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Click here to subscribeA gilt metal drum clock by Henri Marc of Paris with an eight day movement by Japy Freres, striking to bell on the hour, French, mid-19th century, with a figure of a gentleman standing by a railing with a set of pipes at his feet, the drum surmounted by a flowering urn finial, the white enamel dial with Roman numerals and pierced hands, raised on a foliate and scroll work base, 9 ¾in. (24.7cm.), movement with faults.
Fowler (Stephen) Barnes Wallis Bombs, Tempus Publishing, 2004, Multi-signed by Douglas Jemp Bomb Aimer 'Y'-9 Sqdn, F/E Tweddle, Malcolm Grufle F/E 57 Sqdn POW, W/O J Smerin 35 Sqd, W/O H. Gouge 10 Sqd, Ben Hay 420 Sqdn, F/E Johnson DFC 78 Sqd, F/Lt L E Fenton DFC 102 Sqdn, R. Talyford, John R Jisleu DFC(USA) 644 Sqdn, J French 76 Sqd, Bert Kirtland DFC 76 Sqn, F/Lt W. Tunstall DFC, W/O Denis E. Slade 158 Sqn POW Stalag IVB, Colin Cole 617, Sam Thompson 9 + 103 Sqdn, Ken Johnson 9 & 61 Sqdn, Clive Clarke 49 Sqdn, Ted Comet 49 Sqn, Eric Varney 207 Sqdn, FE Paterson DFM 635 Spdn, Harry Parker DFM 635 P.F.F. Sqd, Tom A Brown 75,F/L Jeff Hiddrett 170 Sqn, Bell Evans 463 Sqn and A.E. Hale 463 Sqn Luft 7
5 framed Lancaster bomber prints, 3 by Reg Payne, 1 by Micheal Smart and an unopened limited edition print (116/850) "Lancaster" by Frank Wootton depicting the attack on the Mohne Dam, May 1943, size 64.5x61cm and published on behalf of The RAF Museum appeal 1977. Signed in pencil by the artist and various Dambuster personnel including Les Munro, John Bell etc, and also Barnes Wallis. Print condition poor/artwork may have been enlarged and has lost sharpness.
Overy (Richard) Bomber Command 1939-45, multi signed by Ken Johnson 61 & 9 Sqd, Gray Ward 619 Sqn, Ken Charles DFC 9 & 690 Sqn, Jack Ball DFC 625 Sqn and 15 other pilots/airmen, Multiple Contributors, V-Weapons Bomber Command Failed to Return, multi signed by Eric Varney 207 Sqn, Ken Johnson 61 & 9 Sqn, Raymond Worrall 44 Sqn, Frank Hogan 622 Sqdn, Ed Quinnay 630 & 57 Sqdn and Frank Jolley 625 Sqn, Multiple contributors, Bomber Command Failed to Return, multi-signed by Frank Jolley 625 Sqn Bomb Aimer, Eric Varney 207 Sqdn, Ken Johnson 61 & 9 Sqn Air Gunner, Dick Garnock 425 Sqdn, Reg Spencer 514-617 W/OP, Syd Marshall F/E 103 Sqdn, Victor Harding FMA 617 & 627 Sqdn, Alan Page DFC 630 Sqd Air Bomber, Jack Cook 1009 104 Sqn W/OP, MY Snowball F/E 550 Sqdn and Multiple contributors, Bomber Command Failed to Return II, Multi signed by W.O. Dave Fellawes 460 Sqn RAAF, Geo Dunn DFC 10 76 608 1409 Met Flt, L. E. Lucase F/Lt DFC 9.15.162.139, Jo Lanarts DFC 40 8 12 Sqdn, John Bell DFC 619 & 617 Sqn, Edward M Stockton DSO DFC 7 35 583 PFF Sqd and John Eliott W/OP DIV 550 Sqd North Killington (4)
Clutton-Brock (Oliver) Footprints on the Sands of Time, Grub Street, 2003, multi signed by author and Walter Morrison 103 Sqdn, HK Ress 150 Sqdn, Oliver Bell 7 Sqn, B.G. Farmes 9 Sqn, Don Brown 428, Tony Johnson 427 Sqn, John Maling 10 Sqd, George Cash DFC 139 1409 MF 571, and 11 other veterans, Teare(Denys) Evader, AirData Publications,1996,Signed, LaGrandeur(Philip) We Flew We Fell We Lived, Grub Street 2007, Vector Fine Arts Signed Limited Edition no. 5 of 15, signed by 25 veterans, 7 from the Great Escape and Neave(Airey) They Have Their Exits, Pen & Sword books, 2002, Vector Fine Arts Signed Limited Editions no. 9 of 20, signed by Corran Purdon, Kenneth Lockwood, Michael Alexander, Joseph Tucki, Bill Goldfinch, Walter Morison, George Drew, Earl Haig, Mike Edwards, Gris Davies-Scourfield, Jean Claude Tine and Lord Harewood (4)
