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Click here to subscribeA brass skeleton clock with single fusee movement, late 19th century, unsigned, eight day, passing strike on a bell, the pierced, white painted chapter ring with Roman numerals, Gothic triple arched frame on lentical supports and stepped, turned feet, 13in. (33cm.) high, on a velvet and giltwood base, with glass dome.
A brass skeleton clock with single fusee movement, late 19th century, unsigned, eight day, passing strike on a bell, the white painted toothed chapter ring with Roman numerals, Gothic triple arched frame on lentical supports and stepped, turned feet, 13¼in. (33.5cm.) high, on a white marble and ebonised base, with glass dome (cracked).
An Art Deco onyx wrought iron and gilded clock garniture in the manner of Edgar Brandt, the movement by S.Marti, Paris The clock with a circular 4" enamel dial with stylised Arabic numerals, within a moulded bezel, the movement with outside count wheel strike and silk suspension, bell now lacking, and stamped S.Marti, Medaille Bronze and numbered 301 and 48, within a pierced iron work case with hammered uprights, stylised flowers and a drapery swag on a stepped and moulded onyx base, with a pair of matching pierced obelisks with onyx tops and bases, the clock, 31.5cm wide, 16cm deep, 33cm high. each garniture 12cm wide, 12cm deep, 6cm high, (3)
HARRIS & SON, AUSTRALIAN 'STERLING' LETTER OPENER, the lozenge shaped blade pierced with trailing bell flowers, with triform open work handle, the central strand as the stem of a Leschenautia plant with naturalistic blooms surmounting, 6 1/4" (15.8cm) long, maker probably Harold Harris, also a 'STERLING' SMALL CIRCULAR PULL-OUT TAPE MEASURE with ring hanger and naturalistic floral finial, metal tape, 1 1/4" (3.1cm) diameter, marked '925' (2)
VICTORIAN SILVER TEA AND COFFEE SERVICE OF FOUR PIECES, pear shaped, with baroque chased and repousse decoration of 'C' scrolls, flowers within pointed arch shapes, elaborate cast handles of double 'C' scrolls with acanthus cups and beaded outer edge, raised on scroll supports with volute feet viz, TEAPOT AND COFFEE POT with domed lids, with chased bell shaped finial's, 8" and 10 1/2" high, TWO HANDLED SUGAR BASIN AND MILK JUG with gilt interiors, makers Hands and Son, London 1862, 88oz, in an oak fitted box, green baize lined and with brass end carrying handles (each piece lightly inscribed in a reserve, with presentation inscription to the Rev. Wm Gill from the Congregation of the Rectory Place Chapel, Woolwich, 14th Jan 1863)
'POILE AND SMITH, COURT JEWELLERS, 520 Oxford Street, London' AN EDWARDIAN WHITE GOLD (unmarked) AND DIAMOND NECKLACE OR BROOCH; the necklace having detachable scroll sides and fine chain back to form a brooch with screw on brooch pin; the necklace front consisting of six foliate scroll links terminating at the front with two bell flower and tear drop pendants, the central brooch section having a daisy cluster with a centre old cut diamond of approx 1/2ct and surround of ten small diamonds within an openwork bow pattern surround with strings of small diamonds and with a bell flower and tear drop pendant, approx 195 diamonds in all, weight 30gms excluding the pin, in the original brown morocco heart shaped case with fitted interior covered in dark blue velvet, the lid with blue silk lining lettered as above
An Irish flintlock blunderbuss by Edwards of Dublin, 14.5inch three-stage barrel with ring-turned bell-shaped muzzle, stamped DUBLIN on the top flat and DU-5928 at the midpoint, plain lock engraved EDWARDS, full stock deeply branded ME at the tail of the butt, brass mounts, the butt plate stamped DU-5928, the trigger guard with provision for a sling swivel. Fore-end with some repairs, ramrod pipe replaced or shortened. By repute used on the Dublin mail coach.
A Georgian Scottish blued and gilt dirk, 35cm double fullered blade by John Bell of Perth, blued and gilt along 95% of its length and decorated with scrolling foliage, a clan warrior, stands of arms and a crowned laurel wreath containing a thistle with a garter surround containing the motto NEMO ME IMPUNE LACESSET the motto of the Royal Stuarts, the white metal mounted wooden hilt carved in the form of a serpent, the pommel set with a stone, contained in a re-leathered scabbard with associated knife and fork set.
