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Lot 2205

A quantity of brass and plate including candelabra, bell, tankards, brackets.

Lot 2237

A pair of Silver bud vases, 5 1/4'' tall (weighted), a plated 1 pt tankard and plated bell.

Lot 1033

A music cabinet having an Edison Bell gramophone with winder, 27 1/2'' x 18'' x 32'' tall.

Lot 1159

A marquetry and tunbridge style inlaid Wall Clock having a two train spring drive movement striking on a bell and having a cream face with Roman numerals marked J.H. Evans, Hay, 35'' x 15 1/2'' x 5 1/2'' deep.

Lot 1545

A quantity of china including Chessell pottery porcelain bowl, Beleek shell dish, J. Broadhurst teapot and jug, Dunketon Cider Co. jug by P.E.L. Wilson pottery, Sadler bell etc.,

Lot 1724

An Oak cased eight day Longcase Clock, the arched painted face decorated with fruit and flowers and having Roman numerals, inset second hand and date register, the face marked Ballard, Lamberhurst, striking the hours on a bell, 19'' wide x 83'' high x 9'' deep, the door with darkwood cross banding.

Lot 75

18th century drinking glass, the bell shaped bowl raised upon a plain stem with internal tear and conical foot, H16.5cm

Lot 96

Pair of embroidered panels worked with floral studies of Greater Sunflower and Double Blew-Bottles, by Kirsten Bell, signed and dated '94, housed in glazed frames, W33cm. H43.5cm

Lot 1806

Fine 'Peter King' model Yanagisawa A-9932Z alto saxophone with sterling silver neck and bell, case, accessories and personal effects, ser. no. 48/9932/00236565 **This was Peter's working saxophone from 2001 - 2021 described in his own words "Ever since receiving my Yanagisawa A-9932Z alto saxophone in 2001, I have played nothing else.  It is simply the best alto sax I have ever played, by far.  The quality of tone, intonation and the beauty of the action far surpasses any other horn I've played. It is an outstanding instrument."  Peter King  Link to Yanagisawa's web page of Peter King and this model named in his honour below https://www.yanagisawasax.co.jp/en/artists/view/123

Lot 1025

A PAIR OF PROVINCIAL SILVER SUGAR TONGS, with maker's marks, no assay marks, the arms with pierced bell-flowers and engraving; together with A PAIR OF SILVER SUGAR TONGS, by Hester Bateman, no date or town marks, with engraved squigglework border . (2) Provincial pair 16.2cm, 2.2 troy ounces gross

Lot 455

British Railways Western Region signal box bell code notice dated February 1959 for the section TAUNTON EXCHANGE to BARNSTAPLE JC. Lists Taunton, Norton Fitzwarren, Milverton, Wiveliscombe, Morebath, Dulverton, East Anstey, Bishop Nympton, South Molland, Filleigh, Swimbridge and Barnstaple Victoria Rd. A superb item in original GWR frame with GWR stamped brass hook, measures 8in x 5.5in.

Lot 533

British Railways Southern Region signal box bell code notice dated 4th October 1959 for the section EXETER CENTRAL to CHARD JUNCTION. Lists Chard, Broom Gates, Axminster, Combpyne, Lyme Regis, Seaton Junction, Colyton, Colyford, Honiton, Sidmouth Junction, Ottery St Mary, Tipton St Johns, Sidmouth and Exeter Central. A superb item in original frame, measures 9in x 7in.

Lot 545

London & North Western Railway Fletcher mahogany cased dual line non permissive Block Instrument with underslung bell. Stamped in the back L&NWR No2808. Also, ivorine plated HARROW. Stands 23in tall and is in ex railway condition. Complete with side lock key.

Lot 554

A pair of British Railways Western Region Somerset and Dorset section, WR telephone Circuit bell code notices No 808 September 1959 for the Section GLASTONBURY & STREET to AQUEDUCT LEVEL CROSSING and the other No 791 for the section WEST PENNARD LOCAL. Both in original Western region glazed frames measuring 8in x 5.55in.