Rees (Wing Commander Ken)with Arrandale (Karen) Lie in the Dark and Listen, Grub Street, multi-signed by Ken Rees, Jack Regan, B.A. 'Jimmy' James, Walter Alanson, Alan E. Bayett and Leonard Hale, James(B A 'Jimmy') Moonless Night, Pen & Sword Publications, 2001 multi signed by author and Jack Lyon, Ken Rees, Alan E. Bryett 158 Squadron, Clutton-Brock(Oliver) RAF Evaders, Grub Street, 2009, Multi-Signed by author and Raymond Worrell 44 Sqdn, Gordon W. Meller, Bob Frost 150 Sqdn, J E S Murray 57 Sqdn, Frank Bell(x2) and another indistinguishable signature, Pitchfork(Air Commodore Graham) Shot Down and on the Run, National Archives, 2003, signed by author and Douglas Kemp (4)
Lamerton (Mark) Liberated by Force 135 the Liberation of the Channel Islands May 1945, ELSP, 2000, Multi-signed by author and Dick Baker SBA LST 238, Tom Ramin HMS Princess, RSM Donald HMS Beagle, Peter Barke Royal Engineer, John Gallagher 620 Regt RA and approx. 15 other veterans, Le Ruez (Nan) Jersey Occupation Diary, Seaflower Books, 1994, Signed, M. Bell (William) I Beg to Report. Policing in Guernsey during the German Occupation,1st Ed. 1995, Signed, Greenshields (Renate) Lucky Girl and its Sequel A Bit of Time,4th Ed. 2006, Signed, Le Page (Martin J.) A Boy Messengers War, Arden Publications 1995, Signed and Bihet (Molly) A Childs War the German Occupation of Guernsey as seen through young eyes, Reprint 1992, Signed (6)
Scott(Stuart R.) Battle-Axe Blenheims No 105 Squadron RAF at War 1940-1, Sutton Publishing Ltd, 1997, Signed, White(Graham) The Long Road to the Sky Night Fighter Over Germany, Pen & Sword, 1st Ed.2006, Signed by author and Billie Beckells 1288165, Dick Maywood 608 LNSF & Mick Rambles 540(IRU) Squadron, Chorlton(Martyn) The RAF Pathfinders Bomber Commands Elite Squadrons, Countryside books, Reprint 2014, Signed by James Flowers RG 50/44, Sticker(Flt Lt Ted) with Feast(Sean) A Pathfinders War, Grub Street, 2009, Signed by both authors and WO Dave Fellowes 460 Sqn RAAF, Geo Bundle 10 76 608 1409 Med Flt, D. Edwards F/Lt DFC 9 15 162 139, Jo Lambeth DFC 40 2 12 Sqn, John Bell DFC 619 & 617 Sqn, John Elliott W/Op Air 550 Sqn, Boulter(Bertie) & Bodle(Peter) Mosquito to Berlin Story of 'Bertie' Boulter DFC One of Bennetts Pathfinders, Pen & Sword, 1st Ed. 2007, Signed by Bertie Boulter(5)
Thorburn(Gordon) No Need to Die, Haynes Publishing, 1st Ed. 2009, Multi-Signed by John Bell DFC 619-617, Harry Hadre 40 Spqdn, Geo Dunn DFC 10 76 608 1409, B.Lunars DFC 9 15 162 139, Dan Fella FE Ld'H, Daphne Wedar of Jar Brownlee DFC 7 +35 Sqd, Stocker(Flt Lt Ted) with Feast(Sean) A Pathfinders War, Grub Street, 2009, Signed by both authors, Curtis(Des) A Most Secret Squadron, Grub Street, 2009, Signed by author and A. 'Hilly' Hillanol, Bond(Steve) Wimpy a Detailed illustrated history of the Vickers Wellington in Service 1938-1953, Grub Street, 2014, Multi-Signed by Author and Jo Lamb DFC 40 & 12 Sqdn, Harry Hacker F/Lt 40 Sqdn, Geoff Paine No 2 ANS, Graham Harmon F/O Pilot 172 & 612 Sqdn Coastal Command 1943-45, Norman Sidwell 99 Sqdn, John Elliott Wop/Air 83 OTU 550 Sqn, Steve Tindall OC99, Peter Fotherly W/O Pilot 104 Sqdn and Clifford Hable F/Sgt Gunner 104 Sqdn, Multiple Contributors, V-Weapons Bomber Command Failed to Return, Fighting High Ltd, 2015, Multi-Signed by Geo Dunn DFC 76 Sqdn Peenemunde Raid 17/18 Aug 1943, John Bell DFC Bomb Aimer KG-A 617 Sqn, Jack Wales DFM Fl Eng/Bomb Aimer 12 + 156 PFF Sqdn V Weapon Files, Harry Hacke 40 Sqdn, A E Lucas DFC 9 15 162 139, Dave Fellowes DCS, Steve Bethell A/G 49 Sqdn, Jo Lamb DFC 40 & 12 Sqdn, and Daphne wed of Jane Brownlee DFC 7 + 35 Sqd(5)
