INJUN & KING 7" RECORDS. A wonderful collection of around 18 7" singles on the Injun and King records labels. Injun records artist/ titles include (Groove) Joe Poovey / Bill Reeder ?– Move Around / Till I Waltz Again With You (1-101, solid center), (Groove) Joe Poovey ?– 10 Long Fingers (On 88 Keys), N.A. Stevenson & The 4 Kings ?– Boogie Woogie Country Girl (101), The Lonesome Drifter ?– Eager Boy (104, center dinked), Roy The Hound (Hall) ?- One Monkey Don't Stop The Show (105, x2), Grant Grieves (106), Vern Pullens (107, x2), Eddie Bell (109), Tommy Cassell (114, x2). King titles include Tuesday's Children - A STrange Light From The East (KG 1051), The Sovereigns - Bring Me Home Love (KG 1050), Lou Christie - All That Glitters Isn't Gold (KG 1036), The Crazy Rockers (KG 1001), Dale Brooks (KG 1025), Annette and the Keymen (KG 1006). Condition is generally Vg+ to Ex+, some are in company sleeves, some plain).
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A Louis XVI style ormolu mantel clock, Villard a Paris, mid 19th century, white enamel dial, balloon case with urn finial over lion masks with drapery loops, acanthus volute supports flanking pierced trellis panels with laurel swags, gadrooned base with guilloche and scallop sides, projecting square feet, 14cm, white Roman dial, eight-day movement by Japy Freres, striking a bell, No.2264, the case with an urn finial and swags loose ring lion mark handles, the drum supported on volute scrolls, the base with gadrooned outline, 41cm high
Himalayan Art A bronze figure of Vajrasattva Tibet, 12th-13th century . . Cm 14,00 x 18,50. Significant statue made of high percentage copper alloy depicting the primeval Buddha, Vajrasattva. Here he is portrayed with precious jewels and an unusually slender and thin bust. He sits cross-legged in the Padmasana position on a double lotus flower base with large petals. In his left hand he holds the Ghanta bell and in his right the Vajra, which are his icons. The figure is embellished with copper inlays at the junction of the high, elaborate crown, and silver decorations embellish the corneas and third eye. There are also traces of gilding on the neck and a small silver Amitabha Buddha at the very top of the headdress. Note the work's overall impression of what is probably an Indian stylistic influence, and the refined embroidered finishing touches on the back of the robe. Also note the two elephants adorning the bottom of the base and the remains of an attachment, suggesting the previous addition of a halo.Provenance:Private collection Milan, Italy.Previously belonging to the well-known Nyingjei Lam Collection.Published in:Himalayan Art Resource, item no. 68317.Sotheby’s, “The Heart of Tantra - Buddhist Art Including Property from the Nyingjei Lam Collection”, Hong Kong, 3 Ottobre 2017, sale number HK0749, lotto 3117.Exhibitions: Ashmolean Museum, Oxford, 1996-2005, on loan.The Sculptural Heritage of Tibet: Buddhist Art in the Nyingjei Lam Collection, Ashmolean Museum, Oxford, October-December 1999.Arte Buddhista Tibetana: Dei e Demoni dell' Himalaya, Palazzo Bricherasio, Turin, June-September 2004.Rubin Museum of Art, New York, 2005-2017, on loan.Casting the Divine: Sculptures of the Nyingjei Lam Collection, Rubin Museum of Art, New York, 2012-2013
A SILVER CHARM BRACELET, with eight attached charms such as a small fob compass, violin, bell, crown, enamelled butterfly, openwork teapot, goat, music box most with marks to indicate silver, fitted to a heart clasp, hallmarked silver London, with additional safety chain, length 189mm, approximate gross weight 33.1 grams
ROYAL ALBERT 'OLD COUNTRY ROSES' PART DINNER WARES AND TRINKETS, comprising three gravy boats and one stand (one boat is cracked), a tureen (lid is cracked), a two tiered cake stand (missing bottom screw on handle), a cereal bowl (seconds), cruets (one chipped), ornamental bell (reglued) and nine ashtrays
AN ART DECO MARBLE CLOCK GARNITURE, the flattened top surmounted by two bronzed fighting bears, shaped rectangular dial with Arabic numerals, eight day movement, bell strike, height of clock 32cm with pendulum and key, the garnitures of coffin form, together with another Art Deco clock garniture in marble, slate and chrome, lacks clock movement, sd and an Art Deco rectangular marble, onyx and slate mantel clock, silvered lozenge shaped dial, Arabic numerals, dial lacks glass to door, lacks bell strike, with pendulum (7)
Ca. 350 BC. Ancient Greek. A black figure ware Apulian Krater with pedestal foot, cylindrical stem, inverted bell-shaped body and two lug handles. The painted scenes show two female figures, one seating, one standing, apparently at a party or religious ceremony (the seated figure may be sitting on an altar); they are framed by an upper and lower border of waves and flanked by vegetal motifs. Kraters like this one would have been used for mixing wine at drinking parties, making the scene depicted especially appropriate for such occasions. Excellent condition. Size: L:340mm / W:370mm ; 3.8kg; Fully authenticated with a TL test. Provenance: From the private collection of a Kent gentleman; previously in an old British collection, formed in the 1980s on the UK /European art markets.
