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Lot 1
A pair of Coalbrookdale pattern 'Oak and Ivy' cast iron garden seats, one 19th century, one probably later, the backrests with serpentine foliate cast toprails, the openwork cylindrical arms with panther head terminals, above wooden slats, the serpentine legs with paw feet, 98cm high, 136cm wide The original design, number 119253 was registered and patented by the Coalbrookdale Iron Foundry on 8th March 1859, and appears as seat no. 30 in their 1875 Castings Catalogue. It was designed by sculptor John Bell, one of the firm's principal designers, whose famed Deerhound Centre Table was exhibited at the 1855 Universal Exhibition, and which is now in the Ironbridge Gorge Museum, Shropshire
Lot 1
A French brass carriage clock with push button repeat and alarm Draourt, Paris, late 19th century The eight-day rack and bell striking and repeating movement with original silvered platform lever escapement with split bi-metallic balance, the white enamel Roman numeral dial with retailer's signature ANCe Mes J F BAUTE &C, BOSSEL & FILS SUC... GENEVE to centre and subsidiary alarm dial beneath, in cannelee type case with oval top window and hinged handle, 15.5cm high excluding handle.
Lot 1
A Continental silver and faux red shell pair-cased quarter-repeating clock watch with alarm Unsigned, late 18th century The frosted gilt fusee verge movement with foliate pierced and engraved balance bridge, engraved regulation scale and four columnar pillars dividing the plates, with two hammers for quarter repeat and a third for the alarm sounding on a bell mounted within the rear of the case, the white enamel Arabic numeral dial with asterisk minute markers, gilt hour and minute hands and blued steel alarm pointer, the inner case with a border of ring-turned piercings to rear cover, the outer case with similar piercings to rear cover and front bezel, 11.5cm diameter, in a later English leather-covered carrying case.
Lot 1
An unusual Swiss brass pedestal table clock B. Blaser, Bern, late 18th century The four baluster pillar rack and bell striking movement with verge escapement and single spring barrel for both the striking and going trains, the backplate stamped B. BLASER IN BERNE 2198, the 7.5 inch circular convex white enamel Roman numeral dial with Arabic five minutes, gilt hands and scroll cast gilt metal crest and apron, on squat baluster turned brass upright issuing four brass supports, 32cm high. Probably made by a relation of Mathys Blaser who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as repairing the clock on Zeitglockenturm, Berne in 1814.
Lot 1
A French Empire style ormolu and patinated bronze figural mantel clock Unsigned, mid 19th century The eight-day outside countwheel bell-striking movement with white enamel Roman numeral chapter ring and foliate pierced centre to dial, the case modelled as a winged classical male muse plucking the strings of a lyre, on plinth base applied with flaming torch and quiver of arrows and festoon swags to frieze, on ball feet issuing butterfly wings, 37cm high.
Lot 1
A French Louis XV style ormolu mantel clock Unsigned, mid 19th century The eight-day rack and bell striking movement with blue on white Roman numeral enamel dial with Arabic five minutes and blued steel hands, in finely chased waisted case cast with rococo scrollwork on integral scroll feet, 38cm high.
Lot 1
A French inlaid mahogany mantel clock Duval, Paris, mid 19th century The eight-day outside countwheel bell-striking movement stamped DUVAL A PARIS and numbered 48 to backplate, the similarly signed white enamel circular Roman numeral dial in rectangular case with hinged brass carrying handle and line inlaid borders to top and sides, the front decorated with foliate scrolls, on conforming plinth base with block feet, 21cm high excluding handle.
Lot 1
A French ormolu quarter striking skeleton clock Hatton, Paris, late 19th century The eight-day rack and bell ting-tang quarter striking movement stamped Hatton, Paris, 845 to backplate with two bells mounted above Roman numeral enamel chapter ring with under-dial work visible to centre, on baluster profile hexagonal lobed upright and rosette cast panelled plinth with marble base, 29cm high, under glass dome.