Bell(George Armour) To Live Among Heroes, Grub Street, 2001, Signed by F.R. Atkinson and Tom Webb 609 Sqd 1937-1945, Richardson(Group Capatin 'Dickie') Man is Not Lost, Airlife, 1st Ed.1997, Multi-Signed by John Bell DFC 619-617, Harry Hawke F/Lt 40 Sqdn, Geo Dunn DFC 10 76 608 1409 Met Flt, Dan Fellowes, A E Lucas DFC 9 15 162 139, Jo Lamb DFC 40 8 12 Sqd, Daphne widow of Jan Broewher DFC 7 + 35 Sqd, Earnshaw(James Douglas) 609 At War, Vector Fine Art, Limited Edition no 146 of 609, 2003, Multi-Signed by author and P.Stark, John Stewart, John Evers, Alec Atkinson, Mike Dupe, John Tod W.O., Tom Webb 609 Sqd 1939-1945, Ashcroft(Michael) Heroes of the Skies, Headline Publishing, 1st Ed. 2012, Multi-Signed by John Bell DFC 619-617, Harry Hawke 40 Sqdn, Geo Dunn DFC 10 76 608 1409 Med Flt, Jo Lamb DFC 40 & 12 Sqdn, Dave Fella DFC, A E Lucas DFC 9 15 162 139, Daphne Widow of Jan Broewher DFC 7 + 35 Sqd, Reg Payne W/OP 50 Sqdn 1943/44, Davidson(Martin) & Taylor(James) Spitfire Ace Flying the Battle of Britain, Channel 4 Books, Multi-Signed by B.G. Stapleton 603 Sqd, Ulrich Steinhelper Ex-Ublen 3/JG52 Me-109, Rob Clark 219,Eric Barwell 269 Sqdn, A.G.Gregory 219 Air Gunner, Bob Newark DFC 302 & 316 Sqn, Billy Clarke 91 Sqn, Christopher Martindale 500 & 218 Sqdn(5)
Collection of books relating to the Nazi Occupation of the Channel Islands inc. Bell(William M.) Guernsey Occupied But Never Conquered, 1st Ed. 2002, War On Stark The Secret Letters of Julia Tremayne, Webb & Bower, 1981, Toms(Carol) Hitlers Fortress Islands Germany's Occupation of the Channel Islands, Coronet Books, 1992, collection of Channel Islands Occupation Review Magazine, etc.. (Approx. 61 in box)
BRONTE (A) ‘Acton Bell’, The Tenant of Wildfell Hall, 3rd ed, 1859, 8vo, publisher's cloth, 4pp. adverts at end; BRONTE (C) ‘Currer Bell’, Jane Eyre, 1857; The Professor 1865 (binding worn); Shirley, 1861; BRONTE (E) ‘Ellis Bell’, Wuthering Heights, Agnes Grey, 1858; all reprint editions in publisher's cloth; [EVANS (Marian)] 'ELIOT (George)' Silas Marner, 1st edition, Blackwood 1861, 8vo, some spotting and toning, half morocco, rebacked (6)
Konvolut: von 10 Bl. meist mit Portraits von versch. Künstlern in versch. Techniken, meist 20. Jh. Tls. sign. â•”Portrait eines blond gelockten jungen Mädchensâ•— im blauen Kleid mit blauer Blume in den Händen. Brustbild. Anonymes Pastell auf Karton. 46 x 38,5 cm. Verso mit Bleistift undeutl. bez. "Dietl. Agnesti 12". - â•”Portrait einer älteren Frauâ•— im schwarzen Kleid mit schwarzem Kopftuch. Anonymes Öl auf Lwd. 63 x 47 cm. Auf Keilrahmen gespannt. - Tls. Farbabplatzungen (meist am Rand) u. Druckstellen. - â•”Brustbildâ•— eines bärtigen Mannes mit Kappe. Anonymes Öl auf Lwd., wohl 18./19. Jh. Ca. 30,5 x 25 cm. Dubliert u. auf Keilrahmen gespannt. Verso auf Keilrahmen mit Bleistift modern bez. "Leandro Bassano" u. "Familia Langer-Relly Utrijei" (=St. Ulrich in Gröden). - Brustbild einer blonden, ernst blickenden jungen Frau. Anonymes, wohl von der Neuen Sachlichkeit beinflusstes Öl auf Karton, um 1930/40. 40 x 29,5 cm. Gerahmt. Verso mit Bleistift zugeschrieben. "Albert Birkle". - â•”Junge Frau mit Krone u. Ohrgehänge.â•— Öl auf Hartfaser. 64,5 x 38 cm. Am linken Rand ungelenke, wohl chinesische Schriftzeichen (Freude am Erwachsenwerden). Unt. re. sign. Bell. In den Rändern Heftlöcher. - Das Gemälde war wohl partiell mit Glitzersteien beklebt, die aber meist fehlen. - â•”Portrait eines Mannes im blauen Oberteil.