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Lot 797
A very attractive large George III period inlaid mahogany Cellaret, with canted corners, the inlaid moulded top with central musical motifs, the rosewood border inlaid with bell flowers, the front and sides similarly inlaid and with brass mask ring handles, on four large black paw feet, stamped with number, 61cms (24") high, 84cms (33") wide & 59cms (23"). (1)
Lot 998
PAIR OF NINETEENTH-CENTURY CAST IRON BORGHESE GARDEN URNS 77 cm. high; 69 cm. diameter (2)The Borghese Vase is a monumental bell-shaped krater or large vase sculpted in Athens from Pentelic marble in the second-half of the 1st century BCE. It was made as a garden ornament for export to the Roman market and depicts the thiasus, the ecstatic retinue of Dionysus, the Greek god of winemaking and wine. The procession depicted on the frieze is composed of a group of inebriated revellers. The Borghese Vase was rediscovered in Rome in 1566 and was acquired by the Borghese family, a powerful noble Italian family with papal connections, and were originally from Sienna. Napoleon purchased the vase in 1808 and it has been part of the collection held at the Musée du Louvre, Paris, since 1811. Handyside Foundry, an important English ironworks, was renowned for its fountains and garden ornaments. It was founded in 1848 and the quality of its castings was exceptional. It produced copies of the Medici urns, and busts that included those of Shakespeare, Milton, and Wellington. The foundry’s first catalogue of ornamental ironwork was first published in 1873.
Lot 856
EIGHTEENTH-CENTURY LOUIS XVI PERIOD CARVED GILTWOOD CONSOLE TABLE, CIRCA 1780the semi-elliptical shaped rouge royal marble top, above a reticulated frieze draped with bell petal swags, raised on fluted turned legs, joined by stretcher rails, centred by an urn, terminating on bun feet83 cm. high; 127 cm. wide; 60 cm. deep
Lot 285
18th century and later stained and carved 30-hour long case clock, R Henderson - Scarborough, the case with overhanging cornice to a carved frieze to a door with carved panels and flanked by bobbin type columns to a moulded throat and long shaped trunk door and further plinth with bracket base, also heavily carved to a 10 ins square brass dial with winged mask and foliate spandrels enclosing a Roman chapter ring with inside quarters track and half hour marker to a matted centre with three ringed arbors and single pierced hand, to a movement with plates united by four knopped pillars and with back mounted count wheel and anchor escapement strike on a bell, height 75 ins
Lot 286
Mid-19th century oak cased 8-day long case clock, (name rubbed), the arched hood with shaped pediment over free standing column (one missing) to a long trunk door and reduced plinth base (losses throughout), to a 12 ins arched brass dial with hunting scene over a Roman chapter ring with outside minute track, subsidiary seconds and date sector with pierced hands (hour hand A/F) to a movement with plates united by four knopped pillars and with anchor escapement strike on a bell (losses throughout), height 77 ins
Lot 270
A 19th Century French Mantel Clock:Well balanced ormolu clock with putti lying on the top, with brocade of flowers around the dial and down to the four Sevres- style floral plaques.8-day Japy Freres movement striking on a bell on ebonised wooden stand.Total Height 35 cm Width 25 cm Depth 18 cm
Lot 712
A George III ebonised bracket clock, by Robert Ward, Abchurch Lane, London, the domed 6 3/4 inch brass face with matte centre and signature to inset plate, engraved brass chapter ring with black Roman numerals, minute markers and five-minute Arabic numerals, with subsidiary dial and date aperture, steel foliate hands, applied cast floral spandrels, 8-day twin train fusee movement with verge escapement, rise and fall regulation, striking on a bell, with pull repeat, 'S' and 'N' (strike/silent) lever at the three o'clock position through dial, with a foliate engraved back plate and pear shaped bob pendulum, the case with caddy top and carrying handle, cast metal fretwork and meshing to the sides and glazed rear door, raised on four brass ogee bracket feet, with three keys, 20 by 29 by 42cm high.
Lot 923
A George III oak longcase clock, with silvered brass face, signed Samuel Young, Nantwich, date roller aperture and floral engraving, silvered chapter ring with Roman numerals and minute band, cast spandrels to the corners, thirty hour movement with an anchor escapement striking on a bell, the hood with caddy top, blind carved frieze, flanking turned columns, plain trunk with single door, plinth base reduced in height, 40 by 24 by 196cm high.
Lot 987
A George III oak long case clock, 30 hour movement with anchor escapement, striking on a bell, 10 inch brass dial engraved with foliate scrolls and urn, signed Wm Unwin, Newark, applied cast spandrels, silvered chapter ring with black Roman numerals, minute markers and five minute Arabic numerals, the hood with straight turned columns, geometric key to the cornice, plain trunk and long door, plinth base, with key, pendulum and weight, 43 by 23 by 196cm high.
Lot 382
Martin, Crosby, a mahogany 8-day longcase clock with two-weight movement striking on a bell, the twelve-inch square brass dial with black Roman and Arabic numerals and subsidiary seconds, signed Martin, Crosby, the case with square hood and columns above a trunk with pilasters and shaped trunk door, on plinth base, complete with pendulum and weights, 80in (203cm) high.
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