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Click here to subscribeThree Dutch wine glasses 2nd half 18th century, one with a bell bowl engraved with swags and raised on a double knopped colour twist stem with red and white canes, another with a rounded funnel bowl engraved with the crowned initials 'LY' and date '1779', raised on an opaque twist stem, the last elaborately engraved with decorative panels and raised on a faceted stem, 16cm max. (3)
Three small balustroid wine glasses c.1730-50, one with a bell bowl over a blade knop and plain section enclosing a tear above a domed folded foot, another with a bell bowl over a balustroid stem with shoulder and basal knops, the last with a small round bowl on a multi-knopped baluster stem, over a folded foot, a small chip to the rim of the latter, 14.8cm max. (3)
Seven drinking glasses c.1750-1820, including a rare Jacobite drawn trumpet glass engraved with a carnation and moth and raised on a double knopped airtwist stem, a large glass with a bell bowl raised on a plain stem and folded foot, a small wine engraved with a bird and flower, another with a band of polished circles, a spiral-moulded mead glass, a pair of small glasses on facet stems, a pair of small salts raised on lemon squeezer bases, and a small moulded two-handled glass, and a cut glass jug, 18.8cm max. (13)
Three large wine glasses c.1750-80, the largest with a trumpet bowl engraved in diamond point with 'J M Pilling', over a swollen plain stem enclosing a tear, another with a bell bowl over a plain stem, the last with a drawn trumpet bowl over a plain stem with large tear and a folded conical foot, 19cm max. (3)
A glass goblet of possible Jacobite significance c.1750-60, the generous bell bowl engraved with the Great Bell of Lincoln, the reverse with a bee and sunflower spray, raised on a plain stem, the foot trimmed, 18.9cm. The presence of the sunflower as a known Jacobite symbol may indicate that the glass is a reference to Jacobite prisoners, who were held in Lincoln Castle in 1746. Provenance: formerly the Crabtree Collection. Sold at Bonhams, 15th June 2011, lot 130.
Registration No: C337 EYEChassis No: ZARBA5414G1040758MOT: January 2022Current ownership since 2012 and 77,300 recorded milesOffered with a collection of invoices, old MOT's and owners manualUnderstood to have been converted to RHD by Bell & CoalvilleNew clutch, gearbox seals, reconditioned radiator and new hood in 2015Subject to a partial bodywork restoration by Trevor Farrington ltd in 2014Previously used on European tours2 sets of keys and recent rear springsIn 1967, the original Spider (Duetto) was replaced by the 1750 (1779cc) Spider Veloce. The Series 2 Spider arrived in 1970 - the rounded tail now replaced with a distinctive `Kamm' design and a year later engine capacity was increased to 1962cc, prompting the name to be changed to 2000 Spider Veloce. With 131bhp on tap, this version was capable of over 120mph. The Series 3 broke cover in 1982 with electronic fuel injection replacing the SPICA mechanical variety. 1983 heralded a major styling revamp that included rubber tipped bumpers and a rubber rear spoiler whilst the interior featured a new centre console and revised facia.Vendor Condition Ratings:Bodywork: 'Good’Engine: 'Good'Electrical Equipment: 'Good'Paintwork: ‘Good'Gearbox: 'Good'Interior Trim: 'Good'Footnote: For more information, please contact:James McWilliamjames.mcwilliam@handh.co.uk07943 584760
Registration No: PDY 508R Chassis No: FH87589 MOT: September 2022Comprehensively restored between 2006 and 2008Entered current ownership in 2015Uprated with a five-speed manual gearboxOffered with a history file including a pictural record of the restorationEvolving through five guises over the course of an eighteen-year production run, the final Spitfire variant, the 1500, arrived in 1974. With a reputed 71bhp and 82lbft of torque on tap from its 1493cc OHV four-cylinder engine, the newcomer boasted genuine 100mph performance. Visually indistinguishable from its MKIV forebear save for some minor trim differences, the Spitfire 1500 was a decent seller on both sides of the