Lot 1
A French gilt and patinated bronze figural mantel clock Raingo Freres, Paris, late 19th century The eight-day outside countwheel bell-striking movement with white enamel Roman numeral dial signed RAINGO FRE'S, PARIS, the case with reclining female figure in classical dress above elaborate foliate scroll cast apron incorporating foliate chased feet, 35cm high.
Lot 1
A French Empire patinated bronze mounted Siena marble figural mantel clock Mailfer, Paris, second quarter 19th century The eight-day outside countwheel bell-striking movement with silk suspension and engine-turned silvered dial signed MAILFER A PARIS, in arch-top rectangular case beside a figure of a semi-clad classical maiden looking into an open box, with laurel wreath, torch and trumpet mount beneath dial, on plinth base with lappet cast moulding to apron and block feet, 67cm high.
Lot 1
A large French ormolu, patinated bronze and verde antico marble figural mantel clock Baltazard, Paris, mid 19th century The eight-day outside countwheel bell-striking movement with silk suspension and 5.75 inch circular blue on white enamel Roman numeral dial with Arabic five minutes and signed BALTAZARD A PARIS to centre, set into gilt break-arch case with scroll cast angles beside a patinated gilt bronze reclining figure of a classical woman reading a book, on gilt edged verde antico and Carrara marble stepped base with foliate cast gilt disc feet, 46cm high, 71cm wide.
Lot 1
A French Louis XV gilt mounted green shell bracket clock Lieutaud, Marseille, mid 18th century The four-pillar outside countwheel bell-striking movement with verge escapement and signed Lieutaud a Marseille No. 280 to backplate, the 6.5 inch circular 25-piece Roman numeral cartouche dial with Arabic five minutes and repeat signature to the enamelled centre, the waisted case with foliate cast crest, shaped side windows and dragon cast apron to the shaped glazed front door, on foliate cast bracket feet with cartouche centred apron between, with original wall bracket of ogee profile and with conforming mounts, distressed, 66cm high overall.
Lot 1
A French Louis XV gilt metal mounted kingwood bracket clock Etienne Le Noir, Paris, mid 18th century The five baluster tapered pillar outside countwheel bell-striking movement now with anchor escapement and signed Etienne Le Noir A Paris to backplate, the 8 inch circular 24-piece Roman numeral cartouche dial with Arabic five minutes and profile bust amongst foliate scroll cast centre, the waisted case with foliate cast surmount, arched side windows and leafy scroll apron to the shaped glazed front door, on foliate cast bracket feet with cartouche centred apron between, 71cm high.
Lot 1
A rare George II walnut large bracket clock Windmills & Wightman, London, circa 1735 The five-pillar twin fusee rack and bell striking movement with verge escapement, rise/fall regulation and Hoho bird inhabited foliate engraved backplate signed Windmills & Wightman, LONDON within a circular cartouche to centre, the 12 inch brass break-arch dial with false bob and calendar apertures and arched signature plaque to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers, with female mask and scroll cast spandrel applied angles beneath rise/fall regulation dial between dolphin cast mounts to arch, the case with later inverted bell top and foliate pierced frets above husk and scroll carved canted angles with conforming frets and brass handles to sides, on cavetto moulded base with shaped apron, 74cm high. The exact date on which William Wightman joined the celebrated Windmills firm is uncertain however Ordnance Office bills record the partnership in September 1735 (see Neale, J.A. Joseph and Thomas Windmills, Clock and Watch Makers 1671-1737, p.233). Five longcase clocks are recorded by Neale but no bracket, lantern clocks or watches are noted. The reason why this unusually large clock was made is uncertain however another ebonised example (a timepiece with silent pull repeat signed Windmills) is described by Neale and a walnut clock of similar proportions but with a rectangular dial by George Graham was formerly in the Iden collection. It is probable that such clocks were utilised in a semi-public context where the use of a longcase clock would be problematic.