Lot 563

Southern Railway Isle Of Wight signal box bell code notice dated 31.5.58 for the section NEWPORT to COWES. Lists Newport, Medina Wharf, Smithards Level Crossing, Mill Hill and Cowes. A superb item in original frame which is stamped S[E]R, measures 9.5in x 6.5in.

Lot 605

GWR Spagnoletti Crossing Keepers single line instrument complete with top mounted bell. In very good condition.

Lot 175

C19th mahogany cross banded oak long cased clock, arched painted Roman dial with subsidiary seconds and date, signed Robt. Leck Jedburgh, with eight day movement, striking the half hours on a bell, inlaid case on bracket feet H230cm

Lot 494

Collection of metal ware including Salter no.41 letter balance, Hughes pocket spring balance, two cut throat razors, diecast model of London Bridge, desk bell, brass shoe horn dated 1872, two inert cartridges, two Victorian boot half ornaments, brass wheel hub, etc

Lot 77

Sterling silver, mother of pearl and marcasite dragonfly brooch, stamped 925, hallmarked Sterling silver moon bell, a silver identity bracelet stamped silver, and another silver bracelet, stamped 925

Lot 99

Crown Devon Bell musical jug, decorated with cycling scenes, H21cm Three Indian aluminum jewellery boxes and a cigarette case, all inset with coloured faux hardstone panels, other items of interest

Lot 124

A late 19th Century French ormolu and Sevres porcelain style mantel clock, the movement striking on a bell. No glass dome. 43cm tall

Lot 458

A late 19th Century onyx and gilt figural mantel clock, the movement striking on a bell (overpainted and lacquered)

Lot 358

A Chinese Altar Bell together with a collection of other related items

Lot 433

A Bronze Ship's Bell Inscribed 'Diana' and dated 1869 21 cms tall together with another ship's bell inscribed MV Cromarty and dated 1970 14 cms tall

Lot 1009

Bell Foster (20th century)''Quiet backwater''Signed, oil on panel, 39cm by 49cm & a landscape watercolour by the same artist; together with Elizabeth Drake (20th century) Boats in a Port, signed and dated 1905, watercolour, and a further watercolour by John Keeley 'Welsh Pont Lan Rhayader, Near Dolgelly' ,signed watercolour, 21cm by 34.5cm & 17.5cm by 25.5cm respectively (4)

Lot 311

A French gilt metal striking mantle clock with Servres style porcelain dial and pannell, later 19th century chiming on a bell, 29cm high

Lot 318

A French gilt metal and marble striking mantel clock with garniture, late 19th century striking on a bell, 25cm (3)

Lot 99

A brass carriage timepiece and a Schatz Ships Bell bulk head striking clock (2)

Lot 22

JAPANESE COPPER OVERLAID BRASS VASE,along with a Chinese brass bell, bowl and elephant (4)

Lot 611

A RARE DRAWING OF AN ELEPHANT ESCAPING CAPTIVITY, KOTA SCHOOLIndia, Rajasthan, c. 1840. Ink and watercolors on paper. The mighty animal is depicted in a dynamic posture with its front leg raised still bearing the remnants of a broken chain. A bell is attached to its back. Finely executed with sensitive eyes.Published: Maggs Bros., Oriental Miniatures and Illumination, Bulletin No. 30, January 1979, Plate XXI. Provenance: Maggs Bros., Berkeley Square, London, 11 March 1979. English private collection, acquired from the above. The reverse with a typed paper label, 'Kotah, c. 1840. Pen drawing of an elephant, touched with colour. Purchased from Maggs Bros., Berkely Square, London, 11 March 1979. Illustrated in Maggs bulletin no. 30 of January 1979, Plate XXI'. With the original Maggs Bros. description for this lot, cut out and mounted by the previous owner, '[36] Kotah Artist: c. 1840. An elephant stands with his front foot tethered to a post [sic]. Pen drawing touched with colour, on paper: 51/2 x 61/4 in. £185. [See Plate XXI] Edges frayed, just affecting tail of elephant; slight staining.' Maggs Bros. Ltd. is one of the longest-established antiquarian booksellers in the world, established in 1853 by Uriah Maggs, born c. 1828 in Midsomer Norton, Somerset. Maggs Bros. sold the penis of Napoleon Bonaparte in 1924, and pulled off the greatest bookselling coup of the inter-war period, when in 1932 they successfully negotiated with the government of Soviet Russia to acquire not only a Gutenberg Bible, but also the celebrated Codex Sinaiticus. All four of Uriah's sons eventually joined the business, taking over on his retirement in 1894. Maggs Bros. is still under family ownership, and as of 2018 was managed by Edward Maggs.Condition: Good condition with minor wear, soiling, staining, creasing, minimal tears to edges, few small losses.Dimensions: Image size 15.5 x 13.5 cm, total size 33 x 30.5 cm (including frame). Matted and framed behind glass.Auction result comparison: Compare a related Kota School miniature painting of a running elephant at Sotheby's London, 24 October 2017, lot 326, sold for GBP 12,500.