Atlantic and the model remained in production until August 1980.This Spitfire 1500 was manufactured in 1977 and was UK-supplied, being first registered in the UK on the 1st of July 1977. Fitted with the 1493cc straight-four engine, the engine was originally mated to the four-speed manual gearbox although the transmission was changed to a five-speed Sierra Type 9 gearbox with revised bell housing when the car was restored approximately fifteen years previous. The restoration additionally included an overhauled chassis, body removal with many welding repairs (with new rear wings, sills, floor sections, door skins and rear valance) followed by a repaint in the Inca Yellow it is presented in today (from the original Green). The Triumph was further subject to an engine overhaul; reconditioned steering rack, renewed brakes with GT6 front calipers; poly-bushed front suspension with the whole car lowered by 20mm; and various new additional items such as reconditioned twin-SU HS2 carburettors and much more.With a recorded mileage of 10,701 miles (at time of consignment) which equates to a total of 110,701 miles, the Spitfire has been in current ownership since 2015. Further benefitting from new electronic ignition and fan while with the vendor, the carburettors have also been provided new needles. ‘PDY 508R’ is offered with a history file which comprises a photo album and digital record of the restoration; a large selection of past MOTs dating back to the 1990s; a vast collection of previous invoices and current V5C.Footnote: For more information, please contact: Paul Cheetham paul.cheetham@handh.co.uk 07538 667452
A FINE AND RARE GEORGE III RED JAPANNED MUSICAL TABLE CLOCK MADE FOR THE MIDDLE-EASTERN MARKETRecordon, Spencer and Perkins, London, circa 1780The substantial six pillar triple fusee bell-striking movement with plates measuring 8.5 by 6.75 inches, verge escapement regulated by short bob pendulum and playing a choice of four tunes after the hour on a graduated nest eight-bells via a transversely planted 3 inch pinned cylinder, the backplate engraved with delicate scrolling foliage around a central motif of crescent raised on a pedestal, the 8 inch brass break-arch dial with recessed shaped signature plate engraved Recordon, Spencer & Perkins. LONDON to the centre incorporating unusual raised polychrome and gilt painted flowering foliage infill within applied engraved 'Turkish' numeral chapter ring with conforming five minute annotations to outer track, with scroll-pierced steel hands and conforming painted flowering foliate infill to spandrels continuing up into the arch to envelop the subsidiary STRIKE/NOT STRIKE and MINUET/COTILLION/JIGG/GAVOT selection dials, the case with bell-shaped superstructure gilt decorated with vases and baskets of flowers onto a red ground flanked by acanthus sprays to angles, over double cavetto top mouldings and hinged glazed front door further painted with floral sprays and gilt ground panels to frame and spandrel panels flanked by conforming canted angles, the sides with generous hinged brass handles over concave-topped rectangular windows within further line-edged foliate panel decorated surround, the rear matching the front but without canted angles, on complex moulded skirt base incorporating scroll painted shaped aprons over acanthus cast brass scroll feet. 54cm (21.25ins) high, 40cm (15.75ins) wide, 24.5cm (9.75ins) deep. Louis Recordon is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Soho, London 1778-1824. Although Baillie asserts that he 'retired' in 1796 it is most probable that he had significant involvement up until 1824. Online records allow us to add that he was Swiss born, his workshop was in Greek Street, Soho and that he was the London agent for Abraham-Louis Breguet. In 1805 Recordon took over the workshop from the watchmaker Josiah Emery, one of the first to use the lever escapement after Thomas Mudge, hence many of his watches and clocks are signed 'Recordon late Emery'. Louis Recordon appeared to specialise in musical clocks (often for export), fine watches and was known to have devised a form of pedometer. The Recordon