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A box of miscellaneous metal and other wares to include a 19th Century brass trivet on wrought iron base, a decorative beer stein, a plated teapot, sugar bowl and cream jug, a pewter coffee pot, a further trivet, a 19th Century bell pull of circular form with applied gilt metal decoration and ebonised ground
A Victorian silver oval hinged bangle, in a buckle and strap design, Birmingham 1883, a rattle (one bell detached but present), a silver rectangular cigarette case, with engine turned decoration, Birmingham 1924, a silver oval lid, a quantity of silver jewellery and a quantity of costume jewellery.
A French ormolu mounted ebonised striking eight day Portico clock, mid 19th century, with moulded surround to entablature, supported by four columns with ormolu capitals, the stepped base raised on bun feet, cast bezel to silvered Roman dial with engine turned centre and signed `GUYERDET AINE PARIS` blued steel Breguet hands, the twin barrels movement with conforming makers stamp to back plate, anchor escapement and count wheel strike on bell, no pendulum or key, 43.5 cm high (a.f.).
W.Kipling, London, a Georgian silver pair cased hour repeating pocket watch, 1705-37, the two piece hinged case with white enamel dial, black Roman numerals, outer Arabic five minute divisions, and blued steel beetle and poker hands, the verge fusee movement with cylindrical pillar, dial false plate and repeating barrel engraved with acanthus leaf design, pierced balance cock with a D shaped foot engraved with mask, three arm steel balance, undersprung balance spring, silvered regulator disc, and hours repeating on bell, the inner case pierced and engraved around the band with birds amongst foliage, and with a cartouche at the bottom and at the pendant, each engraved with buildings, the outer case pierced and chased with foliate scrolls and engraved with a coat of arms. See Baillie, ‘Watchmakers and Clockmakers of the World’, 1929, p.180.. The arms are identified for Baron Jastrzemblec de Borowski (Poland, Austria). See Rietstap, J.B. ‘Armorial General’ 2nd edn. (1884) p.1037.
A pair of double series opaque twist stem soda drinking glasses, late 18th/early 19th century, the bell bowls engraved with birds amidst fruiting vine, an engraved lead glass ale, three green tinted wines, a Bristol blue tinted glass, a quantity of other assorted drinking glasses, two decanters and stoppers and other glassware including a green eye bath and a soda dump weight.
BINDING. – Elizabeth Barrett BROWNING. Sonnets from the Portuguese. London: George Bell and Sons, 1902. 4to (154 x 122mm.) Additional decorative title and wood engraved border to opposing page. (Occasional light browning.) Contemporary blue morocco gilt, by W. Pender, the upper cover elaborately tooled in gilt with a panel of repeating Tudor-rose scrolls, the flat spine in three compartments, lettered in the second, silk endpapers, g.e. – And sixteen others, various (17).
VANITY FAIR. Vanity Fair: a Weekly Show of Political, Social & Literary Wares. London: Jan. 6, 1877- June 30, 1877. Vol. XVII only, folio (383 x 251mm.) 26 chromolithographed plates. (Some spotting.) Original green cloth (extremities slightly bumped). Provenance: Charles William Bell (armorial bookplate to front pastedown). Note: includes a full length caricature of the cricketer W.G. Grace.
A French A. Vincent Art Deco five piece marble clock garniture, circa 1930`s, the central silvered square dial with stylized numbers, waterfall hands, two winder holes, bell striking movement, set into a shaped rectangular red and cream marble case, white metal mounts, a pair of shaped rectangular vases, a pair of metal animal figures upon marble bases, clock height 22.5, (5).
A Derby porcelain tripod stand, the circular band united by three tapering lion mask supports upon a concave base, decorated throughout with gilt highlighting and blue band, marks to base, height 15 cm, together with a Worcester Chamberlains tankard with berry and blue ground decoration, height 17.5 cm, a Derby imari pattern tankard, with typical gilt and iron red scrolled decoration marks to base, height 13 cm, a Flight & Barr Worcester tankard, with two panels depicting classical figures, marks to base, height 11 cm and a porcelain blue ground bell, (extensive damage), (5).
* A Victorian brass and metal mounted bell pull, mid 19th century, the handle cast as a clenched fist around a baton, the circular openwork back plate cast with mythological figures amongst foliage, 20.5cm diameter x 22cm deep overall including `spring mechanism`; plus a brass wall mounting bell mechanism, probably associated.
An early Twentienth Century longcase clock, dial indistinctly marked John Benham C Cullompton, movement with brass pillars, striking bell, two weight, face with arched dial top with galleon/ship and calender dial, mahogany cross banded case (some losses) hood with swan neck and pediment, eight day.
A late 19c French boullework mantel clock, the waisted case being profusely inlaid with brass foliate designs and decorated with gilt cast brass swags, heads and foliage shaped feet. The gilt cast brass dial has blue enamel numeral plaques and a glazed aperture below to view the sunburst pendulum. It is surmounted by a gilt cast angel, the movement is rack striking on a bell and the clock stands 17.5" tall.
A late 19c French ormolu figural mantel clock depicting a cherub holding a cockerel. The clock movement is contained in a rectangular fluted column and stands on a stepped base. The clock movement has a convex white enamel dial with Arabic numerals and fancy gilt hands and is countwheel striking on a bell, 16" tall overall.
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123509 item(s)/page