chains below with rumbler-bell finials. 137 grams total, 15-16.5 cm (5 7/8 - 6 1/2 in.). Property of a South West London gentleman. [2, No Reserve]
A GEORGE III MAHOGANY CHEST ON CHEST BY PHILIP BELL, CIRCA 1770 With a paper maker's label: 'PHILIP BELL CABINET MAKER, UPHOLSTERER AND UNDERTAKER, AT NO.23 IN ST PAUL'S CHURCHYARD, LONDON' 190cm high, 114cm wide, 58cm deep Philip Bell (fl. 1758-74) was the successor to Elizabeth Bell (1740-1758) and almost certainly her son. His father was probably Henry Bell (1698-1740) who also traded at the same address and was apprenticed to John Coxed (1696-1718). Philip Bell initially traded under the 'The White Swan' as his predecessors had done, however during his flourish, numbering was introduced to residences in London and his premises was named 23, St. Paul's Churchyard. Condition Report: Overall there are some scratches, marks, knocks, cracks, abrasions and some evidence of old worm consistent with age and use.There are no keys.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer
Model Making, Aviation Interest, The Late John Burgess Collection of Model Kits - 1:72 scale kits, comprising two High Planes Models GAF Jindivik Australian target drones, each boxed; Project-X PX-044 The Bell X-1A/B/D, boxed; Silver Cloud SCK7201 Mixed Power Interceptor, boxed; Alliance Models 72009 Bell X-2, boxed and 72022 Lippisch P.15, boxed; Collect-Aire X-20 Dyna-Soar, boxed; others, each boxed (10)
Model Making, Aviation Interest, The Late John Burgess Collection of Model Kits - MPM 1:72 scale kits, comprising No.72093 X-4 Bantam, boxed; No.72040 Ryan FR-1 Fireball, boxed; No.72042 McDonnell XF-85 Goblin, boxed; No.72510 XP-56 II "Black Bullet", boxed; No.72098 XP-56 "Black Bullet", boxed; No.72072 Messerschmitt Me 163 S, boxed; No.72021 Bell P-63A King Cobra, boxed; No.72020 Curtiss XP-55 Ascender, boxed and No.72091 Dc-2, boxed (9)
Model Making, Aviation Interest, The Late John Burgess Collection of Model Kits - 1:72 scale kits, comprising Pioneer 2 4009 Beechcraft Kansan AT-11, Series 4, boxed; Emhar EM3002 F3H Demon F3H-2N or F3H-2M (F-3C), boxed; Eastern Express No.72212 Fighter LaGG-3 (type 35), boxed; Delta2 Campini Caproni, boxed; Pavla Models No.72032 Boulton-Paul Defiant Mk.I, boxed; Hobby Spot No.7201-2600 Bell X-1 The First Generation, boxed and Fujimi No.7AH10 1299 H-10 Vought F7U-3 Cutlass, boxed (7)
Model Making, Aviation Interest, The Late John Burgess Collection of Model Kits - 1:72 scale kits, comprising Novo F152 Hotspur Troop carrying glider, boxed and F333 Fairey Delta - research aircraft, boxed; Karo-AS modellbau AM-04.72 Bell P-59 "Airacomet", boxed and AM-02.72 Focke-Wulf Fw-58C "Weihe", boxed; PJ Production 721206 ATAR 9C "short tail" conversion, boxed; Eiai/Hales No.003 Beechcraft V35B Bonanza, boxed; Airmodel Products AM-7004 Culver PQ-14/TD2C-1, boxed; Choroszy Modelbud No.Z01 Kugisho MXY 4 motor glider, boxed; others, each boxed (quantity)
An assortment of late Victorian 19th century brass & leather serving bells. The lot to include two graduating brass & leather strap serving bells. A ecclesiastic pierced brass church bell with apostles names to sides. Together with a brass Indian inspired lidded burner flask of bulbous form. Largest measuring approx. 15cm tall x 11cm in diameter.
A large collection of 185 later 20th century 45 RPM singles vinyl records. Artists to include; Elton John, Stevie Wonder, Michael Jackson, Communards, Kylie Minogue, Beats International. UB40, Belinda Carlisle, Madonna, OMD, Feargal Sharkey, The Stranglers, The Human League, The Boomtown Rats, Blondie, Rod Stewart, Bee Gees, Status Quo, Kraftwerk, Bad Manners, Madness, Yazoo, Altered Images, The Power Station, Candi Staton, Jean Michael Jarre, Donna Summer, Ted Nugent, AHA, David Bowie, Jona Lewie, Art Garfunkel, Reparata and the Delrons, The Bonzo Dog Doo Dah Band, Adam and the Ants, Donna Summer, The Human League, OMD, Frankie goes to Hollywood, The Police, Ike & Tina Turner, Break Machine, Level 42, amongst many others.Labels to include Stiff, Bell, EMI, CBS, Polydoor, Chrysalis, A&M.
A collection of 20th century decorative curios. The collection to include a brass airplane ornament held on a central column above a rounded base, a small carved bell topped with a cherub style decoration, a small brass fish paperweight alongside another fish paperweight with a silver tone fish atop a stone base. Also to include a small faberge style egg decoration.
A selection of hardback and other books, primarily relating to history, art, and collecting, titles including: The Medieval World Complete, by Robert Bartlett; Tyneside Pottery, by R. C. Bell; George III: A Life in Caricature, by Kenneth Baker; Porcelain, by Eileen Aldridge; On the Seven Deadly Sins, by Kenneth Baker; and others, one box.
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123509 item(s)/page