business was succeeded by Des Granges in 1824.The Partnership between John Spencer and Perkins (probably William) is recorded by Baillie as working from Snow Hill, London 1765-1806. Any association between the workshop of Spencer and Perkins and Louis Recordon appears to have not been formerly recorded hence it was most likely a relatively informal 'trading arrangement'. Indeed it was not unusual for such arrangements to exist especially amongst makers who often supplied clocks for the middle-eastern market, such as Markwick Markham, Henry Borrell and the Rimbault family as well as Recordon. The current lot has survived in remarkably original condition and exhibits many features typical of examples destined for sale to a middle-eastern client. These include the lack of any form of figural decoration, 'Turkish' numeral chapter ring, crescent motif to backplate and strong focus on floral designs (most notably to the dial). Condition Report: The movement is in good original condition with no evidence of alteration or noticeable significant replacements. The steelwork (wheel arbors) exhibits historic pitting indicating at some point the mechanism had surface rust. The escapement appears original and the clock is running, striking and playing music although the latter is a little lazy to start suggesting that a gentle clean/service is required. The bell-hammer rods and hammers for the musical train are replacements. The relief-painted floral decoration to the dial has losses and wear to the centre around each winding hole and has historic touching-in to spandrel areas and to the centres of each of the subsidiary dials in the arch. The chapter ring, subsidiaries and signature plate are no longer silvered but retain good strong engraving. The case is generally in fine original condition. The quadrant panel inserts flanking the arches of both the front and rear doors would have originally been fretwork and have been replaced with panels painted with floral sprays to match the rest of the case. Otherwise all other elements appear original and the surface decoration has survived in remarkably good condition with only minor age related wear, very slight repairs/touching in and flaking in places.Clock is complete with two case keys and a winder. Condition Report Disclaimer
A GEORGE IV BRASS MOUNTED MAHOGANY BRACKET CLOCKWilliam Latch, Newport, circa 1825-30The five pillar twin fusee bell striking movement with shouldered plates and anchor escapement regulated by lenticular bob pendulum with holdfast, the 8 inch circular cream painted convex Roman numeral dial inscribed WILL'M LATCH, NEWPORT to centre, with blued steel moon hands set behind hinged cast brass convex glazed bezel, the case with brass pineapple finial to the shallow pyramid upstand incorporating slender fluted frieze and brass line inlay terminating with roundels to the tablet upstand, over conforming fluted frieze to the cavetto cornice and recessed brass fillet bordered quadrant panel infill around the dial, the sides with generous brass rosette ring handles over repeating lancet arch pierced rectangular sound frets, the rear with rectangular glazed door, on ogee moulded skirt base with conforming fluted band to upper margin and brass ball feet.49cm (19.25ins) high, 31cm (12.25ins) wide, 18.5cm (7.25ins) deep. William Latch is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Newport, Monmouthshire, circa 1830-71.Condition Report: The movement is in relatively clean working condition and appears complete and fundamentally all original with no visible evidence of alteration or significant replacements. The dial finish appears original although the areas of black (signature and numerals) appear to have been strengthened. The case is generally in good original condition with faults very much limited the rear door escutcheon plate being no longer present and minor bumps, scuffs, wear, shrinkage and other minor age related blemishes. Clock has pendulum and a case key but no winder. Condition Report Disclaimer
