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Lot 322
A heavy baluster wine glasscirca 1710-20the bell bowl set above an inverted baluster with tear and a basal knop issuing from folded foot,15.7cm highCondition report: Weight - 8lbsA couple of light surface scratches to exterior of the bowl, mossing to foot, concentric ring of dirt trapped inside the fold to the foot (will come off with cleaning), slight imperfection to stem below the central knop and another just below the bowl. Please see images. No signs of any polishing/repairs.
Lot 434
A 19th century, Egyptian style, black slate mantel clock, the obelisk shaped case with 5.5 inch dial, Roman numerals, eight day movement striking on a bell, raised on leaf lapetted corners and paw feet, 45cm highCondition report: Lacking 2 x 3cm sections on cornice (front, left and back), Sections re-struck, chips, dents and scratches, cracks including base, not known if movement works, no keys, pendulum or dome.
Lot 437
A late 19th/early 20th century, French, Rococo style, ormolu and rouge royale-type marble mantel clock garniture, the spherical clock, with Arabic numerals and serpent form hands, surmounted by a putto holding a flaming torch aloft, with a winged putto below handing him an arrow, on the opposing side a cornucopia, the base pierced and cast with a central cartouche, flanked by 'C' scrolls and rocaille work, raised on scroll feet, the French 8-day twin drum movement, striking on a bell, with winder and pendulum, with a pair of naturalistic 5-branch candelabra, 57cm high, the clock 56cm high (5)Condition report: Ok. Not known if in working order, but striking train appears to work.
Lot 438
A French ormolu and enamel panel mounted mantel clock,The 3” circular dial painted with three birds to the centre and signed Le Roy et Fils, 211 Regent Street London, with Roman numerals in gilt and bleu celeste borders, eight-day movement striking on a bell, the movement inscribed Le Roy et Fils a Paris and numbered 780, the case surmounted by a campana urn with detachable cover and pineapple finial and goat's head handles and raised on a stepped shaped plinth and foliate wrapped toupie feet. 30cm high, 19cm wide, 10cm deep, on separate giltwood plinth (2)Condition report: Movement and strike train both wind. Strikes on the hour and half hour. Not tested for time keeping. Case fair retaining good gilding throughout. Enamel elements good with no obvious damage.
Lot 391
A MAHOGANY LONGCASE CLOCK by Jonas Barber, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with painted moonphase, Roman and Arabic numerals and calendar aperture, the banded case with scrolled pediment carved with rosettes and with fluted brass finial on turned columns, arched door flanked by fluted quarter columns, on canted panel base and bracket feet, 88" high (Illustrated) (Est. plus 21% premium inc. VAT)Very good condition throughout, movement and dial very good, clean, superb case, fine veneers/craftmanship and super patination
Lot 392
A FRENCH BRASS CASED MANTEL CLOCK, c.1900, the twin barrel movement by Japy Freres striking on a bell, the white enamel dial with Roman numerals, the lacquered brass oblong case with urn finial and foliate banding, lion mask ring handles, on lion paw feet, 9 1/2" wide (Est. plus 21% premium inc. VAT)Very good, appears to be in working order, no damage/wear to dial
Lot 394
A GEORGE III OAK LONGCASE CLOCK by Roberts, Otley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" brass dial with Roman and Arabic numerals, the centre chased with animals, foliage and a building, calendar dial and penny moonphase, the case with moulded cornice with pierced surmount and blind fret frieze on turned columns, arched door, panel base and bracket feet, 87 1/2" high (Est. plus 21% premium inc. VAT)Movement appears good but moonphase not connected - merely attached to back of face, dial good, case needs some attention with chips to gesso of columns, shrinkage splits to base, feet may have been reduced, overall quite a rich colour, weights exist but only bob of pendulum
Lot 52
A SET OF SIXTEEN VICTORIAN GLASS GOBLETS, the plain cylindrical bowls on dumb-bell stems and circular bases, 5 1/4" high, together with a set of five panelled tumblers, 4" high (21) (Est. plus 21% premium inc. VAT) No damage to any goblets or tumblers. Although of similar pattern the tumblers are of differing sizes, as are the goblets some of which are heavily blown, others not so.
Lot 53
A CORDIAL GLASS, mid 18th century, the plain bell bowl on a single knopped inverted baluster stem with multiple spiral air twist on domed foot, 6 1/2" high, together with a dwarf ale glass with wrythen moulded conical bowl, on domed foot, 5 1/2" high (2) (Est. plus 21% premium inc. VAT)No chips or cracks to either
Lot 1143
A Regency well figured mahogany and brass mounted bracket clock by Robert Bunyan Lincoln, with twin fusee movement striking on a bell and with anchor escapement, the brass carrying handle to the top with tortoiseshell beneath. Height excluding handle 39 cm, width 28.5 cm, depth 20 cm (see illustration).
