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Lot 13
Ajarb Bernard Ategwa (Cameroon, born 1988)From Elf to Town, 2015 oil on canvas220 x 280cm (86 5/8 x 110 1/4in).unframed.Footnotes:ProvenanceAcquired from the Jack Bell Gallery, 'Ajarb Bernard Ategwa, 24 Hours Busy', 2015;The Collection of Frank Cohen.This lot is subject to the following lot symbols: ††VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 32
Armand Boua (Ivorian, born 1978)Untitled, 2013 signed 'BOUA' (lower right)tar and acrylic on cardboard 95 x 82cm (37 3/8 x 32 5/16in).Footnotes: Provenance Acquired from the Jack Bell Gallery, London in 2014.Saatchi Collection.ExhibitedLondon, Saatchi Gallery, Pangea II: New Art from Africa and Latin America, 2015LiteratureSaatchi Gallery, Pangea II: New Art from Africa and Latin America, 2015, p.46Armand Boua lives and works in the Ivory Coast capital of Abidjan. A bustling, urban and industrial West African city, its children are at the heart of Boua's work. Street children are vulnerable to abduction, slave labour and sex trafficking. The dark undertones are nonetheless evident with materials such as torn card, scraped paint and tar. However once all these textures are merged together, they show children smiling and often playing sport. Creating a tension between their innocence and the danger that they face.For further information on this lot please visit Bonhams.com
Lot 34
Vincent Michea (French, born 1963)NAÌ‚º16, 2006 acrylic on canvas130 x 130cm (51 3/16 x 51 3/16in).Footnotes:ProvenanceAcquired from the Jack Bell Gallery, London in 2013.Saatchi Collection. ExhibitedLondon, Saatchi Gallery, Pangaea: New Art from Africa and Latin America, 2014LiteratureSaatchi Gallery, Pangaea: New Art from Africa and Latin America, p.109Vincent Michea's graphic style is heavily influenced by the Pop Art movement, particularly artists such as Roy Lichtenstein and Andy Warhol. He moved to the Senegalese capital Dakar from Paris in 1986 as a graphic designer focusing on cinema and music. In the middle of such a vibrant city, Michea became obsessed with West African music, and specifically a collector of African vinyl. The present lot not only shows his love of Senegalese popular culture, but highlights the growing widespread popularity that African music has today.For further information on this lot please visit Bonhams.com
Lot 38
Aboudia Abdoulaye Diarrassouba (Ivorian, born 1983)Daloa 29, 2011 mixed media and acrylic on canvas 180 x 400cm (70 7/8 x 157 1/2in).Footnotes:ProvenanceAcquired from the Jack Bell Gallery, London in 2012.Saatchi Collection. ExhibitedLondon, Jack Bell Gallery, The Battle for Abidjan, 2011London, Saatchi Gallery, Pangaea: New Art from Africa and Latin America, 2014London, Saatchi Gallery, Pangaea II: New Art from Africa and Latin America, 2015LiteratureSaatchi Gallery, Pangaea, 2014, p.19For further information on this lot please visit Bonhams.com
Lot 2
A George II silver vase shaped caster by John Chartier, London 1733, with a bell shaped finial to the pierced and panelled domed cover with bayonet fixing, a moulded central girdle, on a moulded foot, engraved with the arms of a bishop, 18cm (7in) high, 323g (10.4 oz) Catalogue Addendum Coincidently Dreweatts have a portrait of Bishop Benson by John Vanderbank, dated 1732 (lot 25, The Collection of Sir William Whitfield CBE - Part One, 10th March 2020) Provenance: From the estate of Christopher and Rosemary Warren These are the assumed arms of Martin BENSON (1689-1752), Bishop of Gloucester (1734-1752). Blazon: azure, two keys in saltire, the wards upwards or (See of GLOUCESTER), impaling argent, on a chevron sable three cross-crosslets fichée of the field (BENSON) under a bishop's mitre. Martin Benson was born into a clerical family at Cradley, Herefordshire the son of Revd. John Benson the rector there. He was educated at Charterhouse School and later Christchurch, Oxford. In 1721 he was appointed Archdeacon in Berkshire, 1724 Prebend of Durham Cathedral, 1726 chaplain to the Prince of Wales, 1727 rector of Bletchley. In 1728 during the Royal visit to Cambridge he was awarded the degree of Doctor of Divinity and in 1734 was translated to the See of Gloucester, where he remained as Bishop until his death in 1752. From 1735 to 1752 he carried out major repairs and alterations to the cathedral. He was later buried there. He married the sister of Thomas SECKER who was later the Archbishop of Canterbury. Lancelot Blackburn, Archbishop of York (1724-1743) left Martin Benson as a bequest in his will a service of silver plate. Unfortunately, no will for Benson was found. Please note: Coincidently Dreweatts have a portrait of Bishop Benson by John Vanderbank, dated 1732 (lot 25, The Collection of Sir William Whitfield CBE - Part One, 10th March 2020)
