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A pair of Savona albarelli, early 18th century, of dumb-bell form, painted in blue and ochre with birds, trees and stylized leafy shapes, one titled `Un: Apostolorum` the other ` Un: Di Contesa`, some damages to the rims, 18.5cm. (2)Ointment of the Apostles was so called because it contained twelve ingredients, and was used in the treatment of burns and ulcers, Contessa (sometimes called Comitissae) was named after the fifteenth century Contessa di Vadra, for whom it was prescribed.
A French Black Slate and Malachite Triple Dial Two Train Calendar Clock, the Movement Striking in a Bell (Missing), the Principal 19.5 cm White Dial Signed E Earnshaw, Ilkley with Visible Escapement over Two 12.5 cm Circular Calendar and Holisteric Barometer Dials, Within an Architectural Shaped Stepped Case, 52 cm High.
Nineteenth century French mantel clock garniture comprising clock with eight day movement, signed - 'Japy Freres', striking on a bell, with outside count wheel, white enamel dial, signed - 'HRY MARC À PARIS', in an ormolu rococo scroll and foliate decorated case, with inset porcelain panels surmounted by a classical female leaning on a plough, holding a sheaf of wheat and a sickle and matching pair of twin branch ormolu candelabra with classically decorated porcelain mounts, clock, 34cm overall height (3) CONDITION REPORT General overall condition good. Mounts are gilt metal, possibly brass, not bronze. Porcelain has minor chips in places. Enamel dial has crack near VII and discolouration round one winding hole. Bell and pendulum are missing. We are unable to confirm if movement is in working order
George III bracket clock with eight day movement, striking hours and half hours on a bell, circular white enamel dial, signed Jno Savage, Shrewsbury, in a shallow caddy top walnut case with tall pointed finial, inlaid brass decoration, 1cm lion-mask ring-handles and pierced side frets, on four ball feet, 55cm overall height CONDITION REPORT General overall condition good. Movement clean. We are unable to confirm if the movement is in full working order. Dial has minor wear around winding holes. Case is good. Veneer is cracked around dial on front between 11 and 12 and 6 and 7. Veneer on base is slightly rippled and has been repaired on back below door. Veneer is also marked below fret on right hand side and there are signs of repair above and below inlaid brass decoration to base
Nineteenth century mantel clock with eight day spring driven movement and outside countwheel, striking on a bell. Movement signed Japy Fils, cream painted dial with blue Roman numerals and fast / slow regulator in a boulle work case of waisted form with rococo ormolu mounts on four paw feet, glazed pendulum window and sun face pendulum. 31cm overall height CONDITION REPORT General overall condition good. Movement is clean. Bell retaining nut is a replacement. We are unable to confirm if the movement is in full working order. Case is good, although some small areas of boullework inlaid are missing and brass pattern is lifting in places. Dial is crazed overall and chipped in three places. Mounts are gilt metal, possibly brass, not bronze
Eighteenth century lantern clock by William Roper, Hadleigh. Thirty hour weight driven movement and anchor escapement, striking on a top mounted bell, six and a half inch dial with broad silvered chapter ring and brass centre with engraved scrollwork signed Willm Roper, Hadleigh. Replacement pendulum and weight, 33cm overall height. NB: William Roper is recorded as working in Hadleigh 1766-1769. Sold with provenance stating the clock was given to St Margaret's Church, Barnhill Dundee in 1886 CONDITION REPORT General overall condition is good. Movement is clean but we are unable to confirm if it is in full working order. Case is in good condition, left hand top fret has been repaired and top finial has been cut down. Pendulum and weight are replacements
Nineteenth century three piece clock garniture comprising mantel clock with eight day French spring-driven movement striking on a bell, outside count wheel, white enamel dial with Arabic numerals and floral decoration, with decorative pierced gilt hands and flower basket pendulum, in a brass drum case mounted on a marble stand, in the form of a temple with four columns on a semi-circular base and four adjustable feet, surmounted by an ormolu mounted marble urn, together with a pair of three-branch candelabra in the form of classical-style ormolu mounted marble columns, clock 38cm overall height (3) CONDITION REPORT General overall condition good, mounts are gilt metal, possibly brass, not bronze. Left hand rear column of clock is damaged at top. Rear door does not fasten properly. Thread is damaged on one candle-holder on one garniture candelabrum. Enamelling on dial round winding holes is discoloured and with minor chip near one brass ring surround. We are unable to confirm if the movement is in working order. Clock is 38cm in height and maximum 20.2cm wide. Garnitures are 29cm overall height
