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An early Victorian copper and brass samovar, of typical vase form, 43cm high, adapted now lacking spout and side handles, a brass hanging bell, 23cm high, pair of heavy cast brass snake candlesticks, 23cm high, brass hot water can and an aestethic period brass tea kettle, on spirit heater stand (6).
An Early 20th Century French "Pendule D'Officier" Clock, by Samuel Marti of Paris, No. 1443, the 4ins diameter domed white enamel dial with Arabic numerals interspersed by swag decoration, to the eight day two train movement striking on a bell, contained in gilt brass and tortoiseshell rectangular case with ornate floral spray and acanthus leaf wreath decoration, folding oval ring handle, on turned feet, 9.5ins high (with handle folded)
A Late 19th/Early 20th Century French Carriage Clock, No. 1268, the white enamel dial with Roman numerals, to the eight day two train movement striking on a bell, contained in polished brass and bevelled glass rectangular case of Corniche pattern, 5.25ins high, and with leather travelling case for same
A 19th Century French Gilt Brass Cased Mantel Clock, by Vincenti & Cie of Paris, No. 124, the 3ins diameter white enamel dial with Roman numerals, to the eight day two train movement striking on a bell, contained in case applied with turquoise cabochon bosses with turned finials to top, front and sides engraved with leaf scroll ornament and with slender turned columns to corners, on stepped base and turned feet, 14ins high
A 19th Century French Gilt Brass Mantel Clock, by Stin of Paris, No. 154, the 2.75ins diameter white enamel dial with Roman numerals, to the eight day two train movement striking on n a bell, contained in balloon pattern case of Rococo design cast with scroll and floral ornament, 11.25ins high
A Mid 19th Century French Gilt Brass Cased Mantel Clock of "Louis XV" Design, the 3.5ins diameter white enamel dial with Roman numerals, to the eight day two train movement striking on a bell, contained in drum pattern case in the Rococo manner, surmounted by a fox and stork from Aesop's fable and surrounded by pierced leaf scroll ornament, on conforming shaped base and supports, 17ins high, and a 19th Century French Black and White Veined Marble Cased Mantel Clock, by Jules Rolez of Paris, No. 8447, the 3.75ins diameter cream enamel chapter ring with Arabic numerals, to the eight day two train movement striking on a bell (now missing), contained in case of architectural design with arched top and pilasters to front, on rectangular moulded base, 14ins high
An Early Victorian Mahogany Cased Mantel Clock, the 8ins diameter repainted cream dial with Roman numerals, to the eight day two train movement striking on a bell, contained in mahogany case with shaped top with carved leaf mouldings to front, domed glass with moulded brass bezel, fretted brass side panels above moulded lower panel, on block feet, 18ins high
A 19th Century French Ormolu and Porcelain Mounted Mantel Clock, by H. P. & Co, No. 1458, the 3.25ins diameter porcelain dial enamelled with black Roman numerals within pink and gilt borders, the dial centre decorated with birds and floral sprays, to the eight day two train movement striking on a bell, contained in ormolu drum pattern case surmounted by two-handled urn with pink and gilt porcelain body, the base with porcelain panel decorated with a marine scene, on rectangular base with acanthus and ribbon pattern mounts and scroll feet, 10.5ins high Provenance: Philip & Bernard Dombey, 174 Kensington Church Street, London W8, purchased 26th February 1966.
