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Lot 288
A specially commissioned dinner service for eight Dursley Fine Porcelain, hand painted by James Skerrett, still life painted with fruit within blue textural borders, eight large plates, 27cm diameter, eight side plates, 20cm diameter and eight small plates, 15.5cm diameter, eight soup bowls on stands, a sauce boat and stand, a pair of salt and pepper pots, table bell, box and covers and eight napkin rings, printed marks in black (60)
Lot 70
A perfume bottle, mother of pearl body with brass fittings, foliate foot and detailing to collar, braided design to handle, stopper attached via chain, 10.5cm high; a wooden engine turned vesta in the shape of a barrel, metal plaque attached to side reads 'Made from Battleships of Britain. Advance Britannia! Long Live the Cause of Freedom! Winston Churchill, Broadcast VE Day', 5.5cm high; a baby's teething rattle, the white metal bell stamped EPNS attached to ivorine ring, 10cm high (3)
Lot 791
A George III oak cottage longcase clock the hood with swan neck pediment terminating in brass roundels with three ball and spire finials, the arched enamel dial painted to the top with a female figure in extensive landscape oval, floral spandrels, the cream enamel dial with subsidiary seconds dial and month aperture, inscribed "J Levy, & Co, Boston", eight day movement striking on a bell, the hood door flanked by a pair of brass capped tapered pillars, mahogany crossbanded trunk door, on plain plinth with shaped apron and bracket feet, 216cm high overall, Circa 1800 (faults and old restorations)
Lot 792
A George III oak cottage longcase clock the hood with swan neck pediment terminating in embossed brass roundels and three brass ball and spire finials, carved with brick work and dog tooth, the cream enamel dial inscribed to the arch "Thomas Regis ?, Cambridge", Arabic numerals with subsidiary seconds dial and month aperture, eight-day movement striking on a bell, floral painted spandrels, the hood with brass capped fluted tapered pillars, the trunk door with applied moulding to the lancet arched door, skirted plinth, shaped apron with bracket feet, 218cm high, Circa 1800
Lot 797
A 19th Century Boule mantel clock with urnular foliate finial the case inlaid in brass on a red tortoiseshell ground, the circular dial with Roman numerals enamelled blue on white within shaped reserves, laurel circlet frame, on scrolling legs with conforming feet, eight-day twin train movement striking on a bell numbered 434/41, Circa 1870
Lot 798
A Black Forest drop case wall clock the burr walnut veneered case brass inlaid with stars and stringing the cream enamel dial with Roman numerals, twin winding holes, twin train movement within wooden frame striking on an external bell, the drop case with shaped brass framed lenticle and pair of foliate carved spandrels, dial 26cm diameter, 52cm high overall, late 19th Century
Lot 811
Lenoir, Paris - a late 18th / early 19th Century mantel clock with finely carved white carrara marble case the naked female with her right foot on a jar, her left hand on a Medusa fountain mask, rock and leaf carved base, the white enamel dial with Roman and Arabic numerals inscribed "Lenoir á Paris", within ormolu laurel cast bezel and leafy spandrels the rounded rectangular red marble base applied finely cast ormolu panels of winged amorini, trophies and leafage, beaded borders on cast ormolu toupie feet, the eight-day movement inscribed 20669, striking on a bell, 64cm high, 52cm wide, Circa 1790-1810 bearing old inventory label to the front clock case
Lot 824
William Tonks & Sons - a pair of Edwardian brass fuel bins of tapered square design the slightly domed lids with compressed urnular finials, pair of carrying handles above a shaped girdle the body with beaded oval with pierced heart-shaped terminals and bell flowers, outset stylised shell feet, each with a liner, covers 32cm square, 46cm high the lids and bases with WT & S sunburst marks and bearing registration number 466084
Lot 882
Joseph Else RBS, ARBS, FRBS - a white marble sculpture of an infant, head and shoulders issuing from the block, on a square coloured marble plinth, signed, 30cm high, 19cm wide max., Joseph Else 1874-1955, active 1890 - 1949 Country of birth and death: England Sculptor, modelling teacher, principal of art school Born in Nottingham. He was the son of William Else (born c.1828 in Campton, Leicestershire), a leather cutter presumably working in the shoe industry. In the early 1890s Joseph was working as a lace designer. He studied at Nottingham School of Art between 1890-1900 and in the early 1900s attended the Royal College of Art, London. Else seems to have divided his time between London and Nottingham until 1915 when it is presumed that he was called into active war service. From about 1919-38 Else taught modelling and sculpture at Nottingham School of Art where he was also principal from late 1922. His most important commission was for an extensive scheme of sculptural decoration for the exterior of Nottingham Council House (c.1927-9). This includes the lions guarding the entrance, the frieze above the Ballroom windows (representing ancient local industries such as bell-founding and alabaster) and for twenty-one figures depicting the arts and public service on the main pediment. Elected to membership of Nottingham Society of Artists 1926 (Circa) - 1939 (Circa) Member of council Royal Society of British Sculptors March 1925 - 1938 Principal of Nottingham School of Art 30 July 1923 - 31 August 1939 Vice-president of Nottingham Society of Artists 1933 - 1935