A VICTORIAN MAHOGANY HOUR-STRIKING DOMESTIC LONGCASE REGULATORDavis, Shiffnal, circa 1840The four pillar rack and bell striking movement with Harrisons maintaining power and deadbeat escapement incorporating jewelled pallets regulated by brass and steel grid-iron compensated seconds pendulum incorporating stirrup rate adjustment above the large lenticular bob and with fine beat adjustment to crutch, the 12 inch square silvered brass dial with overlaid Roman numeral hour disc incorporating large diameter subsidiary seconds dial over signature Davis, SHIFINAL to centre and with Strike/Silent selection switch at twelve o'clock, with decorative blued steel arrow hands and applied with leafy scroll decorated panels to spandrel areas, in a case with triangular pediment over hinged glazed hood door applied with reeded mouldings to the glazed dial aperture and with rectangular side windows, the trunk with concave throat moulding and flame figured frieze over rectangular glazed door flanked by free-standing reeded columns with brass caps and bases to front angles, the base with stepped ogee top moulding over rectangular caddy moulded raised panel flanked by canted angles, on bracket feet.211cm (83ins) high, 51cm (20ins) wide, 23cm 99ins) deep. John Davis is recorded in Loomes, Brian Watchmakers and Clockmakers of the World as born in Shiffnal, Shropshire in 1799 and working as a clockmaker up until circa 1875. The current lot is noteworthy in that the maker gave the pendulum and escapement a great deal of attention with the latter having jewelled pallets and the former being finely constructed with gridiron compensation, very heavy bob attached by hooks and calibrated rate adjustment within a stirrup type frame above the bob.Condition Report: Movement is in fine clean working condition having been recently serviced and is free from visible alteration or significant replacements. The dial has some moderate rubbing/discolouration to the silvering otherwise is in fine original condition and is nicely detailed. The seatboard is original to the case however there is a more recently made wooden bridge-shaped support applied to the upper surface to raise the movement to allow correct positioning of the dial within the hood aperture. As the original corresponding holes for the lines and for securing the movement via bolts through the bottom movement pillars are present in the seatboard, the current 'bridge' support would appear to be an honest replacement of a block that was previously applied to the seatboard to raise the movement. When considering these details we are of the opinion that the movement and dial are most likely original to the case. The case is in fine condition having been recently cosmetically restored; faults are hence very much limited to bumps, scuffs and other very slight age related blemishes.Clock is complete with pair of brass-cased weights, 'gridiron' pendulum, case keys and a winder. Condition Report Disclaimer
A WILLIAM III HOODED WALL CLOCK MOVEMENT WITH SEVEN-INCH DIALEtherington, London, late 17th century The two train four finned pillar weight-driven outside countwheel bell striking thirty-hour movement with anchor escapement regulated by seconds pendulum, the 7 inch square brass dial with matted centre within applied Roman numeral chapter ring with sword hilt half hour markers and signed Etherington, London to lower margin, with sculpted steel single hand and winged cherub mask cast spandrels to angles, now mounted on an oak wall bracket incorporating shaped arch to the lower edge of the backboard and matching brackets to take the simple box-like hood with caddy moulded top.The case 37cm (14.5cm) high, 23.5cm (9.25ins) wide, 13.5cm (5.25ins) deep. George Etherington is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as being made a Free Brother of the Clockmakers' Company in 1684 having previously being apprenticed to Robert Rooksby possibly in Newcastle-on-Tyne or York. In 1689 he moved from the 'Dial in Fleet Street' to 'against the New Church in the Strand', London. In 1697 he signed the Oath of Allegiance and became an Assistant of the Clockmakers' Company in 1701, Warden in 1706 and finally Master in 1709. He attended until at least 1720 and is thought to have died in 1729.
