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Click here to subscribeA French Art Deco bronze and spelter mounted clock garniture, the clock inscribed COMPTOIR GENERAL, SCHNERB, PARIS, 10.5cm circular dial, Arabic numerals, twin winding holes, eight day movement striking on a bell, the bronze mount inscribed F.H. DANVIN, the clock 45.5cm high, 32.5cm wide, 15cm deep, c.1930
A pair of Chippendale Revival mahogany child’s elbow chairs, each shaped back carved with acanthus, flower heads and bell husks, the hand rests carved with a lion mask, drop-in seat, cabriole forelegs carved to the knees with acanthus, ball and claw forefeet, 73cm high, 47.5cm wide, the seat 35cm wide and 32cm deep, early 20th century
A George III oak longcase clock, 33.5cm square brass and silvered dial inscribed Jere Standring, Bolton, Roman and subsidiary Arabic numerals, date aperture, twin winding holes, eight day movement striking on a bell, the case carved throughout in the 17th century taste, the door inlaid in the shibayama manner with an owl, 217.5cm high, 49.5cm wide, 26.5cm deepIvory Submission Reference XW1ALT5Q
A George III oak longcase clock, 33cm arched painted dial inscribed Wainwright, Nottingham, Roman and subsidiary Arabic numerals, subsidiary seconds dial, eight day movement striking on a bell, the arch painted with a sportsman and his dogs, the case carved throughout in the 17th century taste, 223cm high, 54cm wide, 25cm deep
A George III Yorkshire mahogany and oak longcase clock, 35.5cm arched dial inscribed Wm Honeywood, Heckmondwike, the arch with rolling moon phase, Arabic numerals, subsidiary seconds and calendar dials, twin winding holes, eight day movement striking on a bell, the satinwood banded case with swan neck pediment, 228cm high, 60cm wide, 25cm deep, c.1810
A large George III mahogany musical repeating bracket clock, 20cm arched painted dial inscribed Underwood, London, Roman numerals, regulation and Repite/Silencio setting dials to arch, triple-winding holes, fusee movement striking on a bell and chiming on a nest of eight bells, engraved backplate, the pagoda top case with brass ball finials and stop-fluted quarter-columns, brass bracket feet, 67cm high, c.1800
An Edwardian rosewood and marquetry sofa, of neat proportions, curved cresting rail inlaid in specimen timbers with birds, acanthus, flowers and bell husks, stuffed-over upholstery, tapered square forelegs, outlined throughout with boxwood stringing, 79cm high, 124cm wide, the seat 102cm wide and 51cm deep, c.1905
An Adam Revival rosewood banded mahogany library bookcase, shaped pediment carved and applied with draped bell husks, above a pair of astragal glazed doors enclosing three adjustable shelves, the projecting base with a pair of flame-veneered panel doors, skirted base, bracket feet, 233.5cm high, 123cm wide, 47cm deep, c.1900
An Edwardian mahogany and marquetry display cabinet, moulded cornice above a glazed door enclosing two shelves, the lower door inlaid with a ribbon-tied flame-veneered oval reserve, swags and bell husks, the flanking panels conforming, tapered square legs, spade feet, 198cm high, 128cm wide, 41cm deep, c.1905
A Regency Welsh mahogany longcase clock, 36cm circular dial inscribed R. Williams, Llanrwst, Roman numerals, subsidiary seconds and calendar dial, twin winding holes, eight day movement striking on a bell, the case with brass spire finials and rope twist columns with Corinthian capitals, 226cm high, 54.5cm wide, 24.5cm deep, c.1820
A Victorian mahogany longcase clock, 35cm circular dial inscribed Thos Moore Derby, Roman numerals, subsidiary seconds and calendar dials, twin winding holes, eight day movement striking on a bell, the case carved and applied with a shell and acanthus, 221.5cm high, 59cm wide, 30cm deep, c.1865Thomas Moore worked at 4 Queen Street, Derby between 1855-1876
A collection of English hammered coins, including short cross pennies Henry II broad face GF; John, Willem B/London GF; Edward I; Edward IV half groat AF; Henry VIII two pence 1533/44 mm Catherine wheel F Elizabeth I shilling 1582/83 mm. bell AF, 1590 mm hand AF; sixpences 1575 mm. eglantine, 1583 mm. Gothic A AF, another, mm. bell AF, 1591 mm. hand Fair; 1596 mm. key AF; three pence 1570 mm castle F, twopence third issue 1565 AF another 5th issue Fair, also 1592/95 mm tun F; penny 1580/81 mm. Latin cross AF; James I: shilling second coinage 1613/15 mm 5-foil AF, another third bust mm. escallop GF, sixpence 1607 AF, twopence second coinage AVF; Charles I shillings: round shield, no lines AF, sixpence 1633/34 mm portcullis F, 1639/40 XII behind head tower mint mm. D, another mm (R) AF1640/41 mm star F; sixpences 1633/34 mm. portcullis F, 1640/41 mm. star F, tower mint two both slightly folded; silver halfpenny F; AE rose farthing double arched crown, double rose sceptres within inner circle F; Commonwealth penny AF flan slightly bent (qty)