Lot 1
A George III mahogany bracket clock Unsigned, circa 1795 The four-pillar twin fusee rack and bell striking movement with verge escapement and trip repeat, the 7.5 inch single sheet silvered brass break-arch Roman numeral dial with Arabic five minutes and line border engraved spandrels beneath subsidiary strike/silent dial flanked by conforming infill to arch, the case with hinged carrying handle and single brass lined pad above arched brass fishscale side frets and moulded base, on brass ogee bracket feet, 41cm high excluding handle.
Lot 1
A black lacquer musical automaton bracket clock Paul Rimbault, London, circa 1780 and later The small six-pillar triple chain fusee back-wound movement playing a choice of three tunes via a 2 inch pinned cylinder on eight bells with fourteen hammers on the hour and rack striking the hour on a further bell, now with automaton of parading farm animals operating in tandem with the music, with verge escapement and foliate engraved backplate signed Paul Rimbault, Denman Street, Soho, London, the later 7 inch rectangular brass dial with matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes with mask and scroll cast spandrels to angles beneath painted country view incorporating automaton to the shallow arch above, the later bell-top case with hinged carrying handle and arched brass fishscale side frets on moulded base with block feet, the whole decorated with raised gilt foliate designs on a black ground, 43cm high excluding handle.
Lot 1
A George III figured mahogany bracket clock Cha's Bayles, London, late 18th century The five-pillar twin fusee rack and bell striking movement with rise/fall regulation and foliate engraved backplate, the 7 inch brass break-arch dial with calendar aperture to the Hoho bird and foliate scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrel applied angles, the arch with subsidiary strike/silent and regulation rings below shaped plaque signed Cha's Bayles, London, the single pad top break-arch case with brass carrying handle above break-arch side apertures and brass inset front door, on moulded base with brass ogee bracket feet, 40cm high handle down. Cha's Bayles is recorded in Britten, F.J. Old Clocks & Watches and their Makers as working in London circa 1760.
Lot 1
An ebonised small bracket clock with enamel dial Late 18th century The slender four-pillar twin fusee rack and bell striking movement with verge escapement, trip repeat and foliate engraved backplate bearing signature Geo. Graham FECIT, the 5 inch circular convex white enamel Roman numeral dial with Arabic five minutes and blued steel hands, the inverted bell top case with hinged carrying handle and foliate cast brass finials above arched side windows and hinged front door with circular dial aperture, on moulded base with cast brass block feet, 31cm high excluding handle.
Lot 1
An English figured mahogany four glass mantel clock Thomas Porthouse, Northampton Square, London, circa 1845 The five pillar twin chain-fusee rack and bell striking movement with anchor escapement and 6 inch square cream painted Roman numeral dial signed Porthouse, Northampton Square, LONDON, to centre, the case with bevelled glass to top above cavetto cornice and flute-moulded frieze with bevelled glass side panels, an ogee moulded apron and on an ovolo moulded plinth with block feet, 28.5cm high Thomas Porthouse is listed in Britten's Old Clocks and Watches and their Makers (Ninth Edition) as working at 10 Northampton Square, Clerkenwell from 1840-60 and Baillie, G.H. Watch makers and Clockmakers of the World as turret clock maker to the Admiralty.
Lot 1
A George III provincial mahogany bracket timepiece with pull quarter repeat John Ratcliffe, Chester, circa 1780 The four-pillar single fusee movement with tic-tac escapement and silent pull quarter repeat on two bells for the quarters and a larger bell for the hour, the backplate signed John Ratcliffe CHESTER within a foliate scroll cartouche, the 7.25 inch square brass dial with calendar aperture, false winding square and repeat signature to the foliate engraved silvered centre within an applied Roman numeral chapter ring with Arabic five minutes and mask and scroll spandrel applied angles, the inverted bell top case with brass carrying handle and rectangular side windows on moulded base with ogee bracket feet, 41cm high excluding handle. John Ratcliffe is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Chester 1763-97. The form of repeat mechanism employed in this clock is derived from a design by Joseph Knibb however utilises a stepped cam rather than a rack to count the hours. A longcase clock by Joseph Smith of Chester with almost identical repeat work was sold in our Apsley Road Saleroom, Bristol, Lot 271 Tuesday 1st March 2005. The close similarities of these two clocks suggests that John Ratcliffe and Joseph Smith may have had some form of working relationship.
