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Lot 1
A Coalport claret ground coffee cup and saucer and two similar Coalport claret ground teacups, all painted with landscapes or vignettes in gilt or raised gilt frames beneath a gilt gadrooned rim, saucer 14.5cm diam, the cup and saucer painted 2/221, c1825; a small quantity of other Coalport teaware; an H & R Daniel tureen stand of First Bell shape, painted 6276; a Chantilly saucer, painted with sprigs in underglaze blue; a similarly decorated La Courtille oval teapot stand; a Wedgwood creamware duck mould (16) ++ Some pieces with wear, the Wedgwood creamware mould cracked but the lot in generally good condition
Lot 1
A gilt pair cased pocket watch by Robert Ward London No.11896 with repeating verge movement diamond endstone to the pierced cockplate signed on the dust cover the back of the inner case pierced and engraved and mounted with a bell white enamel dial with black Roman hours and Arabic minutes signed 34mm dial the outer case lacking most of its shagreen finish
Lot 1
A Chinese bronze temple bell cast with two headed beast forming a ring handle at the top above daodieh lappets and panels the base wavy fitted with later iron clapper and on a wood stand the bell 28.5cm high Sold with a letter indicating an 1886 purchase and a belief in it being two hundred years old at that time
Lot 1
A Late 20th Century Mahogany cased Mantle Clock the arched case with plinth base and raised on four compressed bun feet, twist bun brass bezel enclosing a 5” painted Roman dial with outside minute track and black hands, signed Committi of London to a spring driven movement with strike on a bell, height 8½“
Lot 1
A part Early 19th Century 8 Day Longcase Clock, the heavily distressed and black painted to a 12 ½ “ arch painted dial with Roman Chapter Ring, outside minute track with subsidiary seconds and void date sector to assigned false plate and movement with four knot pillars and anchor escapement, strike on a later bell (losses and alterations), height 85”
Lot 1
A Mahogany and Box wood lined inlaid 8 day Longcase Clock, the arched hood surmounted by three Globe and Eagle finials over freestanding reeded columns to a long trunk door and raised on a plinth base to a 11 ½ “ brass dial, surmounted with a silvered boss signed Tempus Fugit over Roman & Arabic Chapter Ring to a matted centre with subsidiary seconds and black steel hands to an 8 day movement with anchor escapement and strike on a bell, height 87”
Lot 1
A Late 18th Century Mahogany cased 8 day Longcase Clock, W D Durant, Yarmouth, the arched hood surmounted by three plinths for finials and fretwork frieze over plain freestanding columns with brass capitals over a convex throat and long arched trunk door flanked by cantered corners and raised on a later plinth base to a 12” first period arch painted dial with painted bird to floral and strawberry spandrels with gilt Gesso surrounds enclosing a Roman and Arabic Chapter Ring with subsidiaries for seconds and date to pierced steel hands, the movement with four knocked pillars, anchor escapement and strike on a bell, height 81”
Lot 1
A group of costume jewellery 1960s and later comprising: 1960s stylish gilt metal bangle with large green cabochon stones and paste studded foliage; a Kenneth Jay Lane multi-coloured paste bangle; a Christian Lacroix paste studded carnation brooch and earrings in original box; Victor Edelstein designed gilt metal and “blister pearl” parure of two pairs of earrings necklace and bracelet 1980s; and a gilt brass bell pull grip (12)
Lot 1
Andrew Black, Alloa (clockmaker, circa 1835), Scottish mahogany eight day longcase clock, circular hood with moulded bezel, silvered circular dial, signed and with Roman numerals, subsidiary seconds and date dial, eight day movement striking on a bell over a trunk with turned half pilasters flanking a bowed flame mahogany door, the base with a flame mahogany recessed panel raised on shaped bracket feet, height 207cm
Lot 1
MacGregor, Edinburgh (clockmaker, circa 1815-25), Scottish mahogany eight day longcase clock, circular dial with Roman numerals, subsidiary seconds and date dials, signed, with a circular door with brass bezel, the movement striking on a bell, the trunk with reeded quarter pilasters flanking an arched door over a small recessed rectangular panel and a box base with a further moulded recessed panel, all raised on bracket feet, height 208cm Please see Special Sale Notices regarding watches and clocks
Lot 1
A Needlers First World War chocolate tin, the lid decorated with flags of the Allies and Field Marshall Sir John French, Earl Kitchener and Admiral Sir John Jellicoe (some wear), containing six trench art paperknives, bosun’s whistle, spent cartridges, etc, further trench art in the form of shell cases made into ashtrays, vases etc, a Second World War aluminium bell cast in aid of the R.A.F. Benevolent Fund.