â•— Öl auf Hartfaser. 61 x 49,5 cm. Ob. re sign. "Lede". - Tls. - unt. re. größere - Farbabplatzungen. - â•”Portrait von Wolfgang Amadeus Mozart.â•— Öl auf Lwd. von â•”K. Bernhoferâ•— 1931. Unt. sign., dat. u. betitelt. 39,5 x 25 cm. Gerahmt. - Portrait eines â•”KuK Offiziers des 1. WKâ•— in Paradeuniform mit Edelweiß am Kragenspiegel u. vielen Orden an der Uniformjacke. Metallrelief mit dunkler Patina wohl nach einer Postkarte bei Knozer, Wien von Monogrammist "HV". Ca. 40 x 30 cm. Unt. li. monogr. Gerahmt. - â•”Ein Soldat in Uniform des 19. Jhs.â•— u. ein in schwarz gekleideter Mann umgeben von Kindern u. Erwachsene. Anonyme Ölskizze u. Aquarell auf Lwd. 32 x 44 cm. Gerahmt. - Sitzender Grieche im antiken Gewand, wohl â•”Orpheus mit Lyraâ•— auf dem Schoß. Halbfigur. Kleine Ölstudie auf einer beschnittenen Postkarte an "...le Boll" (oder Böll) in Hamburg, 19. Jh. Unter Passep. und Glas gerahmt. Auf Unterl. "Joseph (von) Führich 1800-1876" zugeschrieben. - Tls. Alters- u. Gebrauchssp. D
TATO (GUGLIELMO SANSONI) (1896-1974)Coppa Schneider a Venezia signed 'Tato' (lower left); signed and inscribed 'Coppa Schneider a Venezia Tato' (on the reverse)oil on canvas40.7 x 56.7cm (16 x 22 5/16in).Painted in 1927Footnotes:This work is listed in the Archivio Ventura.ProvenancePrivate collection, Italy.The Coupe d'Aviation Maritime Jacques Schneider ('Coppa Schneider') was set up by Jacques Schneider, a French financier and aircraft enthusiast. The race encouraged technical progress in aviation and was held twelve times from 1913 to 1931, the trophy being awarded to the fastest seaplane over a fixed course. The Schneider Trophy became particularly popular in the twenties and early thirties, attracting crowds of over 200,000 people. The competition was organised in different cities and hosted by the previous winners. After the Italian team's victory, the race came to Venice in Italy in 1920, 1921 and 1927. By then, the Schneider Trophy had become a major sporting event and the Italians spared no expense to organise it. The event was of great importance for the artists of the Aeropittura movement who, by the end of the 1920s were looking to aviation as the best representation of dynamism, power and speed, giving the Futurist movement a new lease of life.Aeropainting found a codification with the publication of the Manifesto dell'Aeropittura futurista, written by Marinetti after a long seaplane flight over the Gulf of La Spezia. Entitled Prospettive di volo and published in 1929, it was signed by Benedetta Cappa, Fortunato Depero, Gerardo Dottori, Fillìa, Filippo Tommaso Marinetti, Enrico Prampolini, Mino Somenzi and Guglielmo Sansoni (Tato). Showcasing the latest technological advances and state-of-the-art machines, the Schneider Trophy was the perfect arena in which the Aeropittura artists would find inspiration.Despite Britain's victory in the 1927 competition, the Italian team remained in Venice to try and beat the speed record. They succeeded on 30 March 1928: Major Mario De Bernardi was the first man in the world to overcome the 500 kilometres per hour wall - he celebrated this extraordinary feat with a series of acrobatics in the sky around the bell tower of the Basilica di San Marco. This achievement was widely reported in the press and surely inspired the Aeropittura painters, if they were not already on the beach in Venice to witness it with their own eyes.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