A GEORGE I FIGURED WALNUT EIGHT-DAY LONGCASE CLOCKJohn Sebire, London, circa 1720The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the finely matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and S/N strike/silent switch at twelve o'clock, with scroll pierced steel hands and applied mask and scroll cast spandrels to angles beneath arch with silvered boss signed John Sebire, LONDON flanked by dolphin cast mounts, in a case with domed caddy surmount and moulded cornice over break-arch hinged glazed dial aperture applied with three-quarter columns to angles with cast gilt brass caps and bases, the sides with rectangular windows and quarter columns set against bargeboards at the rear, the trunk with concave throat moulding over break-arch door with finely figured veneers edged with crossbanding and complex mouldings, the base with concave top mouldings over slightly reduced crossbanded front and later tall skirt.236cm (93ins) high excluding finials, 53cm (21ins) wide, 26cm (10.25ins) deep. Provenance: The Selwyn Demmy Collection. John Sebire is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as working in the parish of St. Annes Blackfriars. London, from around 1715 until September 1745.Condition Report: Movement is in relatively clean working condition. The trains appear all-original with the possible exception of the escapement pallets which are probably 19th century service replacements. The fifth movement pillar has been removed (often occurred during the 19th century as a means to acquire brass!). The dial is in good clean condition and appears to retain its original hands. The movement is fitted with an old oak seatboard which rests on slips applied to the upper surfaces of the trunk uprights (cheeks); the presence of these slips would suggest that the movement and dial are probably not original to the case.The case is generally in good presentable condition. The hood would have originally been fitted with blind frets to the quadrants either side of the arch and the left hand window has an old lead repair to the pane. The right hand throat moulding is currently loose however re-attachment should be very straightforward. The trunk is otherwise in very good condition with fine quality veneers to the door and fine colour. The door is a little tight on its closing (due to slight movement/shrinkage) this could probably be remedied through adjustment of the door hinges if deemed a problem. The trunk door lock has been braced with a small iron strap applied over the lock to the inside. The base of the case has lost a small amount (probably around an inch) from the 'box' and is applied with a later taller skirt. Whether the original veneers beneath the skirt are intact is unknown. Faults to the case are otherwise limited to relatively minor age related bumps, scuffs shrinkage, a few small historic localised veneer patch repairs and other blemishes commensurate with age and use.Clock has pendulum, two weights, case key (an ill-fitting replacement) but no winder. Condition Report Disclaimer
A GEORGE III FIGURED MAHOGANY BALLOON-SHAPED BRACKET CLOCK WITH WALL BRACKETUnsigned, circa 1800The circular five pillar twin fuse bell striking movement with 7 inch diameter plates and anchor escapement regulated by 12.5 inch lenticular bob pendulum, the 8 inch circular cream painted convex Roman numeral dial with Arabic five minutes to outer track and pierced gilt brass hands set behind hinged cast brass cavetto moulded convex-glazed hinged bezel, the waisted case with brass flambeau urn finial to the concave-sided upstand over cast brass rosette decorated diamond grille sound frets and line-bordered crossbanded fascia incorporating shaped panel beneath the dial, the sides with conforming flame-figured veneers and hinged brass carrying handles and the rear with shaped glazed door following the outline of the case, on cavetto moulded skirt base with cast brass ogee bracket feet; with original wall bracket of concave form with cavetto moulded edge to the table and terminating with a brass fillet ogee-shaped foot.The clock 64cm (25.5ins) high, 33cm (13ins) wide, 22cm (8.75ins) deep; the wall bracket 32cm (12.5ins) high.Condition Report: The movement is in relatively clean working condition with no visible evidence of alteration of significant replacements. There are two spare holes to the lower edge of the backplate for a pendulum securing bracket which is no longer present. The dial finish appears original but has overall wear/patination. The numerals are worn but still legible and have been 'strengthened' at some point, there is general concentric light surface scratching and some chipping towards the edges. The minute hand has been repaired. The case is generally in good original condition with nice old surface and patination including the brass mounts which are fairly heavily tarnished/discoloured. The superstructure is lacking the fret at the rear and the front is missing a length of edge stringing beneath the dial to the left hand side. Interenally the base board has two spare holes most likely for a pendulum securing latch which is no longer present. Faults are otherwise very much limited to minor shrinkage cracking and historic bumps and scuffs commensurate with age and use. The bracket is in very similar condition with the only significant fault being a section of brass fillet moulding missing from the left hand side at the base.Clock has pendulum (suspension spring is broken and bob is loose), winder and case key. Condition Report Disclaimer