Lot 1
A fine George II ebonised bracket clock William Scafe, London, circa 1750 The six finned pillar twin fusee rack and bell striking movement now with anchor escapement and symmetrically engraved backplate centred by an eagle with outstretched wings, the 7.5 inch brass break-arch dial with calendar and false bob apertures to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and Indian mask and scroll cast lower spandrels, the upper spandrels incorporating rosette centred silvered rings engraved STRIKE and SILENT with pointer pivoted between, with Hoho bird and scroll engraved infill to arch with silvered curved nameplate William Scafe, London to upper edge, the inverted bell top case with brass handles above tall rectangular apertures to sides on moulded base with block feet, 45cm high. William Scafe, a Yorkshireman by birth, was trained as a blacksmith by his father before moving to London and made free of the Clockmakers Company in 1721, he was master in 1749 and is thought to have died in 1764. This clock typifies his highly individualistic style and attention to detail.
Lot 1
A fine George III gilt brass mounted mahogany musical bracket clock George Suggate, Halesworth, circa 1775 The substantial six-pillar triple fusee movement with verge escapement and playing a choice of four tunes on eight bells with thirteen hammers on the hour or at will and striking the hour on a further bell, with foliate scroll engraved backplate and 8 inch brass break-arch dial with calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrels to angles, the arch with chime/not chime and strike/not strike subsidiary dials with foliate scroll engraved centres flanking shaped recessed silvered nameplate SUGGATE, HALESWORTH beneath arched tune selection scale with moveable pointer to upper edge, the figured mahogany bell-top case with five leaf and berry cast finials above hinged handles and foliate scroll cast rectangular frets to sides, female caryatid applied angles and on moulded base with leafy scroll and cartouche cast mount to the pierced apron, on foliate cast bracket feet, 61cm high overall. George Suggate is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Halesworth, Suffolk 1767 - early 19th century. The four lively tunes played by this clock are A Dutch Dance, Britton's Strike Home, 104 Psalm and Lady Coventry's Minuet, all these tunes, with the possible exception of A Dutch Dance, were very popular and regularly feature on musical clocks of this date. The complexity of the movement and the quality of the case indicate that this would have been a very expensive clock thus was probably made to order for a wealthy local landowner.
Lot 1
A Victorian cast iron and brass quarter striking turret clock J. Smith and Son, Derby, circa 1860 Of flat-bed construction with six-spoke wheel crossings, brass bushed pivots and lantern pinions, the central going train with pin-wheel escapement, maintaining power, and wood-rod pendulum, flanked by hour strike with pinned countwheel opposing the quarter train, on rectangular open bed frame applied with plaque signed J. SMITH & SONS, MIDLAND CLOCK WORKS, DERBY with integral splayed feet, on later wood stand with take-off work for four dials, bell mounting brackets and other accesories, frame 107cm wide John Smith is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Volume 2 as working in Derby from 1855-76.
Lot 1
A mahogany eight-day longcase clock Reid & Son, Edinburgh, early 19th century The four-pillar rack and bell striking movement with 13 inch cream painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed REID & SONS, EDINBURGH to centre, with figural polychrome painted Four Seasons spandrels beneath scene with musicians to arch, the swan neck pedimented case with reeded pilasters to hood above short rectangular trunk door flanked by quarter columns, on panel fronted plinth base, 211cm high.
Lot 1
A Queen Anne walnut and marquetry eight-day longcase clock J. Harmer, London, circa 1705 The four (formerly six) finned and latched pillar inside countwheel bell-striking movement with large plates, original anchor escapement and unusual back-cock with pendulum suspension block mounted onto removable tapered end-plate, the 12 inch square brass dial latched to the movement and with subsidiary seconds dial, calendar aperture and signature cartouche J Harmer, London to the rosette decorated matted centre, within an applied Roman numeral chapter ring with sword hilt half hour markers and Arabic five minutes, the angles with twin cherub and crown pattern spandrels with foliate engraved infill between, in a case with moulded cornice and fretwork frieze above integral ebonised twist turned pilasters to the floral marquetry decorated hood door, with concave throat moulding and later bird and flower panel inlaid trunk door with lenticle, on restored plinth base with conforming decoration and moulded skirt, 221cm high. Probably Jasper Harmer who is recorded in Loomes, Brian The Early Clockmakers of Great Britain as working from circa 1685.