An Elizabeth II 18ct Gold Goblet made to Commemorate "The Landing of the First Man on the Moon - 03.56hrs, July 21st 1969" - a heavy 18ct gold goblet with bell shaped bowl engraved with oval panel engraved with the landing of the First Man on the Moon, on moulded knopped stem and flared footrim, 5.25ins high, the footrim engraved "One Small Step for Man - One Giant Leap for Mankind", by A. Edward Jones Ltd, Birmingham 1969, No. 49 of limited edition of 500, weight 266g, in red cloth covered fitted box for same, complete with Certificate of Authenticity
An Elizabeth II 18ct Gold Goblet made to Commemorate "The Landing of the First Man on the Moon - 03.56hrs, July 21st 1969" - a heavy 18ct gold goblet with bell shaped bowl engraved with oval panel engraved with the landing of the First Man on the Moon, on moulded knopped stem and flared footrim, 5.25ins high, the footrim engraved "One Small Step for Man - One Giant Leap for Mankind", by A. Edward Jones Ltd, Birmingham 1969, No. 54 of limited edition of 500, weight 267g, in red cloth covered fitted box for same, complete with Certificate of Authenticity
A Victorian Warrant granted to James Bell Esquire, Lord Provost and Lieutenant of the County of the City of Glasgow, the Degree of Baronet, 1895, handwritten on parchment and with attached green wax seal in black japanned case, contained in red leather and gilt tooled covered case by Wickwar, Poland Street, London, and a similar leather embossed seal
A Victorian Silver Christening Mug, by James Reid & Co, Glasgow 1876, retailed by Sorley Silver Smiths, Glasgow, embossed and chased with seven panels of various animals within bands of leaf scroll ornament and engraved "John Bell from Grandpapa Bell 19th August 1876", 3.5ins high, weight 5.9ozs, in wine leather covered fitted case
A Late 19th Century French "Four Glass" Mantel Clock, by S. Marti of Paris, No. 18 44, the 3.5ins diameter white enamel chapter ring with Roman numerals, with visible escapement to centre, to the eight day two train movement with mercury compensated pendulum striking on a bell, contained in lacquered gilt brass rectangular case inset with bevelled glass panels, 10ins high
A 20th Century Brass Cased Lantern Style Clock, by Luxor, the 5ins diameter narrow silvered chapter ring with Roman numerals, to the eight day two train movement striking on a bell, contained in lantern style case with turned pillars and finials and fretted and engraved frets, on turned feet, 12ins high, and a modern "York Minster Cathedral" skeleton clock, with finely fretted front and rear panels supporting single train movement striking on one bell, 9ins high, mounted on wooden plinth and with glass dome, 11.5ins high overall
A Brass Cased Lantern Style Mantel Clock of "17th Century" Design, the 3.75ins diameter brass chapter ring with Roman numerals and engraved "Farmer London", to the eight day two train movement striking on a bell, contained in case with pierced crestings, turned finials and pillars to sides, on turned feet, 9.75ins high
A Late 19th Century French Bronzed Spelter Cased Mantel Clock, the 4ins diameter white enamel dial with Arabic numerals and swag decoration and inscribed "Laurdier Armentieres", to the eight day two train movement No. 709, striking on a bell, contained in bronzed spelter cylindrical case on column supports, supported by a water nymph reclining by a pool, on white veined marble base of shaped outline and turned feet, 19ins high
A 19th Century French Gilt Metal and Porcelain Mounted Mantel Clock, by Henri Marc of Paris, No. 53251, the 3.25ins diameter porcelain dial with Roman numeral cartouches on a turquoise and gilt ground, the centre enamelled in colours with a bird and floral ornament, to the eight day two train movement striking on a bell, contained in gilt metal and porcelain mounted vase with two-handled urn surmount and with bold acanthus leaf and floral swag ornament, the shaped base inset with porcelain panels, on bun feet, 14.25ins high, and a pair of brass and porcelain mounted candlesticks with bulbous knopped centres and circular bases, 7ins high
A Late 19th Century French Gilt Brass and Porcelain Mounted Mantel Clock, the 3.25ins diameter porcelain dial with black Roman numeral cartouches on a turquoise and gilt ground, to the eight day two train movement No. 642, striking on a bell, contained in gilt brass case surmounted by torch and quiver inset with floral decorated porcelain panels within turquoise and gilt borders, on breakfront base with six turned feet, 16.75ins high, and a pair of similar gilt metal and porcelain two-handled urn shaped ornaments, 12.5ins high