A 19th Century French Ormolu and Porcelain Mounted Mantel Clock, by Japy Freres, No. 46, the 3ins diameter porcelain dial with gilt Roman numerals on a pink ground decorated with floral sprays and gilt and with retailers name "Bennett of London", to the eight day two train movement striking on a bell, contained in ormolu case surmounted by two-handled porcelain urn similarly decorated to the dial and pineapple finials with acanthus leaf swags, the sides and front inset with four smaller porcelain panels decorated with cupids and floral sprays, on four turned feet, 13.75ins high Provenance: W. F. Turk, 355 Kingston Road, Wimbledon Chase, London SW20 8JX
A Late 19th Century French Gilt Brass Cased and White Marble Three Piece Clock Garniture, the clock by Vincenti, No. 1416, the 3.25ins diameter domed white enamel dial with Roman numerals, to the eight day two train movement striking on a bell, contained in case surmounted by two doves and a flaming torch, the sides with musical and battle trophies, on shaped base and turned feet, 10ins high, and pair of matching two-light candelabra, 9.5ins high
A Late 19th /Early 20th Century French Tortoiseshell and Gilt Brass Mounted Mantel Clock of "Louis XIV" Design, by Maple & Co. of Paris, No. 1157 8.1, the 8.5ins diameter cast brass dial set with white and blue enamel numeral cartouches of shaped outline, the dial centre cast with winged sphinx, to the eight day two train movement striking on a bell, contained in tortoiseshell case of shaped outline with bold gilt brass mounts and turned finials to the shaped top with leaf cappings, the corners with male caryatids, the bulbous base with leaf scroll mounts and glazed sides on turned feet, 22.75ins high
A 19th Century Oak Longcase Clock, by John Winstanley of Holywell, the 12ins square painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in case with scroll pediment, turned and fluted pillars to hood, crossbanded trunk door with turned and fluted quarter columns to sides, on plinth base with bracket feet, 86ins high Note: John Winstanley recorded working Holywell 1791-1840
An 18th Century Oak Longcase Clock, the 12ins square brass dial with associated arch engraved "George Milne of Halyroodhoufe", the silvered chapter ring (rubbed) with Roman and Arabic numerals, subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in case with arched and moulded scroll pediment, slender fluted pillars to hood, arched trunk door, on plinth base, with shaped apron and bracket feet, 83ins high
An 18th Century Oak Longcase Clock, by John Bird of Seagrove, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, matted dial centre with subsidiary seconds dial, to the eight day two train movement striking on a bell, contained in plain oak case, the hood with moulded cornice and fretted frieze and slender turned and fluted pillars, with plain trunk door, 93ins high
An Ebonised Longcase Clock with Early 18th Century Movement, the 11ins square brass dial (anonymous) with wide chapter ring with Roman and Arabic numerals, matted dial centre with subsidiary seconds dial and date aperture and with turned winding hole, to the eight day two train five pillar movement striking on a bell, contained in 18th Century style ebonised case, the hood with moulded cornice, fretted frieze and spiral turned columns to corners, with rectangular trunk door, on plinth base, 81ins high
An 18th Century Oak Longcase Clock, by Thomas Quested of Wye (Ashford, Kent), the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, matted dial centre with subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in plain oak case with narrow moulded cornice and narrow turned pillars to hood, plain trunk door, 80ins high Note: Thomas Quested recorded working in Wye (Ashford, Kent) before 1780-1787 - See "Kent Clocks & Clock Makers" by Michael Pearson, Mayfield Book, 1997, page 214 & 215
An Early 18th Century Walnut Longcase Clock, by Thomas Sparrow of St. Neots, Cornwall, the 11ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, matted dial centre with subsidiary seconds dial, date aperture and turned winding holes, with cherub and crown spandrels, to the eight day two train five pillar movement striking on a bell, contained in walnut case inlaid with chequered bandings, the hood with double moulded cornice and fretted frieze and plain turned pillars to door, figured trunk door with circular glass lenticule, on conforming panelled plinth, 83ins high Note: Thomas Sparrow recorded working St. Neots, Cornwall, in 1722
Early 19th century mahogany longcase clock, the stepped arched hood with two collar turned column supports, pointed arched trunk door, figured base, enamel dial painted with country scene and signed 'Dixon & Alexander, Hexham', twin train movement striking the hours on bell, H224cm Condition Report Click here for further images, condition, auction times & delivery costs