Lot 1
A George III figured mahogany eight-day longcase clock William Webster, London, circa 1760 The five-pillar rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and silvered signature plaque W'm Webster, Exchange Alley, LONDON to the matted centre, within applied silvered Roman numeral chapter ring with Arabic five minutes and mask and scroll spandrel applied angles, the arch with strike/silent dial flanked by dolphin cast mounts, in a pagoda pedimented case with ball and spire top finial and brass stop-fluted pilasters to hood above break-arch trunk door and raised panel fronted plinth base with stepped skirt apron, 239cm high excluding top finial. William Webster is recorded in Britten, F.J. Old Clocks & Watches and their Makers as working in Change Alley from 1734 taking over the business from his father, who was journeyman to Thomas Tompion, in 1735. He was elected Master of the Clockmakers Company in 1755 and died in 1776.
Lot 1
A George III figured mahogany eight-day longcase clock Henry Jenkins, London, circa 1770 The five-pillar (centre removed) rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial with calendar aperture and recessed subsidiary seconds dial to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and signed Henry Jenkins, London, No. 2789, with foliate scroll cast spandrel applied angles beneath arch with strike/silent dial flanked by conforming mounts, the break-arch pedimented case with brass stop-fluted pilasters to hood above break-arch trunk door and raised panel plinth base with skirt apron, 222cm high. Henry Jenkins is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working circa 1730-88. He is particularly well known for complicated astronomical clocks, a fine musical astronomical pedestal clock is in the British Museum's collection.
Lot 1
A fine inlaid pollard oak quarter chiming eight-day longcase clock with Halifax moon Seddon, Frodsham, circa 1740 The substantial five finned pillar three-train rack and bell striking movement chiming the quarter on six bells, with 12.5 inch brass break-arch dial with ringed winding holes, rosette centred subsidiary seconds dial, calendar aperture and applied shaped silvered nameplate Seddon Frodsm to the wheat-ear border engraved matted centre, within an applied silvered Roman numeral chapter ring with foliate half hour markers and Arabic five minutes and large winged cherub head cast spandrels to angles within a wheat-ear engraved border, the arch with central revolving moon calibrated for the lunar month to equator flanked by dolphin cast mounts beneath conforming engraved border, the break-arch case with moulded cornice and fluted pilasters to hood above shaped-top trunk door with central parquetry star to the book-matched veneers, on conforming plinth base with ogee bracket feet, 234cm high excluding finials. Records relating to the Seddon family of clockmakers from Frodsham, Cheshire first appear in the Parish baptismal entries for the children of Mary Cook and John Seddon (described as a clockmaker by trade) in 1676, followed by the supposed supplying of a turret clock by John Seddon to Poole Hall in 1704. Frodsham Parish records apparently further record a John Seddon complaining of an Edward Cook in 1713. Finally Daniel Seddon, Clockmaker from Frodsham, is recorded as working 1754-85. As the general style of the movement, dial and case coupled with the use of a so-called Halifax moon in the arch (a term coined after John Ogden of Halifax who often used this feature in his clocks during the second quarter of the 18th century) suggest a date of circa 1740, it is probable that this clock was made by a relative (probably the father) of Daniel Seddon.
Lot 1
A Queen Anne figured walnut eight-day longcase clock P. Runbaule, London, early 18th century The five finned pillar rack and bell striking movement with 12 inch square brass dial with engraved calendar aperture, ringed winding holes and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, fleur de lys half hour markers and signed P. Runbaule, Londini to lower edge within twin cherub and crown pattern spandrel applied angles and herringbone engraved border with S/N lever at 12 o'clock, the case with moulded cornice and blind fret frieze above integral pilasters to hood, with rectangular trunk door and on re-built plinth base, 219cm high.
