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Lot 5
HOWELL AND JAMES, PARIS, LATE NINETEENTH CENTURY ORMOLU AND PORCELAIN MOUNTED MANTEL CLOCK, the 3 1/2"" enamelled roman dial, signed, powered by a bell striking drum shaped movement, signed and with `Medaille D`Argent, Vincent` mark, housed in an arch topped case surmounted by Putti and oval plaque, above female figural columns and three pink porcelain gilt lined plaques, painted en grisaille with putto, raised on a shaped base with peg feet, 14"" (35.6cm) high, mounted on a giltwood plinth with plush lined top (a.f.)
Lot 13
THWAITES & REED, 20TH CENTURY PIERCED BRASS SPRING DRIVEN SMALL SKELETON CLOCK, the 3 1/2"" Roman chapter ring powered by a bell strung movement, housed in an open scroll work frame and raise on a green plush lined moulded onyx circular base, 11"" (28cm) high, together with BONNER & SON, COLCHESTER, EARLY 20TH CENTURY MAHOGANY NAPOLEON`S HAT SMALL MANTLE CLOCK, with 3 1/2"" Arabic dial, gadrooned border and compressed gilt metal bun feet, 5 1/2"" (14cm) high (2)
Lot 16
LATE 18TH CENTURY MAHOGANY LONG CASE CLOCK, the 13"" painted Roman dial with subsidiary seconds dial, date aperture and floral spandrels powered by an eight day movement striking on a bell, house in a case with swan neck pediment and ball and spire finial above brass capped free standing , fluted fore columns, over a long trunk door with shaped top and plain base with chamfered fore corners and bracket feet, 88 1/2"" (224.8cm) high
Lot 18
LATE NINETEENTH CENTURY, FRENCH GILT METAL MOUNTED ALABASTER MANTEL CLOCK, the 3 1/2"" enamelled Roman dial powered by a bell striking drum shaped movement, housed in a case with two handled urn surmount, lion mask captive ring handles to the sides, figural painted panel beneath the dial and paw feet, raised on a moulded shaped oblong giltwood base, the clock, 12 1/4"" (31.1cm) high, the whole set beneath a glass dome with rounded oblong ebonised base, 19"" (48.3cm) high, overall
Lot 29
BLOT AND DROUARD, PARIS, LATE NINETEENTH CENTURY PATINATED SPELTER AND BLACK SLATE FIGURAL MANTEL CLOCK, the 4"" carved roman dial, powered by a bell striking drum shaped movement (No. 189), housed in a waisted case with garlanded urn finial, flanked by a pair of figures representing music and the arts on an oblong base with splayed bracket feet, 18"" (45.7cm) high
Lot 170
EDWARDS AND ROBERTS, LONDON, EARLY TWENTIETH CENTURY SATINWOOD AND LINE INLAID TWO TIER SERVING TABLE, the graduated oval tops, tied by square section downswept supports with inlaid bell flower pendants, raised on square, tapering splayed supports, tied by curved saltire stretchers, 31"" (78.7cm) high, 35"" x 22"" (88.9cm x 55.9cm) bears label to underside of bottom tier, `Edwards and Roberts, Wardour St, 126 Piccadilly, 532 Oxford Street, London`, (sun bleached top tier with lifting veneer and one stretcher repaired)
Lot 1609
A late 17th Century Walnut cased Verge 30-hour Wall mounted Clock with pull repeat, Christopher Gould, circa 1695, the lift-off hood with overhanging cornice, surmounted by a moulded caddy top and fitted with a gilt Brass pine cone finial, to a glazed dial and side panels, mounted on a carved floral and foliate bracket to a 6? engraved square Brass dial, signed ?C H R Gould Londini Fecit?, with cast and applied cherub spandrels enclosing a silvered Roman and Arabic chapter ring with outside minute track and inside quarters track, to a matted centre and fitted with carved pierced and blued steel hands, to a movement with plates united by four baluster columns and a verge escapement and short bob pendulum and with strike on two graduated bells and also a self- powering pull repeat to the base, height 16? (published ?Old English Master Clockmakers ? Cescinski? page 85) Condition:Hood - Missing finial. Some lifting to veneer/knocks to woodwork and may have some replacement veneer to right side, crack to left hand side seat mount.Movement - Requires cleaning. Bell appears replaced. (please see attached images)*****Viewing Recommended*****Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time; cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis.No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.