COOK, Moses, The Manner of Raising, Ordering And Improving Forest Trees…... Eliz. Bell, John Darby et al, London, 1724 3rd Edition. 8vo. Presented in full calf binding.Raised bands and gilt title to spine. Blind tooled panelling to boards. Engraved frontisand 4 folding plates. [1]Condition report: Professionally rebacked, original backstrip relaid.New spine label.New rear endpapers.Foxing to frontis and title page
**Sale Room Announcement** The car has aminor clutch issue, vendor has agreed to have it repaired immediatley following sale at his expense.Well restored, matching numbers, overdrive box, Mk 2 with a distinct Coombs influence.Finished in Opalescent Blue with French Blue hide and looks fabulousFitted with Coombs-style arches, louvred bonnet, painted wires and S/S exhaustElectronic ignition, high torque starter, sports manifold, handling kit, poly-bushedOriginal reg number. Comprehensive history file, Heritage Certificate, numerous invoices, photographs of the rebuild and spare keysOne of the nicest Mk2s we have seen for a long timeYour earliest inspection is encouraged and welcomedThe 2.4 saloon of 1955 had been a major step for Jaguar, marking as it did the change from a coachbuilt chassis to one of unitary construction; it was a necessary move, however, Jaguar being aware there was a strong market for a more compact saloon than the big Mk IX. Powered by a 2,482cc version of the superb twin-cam straight-six XK engine first seen in the XK120, the 2.4 offered luxury, performance and value for money. Using coil spring/wishbone front and semi-elliptic spring rear suspension, it possessed fine road manners and proved a great success, both on and off the track, particularly when the Mk1, as it subsequently became known, became available with the 3.4-litre engine in February 1957.It was in October 1959 that the Mk 2 version appeared, making a good car even better. Similar in appearance but with a much larger glass area, it boasted a wider rear track to improve roadholding together with minor front suspension changes to reduce body roll and all-round disc rather than drum brakes. Engine options included the 120bhp 2.4-litre, the 210bhp 3.4-litre and, for the first time the 220bhp 3,781cc unit of the Mk IX.Having enjoyed considerable success as a racing driver, most notably in Formula 1, John Coombs retired from racing to concentrate on running his Guildford-based Jaguar dealership. He race-prepared cars for himself and other drivers gaining particular success with Jaguar Mk 2 saloons, engineering considerably faster and more reliable cars than the standard examples.Pleasingly still sporting its original registration number, and looking absolutely delightful, '1856 RH' is finished in Opalescent Blue with French Blue Hide and sits on black-painted painted wire wheels with 3-eared spinners. It's a matching-numbers, manual box with overdrive car and has just benefitted from a total ground-up restoration to the very highest of standards. It's been professionally presented to reflect the influence that John Coombs had on the Mk 2 market back in the day and upgraded during the process to enhance the driving experience wherever possible. Coombs-style rear arches have been employed in conjunction with a louvred bonnet (note the correct amount of louvres stamped) to aesthetically lift the car, whilst mechanically the detailed engine bay, complete with a Coombs of Guildford plaque secreted away, houses electronic ignition, a high torque starter, sports manifold and a Coombs-style, Bell Stainless Steel Exhaust. The underside of the vehicle is also gleaming and fully detailed, set off by a Harvey Bailey Handling Kit and Poly-bushed suspension.Internally the Reuter reclining seats have been fully retrimmed in leather together with the door cards, new carpets and replacement headlining, as well as newly veneered woodwork and a period-style wood-rimmed steering wheel for a sportier feel.Accompanied by a comprehensive history file, its Heritage Certificate, numerous invoices, photographs of the rebuild and spare keys, this stunning Mk 2 is a testament to the craftsmen that have given this particular Jaguar a new lease of life. Now ready to be enjoyed once again, out on the open road and chatting to fellow enthusiasts about that special Coombs Jaguar look. I don't think for one minute that John Coombs, whilst popping a few louvres into the bonnet of his Mk2 to keep it a bit cooler, would have imagined that 60 years later, enthusiasts are talking about his creation in hushed tones.You can now book a one to one appointment (up to one hour) to view this lot at our central location between 16th and 30th July. Please contact Charles Smalley on 07421 007 866 / charles@silverstoneauctions.com to secure your appointment or to discuss the car in more detail. The