Lot 284
Lund & Blockeley, a gold, enamel and diamond set keyless wind open face pocket watch, circa 1880, full plate movement, three armed domed balance, flat balance spring, white enamel dial, Roman numerals, blued steel spade hands, three piece hinged case, the bell stamped 18, the back cover with blue enamel and diamond set coronet above W, dial and movement signed, diameter 40mm
Lot 5
A George I silver straight-tapered coffee pot by Edward Feline, London 1725, with a bell shaped finial, the domed cover engraved with a band incorporating two devil's masks, a replaced wooden double scroll handle, a moulded rim, spout joint and base, 21.5cm (8 1/2in) high, 743g (23.9 oz) gross
Lot 2032
Original Artwork A collection of small watercolour illustrations of exotic birds, butterflies, moths, figures (Turkish Rifleman), plants, etc., no date (possibly early 19th century), forty-seven small sheets, some double-sided, one a collage, mounted or loosely held in ornate morocco gilt wallet-form album; An album of verse, watercolour illustrations, topographical pencil sketches, mounted miniature prints, etc. January 1st 1827, name of Elizabeth ?Bell to front leaf, all edges gilt, half morocco (2)
Lot 2096
Dixon (Captain George) A Voyage Round the World, but more particularly to the North-West Coast of America: performed in 1785, 1786,1787 and 1788, in The King George and Queen Charlotte, Captains Portlock and Dixon, Geo. Goulding, 1789, quarto, large folding chart frontis (foxing), 21 plates as called for, including seven folding plates and six hand coloured natural history plates (some foxing and damp staining, repaired tear to one plate, large repaired tear to page 225), Thomas Bell bookplate after Thomas Bewick, distressed half calf binding, edges of early leaves damp perished.
Lot 351
A late 19th century French gilt bronze mounted and Serves style blue de roi porcelain figural mantel garniturein the Louis XVI style, the dial indistinctly signed 'Lanhere,?'the clock of urn form with rams head mask mounts united by floral garlands, the top with floral basket finial, the pedestal on stepped plinth base, flanked by the reclining putti representing art and astronomy, the front with an inset panel painted with two putti on scroll and toupie feet, the 3.25''Roman enamel dial with outer Arabic five minute track, the brass twin train movement with silk suspension and outside count wheel striking on a bell, with pendulum, the matching six light candelabrum garniture formed as flowering lily and carnation sprays issuing from similar vase bases, the clock 63cm high, the candelabra 76cm high (3)This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 384
A late 19th century French gilt-brass gorge cased petite sonnerie bell-striking and repeating carriage clockthe movement and case numbered 82., the rippled handle over a large bevelled glass inspection panel and repeat button over four bevelled glass panels on a raised base, the rectangular white enamel Roman dial with blued-steel 'Breguet style' hands over a subsidiary alarm dial, the jewelled lever platform escapement with compensated bimetallic balance, striking the hours and quarters on a pair of hammers and bells, and the alarm on a smaller hammer. Together with a double ended winding key, 14cm high (2)For further information on this lot please visit Bonhams.com
Lot 386
A late 19th/early 20th Century French gilt brass and champleve enamel carriage clock with alarm and repeatthe rectangular case with repetitive foliate and scrolling borers, the top with a similar wide foliate leaf border around a central oval glass panel with canted swing handle, the frosted recessed gilt 1.75'' dial with Roman numerals above a similar Arabic subsidiary alarm, set within a plain mask, the twin train movement with jewelled and compensated platform escapement, striking on a gong, the base with inset bell, together with a red leather travelling case, the clock 16cm high (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 388
A late 19th century French gilt bronze mantel clockthe dial signed for Charles Frodsham & Co, London, the movement similarly signed and numbered 19551, Paristhe rectangular case with bowed, reeded sides and classical foliate and floral border and panelled decoration on toupie feet, the 3.5''enamel Roman dial with outer Arabic five minute track, the brass twin train movement with Brocot type suspension striking on a bell with pendulum and winder, the rear of the clock with originial monogrammed presentation inscription dated 1884 26cm highFor further information on this lot please visit Bonhams.com
Lot 443