A 19th Century French Gilt Brass and Bronzed Mantel Clock, by F. L. Hausburg of Paris, No. 5404 44, the 3.25ins diameter white enamel dial with Roman numerals, to the eight day two train movement striking on a bell, contained in gilt brass and bronzed metal case surmounted by a kneeling figure of the infant St. John with a lamb at his side on a rocky outcrop, the base with bold leaf and floral mounts and on leaf pattern feet, 14ins high, and a pair of gilt brass two-branch candelabra in the Neo Classical manner with reeded swept and leaf capped supports, on square inswept platform bases with turned feet, 6.75ins high
An Early 19th Century Cast Brass Gothic Pattern Cased Mantel Clock, the 5ins diameter silvered dial with Roman numerals, to the eight day two train fusee movement striking on a bell, contained in ornate cast brass case of Gothic design with crenelated top and Gothic pattern side panels, on scroll feet, 16ins high
A Late 19th Century French Ormolu and Porcelain Mounted Figural Mantel Clock, signed Robelin of Paris, the 3.5ins diameter porcelain dial decorated in colours with putti and birds in a landscape, the chapter ring with gilt Roman numerals within circular cartouches, to the eight day two train movement striking on a bell, contained in ormolu and porcelain mounted case surmounted by two figures of a putti holding a scythe and a bacchante holding a cup on a rustic outcrop, the base inset with three porcelain panels decorated with putti and with bold leaf scroll front supports, 14.5ins high, and with later wooden plinth for same Provenance: Christie's London - Auction 13th December 2006 - Lot 34
A Mid 19th Century French Gilt Brass and Siena Marble Three-Piece Clock Garniture of "Empire" Design, by Japy Freres, No. 1842, the 3.25ins diameter cream enamel dial with Roman numerals and cloud motifs to centre, the outer dial with cast gilt brass signs of the Zodiac, to the eight day two train movement striking on a bell and with sunburst pattern pendulum, contained in gilt brass drum pattern case supported by four leaf capped columns and surmounted by two-handled classical urn, on rectangular plinth base, 18.5ins high, and a pair of five-light candelabra with leaf capped branches and flambeau finials, on square stepped bases, 20.75ins high
A Late 19th/Early 20th Century French Gilt Brass and Champleve Enamel Three-Piece Clock Garniture of "Louis XV" Design, retailed by Maple & Co. of Paris, No. 2491, the clock with embossed gilt brass dial with raised Arabic numeral cartouches, to the eight day two train movement striking on a bell, contained in balloon pattern case surmounted figure of a Cupid and with bold leaf and shell pattern mounts, the champleve enamel ground decorated in Royal blue, pale blue and cream, with trailing leaf and floral ornament, the shaped base with paw feet, 11ins high, and pair of conforming two-light candelabra, each supported by standing figure of Cupid and each on four turned feet, 7.25ins high
A Late 19th Century French Rouge and Grey Veined Marble Cased Mantel Clock, by L. Marti & Cie, No. 260, the 3.75ins diameter enamel chapter ring with visible escapement, to the eight day two train movement striking on a bell, contained in rouge and grey marble drum pattern case with scroll supports and rectangular base, 11.25ins high
A 19th Century French Mantel Clock, by S. Marti & Cie, No. 7134, the 5ins diameter white chapter ring with Roman numerals and visible escapement, to the eight day two train movement with mercury compensated pendulum and striking on a bell, contained in black slate and green veined marble cylindrical case, on scroll supports and rectangular base with wooden plinth, 14.75ins high
A William IV Mahogany and Brass Inlaid Mantel Clock, by Simson of Southampton, the 8ins diameter domed painted metal dial with Roman numerals, to the eight day two train movement striking on a bell, contained in brass mounted rectangular case with later turned finial to the rectangular raised top, the panelled case with brass mouldings and with lion's mask and ring handles to sides above fretted gilt brass side panels, on brass ball feet, 19ins high Note: Stephen Simson recorded working Southampton 1830-1839
An Early 19th Century Rosewood Cased Mantel Clock, by Hare of London, the 4ins diameter white enamel dial with Roman and Arabic numerals, within silvered slip engraved with leaf scroll ornament, to the eight day two train chain and fusee movement striking on a bell, the rear plate with engraved key border and Strike/Silent indicator, contained in rosewood case of Gothic pattern with angled top and twin pyramid pattern finials above triple cluster columns, the shaped base with turned and reeded bun feet, 14.5ins high Note: Alexander Hare recorded working London before 1776. Member of the Clockmakers Company 1781-1824.
An 18th Century Wall Clock, by Isaac Hurst of Bury, the 10ins square brass dial with single hand, silvered chapter ring with Roman numerals, dial centre engraved with leaf scroll ornament, to the thirty hour movement, in brass and steel posted frame and outside locking plate striking on a bell, 13ins high, mounted on later pine bracket
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123896 item(s)/page