Lot 1
Copper Plate 22.5cms diameter Incorporating a number of symbols and legends associated with the legend of St Mungo The Bird that never flew; The Tree that never grew;The Bell that never rand;The Fish that never swam. These symbols are part of Glasgow's Crest. Impressed letters SKIA on bottom of plate 15-20
Lot 1
a French boulle marquetry bracket clock, circa 1700 by Francois Rabby, Paris (c.1655-1717) the caddy top with flame finials above larger foliate finials and a balustraded frieze, the arched and glazed door enclosing a raised enamel Roman chapter ring with rococo engraved centre, single wind hole and strapwork apron inscribed with maker's signature, between corinthian columns, on a shaped apron and gadrooned toupie feet, the anchor escapement striking on a bell, the backplate boldly engraved 'Rabby Paris', the whole decorated with silvered and gilt cut and engraved brass arabesques on scarlet tortoiseshell 60cm high, 40cm wide, 18cm deep note: Rabby produced movements for many fine Boulle marquetry clocks, including one in the collection of the Duke of Marlborough at Blenheim Palace.
Lot 1
a late 19th century French white marble and gilt-metal mounted clock garniture in the Empire taste the circular convex enamel dial with arabic numerals with 8 day twin train movement striking the hours and half hours on a bell, indistinctly signed, the backplate stamped S.C. Paris, the twin pillar case with anthemion surmounts and central eagle finial on an engine-turned plinth draped with festoons, the dial with a pendant neo-Classical 'drape' above a stepped bowfront base with foliate mounts and beaded braces, on spreading circular engine-turned feet, with a pair of five light candelabra, on pillar supports and stepped plinth bases, en suite (3) 36 cm wide, 53.5cm high, 14cm deep
Lot 1
a 19th century French ormolu and white marble clock garniture the twin train 8 day movement striking the hours and half hours on a bell, (the backplate stamped 3887) the convex enamelled roman dial with engine turned bezel surmounted by tied ribbons and a pair of doves above two adoring putti figures gazing upwards, on a white marble support and bowfront plinth applied with decorative braces, foliate pierced panels and corner paterae, on leaf-cast turned feet, including a pair of three light candelabra in the form of flower-filled urns with ram's mask handles en suite (3) 27cm wide, 33cm high, 12cm deep
Lot 1
a Regency period rosewood bracket clock by James McCabe the 8 day twin train fusee movement striking the hours and half hours on a bell, the enamelled convex dial with Roman chapters and strike/silent lever above maker's name painted in black lettering and serial no. 1337, the backplate similarly engraved James McCabe, Royal Exchange, London, the architectural case with foliate brass finial and chamfer-stepped pediment above sunken field spandrels inlaid with sprays of flowers in cut-brass, flanked by brass carrying handles and 'fishscale' side grilles, the skirted plinth raised on brass ball feet 28cm wide, 46cm high, 16cm deep james McCabe moved to London from Belfast in the latter part of the 18th century and is recorded at Royal Exchange in 1786. Nothwithstanding his successful career as a clock maker, McCabe also was commissioned to make a watch for Horatio Nelson.
Lot 1
a Louis XVI period walnut, tulipwood, harewood and marquetry poudreuse, circa 1790 the rectangular top with brass bound edge and central hinged flap on a ratchet support between a pair of similar hinged covers revealing partially fitted interior, the centre panel depicting a pair of 18th century gentleman fishing for eels in a river landscape flanked by a pair of flower filled urns within penwork laurel leaf borders, the trellis parquetry frieze decorated with florets and simulated drawer fronts, on bell flower inlaid square tapering legs ending in fluted brass sabots 79cm wide, 75cm high, 52cm deep
Lot 1
A 19th century mahogany and oak longcase clock, the hood with broken swan neck pediment and reeded Ionic columns, above a long pointed arch door and box base, the 33 cms dial painted with a cottage in the arch and floral spandrels, with Roman numerals, subsidiary seconds dial and calendar dial inscribed 'Stonehouse, Leeds', the eight day movement striking on a bell, 216 cms high.