A late 19th/early 20th century French gilt brass portico clockthe movement stamped Vincenti et Cie, and with Maples retailers markthe typical rectangular case with portico architectural top on fluted Corinthian column supports, the 4.5'' centre -sunk dial with Arabic enamel chapter ring and visible jewelled Brocot escapement, the twin-train movement with Brocot-type suspension striking on a bell with mercury pendulum and winder, 43cm highThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 468
A Baccarat cut and moulded clear glass twelve light Zenith chandelierthe spiral scrolling arms supporting diamond cut nozzles and drip pans issuing from a bowl-shaped receiver with domed corona terminal, the upper baluster support surmounted by corresponding decorative scrolling arms, all hung and strung with arrow head lustre drops, pendant bell drops and strings of facetted beads, 83cm drop, 81cm diameter approximatelyThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 289
A late 19th century gilt bronze, marble and Serves-style porcelain figural mantel clockthe dial signed Colin, Paris, the movement stamped Vincenti et Ciethe Louis XVI style case cast with a winged putto, allegorical of the art of painting, holding a portrait of a female, and leaning on a fluted half column beside a flambe urn on foliate mounted moulded plinth base and acanthus toupie feet, the 3'' Arabic dial with five minute outer track, the brass twin train movement, striking on a bell with key and pendulum, 46.5cm highThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 300
An early 19th century quarter chiming and musical bracket or table clockthe dial signed James Walker, New Bond Streetthe ebonised case surmounted by a cupola and fifteen flambeau finials over an ormolu mounted bell top, canted corners with foliate ormolu swags, decorative side handles and side apertures with cast brass silk-lined rococo frets on plinth base with brass moulding and scrolling acanthus feet, the 9' break arched painted dial with Roman numerals, strike/silent tune changer subsidiaries to the arch (tunes not marked), the substantial triple fusee movement with decorative engraved border to the backplate and cocks, anchor escapement chiming the quarters and striking the hours on a nest of nine bells and playing a choice of six tunes on a nest of twelve bells, with pendulum, two winders and case key, 76cm highThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 301
A good early 19th century ebonised and brass mounted miniature table clock with pull repeat in the manner of Strickland and Richardsonthe dial indistinctly signed P***ard? Woolwichthe arched case with pagoda caddy top with ball finial, the front corners with rams head and pendant fruiting vine mounts, the sides with arched fish-scale sound grills, on ogee bracket feet, the 4' arched Roman dial below a Strike/Silent subsidiary dial, the brass twin fusee movement with verge escapement and engraved arched backplate striking on a bell, with bob pendulum, case key and winder, 31cm high Footnotes:Purchased Sothebys, sale 14087, 1987.For further information on this lot please visit Bonhams.com
Lot 104
'Bell' a Carlton Ware Handcraft wall charger, pattern 3975, painted in colours on a matt pale orange blue ground, and another Carlton Ware Handcraft charger painted with daisy flowers printed and painted marks, 31cm. diam, Provenance The Michael Burningham Collection of Carlton Ware and Crown Devon
Lot 107
'Tutankhamen' a Carlton Ware box and cover, printed in gilt on a mottled blue ground with Egyptian figures, a Carlton Ware 'Bell' flower holder, and a Carlton Ware 'Flowers and Falling Leaf' pedestal bowl printed and painted marks, cover repaired, 18cm. diam. (4) Provenance The Michael Burningham Collection of Carlton Ware and Crown Devon
Lot 529
An Art Nouveau Amphora Holland pottery vase by T Verstraaten, shouldered form, painted with a finch flying past a pine tree bough, in colours, a Gouda pottery hexagonal pot painted with Art Nouveau bell flowers, and nine various Dutch pottery pieces, painted marks, hairlines to top rim, 18.5cm. high, (11)
Lot 406
MASCALL, Leonard - The Country-Mans New Art of Planting and Graffing : Directing the best way to make any ground good for a Rich Orchard ... (etc) , frontispiece, woodcuts in text,cont. sheep worn boards detached, small 4to, page edges shaved with minimal loss, complete, Jane Bell, (1656). Bound with incomplete copies of Herne, Richard (printer), The Expert Gardener (1640), and Hartlib, His Legacie ... Discourse of Husbandry (1651).(1)
Lot 263
A rare Caughley egg or ice cup circa 1785-90 probably gilded by Chamberlain's Worcester, the bell form bowl raised on a slightly spreading foot, with an applied scrolling handle, painted with gold and blue Dresden flowers, below a double border of gilt and blue concentric dots, blue painted S mark, 6cm high Provenance: Ex. Wychwood Collection.
