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Cretan tsambouna, the double chanter comprising two parallel bamboo tubes flattened on their upper surface and supported in beeswax within a wooden yoke which also forms the bell, the latter carved overall with a geometric design, each bamboo tube with five fingerholes, plain bamboo blowpipe, kid or sheep skin bag, chanter length 7 1/2", 19cm
Turkish tulum, the two bamboo pipes, each with five fingerholes, retained by gum within a boxwood yoke, the yoke itself forming the square bell with serrated edge, with blowpipe and kid or sheepskin bag tied in at one end to a wooden disc surmounted by a metal plaque enamelled with a cockerel and the inscription Altin Hopoz, chanter length 9 1/4", 23cm
Composite fourteen-keyed Catalan tenor by Soldevila, Figueras and Francisco Monserrat, Barcelona, first half of the 20th century, the upper joint probably laburnum, the lower joint of fruitwood, both by Soldevila and a plated metal bell by Monserrat, the nickel-silver keys with domed circular covers, with laburnum pirouette; stamped Soldevila, Figuera on each main joint and Monserrat, fabricante, Noeva de la Ramblass, Barcelona on the bell, length with pirouette 35 3/16", 89.3cm
Sixteen-keyed stained boxwood curved cor anglais by the Triebert company, Paris, post 1881, silver mounts chased with palm leaves above wide tortoiseshell bands, fruitwood bell, silver lanyard loop on the reverse of the lower joint, with later crook; stamped Triebert a Paris on the upper joint and the bell, also engraved Triebert a Paris on the central silver mount, length 30 3/4", 78.2cm
French ormolu cartel wall clock, circa 1860, white enamel arabic dial, gilt fingers, twin barrel movement with circular plates and external countwheel striking the half on a bell, the rococo gilt case applied with modelled cherubs, length 66cm. (Ticks, winds, strikes; key and pendulum). *See clocks and watches proviso. Condition report: see terms and conditions.
French day and date mantel clock , mid 19th century, the upright rosewood case with brass inlay and canted corners, white enamel roman dial, over a rectangular panel of subsidiary dials for day (in English) and date, eight day movement with external countwheel striking the half on a bell, backplate signedH. Azur a Paris , height 38cm (pendulum and key).*See clocka and watches proviso. Condition report: see terms and conditions.
Victorian mahogany drop-dial wall clock, white painted Roman dialMatthews, Bishops Castle , brass bezel, in a circular frame, 43cm, double fusee movement with shaped shoulder plates striking on a top bell (ticks, winds, strikes; pendulum, winding key). *See clocks and watches proviso. Condition report: see terms and conditions.
Falconry - A bronze sculpture of a tethered falcon mid-20th century, unsigned, the falcon with wings outstretched and head inclined to one side, its legs tethered to the tip of a tree stump and a bell on its back, the remainder of the stump in carved wood on a wooden plinth base, wingspan 12¾in. (32.5cm.),
A 19th century French provincial comtoise longcase clock the eight day twin train movement striking on a bell, the pressed and pierced brass and white enamel Roman dial signed `Darnis fils 3me Aire`, the arch depicting the Virgin Mary and baby Jesus on a donkey attended by Joseph and Mary Magdalene, in a grain painted pine case with wheatear and foliate decoration, the base with applied hand coloured engraving of a girl, large brass lyre pendulum, 92in. (233.5cm.) high.
A good late 18th century Channel Islands longcase clock the brass arched dial with painted moonphase signed `Thos. Andre Naftel a Guernesey` along the top of the arch, with Roman chapter ring, arabic outer minutes, subsidiary seconds dial at noon, date aperture at six, pierced steel foliate hands, gilt metal foliate scroll spandrels, the eight day, twin train bell strike movement with four turned pillars, complete with the original lead Nicolas Blondel weights marked `NBD`, in the original plain dark stained oak case, the hood with flared stepped pediment on turned pilasters and arched side glasses, the trunk with moulded broken arch door, on a plain plinth base, 79¾in. (202.5cm.) high.
A George II walnut eight day longcase clock 18th century, by William Wright of London, the brass arched dial with matted centre, signed to the Roman chapter ring, subsidiary seconds dial at noon, date aperture at six, gilt cherub mask spandrels, penny moonphase to arch with Roman silvered dial within gilt dolphin spandrels, all within engraved borders, the bell strike movement with five turned pillars, the case with flared moulded pediment on turned pilasters to the hood, the trunk with cross banded and fielded panelled door, the base with later bracket plinth, 90½in. (230cm.) high, alterations.
A good early 19th century eight day inlaid mahogany longcase clock the twin train, four turned pillar, bell strike movement signed `FRANCIS` to the front plate, the arched brass dial with foliate engraved centre with engraved subsidiary seconds dial at noon and arched date aperture at six, signed `Webb & Son, Frome`, silvered Roman chapter ring with Arabic outer minutes, pierced black steel hands, gilt brass mask spandrels, painted moonphase to arch, in a good inlaid mahogany case, the hood with three eagle and ball brass finials over a cross banded and satinwood inlaid arched frieze on fluted pillars headed by gilt brass capitals, the trunk with canted corners, tulipwood banding and ebony stringing, the door centred with an inlaid oval, the base with conforming inlaid roundel, raised on slender bracket feet, 97in. (247cm.) high.
A mid Georgian figured oak longcase clock, the hood with caddy top, blind fret frieze and turned and ringed side columns, the trunk with similar quarter turned side pillars, carved frieze and compressed arch full length door, the base with canted corners and ogee feet, having associated square brass dial with cherub head spandrels, wide chapter ring and chased centre with inset date indicator, 8 day movement striking on bell, height 87"
A selection of miniature doll`s house furniture including silver spirit kettle and stand, tea service, call bell, cake basket, mugs and trophy cups, porcelain cups, plates and vases and two glass decanters. * Notes. Believed to have come from Titania`s Palace together with an illustrated guide book
French porcelain mantel clock, circa 1880, surmounted with a figure group of peasant dancers and decorated in colours enhanced with gilt, the base moulded with Baroque scrolls and painted with a floral panel against a sky blue ground embellished with gilt trellis and scrolls, enamelled dial having Arabic numerals, the movement striking on a bell, height 49cm, width 25cm Please note our special conditions of sale regarding clocks and watches
Victorian variegated white marble mantel clock, circa 1880, surmounted with a gilt ormolu eagle attacking a serpent, over a drum cased white enamelled dial with Arabic numerals, the movement signed `Marti` striking on a bell, flanked at the sides with fruiting gilded garlands, on a plinth base, width 35.5cm, height 35.5cm Please note our special conditions of sale regarding clocks and watches
French boulle mantel clock, circa 1880, in Louis XV style, with an ormolu floral vase surmount, waisted case of brass inlaid red tortoiseshell, ormolu mounted throughout, with a blue and white enamelled cartouche dial with Roman numerals and glazed panel beneath, the Japy Freres movement striking on a bell, all raised on acanthus scrolled ormolu feet, height 35cm Please note our special conditions of sale regarding clocks and watches
French portico clock, circa 1890, in white marble with urn surmount, gilt mounts and brass drum enclosing a white dial with painted floral garlands and Arabic numerals, the movement striking on a bell and with sunburst pendulum, within brass capped columns, over a kidney shaped base with brass feet, height 43cm Please note our special conditions of sale regarding clocks and watches
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123896 item(s)/page