* HAMISH CONSTABLE PATERSON (SCOTTISH 1890 - 1955),CRUMPLED MAN AT LE PONT ROYALE, PARISwatercolour on paper, signed and dated 1926image size 21cm x 31cm, overall size 46cm x 56cm Mounted, framed and under glass. Note: The third son of the artist James Paterson, cousin of Viola Paterson and thus a member of the distinguished Scottish painting family. He was actually named James Constable Paterson but was always known as Hamish. In 1910 he began studying at Edinburgh College of Art and his talent was obvious to all. He became an officer in The Black Watch during Army service in World War I and was severely wounded. Although he eventually recovered physically, his experiences left a lasting mental mark and he suffered from "depressions" for the rest of his life. His uncle William Bell Paterson gave him a show in Bond Street (London) in 1922 which included portraits of the former Prime Minister David Lloyd George and many titled people. Hamish's talent as a portraitist was widely admired but instead of accepting lucrative commissions he chose to live in France painting landscapes. It's possible that he sought a life away from the people he knew, perhaps embarrassed by his issues. The vendor believes the crumpled figure in the foreground to be Hamish Paterson. If he's right, Paterson depicts himself as a lonely and forlorn figure with his back turned to the spectacular view and the nearby Louvre. Although his work continued to be exhibited at the RSA regularly until 1949, many of these pictures were loaned by friends, fellow artists or collectors. His pictures were also shown at the RSW, RA, Royal Glasgow Institute and was included in "The Paterson Family" at Belgrave Gallery (London) in 1977. He retained lifelong friendships with some of the Kirkcudbright group including W.O. Hutchison, Robert Sivell and Mac Fleming. It seems Hamish Paterson largely financed his life in France with the sales of his pictures there and he only returned to the family home at Moniaive (Dumfriesshire) a couple of years before his death. Hamish Paterson's war experiences had a dramatic impact on the rest of his life but his watercolours show the influences and qualities which brought his father such success and had Hamish felt able to remain in Scotland, it's likely that his reputation in his own country would have better matched his abilities and talent.
Steve Bell, British b.1951 - 'I don't believe this!!', 1986; ink, pencil and correction fluid on paper, signed and dated lower right 'Steve Bell 1986', 12 x 29.8 cm: together with 9 other cartoons by the same artist of the same size and medium, each signed and dated (10) (ARR) (unframed) Please refer to department for condition report
A GEORGE III SILVER OVAL TEAPOT ROBERT HENNELL I, LONDON 1784 With a bell shaped finial to the flat cover, a wood loop handle, engraved with urns, ribbons, foliate swags, a crest and monogram within oval reserves 28.5cm (11 1/4in) long 522g (16.8 oz) gross Condition Report: Marks are clear Play to the hinge Cover sits well Slight play to the handle Engraving is worn Slightly wobbles Light scratches and wear commensurate with age and use Condition Report Disclaimer
Y A GERMAN SILVER BALUSTER TEAPOT AND CREAM JUG SIMON ROSENAU, HANNAU CIRCA 1900 The tea pot with a bell shaped finial to the domed cover, the scroll handle with ivory bands, chased with seated figures, C-scrolls and flowers, on a circular foot 18cm (7in) long 340g (10.95 oz) gross Please note Dreweatts have applied for a de minimis exemption licence for the ivory in this lot Ref: 4EZCWJQH Y - Indicates that this lot may be subject to CITES regulations when exported.
