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Lot 512
A George III red chinoiserie decorated longcase clock, the arched brass dial with tempus fugit father time automation above a silvered chapter ring, with Roman and Arabic numerals, subsidiary seconds dial and date aperture, with inscribed label for 'Walter Elliot, Plymouth', with five pillar eight day movement striking on a bell, the case decorated with oriental buildings, landscapes and three horses around a glazed lenticel, 49.5cm wide, 237cm high
Lot 139
*Clock. A mid 18th-century 8-day longcase clock, the brass dial with black roman numerals, silvered chapter dial, calendar aperture and subsidiary seconds dial, signed John Cannon, Malborough [sic], striking bell movement, in an oak case with caddy hood, movement 40 x 30cm, case 213cm high (1)
Lot 230
*Penkill Castle. A spice cabinet from Penkill Castle, later 19th century, incorporating earlier components, oak cabinet, with veneered panelled door, with lock and key, interior with seven drawers around a central mirrored recess, painted decoration to drawer fronts and interior of recess (latter with painted trompe l'oeil drapes to sides and tiled floor), drawers with turned horn pendant pulls, one drawer containing some remains of gold leaf, an embroidered needlecase, and a tiny hand-stitched silk pin cushion, 38.5 x 42.5 x 23cm (15.25 x 16.75 x 9ins) Provenance: from Penkill Castle. Penkill was the home of Alice Boyd and Scottish artist William Bell Scott, and was frequented by Pre-Raphaelite artists and writers, such as Dante Gabriel Rossetti, William Morris and Christina Rossetti. (1)
Lot 654
*Various artists. Pax Britannica, A Hellish Peace, Aquarium Gallery, 2004, 29 mostly colour gicl‚e prints on paper by Banksy, Steve Bell, James Boswell, Alexander de Cadenet, Anthony Caro, James Cauty, Billy Childish, David Gentleman, Richard Hamilton, Clifford Harper, Brian Jones, John Keane, Peter Kennard, Alan Kitching, Jenny Matthews, Paul Mattsson, Antonio Pacitti, 3 prints by Jamie Reid, Martin Rowson, 3 prints by Ralph Steadman, S.T.O.T. 21st C., and 2 prints by Gee Vaucher, each signed by the artist (except S.T.O.T. 21st C. rubber stamped), and including statement by Ralph Steadman, and a page from the Hutton Report as burnt outside 10 Downing Street, sheet size 297 x 210 mm (11.7 x 8.25 ins) or slightly smaller, with printed title-page, all loose as issued in original black drop-over book box, with camouflage-style printed label to upper cover, folio Printed in a limited edition of 100 sets. (1)
Lot 229
*Penkill Castle. A Victorian dressing table from Christina Rossetti's Room, Penkill Castle, elaborately carved oak dressing table, composed of an occasional table with additions and embellishments, stained to match, including swing mirror within a shaped veneered frame, supported by large carved volutes, above a three drawer base, attached to a serpentine base with single full-length drawer, front with carved acanthus leaves, cabriole supports leading to hoof feet united by stretchers, some worm holes and repairs, one drawer containing a few ephemeral items relating to Penkill Castle, including a pencilled recipe for dark oak stain, an empty box for a powder prescribed to W.B. Scott, and an empty visiting card envelope printed 'Miss Boyd, Penkill', 183cm (72ins) high x 102.5cm (40.25ins) wide x 60cm (23.5ins) deep Provenance: Penkill Castle, South Ayrshire, Scotland. Purchased by the current owner in the late 1970s. Believed to be the dressing table from Christina Rossetti's Room, and said to have been assembled by William Bell Scott. Penkill was the home of Alice Boyd (1825-1897), 14th Laird of Penkill, and her lifelong companion Scottish artist William Bell Scott (1811-1890), and was frequented in the latter half of the nineteenth century by Pre-Raphaelite artists and writers such as Dante Gabriel Rossetti, William Morris, Lawrence Alma-Tadema, William Holman Hunt and Christina Rossetti. During this time the castle was a hive of artistic activity, with poems being penned, furnishings being collected, decorative schemes being devised and murals being painted. Many of the visits which took place are recorded by Scott's inclusion of portraits of his friends in the most remarkable work of art at the castle, a huge mural covering the wall of the great circular staircase illustrating the medieval Scottish poem 'The King's Quair'. Christina first stayed at Penkill in 1866, and became a frequent visitor, always staying in the uppermost turret bedroom in the original tower, known as 'The Windy Room' or 'Christina Rossetti's Room', the walls of which she painted with a mural of trees with falling autumn leaves. The room looks out onto the garden from a four-cornered window, where, it is said, Christina used to stand for hours, with her elbows on the sill and her hands supporting her face, lost in meditation. She wrote of Penkill: "Even Naples in imagination cannot efface the quiet fertile comeliness of Penkill in reality." (1)
Lot 749
A Scottish longcase clock, the 35 cm diameter silvered dial with Roman numerals, subsidiary seconds and calendar dials, signed GREEN EDINR, fitted an eight day movement, striking on a bell, in an oak case, 212.5 cm high See illustration Condition report Report by NG It has a pendulum, key and winder. Yes the dial size is Cm Report by GH The dial width is probably closer to 34 cm.