Lot 314
Two Caughley cups circa 1785-90 comprising a cup of bucket form with moulded basket-weave edge, a shortened strap handle with kick terminal and overlapping thumb-rest, painted in underglaze blue with the 'Chantilly Sprigs' pattern and an associated blue line border, painted S mark, 6.5cm high (small foot rim chip) together with a coffee cup, of bell shape with plain strap handle featuring pronounced kick and scroll terminal, painted in underglaze blue with rose festoons, gilt dentil inner border, painted s mark, 6.5cm high (2) Provenance: Ex. Wychwood Collection. Provenance: The Wychwood Collection.
Lot 317
A Caughley egg or ice cup circa 1785-90 the bell form bowl raised on conical spreading foot, painted underglaze blue and gilded with Dresden Flowers, with an interior blue and gilt border, painted S mark, 6.1cm high (cracked) together with a French 'Sevres' polychrome egg or ice cup, painted interlaced L mark, 6.5cm high (2) (chipped) Provenance: Ex. Wychwood Collection.
Lot 460
French bronze mantel clock, circa 1890, the case Renaissance in style with a coronet surmount, columns issuing from the mouths of dolphins flanking a dial with Arabic numerals, the movement signed 'Mougin', chiming on a bell, over a hexagonal base embellished with lion's masks and raised on paw feet, height 49cm, width 26cmPlease note the special conditions of sale regarding clocks and watches
Lot 560
Green japanned lacquered longcase clock by William Lambert, London, having a brass 12'' arched dial with matted centred, silvered chapter ring and subsidiary seconds, date aperture, eight day movement chiming on a bell, the trunk lacquered with figures and pavilions in gilt and pen details against a green ground, similarly lacquered base, with plain plinth, height 218cmPlease note the special conditions of sale regarding clocks and watches
Lot 364
An early Worcester coffee cup circa 1754, of bell shape with an elaborately moulded scroll and husk handle with a high curled thumbrest, thinly cast with a 'pleat fluted' ground reserving two opposing polychrome panels of birds and flowers, unmarked, 5cm high (extended hairline from rim, minute chips) Provenance: Ex. Wychwood and John Chidlow Collections. Purchased from these rooms on 15th April 2015, lot 200.
Lot 391
An early Worcester reeded coffee cup circa 1754-55 of bell shape, moulded with a band of vertical ribbing, the double scroll handle with a curled thumbrest, painted in famille rose enamels with two flowering branches including a bright pink peony, the black cell diaper border including red flowerhead panels, unmarked, 5.2cm high (rim chips) Provenance: Ex. Wychwood Collection.
Lot 512
A Lowestoft mug circa 1760-65 of bell shape with a turned foot and grooved handle with thumbrest, painted in blue with a continuous Chinese river scene, the smaller islands with rocks and vegetation only, the larger with Chinese buildings and a variety of rockwork and trees, a 'scroll and flower' border inside the rim, unmarked, 12cm high (extensive stapled repair) Note: This pattern is discussed by Sheenah Smith, Lowestoft Porcelain in Norwich Castle Museum (1975), No.23, p.76.
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123896 item(s)/page