FOUR SILVER PEPPERETTES To include: a silver baluster pepperette by C. J. Vander Ltd., London 1957, with a bell shaped finial to the pierced domed cover and on a circular moulded spreading foot, 13cm (5in) high; another similar, the body 1951, the cover 1957; a George II baluster pepperette by Samuel Wood, London 1741, with a bell shaped finial to the pierced domed cover (badly repaired) and on a circular moulded spreading foot, 12cm (4 3/4in) high; and an Edwardian pepperette by Goldsmiths & Silversmiths Co. Ltd., London 1905, with a bell finial to the pierced domed cover, a scroll border and on four trefoil pad feet, 10cm (4in) high 299g (9.6 oz) gross
A COLLECTION OF CONTINENTAL SILVER COLOURED ITEMS To include: a German silver tea strainer, Hanau Pseudo marks, Gebruder Dingeldein, the handle with an oval vacant reserve, embossed with husk swags and ribbons, 14.5cm (5 3/4in) long; a silver coloured swing handled salt, marks indistinct, with a loop swing handle, a nulled border, pierced and embossed with grape vines, engraved with a monogram and on three ball feet, 7.5cm (3in) diameter, with a blue glass liner; a silver coloured circular tobacco box, stamped 800, chased with foliate, floral and scroll decoration, 7.5cm (3in) diameter; a Dutch silver taperstick, sword mark, with a bell shaped snuffer, chased with foliate and floral decoration, 10cm (4in) high; two pairs of silver coloured arms from a candelabra, stamped 800, 31cm (12 1/4in) long; two beakers; three napkin rings; and assorted dishes 1141g (36.7 oz) gross Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
A SET OF THREE GEORGE II SILVER BALUSTER CASTERS SAMUEL WOOD, LONDON 1753 With bell shaped finials to the pierced domed covers, engraved with a crest and on circular moulded spreading pedestal feet One 18cm (7in) high, two 14.5cm (5 3/4in) high 513g (16.5 oz) The crest is unrecorded. Condition Report: Large - Maker's mark partially obscured, rest generally clear, wobbles, dent to foot rim, two dents and split to the cover, dent to the body, engraving rubbed Small 1 - Marks are clear, wobbles, minor dent to the foot rim, several small dents to the body, engraving lightly rubbed Small 2 - Marks are clear, wobbles, minor dent to the body, engraving rubbed Light scratches and wear commensurate with age and use The blazon of the crest: an eagle rising, wings displayed and inverted ermine, on the breast a star of eight points Condition Report Disclaimer
A SILVER TAPERING COFFEE POT TESSIERS LTD., LONDON 1930 With a bell shaped finial to the ogee domed cover and a wood scroll handle 23.5cm (9 1/4in) high 864g (27.8 oz) gross Condition Report: Maker's mark to body partially rubbed, rest are clear Hinge good Cover sits well Play to the handle No engraving Stands well Light scratches and wear commensurate with age and use Condition Report Disclaimer
Y A GEORGE III SILVER TAPERING COFFEE POT MAKER'S MARK BC, LONDON 1777 With a bell shaped finial to the ogee domed cover and an ivory double scroll handle 20cm (8in) high 646g (20.8 oz) gross Please note Dreweatts have applied for a de minimis exemption licence for the ivory in this lot Ref: FYAS9JY4 Y - Indicates that this lot may be subject to CITES regulations when exported. Condition Report: Marks are partially obscured Play to the hinge Cover sits well Split to the ivory handle Stands well No engraving Light scratches and wear commensurate with age and use Condition Report Disclaimer
AN ART DECO ONYX MANTEL CLOCK. the dial signed Gapaillard, Rennes, on a brass eight day movement striking half hourly to a bell, the case with a spelter panther surmount, height 34cm, width 56cm. * Appears to wind, tick and strike at the time of cataloguing but functionality not guaranteed. **BP 22.5% inc VAT + Lot Fee of £8
Four Canon Dial 35 Style Half Frame 35mm Compact Cameras, to include a Canon Dial 35, body G, shutter working, meter not tested, together with a Canon Dial 35-2, body G-VG, shutter working, meter not tested, also with a Bell & Howell Dial 35, body G, shutter working, meter not tested, each with carry case, also with a Canon Dial Rapid, shutter untested, (4)
Three G.B.-Bell & Howell 8mm Cine Film Movie Cameras 1956-59, comprising a 624 8mm Sundial camera with ERC, a 624 EE Autoset camera in maker's box and another 624 EE Autoset camera with ERC, all spring motors working and all with Super Comat f/1.9 10mm lenses, together with a Halina Super 8 camera, untested
A Large Collection of Vintage Projection Lenses including items from Dallmeyer, Ross, Kinoptik, Isco-Göttingen, P. Angenieux, Kodak, Aldis, Benoist Berthiot, Bell & Howell, Meopta, Will-Wetzlar, overall conditions F-G (23) Note: Lot imported under Temporary Admission. 5% UK import VAT will be charged on the ‘hammer’ and 20% UK VAT will be charged on the ‘buyer’s premium’ and invoiced on an inclusive basis under UK Margin Scheme rules.