Lot 530

Bell's Blended Scotch Whisky Bell, Wade, Perth Scotland.  9.5 cm #2323

Lot 182

Brontë (Charlotte) "Currer Bell" Jane Eyre. An Autobiography, first American edition, small tear to title, not affecting text, New York, 1848 bound with Dickens (Charles) The Cricket on the Hearth, first American edition, New York, 1846, with 4 others, together 6 works in 1 vol., binders label to pastedown, some light foxing, closely trimmed at head and fore-margin, affecting text, lacking advertisements, hinges cracked but covers holding, contemporary calf-backed cloth, spine gilt, rubbed, upper joint cracked, 8vo, [c.1848]. ⁂ One volume containing six early American editions. The four not mentioned are Agnes Searle (1845), Margaret Graham (1847), The Hunchback of Notre-Dame (1844), and The Magic Goblet (1845).

Lot 227

NO RESERVE Bell (Vanessa) Sketches in Pen and Ink, first edition, Denis Healey's copy with his ownership inscription, frontispiece, illustrations, original cloth, dust-jacket, 8vo, 1997.

Lot 40

Angling.- Bailey (William) The Angler's Instructor, first edition, 3 tape marks, ex-library with usual labels and stamps, hinges strengthened, original cloth, rebacked, a little rubbed, slight bumping to corners and extremities, 1857 § Fisher (P.) The Angler's Souvenir, engraved frontispiece, additional engraved title, 29 plates, ex-library with usual labels and ink-stamps throughout, original cloth, gilt, a little rubbed, bumping to corners and spine extremities, 1886 § Bromley (A. Nelson) A Fly Fisher's Reflections 1860-1930, plates, ex-library with label, scattered faint spotting, original pictorial cloth, gilt, slight bumping to corners and extremities, 1930 § Stevenson (C. A.) The Song of the Reel, frontispiece, ex-library with labels and discreet blind-stamps, original cloth, slight bumping to spine extremities, Nottingham, 1914 § Bell (H.) Fly-Fishing for Chub and Dace, second edition, presentation copy from author, plates and illustrations, advertisements at end, ex-library with ink-stamps to title verso, original cloth, rubbed, bumping to corners, [1920]; and 5 others angling, including duplicates, 8vo & 12mo (10)

Lot 1801

Two multiple spiral airtwist stem soda wine glasses, late 18th century, the first with trumpet bowl above the plain stem and conical foot, height 18cm, the second with bell bowl above the shoulder knopped inverted baluster stem and conical foot, height 18cm (both with minor faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 1617

Four Lladro figures, comprising Flower Song, No. 7607, Sweet Scent, No. 5221, Pretty Pickings, No 5222, and Can I Play, No. 7610, together with a Lladro bell, with five boxes.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 1734

A bell bowl plain stem wine glass, mid-18th century, with folded conical foot, height 18cm, together with a drawn funnel bowl wine glass with teared stem and conical foot, height 19cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Lot 113

Continental silver figural desk bell formed as an Elizabethan lady, import marks for Louis Landsberg, London 1895, 11.5cm high, 140g gross approxCondition report: Some light surface wear and loss of definition from polishing etc.