Lot 1620
A 19th Century French Comptoise Wall Clock, the Brass surround embossed with a scene depicting a Sailor?s Farewell, the circular white enamel convex dial with black Roman chapter ring, outer minutes track and inner date dial, glass side panels enclosing striking on bell movement, the face marked Beaude, Bar-St-Aube, 10? wide
Lot 1623
A late 20th Century Dutch Twin Weight-Driven Wall Clock, the shaped bracket mount with glazed pendulum aperture beneath a cast figure of Atlas to a bell, further cast and pierced panels and barley twist columns to a Roman and Arabic silvered chapter ring and cast brass hands, to a twin weight-driven movement with anchor escapement and strike on a coiled gong, height 21?
Lot 1640
A 19th Century gilt metal or ormolu French Mantel Clock, crested with a winged female mythological figure clutching a drape in her left hand and the circular white enamel dial (cracks and losses) with black Roman chapter ring and outside minute track, strike on bell movement, the plinth base applied with harps and neo-classical designs, etc and raised on a ball feet, the face with traces of maker/retailer only (Paris), 16" high Condition:Face chipped and cracked. Tip missing from one hand. Decorative ewer missing handle. Pendulum present. No key. Movement needs servicing.Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time; cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis.No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.
Lot 1643
A decorative gilt metal Mantel Clock Leroy & Flis Paris, the domed cover applied with a central coronet finial and painted in colours with armorials, the circular porcelain face with raised and gilded Roman numerals and painted in the centre with foliage, etc, the spreading oval base applied with three decorative hand painted porcelain panels, strikes on bell movement with single hammer and movement marked 6671 on an Ebonised socle, 12" high Condition:•Chip to face around widing hole•Metal work requires cleaning•Some decorative chain missing•Movement needs servicingPlease note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time; cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis.No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.
Lot 1661
A decorative gilded Spelter large Mantel Clock crested with coronet finials, the corners also applied with fleur de lys, over a circular face with Roman chapter ring, the base applied on either side with masks, terminating in scroll feet, strike on bell with single hammer movement, 19? high
Lot 1664
A late 19th Century Ebonised Portico Mantel Clock, the rectangular moulded top over a circular gilded face with black Roman chapter ring, the face also embossed with scrolls, etc, raised on four columns with Alabaster or Marble capitals, the plinth base with compressed bun feet, single hammer strike on bell movement, 15? high
Lot 1710
A Mahogany and Oak Cased 30-Hour Long Case Clock, the case with overhanging cornice to a plain frieze, to freestanding columns and a moulded throat, over an arched long trunk door flanked by fluted columns to a plinth base with canted corners on bracket feet, to a 13? 1st period painted square dial with gilt gesso spandrels and foliate detail enclosing a named cartouche (name rubbed), over a calendar subsidiary with gold painted pierced hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 86? (associated)
Lot 1723
An early 18th Century Walnut and Marquetry inlaid 8-day Long Case Clock, Samuel Macham, London, circa 1700, the lift-off hood with a moulded cornice to an applied and pierced frieze panel over three-quarter Ebonised barley twist columns and floral mask, to an ogee throat, and long trunk door with a central glazed lenticle, to a stepped plinth base, with an all over inlaid tulip and pink detail, and further bird and urn decoration to the door and Boxwood strung panel detail to the sides, to an engraved 11? square Brass dial with cast and applied cherub spandrels, enclosing a silvered Roman and Arabic chapter ring with outside minute track and inside quarters and further half-hour markers, to a matted centre, with applied subsidiary seconds, rose engraved centre, ringed winding squares over a date sector and fitted with pierced and blued steel hands, the movement with plated united by five knopped and fined pillars with count wheel, pull repeat and anchor escapement with strike on a bell, supplied with bill of sale for £70 from ?Malcolm Gardner, 12 Earnshaw Street, London WC2 and dated February 12th 1943, published ?English Domestic Clocks Cesciniski and Webster? Page 139, 81 ½? high NOTE: This Lot may be viewed in Furniture Section adjacent to Lots 2238 and 2241) Condition:Face - Some slight marks to silvering on dial.Movement - Appears recently (last 20 years) cleaned and restrung.Hood - Crack to right handside glass. Damage/lifting to metal trim above door and loss to front corner of cornice. Tops of barleytwists loose. Some minor cracks/lifting to veneers.Case - Door hinges/lock appear replaced. Cracking/lift of veneer on door and throughout.**** Viewing is recommended ****Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis.No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.