Lot 1145
A Georgian mahogany bracket clock by John Kirkwood Redpath, with two train chain driven fusee movement with anchor escapement striking on a bell, the brass dial with Roman numerals and subsidiary Arabic numerals. Height excluding brass carrying handle 44 cm, width 29 cm, depth 19.5 cm (see illustration). CONDITION REPORT: The case is in generally good condition with no significant issues. There are some minor surface marks and scratches but no serious problems. There has been some very old damage to the front right hand bottom corner of the door. This is not problematic. There are other minor stress fractures but the colour is generally good. We have the key and pendulum. The clock is not currently operating as the fusee chain to the going train is detached from the main barrel so some attention is required. If weight is applied to the going train the movement does tick. The movement appears to have had some work in recent times and is very clean but does require further work to get it properly running.
Lot 1178
A 19th century French gilt bronze bracket clock, with two train striking movement and Pompadour pink porcelain panels. Clock height 37 cm, width 19 cm, raised on a wooded plinth and complete with key and pendulum (see illustration). CONDITION REPORT: Other than being a little dusty the clock case is in very good condition. The gilding is good throughout with no significant loss. The porcelain panels are not cracked. The movement is fully wound on the left hand facing train. It does wind on the right hand train. The movement is running but does seem to stop after a minute or so. When the hands are advanced it is not striking. The pendulum and key are both present as is the bell. The porcelain dial is in generally good condition with only very minor rubbing to the gilding. There is a small surface chip to the right of the numeral 3. This is a surface chip and the pieces have been reglued but there is some minor loss. This should be visible on our image. It is a minor issue. The wooded base is in generally good order with only minor rubbing to the gilding. The rope twist braiding is loose.
Lot 1203
An 18th century oak cased longcase clock by Savage of Clifton, the 26 cm brass dial with chapter ring, spandrels and calendar aperture to the 30 hour movement striking on a bell. Contained in case with turned pillars to hood and shaped trunk door. 214 cm high. CONDITION REPORT: We have the pendulum and weight. The movement appears to be ticking away and striking when advanced. The movement is a little dirty but as stated seemingly operational. The case itself is in generally good condition also. There are no issues with the hood or glass. The trunk door closes as it should and is not warped. The sides of the trunk are in generally good order. The left hand side rear does have some traces of old woodworm which appears in our opinion to be long gone. The base of the case is probably later to the main case but is in good order and in keeping. There is a stress fracture along the join of the two front planks. The bracket feet are in generally good order with only minor surface scuffs.
Lot 457
A study group of Chinese and English porcelains 18th century, including a Chelsea octagonal shallow dish painted in Kakiemon colours with the Hob in the Well pattern, a Chinese plate painted in the Two Quail pattern, another painted in the Meissen manner with a European girl carrying a basket of fruit within a scrollwork border, a large Worcester blue and white mug painted with the Prunus Fence pattern, a Chinese bell-shaped mug painted with a deer and a bat on an oeil de perdix ground, and a Chinese armorial coffee cup decorated with a shield and the motto 'Sola Virtus Invicta', damages and repairs, 23cm max. (6) Provenance: from the collection of Lady Kate Davson, née Kate Foster (1938-2020).
Lot 94
A coin wine glass c.1770, the bell bowl raised over a hollow knop containing a 3d coin of James II, 1687, raised on a single series opaque twist stem above a conical foot, 16.8cm. Provenance: the collection of the late Terence C Woodfield. The proceeds from this lot will be donated to charity.
Lot 97
A wine glass c.1770, probably Low Countries, with a bell bowl raised on a quadruple knopped multi-spiral airtwist stem above a conical foot, 15.9cm. Provenance: the collection of the late Terence C Woodfield. Green collector's number 1448 probably for the Walter F Smith collection. The proceeds from this lot will be donated to charity.
Lot 128
Five drinking glasses c.1750-70, including a light baluster glass with bell-shaped bowl on a baluster stem and folded foot, a drawn trumpet wine raised on an airtwist stem, a round funnel bowl on a double series opaque twist stem, a short wine on a thick plain stem and a firing glass with short drawn trumpet bowl, 16.5cm max. (5) Provenance: from the collection of Edward Croft-Murray (1907-1980).
Lot 129
Five wine glasses c.1760, three with drawn trumpet bowls raised on thick plain stems enclosing a single tear, another with a bell bowl on a plain stem, the last Continental with a round funnel bowl on a plain stem with collar above a folded foot, 17.3cm max. (5) Provenance: from the collection of Edward Croft-Murray (1907-1980).