Lot 70
CASED SIX PIECE MODERN FUKAGAMA, JAPANESE PORCELAIN TEA SET for five persons, comprising: a whicker handled teapot and cover and five footed bowls/cups and covers, floral decorated and heightened in burnt orange and gilt, on cobalt blue grounds, contained in a dovetailed pine box with character marks to the lid, together with a MODERN FUKAGAMA PORCELAIN TABLE BELL, boxed
Lot 134
A WEDGWOOD 'FAIRYLAND' LUSTRE BOWL, a 27.5 cms diameter bowl decorated to the interior with woodland bridge and exterior bell branch patterns by Daisy Makeig-Jones, underglaze back stamp for Wedgwood England and pattern number Z4968, 12.5 cms height (20 mm slither chip and rim chip extending 5 mm to the interior of the bowl, some small pieces present, good resonant ring)
Lot 12
A LATE 18TH CENTURY OAK LONGCASE CLOCK, the hood with broken swan neck pediment and brass ball finial, single glazed door with flanking reeded brass capped pillars, set before a 14 ins square dial by J Evans, Pwllheli, painted spandrels, black Arabic numerals with subsidiary seconds dial and date aperture, twin weight pendulum driven movement striking on a bell, the shaped trunk door with reeded quarter cut side pillars with brass caps on a stepped trunk base and raised bracket feet, pendulum and weights included, 220 x 56 cms approximately
Lot 46
A 19TH CENTURY MAHOGANY LONGCASE CLOCK by John Jones, Aberystwyth, arched hood with broken swan neck pediment, twist door flanking pillars and matching half cut door decoration before a 14 ins arched dial painted with 'The Last Supper', further figures and animals spandrel decoration, the dial set with black Roman numerals, subsidiary seconds dial and date aperture, twin weight pendulum driven movement striking on a bell, shaped trunk door with repeating twist pillar decoration and lower applied panel on a stepped base with shaped applied panel and canted corners, 302 x 57 cms
Lot 171
A MEISSEN PORCELAIN CLOCK - a figural mantel clock with barrel clock housing on a floral encrusted and gilt decorated rocky base with four figures of putti wearing leaf and grape garlands, flanking, reclining before and surmounting the barrel, the reclining putti with goblet in hand, the other three carrying overflowing baskets of grapes, attached ladder to the rear, the white enamel clock dial set with blue Roman and Arabic numerals, the pendulum driven movement striking on a bell, underglazed blue crossed swords mark beneath with incised numerals 2136, 40 x 24 cms approximately (chips and losses to some leaves, loss to half the goblet and some factory firing flaws), mid to late 19th Century
Lot 90
A rare and unusual 19th Century, 22ct gold Hair Pin, with filigree decoration and bell shaped drops, with two pins, 19cms (7 1/2") long. (1) Provenance: Dr. James Sinclair, 33rd Regt. This hair pin was worn by Toronech, wife of King Theodore, and daughter of the King of Tigre, Abyssinia (Ethiopia), and brought back by him in 1868, having served as surgeon during the Abyssinian Campaign.
Lot 228
Selection of TICKET MACHINES & TICKETS comprising a TIM MACHINE, ex-Lytham St Annes Corporation Transport Dept no 4, complete with BOX & last WAYBILL (undated but pre-decimal), a BELL PUNCH TICKET MACHINE no 40226 (punches and rings) complete with BACKING PLATE & STRAP plus 2 x wooden TICKET RACKS filled with TICKET PACKS (LCBS & other operators) plus numerous further PACKS including LT plus SETRIGHT TICKET ROLLS East Kent & PMT. [Quantity]
Lot 47
London Transport BUS/TRAM CONDUCTORS' ITEMS comprising two wooden, spring-loaded TICKET RACKS, one 16-position & one 20-position (ex-tram?) plus a 1960s Country Buses & Coaches CONDUCTOR'S JACKET in green serge with black buttons, size approx medium, good used condition, plus a BELL PUNCH MACHINE BACKPLATE, marked 'London Transport', plus Country BUS/COACH MAPS No 1, 1948 and 1958, lightly used. [6]
Lot 500
French mid 19th century ormolu and hand painted Sèvres style porcelain clock garniture, dial signed Jones & Sons Paris, Japy Freres movement striking on bell, H48cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs
Lot 1091
John Rowlands of Berwick early 19th century oak longcase clock, having swan neck pediment and two 3/4 turned pilasters flanking silvered arched dial, w.12", signed to the arch, the main dial with Roman and Arabic numerals, inner date dial and subsidiary seconds dial, twin winding holes for an eight day brass four pillar weight driven movement striking on a bell, the case with arched panelled door to boxbase, h.227cm
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123896 item(s)/page