Lot 12
A Chinese export silver bowl, by CJ Co., Shanghai c.1920,of circular form decorated in high relief with a dragon, on collet foot, inscribed `S.V.C. Machine Gun Company 1920, Captain`s Cup, won by Sgt. J. Waddell`, 17cm diameter, and a Chinese export silver goblet, by Tuck Chang & Co., Shanghai c.1920, the bell shaped bowl engraved with four dragons, supported on three entwined bamboo stems, terminating in a naturalistic circular foot, gilt interior with entwined bamboo stems, inscribed `S.Y.C. 1919 Harbour Races, First Series, won by ""Viking```, 15cm high (2)
Lot 20
An Indian silver goblet,late 19th century, Cutch c.1880,the elongated bell shaped bowl on knopped pedestal circular foot, decorated overall with foliage and fine rope work border with vacant shield cartouche,22.5cm high CONDITION REPORT: Interior is rusted. Split to rim. General wear including small knocks.
Lot 1357
Late 19th century mantel clock with eight day French movement, outside countwheel, striking on a bell, white enamel dial with Roman numerals, in a decorative gilt metal case with central porcelain panel, side handles, grotesque mask base and surmounted with a winged face mask and vase finial, on a separate gilt wood plinth, 34cm overall height (key and pendulum present)
Lot 1359
Georgian bracket clock with eight day quarter striking, twin fusee movement and anchor escapement chiming the quarter on eight bells, silvered break arch dial with Roman numerals, signed - John Chater, London, in an ebonised case with pierced side frets, inverted bell top with brass carrying handle and four gilt metal urn finials, on four gilt metal bracket feet, 47cm overall height (key and pendulum present). John Chater was known to be working in London in the middle of the 18th century
Lot 1365
Late 19th century mantel clock with eight day French movement with outside countwheel striking on a bell, signed - Hny. Marc, Paris, porcelain dial with Roman numerals and decorated with classical figures, signed - Hny Marc, Paris, in a decorative gilt metal case with porcelain panels, foliate borders, wreath dial surround and two standing putti, surmounted by gilt metal mounted porcelain urn, on a gilt wood plinth, 39.5cm overall height (key and pendulum present)
Lot 1372
18th century longcase clock with eight day movement striking on a bell, 12¼ inch break arch dial with foliate spandrels, silvered chapter ring, subsidiary second dial and date aperture, break arch with silvered strike silent dial and foliate spandrels, in a chinoiserie decorated case with caddy hood, with pendulum, weights, door key and winding key, 224cm overall height
Lot 404
Pair George III silver chambersticks of oval form, with gadrooned borders, open scroll handles, bell-shaped candle holders and engraved armorial shields, detachable oval sconces with gadrooned borders and engraved armorial crests, one matching snuffer with engraved crest and one other silver plated snuffer (Sheffield 1806), John Roberts & Co. Approximately 16ozs weighable silver, chamberstick bases 16cm across
Lot 502
Two pairs of American silver candlesticks of waisted form, with etched glass stem shades, bases stamped - Duchin Creation Sterling and Empire Sterling respectively, together with a pair of American silver three-light dwarf candelabra of waisted form, with inverted bell candle holders, bases stamped - Empire Sterling, stem shade candlesticks 26cm and 24.5cm overall height (6)
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123896 item(s)/page