Lot 420

Mid 18th Century oak-cased 30-hour single-hand longcase clock - William Lawrance, Thame, (Oxon), fl. c. 1744-1764, the unusually small 9-inch square brass dial having signed Roman chapter ring with quarter hour track, engraved within to the matted centre with birds, the posted movement striking on a bell, 186cm high

Lot 421

Early to mid 18th Century oak-cased 30-hour single-hand longcase clock, 11-inch square brass dial with silvered chapter ring signed 'Rob. Browne Bottesdal' [Bottisdale, Suffolk], fl. c. 1700-1740, with inner quarter hour track and fleur de lis half hour divisions framing matted centre, the spandrels with crown and cherub supporters, posted movement countwheel-striking on a bell, case with brass reeded ball and spire finial, shaped cresting, and long trunk door, 222cm highCondition report: Case repolished some years ago. Crack to one scroll of cresting, another to panelled base. Sold with pendulum, period lead weight and key

Lot 428

Mid 19th Century mahogany-cased twin fusee bracket clock, 8-inch white Roman dial, unmarked wire fusee movement striking on a bell, in waisted scroll-edged case, 50cm high (a/f)

Lot 432

Small late 19th Century brass gorge-cased repeater carriage clock, retailed by Payne & Co., 163 New Bond Street, London, the white dial with Roman hours and Arabic minutes, Breguet moon hands, original silvered lever platform escapement, two-train movement striking on a bell, case stamped 5657, 11cm high excluding handle, in associated travel boxCondition report: Good condition throughout - balance wheel moves but movement otherwise unwarranted. No winder. Travel box is handleless, has a crack to corner of cover and general scuffs commensurate with age.

Lot 84

George V silver desk or call bell topped with a figure of a cow and standing on three cast feet, presentational inscription from The Journeyman Butchers Federation of Great Britain, sponsor's mark of Fattorini & Sons Ltd, Birmingham 1933, 10cm high, 200g gross approxCondition report: Some light surface scratches, bell mechanism works correctly.

Lot 85

Elizabeth II cast silver table bell with baluster shaped handle, sponsor's mark of Asprey & Co Ltd, London 1959, 11cm high, 165g approxCondition report: Some light surface scratches all over. the rim is very rough all round.

Lot 207

An oak and mahogany longcase clock, second quarter 19th century, with eight-day bell striking movement, the 13.5inch painted dial with gilt pagodas to the angles, the white enamel dial with subsidiary seconds and date dials and signed R Dennet Ormskirk, the hood with swan neck pediment and outset columns above the short trunk door flanked by reeded pilasters, 222cm high overall Provenance: From the collection of the late Selwyn Demmy Condition Report: No weights or pendulum, door key and winder present. Case looks to have been cleaned and has fairly high polish finish. Section of moulding to right hand side of hood detached but present. Lower panel to case split- feet possibly replaced. Clocks Condition: due to the mechanical nature of clocks and the fact that most are of great age we cannot offer any guarantee as to whether they are in working order or free from major faults or restoration. Although we endeavour to catalogue items in a fair and informed manner, omission of any comments or observations regarding the condition or originality of a clock in the description does not necessarily indicate that it is free from significant faults, restoration or is in working condition.   Condition Report Disclaimer

Lot 210

Y A Louis Philippe rosewood, cut brass and ivory inlaid striking mantel clock, the case with scrolling arch top and inlaid with figures and scrolls, the 3.75" white enamel dial with arrow hands, unmarked bell striking 8 day movement, 43.5cm high, 28.5cm wide Condition Report: Rosewood case of slightly uneven colour from sunlight and wear, some old repairs and with lifting to some inlay- no pendulum, chips around winding holes- movement untestable. Clocks Condition: due to the mechanical nature of clocks and the fact that most are of great age we cannot offer any guarantee as to whether they are in working order or free from major faults or restoration. Although we endeavour to catalogue items in a fair and informed manner, omission of any comments or observations regarding the condition or originality of a clock in the description does not necessarily indicate that it is free from significant faults, restoration or is in working condition.   Condition Report Disclaimer