health and safety of both our customers and team remains the utmost priority, we are therefore operating to strict COVID-19 guidelines and full instructions for arrival and inspection protocols will be given when making your appointment.Click here for more informationSpecification:Registration: 1856 RHYear: 1962Make: JaguarModel: Mk2 3.4 Manual/OverdriveRHD/LHD: RHDChassis Number: 160352DNEngine Capacity: 3442Engine Number: KH5825-8Body Colour: Opalescent Silver BlueInterior Colour: Blue
A silver mounted cut glass decanter and stopper, hallmarked Birmingham 1982, together with a Carnival glass money bank modelled in the form of and detailed Liberty Bell, a Carnival glass oval dish, a number of small spun glass animal figurines, a pewter caddy with raised genre scene decoration to the whole, a further two Vintage boxes, and a selection of Vintage trade cards, etc. Condition Report Click here for further images, condition, auction times & delivery costs
* English School. Portraits of Major John Bell and Captain Robert Bell, circa 1743, two oval portraits in oils, each depicting a gentleman in a wig, presented together in a double-sided oval gold frame engraved around the edge 'John Bell Major in Lt Genll Harrison's Regt 1743' and 'Robt Bell Capt of Grenadrs in Do 1743', each side with convex glass (small edge-chip on one side), elaborate suspension loop, overall size (including loop) 55 mm x 41 mm (2.25 x 1.5 ins)Qty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. John Bell and Robert Bell are both listed in the Army List of 1740 in Major General Harrison's Regiment of Foot, with the following dates: Lieutenant John Bell - date of pre-sent commission 26 Dec. 1726 and date of first commission as Ensign 13 Aug. 1718; Ensign Robert Bell - date of pre-sent commission 20 April 1732. Lieutenant General Henry Harrison's Regiment, alongside a regiment commanded by Thomas Wentworth, was involved in the expedition to the West Indies in the 1740s designed to capture Spanish ports and control trade, during which time the Battle of Cartagena was fought in 1741.
* Duncan (Edward, 1803-1882). The Bell Buoy, 1860, watercolour on paper, heightened with white bodycolour, signed and dated lower right, 35.5 x 52 cm (14 x 20.5 ins) mount aperture, gilt frame, glazed, with handwritten labels to verso by Elizabeth van Horn, dated 1971Qty: (1)NOTESProvenance: Elizabeth van Horn, Norwich; Collection of Jack Webb (1923-2019), London. With two autograph letters by Elizabeth van Horn to Jack Webb, dated June 1972, gifting the present work to him, contained in envelope attached to verso.
Vintage Large 16" Mohair Teddy Bear in knitted bathing costume with scouts badge. Large brass bell on black cord. Articulating arms and legs, plus moving head. Small hump to back. Buttons in place of original eyes and a nose that has seen some attention. Woodwood filling, stitched claws and woven pads. Likely very early 20th century, possibly William Terry or Merrythought. Note: We are happy to provide additional images of any lot. Please email us or contact us via the link on the item page to request additional images.
Vintage Panda Teddy Bear, looks homemade plus small 8.5" Teddy in pink knitted dress, enamled bracelet with brass bell. Legs articulate. Well loved, maker unknown, early. Possible early Steiff Mohair Rabbit, missing button but at 8" looks good. Sheep Skin Polar bear, glass eyes, possibly Deans but unconfirmed. Note: We are happy to provide additional images of any lot. Please email us or contact us via the link on the item page to request additional images.
ARR * Tanner (Robin (1904-1988). December: Elegy for the English Elm, etching on wove paper, depicting an ancient chapel with bell tower, set in a valley surrounded by large skeletal trees, with an old iron plough in the foreground, the scene lit by a crescent moon, proof copy, signed in pencil to lower margin 'Robin Tanner fec. et imp. 1979' and further inscribed by the artist in pencil '"December": This impression (on Wm. Morris's "Apple" paper, made for him by Joseph Batchelor of Little Chard, Kent) was printed for Gordon Cooke at Kington Langley, Wiltshire in January 1979 R.T.', plate size 29.5 x 24.1 cm (11.75 x 9.5 ins), sheet size 42.5 x 33 cm (16.75 x 13 ins), mountedQty: (1)NOTESGarton 39, ii/ii, for the published edition of 25 impressions issued by Garton & Cooke in 1984. This impression printed by the artist for Gordon Cooke in 1979.
A George III oak longcase clock, the brass broken arch 11.5" dial with silvered chapter ring, calendar aperture and subsidiary seconds, signed John Draper, Maldon, 8 day movement with rack strike on a bell, some wear to case and hood, with weights, pendulum, keys and spare/old escape wheel with arbors and pinions, 207cm high excluding finials
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123939 item(s)/page