J...Bell (late 19th century)'TRYING TO SAVE THE GUNS, IN THE BATTLE OF CHARDEH VALLEY' (2nd Afghan War)Signed and inscribed with title verso, dated 1884 on label, pen and ink, grey washes and bodycolour on paper laid down on card28 x 40cm, unframedProvenance: From the Estate of Stephen Masty.
A 'Regal Century' bracket clock,by S E Wills, London, specially created in celebration of Her Majesty Queen Elizabeth the Queen Mother's 100th Year, numbered '5/100' and commissioned for C Wackett inscribed on a plate, with nine-bell triple chime movement, with a 7½in dial, silvered chapter ring and four inner dials for months, seconds, days and moon phases, with pendulum and key,33cm highWith booklet and instructions, a commissioning certificate and the Certificate of Authenticity.
A French gilt metal and champlevé clock garniture, late 19th century, the clock with an eight-day bell strike movement within an arched case of architectural design, with putti and column detail decorated with geometric champlevé, the side pieces of cassolette form, all three under glass domes, with ebonised bases, height of clock 42cm
Late 19th / early 20th century mantel clock with French eight day movement with outside countwheel, signed - Japy Frères, striking on a bell, white enamel dial with Roman numerals in an ebonised and oak drum case, with scroll supports on four bun feet (key and pendulum present), 23cm overall height
Late Victorian mantel clock with French eight day movement, signed - Japy Freres and stamped - J W P 34698, outside countwheel striking on a bell, white enamel dial with Roman numerals, signed - J. W. Benson, Ludgate Hill, London, in a black slate case of classical form, with inset green marble decoration and gold painted motifs, 31.5cm overall height (keys and pendulum present)
George III mahogany longcase clock, the broken arch hood with flanking Corinthian pilasters above a moulded panel door and conforming plinth base with shell inlays, the painted dial with Arabic numerals, subsidiary seconds and date aperture, signed L. Briggs, Wisbeach, the two train movement with anchor escapement,striking on a bell (with weights and pendulum)
George III mahogany longcase clock, the broken arch hood with flanking Corinthian pilasters above a rectangular panelled door and conforming plinth, the painted dial with Roman numerals, subsidiary seconds and date aperture, the two train movement with anchor escapement striking on a bell (weights lacking)
George III oak longcase clock, the rectangular hood with a moulded cornice and blind fretwork frieze and flanking pilasters, the shaped panelled door above a conforming plinth, the square painted dial with Roman numerals and subsidiary seconds and date dials, signed Reeves, Capel, the thirty hour movement striking on a bell (weight and pendulum lacking)
George III oak and mahogany crossbanded longcase clock, the broken arch dial with swan neck pediment and flanking pilasters with brass ball surmounts above a shaped panelled door and conforming plinth, the painted dial with Arabic and Roman numerals, subsidiary seconds and date dials, signed J. Marrs, Retford, the two train movement with anchor escapement striking on a bell (with weights and pendulum)
George III oak longcase clock, the rectangular broken arch hood with flanking pilasters above an arched panelled door and conforming plinth, the brass dial with floral spandrels, the silvered chapter ring with Arabic and Roman numerals enclosing an engraved silvered centre panel with subsidiary seconds dial and date aperture, signed to the arch James Goodyer, Guildford, the two train movement with anchor escapement striking on a bell (with weights and pendulum)
19th Century French gilded spelter and porcelain mounted mantel clock, the urn surmount above a floral painted dial with pink ground, the case inset with various matching panels depicting cherub, musical instruments etc above a shaped gilded wooden plinth, the two train movement striking on a bell
19th Century mahogany line inlaid longcase clock having painted arch top dial with Roman numerals, subsidiary seconds and date aperture, the two train movement striking on a bell, flanked by two reeded pilasters above a flush panelled door and conforming base with bracket feet, 83ins overall height, dial 17ins x 11.5ins
19th Century North Country mahogany longcase clock, the arched hood with swan neck pediment above a shaped door and a circular moulded panel base, the gilt brass and silvered dial with Roman and Arabic numerals, subsidiary seconds and date, inscribed Tempus Fugit, with a two train movement striking on a bell
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