Lot 211

Y A Louis Philippe rosewood, brass and mother-of-pearl inlaid portico clock, the 3.5" white enamel dial with foliate cast ormolu bezel, unmarked 8 day bell striking movement, adjustable bimetallic pendulum with floral cast mount, 46.5cm high, 25cm wide Condition Report: Rosewood with uneven fading- block feet probably later, some water spotting and splitting to top, movement untested- fairly dirty, pendulum swing is awkward and feels awry. Clocks Condition: due to the mechanical nature of clocks and the fact that most are of great age we cannot offer any guarantee as to whether they are in working order or free from major faults or restoration. Although we endeavour to catalogue items in a fair and informed manner, omission of any comments or observations regarding the condition or originality of a clock in the description does not necessarily indicate that it is free from significant faults, restoration or is in working condition.   Condition Report Disclaimer

Lot 35

Works of art and curios including an ormolu roundel with Zeus mask, Franco / Italian, first half of 19th century 10.5 cm high; small 20th century bronze of the dancing Faun, 11cm high; two furniture mounts in brass and silvered metal with panther masks, 4.5cm diam; Austrian cold painted lion skin rug by Bergmann, Amphora mark, 10cm long; Blue John style mineral cross pendant with inset compass, 2.5cm high, brass medallion with classical female profile, plaster infill to reverse, 9.3cm high; a small iron bell, modern brass pocket compass etc Provenance: The Simon Neal Collection Condition Report: Fragmentary and worn- some damages and losses Condition Report Disclaimer

Lot 1011

A Georgian wine glass, the bell bowl on a teardrop stem, height cm, together with a Georgian jelly glass and four other 19th century glasses (6).Condition report: Lot 1011The wrythen glass in this lot has a minute chip to the foot, the pontil mark extends slightly along the foot.See extra images on David Lay website.

Lot 1532

Silver inkwell in the form of a bell: Hallmarked for Birmingham 1912, filled, 10cm diameter.

Lot 212

Follower of Max BarrettA carved serpentine stylised head, from a pebble, on socle base, height 23cm.The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.

Lot 213

Follower of Max BarrettAn anthropomorphic green marble beast with tribal style head, length 17cm, together with a braised copper rectangular vessel, both apparently unsigned (2).The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.

Lot 2903

An American Chelsea clock Co 'Ship's Bell' bulkhead timepiece, with brass case, the silvered dial with Arabic numerals, inscribed 'Bethlehem Shipbuilding Corp. Ltd, San Francisco, Cal.', diameter 20cm.Condition report: Lot 2903The bezel is hinged, operated by a push-button, please see extra images online.When wound the movement ticks and runs, the strike operates but appears out of sync.

Lot 2929

A French Empire ormolu cased mantel clock, of urn form, the covered rim applied with two winged cherubs and flanked by twin handles with Classical head surmounts, the circular 9.5cm diameter enamelled dial with Roman numerals, the movement stamped JBB and numbered 481, with silk suspension and outside count wheel striking on a bell, height 44cm.

Lot 31

A set of five Victorian brass bell weights.Provenance:Alan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden china and pierced silver Bon-Bon baskets but also brightly coloured Staffordshire figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.

Lot 847

Hugh WEST (b.1950) A Carnon Downs Studio Pottery tall vaseImpressed with potter's seal to neckHeight 44.5cm The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.Condition report: No condition issues.

Lot 849

A Troika St Ives pottery dish, painted by Sylvia Vallence, together with two Troika pottery mugs (3).The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.

Lot 851

Norman Stuart CLARKE (b.1944)An iridescent art glass perfume bottle with stopper Signed & dated (20)02Height 11cmTogether with two other art glass vases by the same hand, both signed and dated (19)86 and (19)92Both approximately 12cm high(3)The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.

Lot 852

Henrik ALLERT (Swedish, b. 1937)Two pottery sculptures - sheep and birdInscribed marks to bases Heights 9.5cm and 7.5cm(2)The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.

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