Lot 147
Nigel John Wilde two studio pottery vases and a bell. Nigel John Wilde studied Art and design at Stafford College of Art, The London University Institute of Education and The Royal College of Art. Wilde held lecturing posts at Stafford College, Ingestre Hall residential Art Centre, and with the Inner London Education Authority. Exhibited at The R.C.A. Gallery, College of All Saints London, London University, Libertys Regent Street London, Bulls Eye Gallery Lichfield and West Midlands College Walsall. Condition report: see terms and conditions
Lot 4
A 19th Century French gilt Spelter mantle clock With a 8cm white dial with Roman numerals the two train movement with outside countwheel striking on a bell, the case flanked by a shepherdess raised upon a leaf and scroll base with a shaped gilt wood and purple baize stand with a key and pendulum,
![Tudor – ELIZABETH 1 [1558-1603] SHILLING. 6th issue – bust left – ELIZAB – mm. bell. 5.89g. Spink 2577 [£450 in VF], North 20](https://cdn.globalauctionplatform.com/d73ccc04-ea12-4ea3-9dfa-a4ff00a61998/058f14df-4494-4b7b-f7fb-7df44c2bced9/468x382.jpg)
Lot 11
To include - 1. An RAF 'Scramble Bell', with crown, dated 1940. The Bell is Ministry of Defence, 11 inch specification, with the correct 11 inch casting size at the top (the size is part of the casting not an engraving) - the top of the Bell also has a very small Foundry mark, that incorporates the MOD arrow, plus a large Ministry of Defence arrow to the inner. The Bell clapper is a replacement (to original MOD specification), as the original clapper was apparently lost during a house move long ago. The Nickel Plate is in excellent condition on the outside of the Bell but there is loss of plating to the inner Bell. The tone is high (for a sense of urgency) and will be immediately recognized by any one who is familiar with MOD Bells of the period. 2. A Barrage Balloon Ashtray. 3. A Propeller Clock. 4. An original press release photograph of RAF fighters under review by King George. 5. An RAF 'Escaping Society' car badge by Thomas Fattorini of Birmingham.
Lot 77
A George III oak and mahogany inlaid longcase clock, the round 33cm dial painted with two boys playing shuttlecock, Roman chapter, Arabic minutes, subsidiary seconds dial, eight-day movement striking on a bell, the hood with curly pediment, centred by a brass ball-and-spire finial, fluted brass capped Corinthian columns, the door inlaid with a navette shaped shell patera, canted angles, base panel with similar patera, ogee bracket feet, 220cm high, c.1785/95 Condition Report: Dial chapter faded
Lot 3342
A French Art Deco silvered and dark patinated metal, marble and onyx figural mantel clock, 11cm lozenge shaped dial inscribed with Arabic numerals, twin winding holes, fourteen day Japy Freres movement striking on a bell, No. 7959, the case with a glamorous girl restraining boisterous greyhounds on a lead, 53.5cm wide
Lot 124
A 19th century Rosewood and marquetry portico clock, 9.5cm engine turned silvered dial inscribed with Roman numerals, twin winding holes, eight-day movement striking on a bell, the case with architectural pediment above four gilt brass mounted columns, plinth base, inlaid with summer flowers, lyre pendulum, bun feet, 48cm high, c.1870
Lot 523
A George III longcase clock with 8-day movement striking a bell, Rob. Knox of Bath, brass dial with arched top, applied pierced brass spandrels and chapter ring with Roman and Arabic numerals, the hood with swan-neck pediment, fluted columns, quarter pilasters to the trunk, pedestal base, 225cm, (as found without hood glass panel).
Lot 1078
Tamla Motown, Soul & Disco. 14x LPs; 16x 12” singles; and about 150x 7” singles of which about 45 are on the Tamla Motown and Motown labels. Motown artists include: Elgins; Velvelettes; Isley Brothers; Junior Walker; Temptations; Marvin Gaye; Supremes; Martha And The Vandellas; Jimmy Ruffin etc. LPs include: Stylistics; George McCrae; Tymes; Michael Jackson; and Chic. 12” singles include: Edwin Starr; Gene Chandler; Bunny Sigler; and Olympic Runners. Other 7” singles include: Archie Bell; Donna Summer; O'Jays; Arthur Conley; Harold Melvin; Chi-Lites; Show Stoppers; Johnny Johnson; Jay & The Techniques etc. Condition of the vinyl appears to be mostly excellent.
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123896 item(s)/page