A FINE GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCKJohn Ellicott, London, circa 1760The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and signed John, Ellicott, Lon,don to lower margin, with scroll-pierced steel hands and fine crisply cast rococo scroll cast spandrels to angles beneath arch with silvered Strike/Silent selection dial flanked by dolphin cast mounts, the case with concave sided 'pagoda' upstand adorned with brass flambeau urn finials and with shaped fretwork panel to fascia over cavetto moulded break-arch cornice and hinged glazed dial aperture flanked by brass stop-fluted columns, the sides with rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with concave throat moulding over solid mahogany break-arch door applied with complex mouldings to edges, the base with concave top mouldings over rectangular raised panel and moulded double skirt.240cm (94.5ins) high excluding finials, 53.5ins (21ins) wide, 27cm (10.5ins) deep. John Ellicott F.R.S. is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born 1706 to John Ellicott senior, a Cornish clockmaker who had gained his Freedom of the Clockmakers' Company in 1696 and died 1733. John junior worked from Swithin's Alley, Royal Exchange, London and was elected member of the Royal Society in 1738. He published works on horology in 1739 and 1753 and is particularly noted for the development of the cylinder escapement and a form of compensated pendulum; he also maintained a private observatory at his home in Hackney. John Ellicott was later appointed as Clockmaker to George III, and took his son, Edward into partnership in 1760 which lasted until his death in 1772. The present clock is notable in that it has survived in fine original condition and is very much a textbook example of its type made by one of the leading English horologists of the 18th century.Condition Report: Movement is complete and in clean working condition having been recently serviced and there is no evidence of alteration or significant replacements. The dial is in good clean condition with only minor discolouration/spotting to the silvered finishes in places; the hands appear original and undamaged. The movement retains what appears to be the original seatboard which rests on the directly onto the case uprights (cheeks) which have historic nail holes corresponding to those in the seatboard which serve to confirm that the movement and dial are most likely original to the case. The case is in fine original condition. The shaped fretwork panel to the hood is a replacement and two of the small pads that support the finials are a loose (simply require re-gluing) otherwise faults are very much limited to very minor historic bumps, scuffs and other age related blemishes. The patination/colour is notable in its originality.Clock is complete with pendulum, pair of brass-cased weights, case key and winder. Condition Report Disclaimer
A GEORGE III OAK THIRTY-HOUR LONGCASE CLOCKPhilip Avenell, Farnham, circa 1770The four pillar countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 10 inch square brass dial signed in fine copperplate script Phil'p Avenell, Farnham to the foliate scroll engraved centre within Roman applied Roman numeral chapter ring with fleur-de-lys half hour markers, with scroll pierced iron hand and rococo scroll cast spandrels to angles, the case with cavetto conduce over three-quarter columns applied to the hinged glazed dial aperture to hood over trunk with concave throat moulding and rectangular caddy-moulded door over plain plinth base with moulded skirt.198cm (78ins) high, 47cm (18.5ins) wide, 25.5cm (10ins) deep. Philip Avenell is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Farnham in 1765 then London 1775.
A WILLIAM POSTED THIRTY-HOUR LONGCASE CLOCK MOVEMENT WITH TEN-INCH DIALWilliam Speakman, London, circa 1695The countwheel bell-striking two-handed movement with Huygens's endless winding, anchor escapement for regulation by seconds pendulum and column-turned corner posts, the 10 inch square brass dial with calendar aperture to the finely matted centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers, Arabic five minutes within the outer minute track and signed Etherington, London to lower margin, with scroll-pierced steel hands and winged cherub mask cast spandrels to angles, now in an oak hooded wall case with ogee-moulded shallow-arch pediment over fixed glazed dial aperture and rectangular side windows to hood, the wall bracket with inverted pointed arch-shaped lower edge to the backboard applied with ogee-outline brackets beneath convex throat mouldings, (no pendulum or weights).The case 72cm (28.5ins) high, 35cm (13.75ins) wide, 20cm (8ins) deep Provenance: The Estate of Lawrance