A Mixed Selection of Motion Picture Cine Cameras, to include a Bell & Howell Sportster, a Pathescope H, a Kodak Royal, a Kodak Brownie Movie Camera, a Magazine cine Kodak, a Zeiss Ikon Movikon K, a Revere 8, a Eumig C3 M, a Fujica Single 8 P1, & othersNote: Lot imported under Temporary Admission. 5% UK import VAT will be charged on the ‘hammer’ and 20% UK VAT will be charged on the ‘buyer’s premium’ and invoiced on an inclusive basis under UK Margin Scheme rules.
A French Walnut Cased Wall Mounted Telephone Box, with integral mouthpiece and Ivorine button, the earpiece separate, plus a wall mounted bell unit; together with a Sterdy direct contact wall mounted entrance telephone with black Bakelite one piece receiver, and MIcrophone Hand No.7 handset (4)
* Moore (Lieutenant Joseph). Sixteen plates from 'Views taken at and near Rangoon', London, Kingsbury & Co. & Thomas Clay, October 1, 1825 - January 2, 1826, sixteen aquatint views by G. Hunt, H. Pyall, T. Fielding and R. Reeve, all with bright contemporary hand-colouring, five plates tipped on to near-contemporary paper, slight marginal dust soiling and staining, occasional short marginal closed tears, 'Inside View of the Gold Temple' with longer repaired marginal closed tear, but not affecting the printed image, each approximately 320 x 420 mm, together with two subscribers sheets from the same workQTY: (18)NOTE:The plates consist of. Scene upon the Terrace of the Great Pagoda at Rangoon..., Inside View of the Golden Temple..., View of the Lake and part of the Eastern Road from Rangoon..., Scene upon the Eastern View from Rangoon..., The Position of part of the Army previous to attacking the Stockades on the 8th July 1824, The Gold Temple of the Principal Idol Guadma..., Scene upon the Terrace of the Great Dagon Pagoda at Rangoon taken near the Great Bell, One of the Birman Gilt War Boats..., The Attack of the Stockades at Pagoda Point on the Rangoon River..., The Attack of the Dalla Stockade by the Combined Forces..., View of the Great Dagon Pagoda at Rangoon and Scenery Adjacent..., View of the Landing at Rangoon of part of the Combined Forces from Bengal and Madras..., The Attack on the Stockades near Rangoon by Sir Archibald Campbell K. C. B...., View of the Great Dagon Pagoda and Adjacent Scenery taken on the Eastern Road from Rangoon, The attempt of the Birmans to retake the Stockades of Dalla..., [and] The Storming of the Fort of Syriam...,
Rutherford (William). A View of Antient History; including the progress of literature and the fine arts, 2 volumes, London: Printed for the author, 1788-91, engraved folding map frontispieces, armorial bookplates of Sir William Young to front pastedowns, occasional spotting, contemporary sprinkled calf gilt, morocco title and volume labels, rubbed, 8vo, together with:Strickland (Agnes). Lives of the Queens of England, from the Norman conquest, new edition, 6 volumes, London: George Bell & Sons, 1889-96, portrait frontispieces to each, armorial bookplate of Sir Fresham Lever to front pastedowns, occasional light spotting, contemporary black half calf gilt over red marbled boards, red morocco title labels, rubbed, 8vo, withThornbury (Walter). Old and New London, a narrative of its history, its people, and its places, 6 volumes in 3, London: Cassell, Petter & Galpin, circa 1875, frontispieces, black and white illustrations throughout, contemporary green half morocco gilt, all edges gilt, 4toQTY: (11)