Lot 1
A late 19th Century French gilt painted spelter mantel clock, with eight day drum cased movement striking on a bell, the white enamel dial with Roman numerals, the case surmounted by a seated huntsman accompanied by his dog above three porcelain plaques painted with flowers, a helmet and shield and weapons, on a swag and scroll base and foliate scroll feet, height approx 49cm, with base, stand and glass dome.
Lot 1
A late 19th Century French slate clock garniture with eight day movement striking on a bell, the slate dial with gilt Roman numerals and indistinctly inscribed, the square case with mask ring handles, on a square stepped base and foliate scroll feet, height approx 29.5cm, together with a pair of matching twin branch candelabra.
Lot 1
A 19th Century French ormolu mantel clock with eight day movement striking on a bell, the back plate stamped 'Raingo Freres, Paris' and 'Savory a Paris', the silvered engine turned dial with Roman numerals, the balloon shaped case of foliate scroll design with pierced panels, height approx 26cm (faults). (See illustration)
Lot 1
A George III ebonized bracket clock with eight day double fusee repeating movement striking on a bell, the dial with Roman and Arabic numerals and inscribed 'Thos. Landifield, London', the back plate engraved with foliate scrolls, the case with pagoda top and brass carrying handle above glazed sides and brass ropetwist decoration on a plinth base and brass bracket feet, height approx 44cm (faults). (See illustration)
Lot 1
A mid-18th Century ebonized bracket clock with eight day double fusee repeating movement striking on three bells, the brass break arch dial with subsidiary seconds dial above a silvered chapter ring with Roman and Arabic numerals framing a matt centre with mock pendulum aperture, date aperture and applied with a silvered plaque inscribed 'Henry Stockton, London', all surrounded by pierced gilt mask and scroll spandrels, the back plate finely floral engraved, the case with moulded bell top fitted with a brass carrying handle above glazed doors and sides on bracket feet, height approx 44.5cm (alterations and restoration). (See illustration)
Lot 1
A mid-18th Century and later oak longcase clock with thirty hour movement striking on a bell, the square brass dial with single hand and matt centre inscribed 'Jn. Inkpen, Horsham', framed by a silvered chapter ring with Roman numerals, surrounded by pierced spandrels depicting putti holding a crown aloft amongst foliate scrolls, the oak case with moulded top hood above turned pilasters, the trunk with arched door on a plain base and plinth, height approx 194cm (alterations and restoration).
Lot 1
A William de Morgan twelve tile panel each 8in square painted in a Persian palmette and flowering foliage design with four tile repeat three marks for the early Fulham period some tiles perhaps Poole Architectural Pottery Co. 61cm x 81cm (damages) Provenance: Removed from a fireplace surround in a house in Grove Hill Road Tunbridge Wells For the marks see Catleugh Jon. William De Morgan Tiles. Shepton Beauchamp 2002 p181 figs.i j and l for the blue bell flowers see p121 fig. 164 and the border design (here integral) p168 fig. 262 (second from bottom). Similar to a panel in the Arab Hall Leighton House Kensington (west wall). Frederic Leighton commissioned de Morgan to supply additional tiles to complete the Islamic panels and it could be that de Morgan took the opportunity of making copies for his own use. It was also his custom to make duplicates of panels he was working on in cases of accidents in firing the second panel could then be sold if the firing was successful (see website for illustrations of the marks)
Lot 1
A French Art Nouveau spelter clock garniture the Mougin bell-striking movement with ceramic arabic numeral dial in a waisted plinth case with a maiden and child standing on the green onyx base signed in the maquette A de Raniere 57.5cm high; and a pair of vases ensuite signed in the maquette L & F Moreau 41cm high
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123939 item(s)/page