Hurst. William Speakman is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as apprenticed in 1654 to Peter Closon then Andrew Prime (through Nicholas Tomlins) and gained his freedom of the Clockmaker's Company in September 1661. He initially worked from in Westminster and took in numerous apprentices including three of his sons; Thomas (freed 1685), Edward (freed 1681/2) and William (II) who was entered into his apprenticeship in 1688 but apparently never gained his freedom. In July 1682 he was chosen as a Clockmakers' Company Steward, became an Assistant from 1691, Warden from 1698, served as Master in 1701 and continued attending until his death in 1717.Condition Report: Movement is in original albeit very dirty/neglected condition with heavy patination to the brass and light surface corrosion to the steelwork throughout. The trains appear entirely original including the escape wheel; the pallets may well be 19th century service replacements. The warning locking flag has been repaired and the crutch appears to be a replacement made from bent wire; the hammer has also been repaired and one of the screws for securing the dial to the top plate is missing. The calendar driving wheel is missing. Otherwise movement appears in sound 'untouched' condition although the pinions due exhibit fairly heavy wear mainly to the upper wheels of the strike train. The dial is in dirty but good original condition; the hour hand is a later replacement.The case has some age (most likely early 20th century) but is not contemporary to the movement. The backboard is has noticeable historic worm damage to the upper corners and at the base otherwise case is in sound condition with only minor age related shrinkage and a few bumps, scuffs, blemishes commensurate with age. The surface is dirty/dusty but this adds to a feeling of age and would probably form a good basis for reasonable patina/colour in the hands of a good case restorer/finisher.As catalogued there is no pendulum or weight with the current lot. Condition Report Disclaimer
A FRENCH CHARLES X ORMOLU AND PATINATED BRONZE PORTICO MANTEL CLOCKThe movement stamped with initials G.P., Paris, circa 1830The circular eight-day countwheel bell striking movement regulated by pendulum with ornamental bob cast with male mask within concentric scallop shell rosette beneath opposing swans, the backplate stamped with initials G P over number 302, the gilt Roman numeral dial with fine engine-turned 'watered' decoration and steel moon hands set within fine repeating rosette and leafy scroll cast bezel, the case with tablet upstand to the entablature with gilt acanthus ogee cornice and mount cast with cornucopias issuing ivy trails to lintel over dial and visible pendulum set between four reeded Corinthian columns with gilt caps and bases, the plinth base fronted with conforming cornucopia mount over lappet leaf cast ogee topped skirt and block feet.46cm (18ins) high, 23cm (9ins) wide, 12cm (4.75ins) deep. Provenance: The Selwyn Demmy Collection.Condition Report: Movement complete and in working condition although a precautionary gentle clean/service is advised if intending to put the clock into long term service. The mechanism appears all original except the pendulum suspension has been converted from silk to spring (but still utilises the original backcock). The dial has some light surface scratching and some fairly minimal wear to the numerals otherwise is in very good original condition. Case retains original strong gilding and patina with minimal wear/discoloration. Clock has pendulum and a winding key. Condition Report Disclaimer
A FRENCH GILT METAL AND PORCELAIN MANTEL CLOCK GARNITUREThe movement by Pinchon Fils, Paris, circa 1875The eight-day countwheel bell striking movement with anchor escapement regulated by pendulum cast with a female mask to bob and incorporating Brocot type regulation to suspension, the backplate stamped PINCHON, FILS AINE, PARIS to centre and numbered 783 to upper left, the dial with landscape painted centre within blue-ground gilt bordered Roman numeral cartouche chapter ring, with gilt spade hands within egg-and-dart cast bezel, the gilt spelter and porcelain case with two-tone blue and gilt gadroon panel capped twin handled urn surmount incorporating polychrome floral panel to waist, over ribbon bow crest to the drum housing the movement flanked by cornucopia and floral finial adorned side projections supported on four columns with leafy caps and bases and gilt-bordered two-tone blue porcelain shafts with pendulum swinging between, the base with shaped panel inset with an arch-shaped blue-bordered landscape painted with a river landscape within leafy scroll borders over conforming feet, on original moulded giltwood plinth, the candelabra side pieces each with central sconce flanked by four scrolling branches over twin handled baluster upright and stepped shaped porcelain panel fronted base with scroll feet over original giltwood plinth, (3).The clock and candelabra 48cm (19ins) high overall, the clock 23.5cm (9.25ins) wide, 14cm (5.5ins) deep.
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