A pair of late Victorian gold coloured metal mounted enamel and pearl set pendant drop earrings (for pierced ears) in the "Classical Revival" manner, the central boss enamelled with a blue star set to centre with seed pearls within scrolling rope twist border above three bell formed tassels, overall length 48mm (gross weight 11.8 grammes)
Four 18th Century English drinking glasses, comprising - wine glass with bell shaped bowl above tear drop on high domed foot, 6.5ins high, wine glass with bell shaped bowl, the stem with two knops on folded foot, 5ins high, cordial glass, the bucket bowl engraved with a single rose spray with a plain stem on a folded foot, 5.5ins high, and a plain cordial glass with bucket bowl and plain stem, 5.75ins high
A late 19th Century French spelter clock garniture, comprising - clock with 3.5ins diameter porcelain dial with Arabic numerals to the eight day two train movement striking on a bell, contained in case surmounted by a standing lion, on coloured marble base, 16ins high x 15ins long, signed G. Omerth, and a pair of classical styled two-handled urns and covers modelled with putti emblematic of the Liberal Arts, on marble bases, each 13.5ins high
An 18th Century French panelled cherrywood cased Comptoise clock, the later movement with 8.5ins diameter white dial to the movement striking on a bell, contained in case with arched top, enclosed by door with twin arched panels and with conforming base, 94ins high (replaced plinth - woodworm damage throughout)
A mid 18th Century mahogany longcase clock by Joseph Park, Liverpool, the 12ins brass dial with subsidiary seconds and calendar apertures and with applied cast spandrels representing "The Four Seasons" to the eight day two train movement striking on a bell, contained in case with arched and scrolled cresting and fluted and turned pillars to hood, and with shaped trunk door, 84ins high (in need of extensive restoration throughout) Note: Joseph Park recorded working in Liverpool 1734- died 1766
A late 18th/early 19th Century mahogany longcase clock by Robert Dalgleish of Falkirk, the 13ins arched painted dial with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in fitted mahogany case with moulded scroll pediment and turned and fluted columns to hood, with shaped trunk door and conforming quarter columns on bracket feet, 92ins high, with winding key for same Note : Robert Dalgleish recorded working until 1820
A 19th Century oak longcase clock by William Ross of Dover, the 12ins arched painted dial with Roman numerals and subsidiary seconds dial, the arch painted with a view of a three masted sailing ship and with floral spandrels to the eight day two train movement striking on a bell, contained in oak case with moulded cresting and plain turned pillars to hood, arched trunk door, on bracket feet, 85ins high Note: William Ross appears in Dover Apprentices lists as starting his indentures in 1827, but nothing else is known
An early 18th Century longcase clock by John Hough of High Leigh, the 10ins square brass dial with single hand and silvered chapter ring, to the thirty hour movement with outside locking plate striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, plain trunk door and on bracket feet, 79ins high Provenance : Purchased from Brian Loomes and illustrated in his book - "Brass Dial Clocks"
EDWARD F.H. CHISNALL ICE MAIDEN GASPACHIO oil on canvas, signed 100cm x 76cm Artist statement : Trained at Glasgow School of Art in the days when the Mackintosh building was a working art school, not a museum. Post Grad and Travelling Scholarship. Managed own gallery in Pezenas, Languedoc. Work in public and private collections in Europe and Scotland. Commissions from many blue chip clients including universities, Financial groups, oil companies, promotional designs for cities and District Councils, official architectural prints and designs Glasgow Garden Festival, European City of Culture, Record companies, Spanish and Canarias governments, Comte`Ormesson` , Graf von Felsing and others. Published and broadcast author and poet. Books by Collins and Mainstream, Gold medal award winner in New York for the long-running Bell in the Tree drama series and las Premios Ondas, awarded in Barcelona. Long running features, strip cartoons and informatics in National newspapers. (Ref:mctfeb_1802)
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123896 item(s)/page