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Lot 347
Two Victorian glass bell Alum Bay souvenirs, filled with coloured sands depicting the cliffs and a landscape scene and 'The Needles', the base of one with a printed paper label inscribed 'The natural coloured Sand of Alum Bay, so arranged as to represent THE NEEDLES ROCKS, ALUM BAY, Isle of Wight by W. Carpenter,' 17cm high, max. (2)
Lot 1093
A William IV mahogany and brass inlaid mantel clock, the case of architectural form, with bronze metal ring handles, on a rectangular base with ball feet, the white enamelled dial with Roman numeral chapter ring, with single barrel and fusee movement, together with single barrel for striking train, together with bell striking and repeat striking mechanism, with pendulum and two door keys, 46cm high CONDITION REPORT: Overall case has cracks, mostly from movement of underlying case, a loose moulding, glass missing from face, movement could require maintenance, pendulum lacks part to hang it to movement, chips to dial, slight discolouration to dial
Lot 800
A Danish bronze centre piece, 20th century, of shaped outline, with a central finial of classically inspired children holding aloft a basket of fruit, on ball feet, with a presentation inscription to the bowl, 25cm high, together with a green patinated bronze bell. (2) CONDITION REPORT: patination is marked/rubbed to bowl/base, rubbed. inscription to base, otherwise in sound condition
Lot 36
Robert Crozier (1815-1891) - Lt. Colonel Thomas Marten, Dragoons Oil on canvas Signed, dated 1843 , and inscribed Manchester lower left 58.5 x 74 cm. (22 3/4 x 29 in) Robert Crozier was born in Blackburn in 1815, the son of George Crozier, a saddler and one of the leaders of a group of working-class amateur botanists. In 1836 Crozier moved to Manchester, where he remained for the rest of his life. He became a pupil of Henry Travis, before going on to study at the Manchester School of Design under John Zephania Bell in 1838. Crozier first exhibited at the Royal Manchester Institution in 1841, and at the Royal Academy in 1854, but it was the success of the Exhibition of Works of Local Artists at Peel Park, Salford, in 1857, that encouraged Crozier and other local artists to set up the Manchester Academy of Fine Arts in 1859. Shortly after its foundation Crozier was appointed Literary Secretary of the Academy, a position which he held until he was elected Treasurer in 1868, and from 1878 until a month before his death he was President of the Academy.
Lot 258
A French style, reproduction Portico marble mantel clock, designed as two obelisks supporting the central drum clock, rectangular veined marble base, gilt brass obelisk mounts, the white dial with black Arabic numerals, visible movement marked "Thomas Jefferson", striking on a bell. 39.5 cm height x 29 cm length x 9.5 cm wide.
Lot 259
An early 20th Century oak cased, Arts and Crafts mantel clock. The American Movement stamped "William. L. Gilbert Clock Co, Winsted, Conn. U.S.A." Movement frame stamped "1911", the key wind movement striking hours on a gong, half hours on a bell. The case with applied metal, Arabic numerals. 51 cm length x 27 cm height x 14 cm wide approx.
Lot 270
A late Georgian, mahogany and brass inlaid bracket clock. The arched, white painted dial with black Roman numerals and subsidiary strike/silent. Double fusee chain movement, striking hours on a bell and quarter hours on eight bells, pull repeat. The arched case surmounted with a classical urn with applied gilt foliate decoration, matching ball feet, the sides with gilt ring pull handles, pierced arched brass strikes (case and movement needs cleaning/restoration) 68cms height x 35cms long x 18cms wide approx.
Lot 275
A Victorian brass skeleton clock under a glass dome. Pierced, silvered chapter ring, black Roman numerals, passing strike on a bell, chain fusee movement, the clock on four turned supports and connected to its white, veined marble, oval base (strike A/F) Height of clock, 40cms x 21cms approx.
Lot 280
Georgian silver Old English pattern spoons, comprising three tablespoons,FP over SC, Exeter 1799, I. Bell, London 1759, and T W, London circa 1739 (mark rubbed), and a pair of dessert spoons, Thomas Dealtry, London 1771, together with a Fiddle pattern tablespoon, A W, Edinburgh, 1815. Wt. 293gm.