Lot 174
A reticulated creamware tureen cover late 18th century, applied with a band of grapevine between concentric pierced holes, washed in blue and manganese, a large slipware model of an elaborate castle decorated in a green glaze, and a Quimper bell modelled as Pulcinello and painted with a horse and hounds, 31cm max. (3)
Lot 388
Antique silver and costume jewellery, including a paste star brooch, enamel bangle, three gem set rings, two matching blue enamel brooches, a marcasite ring, a swallow pin, five pendant charms, a bull earring, another stick pin and two further brooches, two three pence coins, one mounted, belly dancer bell necklace and anklet and a fringe necklace all tested as silver, together with a silver plated charm bracelet with a mixture of silver and silver plated charms attached and four loose silver plated charms and a gilt metal micro mosaic pinCondition Report: Silver gross weight (excluding mixed metal charm bracelet) 193.4 gramsCharm bracelet gross weight 74 grams
Lot 111
A small scrapbook, c.1830, featuring manuscript questionnaire/game relating to personality and appearance (eyes, figure, passion, conversation, desires and so on), 'A Peep into Futurity' manuscript fortune-telling game (predicting romance/marriage based on the choosing on playing cards), and various scraps (topographical steel engravings, toy theatre lithographs), 39 leaves, most bearing text or clippings, bound in embossed floral cloth. Together with a 'Royal Album' of clipped signatures, some indistinct, predominantly members of the Toller, Gillespie, Bockett and Bell families; a presentation copy of 30 Years with GBS, inscribed by Blanche Patch (author and secretary to George Bernard Shaw), London: Gollancz, 1951, binding obliterated by parcel tape, and a small collection of miscellaneous Player's cigarette cards (4)
Lot 64
Collection of books in sets, comprising: The Works of Charles Dickens, Imperial Edition, in 16 volumes, London: Gresham, 1902, gilt cloth bindings; Decline and Fall of the Roman Empire, by Edward Gibbon, in seven volumes, London: Methuen, 1909, half-leather; The Diary of Samuel Pepys, in 11 volumes, London: Bell, 1971, gilt cloth. Together with Mrs Beeton's Household Management, New Edition, London: Ward, Lock, n.d. (35)
Lot 72
Design Interest. Collection of 33 books, comprising: Old Cottages...in the Cotswold District, by Galsworthy & Dawber, London: Batsford, 1905, small quarto, publisher's gilt cloth; Knight's Pictorial Gallery of Arts, Vol.I, Useful Arts, London: The London Printing & Publishing Company, no date, folio, half-crushed morocco; A Handbook of Ornament, by Franz Sales Meyer, London: Batsford, 1893, plus another edition dated 1910, octavo, green cloth; Decorative Writing and Arrangement of Lettering, by Erdmann & Braun, second edition, London: Pitman, no date. octavo; English Interiors in Smaller Houses, by M. Jourdain, new issue, London: Batsford, 1933, quarto; Some XVIIIth Century Designs for Interior Decoration, by Arthur Stratton, London: Tiranti, 1923, folio, publisher's cloth; English Interior Woodwork, by Henry Tanner, London: Batsford, 1902, folio, publisher's cloth; Illustrations of Baptismal Fonts, by F. A. Paley, London: John Van Voorst, 1844, octavo, cloth, contents loose; Nature and Ornament, by Lewis F. Day, second edition, London: Batsford, 1929, octavo; The Anatomy of Pattern, by Lewis F. Day, London: Batsford, 1898, octavo; The Application of Ornament, by Lewis F. Day, London: Batsford, 1896, octavo; The Bases of Design, by Walter Crane, London: Bell & Sons, reprinted 1909, octavo; Decorative Design, by Frank G. Jackson, London: Chapman & Hall, 1894, octavo; The Principles of Ornament, by James Ward, fourth edition, London: Chapman & Hall, 1899, octavo; L'Ornato Vademecum, by Augusto Garneri, Firenze: Garneri, no date, octavo; The Styles of Ornament, by Alexander Speltz, London: Batsford, 1910, tall octavo; Old New England Doorways, by Albert G. Robinson, New York: Scribner's Sons, 1919, tall octavo; Gardens for Small Country Houses, by Gertrude Jekyll, & Lawrence Weaver, second edition, London: Country Life, 1913, quarto; French Interiors, by Thomas Arthur Strange, London: The Author, no date, quarto; English Furniture, by Thomas Arthur Strange, enlarged edition, London: The Author, no date, quarto; Plastering, Plain & Decorative, by William Millar, London: Batsford, 1897, quarto; Roodscreens and Roodlofts, by Bond & Camm, in two volumes, London: Pitman, 1909, quarto; Masters of Architecture, five volumes, London: Ernest Benn, 1924, tall octavo; four volumes of the Wren Society (IV, VIII, IX, X), Oxford: University Press, quarto. Condition generally good but varied, offered as a single collection and sold with all faults (33)