Ward (Mary). A World of Wonders Revealed by The Microscope, A Book for Young Students, London: Groombridge & Sons, 1858, 14 hand-coloured engraved plates (including frontispiece), 6 pages of publisher's adverts at rear, all edges gilt, original gilt-blocked red cloth, light wear to joints and extremities, slim 8vo, together with:Darton & Co. (Publishers), The Lady's Keepsake; or, Treasures of the Needle, London: Darton & Co., 1851, wood engraved frontispiece and 29 plates printed in differing ink colours, hinges split, all edges gilt, original gilt-blocked cloth, light wear to extremities, oblong 8vo,Shakespeare (William), The Dramatic Works of Shakspeare, 7 volumes, London: Allan Bell & Co., 1837, decorative titles, few engraved plates and vignettes, all edges gilt, original gilt-blocked pink cloth, spines a little dust-soiled, 24mo,Hodgson (O., Publishers), Jestiana, or Joke upon Joke: comprising rich gems of humour and smart bon mots, extracted from the Records of Momus..., [1830?], hand-coloured engraved frontispiece, all edges gilt, original cloth, rubbed, 16mo, and other 19th century mostly juvenile including French Rhymes for the Nursery... by Mrs Packer, London: David Nutt, 1869; A Manchester Book: The Cat in Chancery or 'The Song of the Cat'..., edited by a Master out of Chancery..., [1858]; Algernon Hall. A Story for Children by Georgiana. Illustrated by her sisters, Minnie & May, Oxford & London: John Henry & James Parker, 1866; Woodland Rambles. Uncle Ben's Conversations with his Nephews on the Beauty and Unity of English Timber Trees, London: Robert Tyas, 1839QTY: (43)
Kinglake (A.W). The Invasion of The Crimea, 6th edition, 6 volumes, London: William Blackwood and Sons, 1877, half-titles, folding maps throughout, spotting, contemporary calf gilt, morocco labels, worn, 8vo, together with:Gilles (Pierre). The Antiquities of Constantinople, with a description of its situation, the conveniences of its port, its publick buildings, the statuary, sculpture, architecture, and other curiosities of that city, London: Printed for the benefit of the translator, 1729, lacking engraved frontispiece, 11 engraved plates (some folding), bookplate of Westminster College Cambridge to front pastedown (with cancel stamp), late 19th-century inscription of James Grant? to front pastedown and title upper margin, 'The Delineation of Constantinople' torn with loss, spotting, contemporary calf, rebacked with original spine laid on, some wear, 8vo, withPope (Alexander). The Odyssey of Homer, illustrated with the entire series of Flaxman's designs, London: Bell & Daldy, 1867, frontispiece, illustrations after Flaxman throughout, spotting, contemporary green morocco gilt, rubbed, 8vo, with 23 other antiquarian volumesQTY: (31)
Rossetti (Dante Gabriel). Dante Gabriel Rossetti. His Family-Letters, with a Memoir by William Michael Rossetti, 1st edition, London: Ellis and Elvey, 1895, portrait frontispieces, facsimile letter, illustrations, partly unopened, advertisement leaf, one index leaf with closed tear, original cloth, spines a little faded and rubbed at ends, 8vo, together with Burne-Jones (Edward, illustrator). King Poppy, by the Earl of Lytton, 1st edition, 1892, frontispiece and title illustrated by Edward Burne-Jones, text in red and black, some light spotting and toning, original parchment gilt, spine a little toned, 8vo, plus Harland (Henry). The Cardinal's Snuff-Box, 1st edition, London: John Lane, 1900, contemporary ink inscription to front endpaper and p. 14, original cloth, some fading to spine, 8vo, with others including Richard Le Gallienne's The Book-Bills of Narcissus, 1895 (limited edition of 50, ex-libris), Poems by William Bell Scott, 1st edition, 1st issue binding, 1875 (ex-libris), Ruskin: Rossetti: Preraphaelitism. Papers 1854 to 1862, arranged and edited by William Michael Rossetti, 1899, Gabriel Rossetti. A Verified Autobiography, translated and Supplemented by William Michael Rossetti, 1901 (limited edition 177/1000), Rossetti Papers 1862 to 1870. A Compilation by William Michael Rossetti, 1903, and Poems by the Way, Written by William Morris, 1st edition, 1891QTY: (14)
The Natural History of Animals, Vegetables, and Minerals with The Theory of the Earth in general Translated from the French of Count de Buffon by W. Kenrick and J. Murdoch, printed for T. Bell 1775/6 in 6 volumes illustrated with many engraved plates, bound in full calf with raised bands and gilt labels (some labels lacking) (6)
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