Lot 451
A French gilt metal three piece clock garniture, in the Louis XV style, with Sevres style Bleu Celeste panels, the clock with a flame filled urn finial, lion mask swags, trophies, foliage and herm figures, French cylinder movement by Japy Freres & Cie, number 374, striking on a bell, 37cm, flanked by five light candelabras with a cherub figural column, cylindrical bases with fruiting vine feet, 41cm (3).
Lot 453
A French Empire style three piece alabaster and gilt metal clock garniture, the clock in a drum shape case, mounted with a lion motif, ribbon ties and scrolls, white enamel dial with rose festoons, cylinder movement, signed P Bonnet & P Pottier, Paris, striking on a bell, casing supported by twin columns, 37cm, flanked by two light candelabras, 32cm (3).
Lot 457
An oak and mahogany banded longcase clock, arched brass dial, signed John Voyce, Deane, silvered chapter ring with second dial and date apperture, cast coronet and cherub spandrels, the lunette with a silvered eagle plaque, eight day two chain movement, striking on a bell, the case with broken swan neck pediments and brass urn finial, the hood with brass Corinthian columns, long door, bracket feet, height 220cm.
Lot 459
An oak and mahogany longcase clock, arched painted dial signed David Shaw, Leicester, with subsidiary second dial and date aperture, the lunette painted with a landscape and a bridge over a river, the spandrels with roses, eight day two chain movement, striking on a bell, the case with stringing and crossbanding, short door with a lancet top and shell marquetry oval, plinth base, (restored), 215cms.
Lot 462
An oak longcase clock, square brass dial, signed George Clinch, London, silvered chapter ring, subsidiary second dial, blind date aperture, cast mask head and scroll spandrels, eight day two chain movement striking on a bell, the case with plain frieze, long door, short plinth, height 205cm.
Lot 374
Bell (John) The Principles of Surgery, as they relate to Wounds, Ulcers, and Fistulas, 3 vols in 4, 4to, old calf-backed boards, 87 engraved plates (of which 11 coloured, 2 folding), engraved illustrations, 1815. John Bell (1763-1820) was one of the founding practitioners of modern vascular surgery, and also one of the few doctors to illustrate his own works. This work was first published in 1801.
Lot 792
An Edwardian Art Nouveau pendant, set with facet cut amethyst in millegrain mount below enamel petals within yellow metal scrolls, with drop below (originally holding pearl now missing), stamped '375' to reverse, on a yellow metal oval and circular tracelink chain, bell clasp, the tongue stamped '10' and engraved '9246', the pendant 3cms high.
Lot 997
Opaque twist wine glass, the bell bowl above double series opaque twist stem with shoulder and central knops having pair of spiral threads enclosing gauze on conical foot, mid 18th Century, height 15cms. See illustration PROVENANCE William MacAdam, Edinburgh, 7 February 1984, £115. NOTE According to L. M. Bickerton that as regards the knopped DSOT stem glasses, "One may safely say they mostly come from Newcastle".
Lot 1331
A brass inlaid longcase clock, the square silvered roman dial with arabic outer seconds numerals and inner arabic month numeral, with subsidiary seconds dial, signed Eardley Norton and No. 1914 three train musical movement with single large bell and eight graduated bells, the dial within gilt surround, the case with ornate pagoda style top cover to cornice and decorative frieze, the waist door with two glazed panels and ornate panel base, 93in. high.
Lot 1337
Wm. Snow, Padside: a large mahogany longcase clock, the painted roman dial with outer arabic numerals, subsidiary seconds and date dial, with moon phase to the arch, foliate spandrels, two train movement with anchor escapement striking on a bell, the case with broken pediment and dentil cornice, brass finials, blind fretwork frieze, moulded arched glazed door flanked by fluted columns with giltmetal capitals, arched and moulded waist door flanked by fluted quadrants, panel base, shaped bracket feet, 104in. high approximately.
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123939 item(s)/page