Lot 76
Guadet, Julien. Elements et Theorie de l'Architecture, in four volumes, Paris: Librairie de la Construction Moderne. Large octavo, quarter crushed morocco lettered in gilt with raised bands, marbled boards, marbled endpapers. Very well-preserved, clean, bright. Together with A History of French Architecture, by Reginald Blomfield, in two volumes, London: George Bell and Sons Ltd., 1911, large octavo, gilt cloth, clean and bright, dust-jackets with some wear (6)
Lot 78
Architectural Interest. Collection of 19th- & 20th-century books, various subjects, to include The Italian Orders of Architecture, by Charles Gourlay, London: Edward Arnold, 1917, small folio, cloth; An Architect's Note-Book in Spain, by M. Digby Wyatt, London: Autotype Fine Art Company, 1872, small quarto, gilt cloth, contents loose; The Mansions of England in the Olden Time, by Joseph Nash, London: The Studio, 1906, quarto, gilt cloth; A History of Renaissance Architecture in England 1500-1800, by Reginald Blomfield, in two volumes, London: George Bell and Sons, 1897, quarto, quarter-cloth lettered in gilt, armorial bookplate for Charles Horace Stenning on front pastedown, and others, condition varied, as found with all faults, in two cartons (2)
Lot 88
Religion & Theology. Collection of 19th-century books, including numerous regional and Irish publishers, some bound in paper boards, to include The Age of Christian Reason, by Thomas Broughton, London: Rivington, 1820; An Answer to the Rev. G. S. Faber's Difficulties of Romanism, by Rev Trevern, translated by F. C. Husenbeth, London: Hurst, 1828; Sermons on the Gospels for the Festivals, by Rev. James Wheeler, Durham: Fewster & James, 1835; The General History of the Christian Church, by Pastorini, Dublin: P. Wogan, 1812; A Series of Meditations on Divine Love, by Rev Huby, Cork: W. Fergusson, 1819; Four Years in France, [by Henry Digby Beste], in three volumes, London: Henry Colburn, 1826; Pious Reflections for Every Day of the Month, translated from Fenelon, Ludlow: G. Nicholson, n.d.; The Veracity of the Evangelists, by Rev. Nares, London: Rivington, 1816; The Christian Sanctified by the Lord's Prayer, by Father Grou, Richmond: M. Bell, 1817; Instructions and Devotions for the Afflicted and Sick, London: Andrews, 1834; The Religious Soul, by Rev. Murray, Dublin: Coyne, n.d.; A Short View of the History of the Church, by Rev. Reeve, in three volumes, York: Wilson, 1820; The Lives of the Abbots of Wearmouth, by Rev. Wilcock, Sunderland: Garbutt, 1818; The Lives of the Saints, by Rev. Butler, in two volumes, Dublin: Coyne, 1833, and others similar. Condition varied, some part sets, many bearing priory labels, as found with all faults (54)
![Shakespeare, William. The Works, six volumes [of eight], Edinburgh: Kincaid & Bell, 1761, worn contemporary calf with oxb](https://cdn.globalauctionplatform.com/86d63725-7c2b-4e92-b42f-ad3b01604f39/dfbae1bd-aa8f-43a3-85d0-ad3d0153296f/468x382.jpg)
Lot 311
AN OAK LONGCASE CLOCKEARLY 19TH CENTURY, WEBB & SON, FROMEWith eight-day bell striking movement, the painted Roman numeral dial with moonphase to the arch, subsidiary second dial and crescent date aperture220cm highProvenance: Supplied by Robert Kime Condition Report: The clock would appear to be trade tidy. Dial restored and parts of both the case and hood with replacement/restoration sections of new timber. Movement looks complete and original to the dial, could do with a clean but does appear to be running. Has weighs, winding key, pendulum and case keyCondition Report Disclaimer
Lot 69
VICTORIAN MAHOGANY LONGCASE CLOCK - arched top, moon face dial with painted centre and spandrels set with Roman numerals, subsidiary seconds dial and date aperture before a twin weight pendulum driven bell strike movement (pendulum and weights included), the hood with broken swan neck pediment and pillared detail repeated to the trunk door sides over a stepped base with panel detail, 232.5cms overall H, 70cms W
Lot 82
CIRCA 1840 OAK LONGCASE CLOCK - 13inch painted square dial set with Arabic numerals and subsidiary seconds dial before a twin weight pendulum driven bell strike movement (pendulum and weights included), the hood with broken swan neck pediment and carved fan crest over a single glazed door and turned flanking pillars, shaped top long trunk door with quarter cut reeded pillar decoration and concave mouldings to the trunk base, 212cms overall H, 49cms W
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