Architecture, Royal Palaces – Law (Ernest, BA), The History of Hampton Court Palace, 3 Vols., London, George Bell, 2nd & 3rd edn., 1891/1898/1903, 8vo, bound gilt embossed red boards, arms of Edward VII on front boards, gilt spine titles (spines faded), Vol. I: 1903, Tudor Times, xxiv + 375pp, folding plan, engr. plates and vignettes; Vol. II: 1898, Stuart Times xvi + 311pp, folding plan, copper engr. plates etchings and vignettes; Vol. III: 1891, Orange and Guelph Times xxiii + 566pp, folding plan, engr. plates and vignettes, some foxing to all (3)
Biography, Royalty – Skae (Hilda T.) The Life of Mary Queen of Scots, London, Maclaren, 1905, 12mo, 207pp, engraved portrait to frontis., numerous illus., bound gilt printed royal arms of Scotland to front blue boards, gilt titles; Leader (John Daniel), Mary Queen of Scots in Captivity, a Narrative of Events from January 1569 to December 1584 whilst George Earl of Shrewsbury was the Guardian of the Scottish Queen, Sheffield, Leader & Sons., London, George Bell, 1880, 8vo, xxi + 644pp, frontispiece and three plates, binder’s label to ins. rear cover, bound brown cloth gilt titles (2)
Fine Art, Painting – Landseer (Sir Edwin Henry, RA, 1802-1872), Landseer’s Works Comprising Forty four steel engravings and two Hundred Woodcuts, 2 Vols., London, Virtue, n. d. (c. 1880) small folio, over 80 steel engraved plates, bound bevelled gilt embossed red boards, gilt spine titles; Landseer (Sir Edwin Henry, RA, 1802-1872), The Early Works of Sir Edwin Landseer RA: A Brief Sketch of the Life of the Artist, illustrated by Photographs of Sixteen of his most Popular Works, London, Bell & Daldy, 1869, small 4to, 80pp, 16 plates, gilt edges, marbled end papers, heavily gilt embossed and bevelled black boards, five raised band to spine, gilt titles (3)
Natural History, Botany – Sowerby (James, FLS) et al. ed. Boswell Syme (John T., LLD FLS) English Botany, or, Coloured Figures of British Plants, 3rd edn. London G. Bell, 1913, 13 volumes, large 8vo, numerous chromolithographic plates, green boards, gilt titles, armorial bookplate to pastedown Alice E. Shaw Stewart; Sowerby (James E.) and Johnson (C. Pierpoint), British Wild Flowers, re-issued with supplement, London, Gurney & Jackson 1902, 8vo, liii + 186, numerous chromolithographic plates & line engravings, gilt edges, green cloth with gilt titles & to spine (14)
Poetry, English – Coleridge (Samuel Taylor), The Poetical Works of Samuel Taylor Coleridge, The Lansdowne Poets, London, Frederick Warne, n. d., xxi + 680pp, engr. frontis. loose, gilt edges, black and gilt embossed red boards, gilt titles to spine; Wordsworth (William), The Poetical Works of William Wordsworth, with Life, Edinburgh, Gall & Inglis, n. d. (c. 1885), 12mo, xx + 522pp, steel engravings, gilt edges, black, red and gilt embossed boards, gilt spine titles; Longfellow (Henry Wadsworth), The Complete Poetical Works of Henry Wadsworth Longfellow, London, George Routledge, 1877, 8vo, xiv + 623pp, 178 illus. after John Gilbert, gilt edges, binder’s label Leighton, Son & Hodge, inside rear board, bound gilt and colour embossed red boards, spine frayed top and bottom; Hallsworth (Georgina Dorothy), The Poetical Works of Georgina Dorothy Hallsworth. Blackbrook and Belper, privately printed, June 2003, reproduced as the original MS, small 8vo, 116pp, marbled endpapers, bound blue boards, title titles to front board; Vaughan (Henry), Sacred Poems and Pius Ejaculations with a Memoir by Revd. H. F. Lyte, London, George Bell 1891, small 12mo, xliii + 276pp, red boards, gilt titles to (faded) spine; Keats (John, 1795-1821), The Poems of John Keats, London, J. M. Dent, Everyman, n. d. (!906), small 12mo, xxii + 383pp, green boards, gilt titles; Keats (John), Poems Published in 1820, small 12mo, ed. & intro. M. Robertson, Oxford, Clarendon Press, 1962, 256pp., green boards, black titles; Hood (Thomas), Poems of Thomas Hood, Again Illustrated by Birket Foster, London, E. Moxon 1872, small 4to, vii + 180pp, frontis and 12 engr. illus., gilt edges, bookplate Ioan David Lloyd Jones, bound bevelled and embossed gilt green boards and gilt titles; Various, The Months, Illustrated by Pen and Pencil, London, Religious Tract Society, n. d. 8vo, poems by Keats, Wordsworth, Tennyson and H. Coleridge, xvi + 224, numerous vignette illus. after various well-known artists, plain boards (9)
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