Lot 1
A 19th century pine longcase clock, the hood with a broken swan neck pediment and Ionic columns above a long trunk door, box base and bracket feet, the 33 cms dial painted to the arch with a farmstead with windmill spandrels with Roman numerals and calendar aperture inscribed Thomas Davies Llandovery, the 30 hour movement striking on a bell, 210 cms high.
Lot 1
A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment and fluted Ionic columns, above a long trunk door and box base, the 33 cms diameter circular dial with Roman numerals inscribed William Holliwell, Derby, the 30 hour movement striking on a bell, 208 cms high.
Lot 1
A 19th century mahogany longcase clock, the hood with broken swan neck pediment and turned columns above a short trunk door and box base, the 33 cms dial painted with cottage and windmill to the arch and cottage spandrels, the dial with Roman numerals, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, inscribed W Spiridion, Cardiff, 222 cms high.
Lot 1
An oak and mahogany banded eight-day longcase clock, circa 1840, the dial painted with a hunting scene to the arch and figures representing the four seasons to the spandrels, with a two-train movement chiming a bell, the false plate stamped 'S. Baker' and probably 'Birmingham', the case with a swan neck pediment and arched door, with ring turned pilasters, 233 cm high.
Lot 1
A circa 1830 oak longcase clock by Thomas Fuller of Bury St Edmunds, having a domed hood with pierced fretwork, fluted pilasters flanking painted arch dial, width 12Ó, signed to the centre, having Arabic numerals, subsidiary seconds dial and rolling date dial, twin winding holes for an eight day four pillar weight driven movement, striking on a bell, the trunk with arched panel door to a box base on replacement plinth, height, 217cm (Illus.)Footnote: Thomas Fuller is recorded in Suffolk Clocks & Clockmakers by Haggar & Miller as follows; FULLER, THOMAS, Bury St Edmunds, 1823-1846, recorded as a watch and clock maker in Guildhall Street, Bury St Edmunds in 1823 directory, but later directories (1830, 1839, 1844 & 1846) give his address as 3 Churchgate Street. May have earlier been in partnership with Thomas Chaplin
Lot 1
A mid 18th century oak longcase clock, having a step cornice and plain frieze above a square brass dial, width 11Ó, the silver chapter ring having Roman numerals, signed to the centre George Washbourn of Gloster (sic), single blue steeled hand and cast brass mask corner spandrals, thirty hour weight driven movement striking on a bell, the trunk with plain panelled door on a box base, height 191cm (Illus.)
Lot 1
An early 19th century oak longcase clock with square brass dial, width 12Ó, having later arch, silver chapter ring signed John Mears, Gosport, having Roman and Arabic numerals within cast brass corner spandrels, matted centre with subsidiary seconds dial and date aperture, twin winding holes for an eight day weight driven five pillar movement, striking on a bell, the hood having turned yew wood pilasters, the trunk with plain panel door to a boxbase (with alterations), height 204cm (Illus.)
Lot 1
An early 19th century oak and mahogany banded longcase clock, the hood with swan neck pediment, mahogany, ebony and satinwood veneers, fluted pilasters flanking painted arch dial signed Nottingham, width 14Ó, having Arabic numerals, subsidiary seconds dial, rolling date dial and calendar moon phase, twin train brass four pillar eight day movement striking on a bell, the case with quarter fluted pilasters flanking shaped panel door, all with mahogany crossbanding, boxbase on bracket feet, height 227cm
Lot 1
A George III mahogany longcase clock, having an arched hood with three quarter turned pilasters, flanking an arch brass dial (width 12Ó), signed to the arch; James Robinson, Wellclose Square, London, silver chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the whole with cast brass corner spandrels, matted centre and twin winding holes for a five pillar twin train eight day weight driven movement striking on a bell, the case with brass stringing, arch panel door with glass lenticle to a box base on ogee bracket feet, height 228cm (Illus.)
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123896 item(s)/page