G.Hewett Marlbro (sic), a George III mahogany automaton bracket clock, the break arch case with handle and later brass inlaid door, the 7 inch silvered dial signed to a shaped plaque, the arch painted with a lion with rolling eyes, the paw moving and jaws opening with the hour strike, swishing tail not connected, mock pendulum and date apertures, foliate spandrels, pagoda engraved centre and similarly decorated backplate, with bell striking fusee movement (later pendulum and suspension bracket), on brass bun feet, 45cm high
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A French 19th century ormolu and porcelain mounted mantel clock, the urn topped case above a 10cm dial and shaped panel below painted with two gentlemen admiring an artist at work (the reverse marked `Mignot, Paris`), three further small panels below, with brass bell striking drum movement, 52cm high
A MAHOGANY FRENCH MANTEL CLOCK by Goquelin, 19th century, the twin barrel movement with outside count wheel striking on a bell, the backplate stamped with maker`s name, 4" white enamel dial, three separate dials below with moonphase flanked by date and weekday, in plain oblong case outlined in boxwood, moulded base and brass bun feet, 8 3/4" wide, 15 1/4" high (Illustrated)
A FRENCH PERPETUAL DAY/DATE BLACK MARBLE MANTEL CLOCK, c.1870, the twin barrel movement striking on a bell, the back plate stamped 1689, visible mercury compensated pendulum, 6 1/4" two piece white enamel dial with exposed Brocot movement and Roman numerals, the two subsidiary dials indicating the day, day of the week and mouth, with rolling moon lunar calendar and aneroid barometer, the upswept arched case inset with green marble and incised with scrolling foliage, glazed pendulum panel, raised on moulded oblong plinth, 20 1/4" high, 20 3/4" wide
A FRENCH WALL CLOCK, early to mid 19th century, the two train weight driven movement with verge escapement striking on a bell on the hour and half hour?, 8 1/2" white enamel dial with Roman numerals signed Rolland a Morlaix, calendar dial with Arabic numerals, in metal case with pressed brass dial surround, the arched top depicting harvesters, with brass pendulum, 16" high
AN OAK LONGCASE CLOCK by Richard Langford, the eight day movement with anchor escapement striking on a bell, 12 1/2" square brass dial with chased scrolling foliate centre, silvered chapter ring with signature and Roman and Arabic numerals, seconds dial, the case with later Victorian carving, moulded cornice on turned columns, arched door flanked by fluted quarter columns, canted panel base and bracket feet, 85" high
AN OAK LONGCASE CLOCK by J Lawson, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 13" square brass dial with silvered chapter ring having Roman and Arabic numerals, the chased scrolling foliate centre with half penny moonphase and calendar aperture, the case with moulded inverted breakfront cornice on turned columns and surmounted by three brass finials, frieze with verre eglomise panel, arched door flanked by quarter columns, panel base and bracket feet, 89" high`
A FRENCH ART DECO ONYX MANTEL CLOCK GARNITURE, the twin barrel movement with outside count wheel and striking on a bell and inscribed Pierre Megnin, Selcourt, No.1718, 5 1/2" lozenge shaped and gilded dial with Arabic numerals, inscribed Feunteun Breit, in arched green, black and white onyx case flanked by a bronzed metal and faux ivory figure and a seated lady holding a rose with birds at her feet, the oblong base signed Menville, on gilded bun feet, 25" wide, 11" high, together with a pair of japanned metal trumpet vases gilded with foliage, on onyx bases
A 19th CENTURY TINTED BISQUE DRESDEN STYLE MANTEL CLOCK, the case with detachable surmount modelled as a courtier and his lady, the lower case in predominantly blue palette with floral panels, circular white enamel dial, signed "S. Wartenberg, Paris", (with crazing in places), spring-driven drum style two train movement stamped "Wartenberg", with outside countwheel strike on a bell. 39cm overall
THOMAS HUMPHREYS, BARNARD CASTLE (c.1840), AN EARLY VICTORIAN MAHOGANY AND OAK LONGCASE CLOCK, of typical form, with short trunk door, the hood with swan neck pediment, 33cm arched painted dial with dummy winding holes, subsidiary seconds and date pointer, 30 hour pull up mechanism with outside countwheel strike on a bell. 2.18m
JOHN SANDERSON (PROBABLY WIGTON AND NEWCASTLE), AN 18th CENTURY OAK LONGCASE CLOCK, with long trunk door and caddied hood, now with a quality 18th century movement with 30.5cm square brass dial with recessed seconds and date dials, 8 day weight driven mechanism with 4 finned and scribed pillars, rack striking on a bell. 1.99m
HOUGHTON, CHORLEY, AN EARLY 19th CENTURY LANCASHIRE OAK AND MAHOGANY CROSS-BANDED LONGCASE CLOCK, with long shaped trunk door flanked by quarter round fluted pilasters, the hood with architectural pediment, 33cm square white dial, signed, with subsidiary seconds, date (not connected), 4 pillar 8 day weight driven movement, with falseplate dial attachment, rack striking on a bell. 2.12m
A Bohemian dark blue lustre by Palme Koeing, circa 1910, of baluster waisted form with circular base, height 30.5 cm, together with a Sasha Wardell ovoid pottery bowl, with colourful stripped decoration, etched to base, height 10 cm, a Sasha Wardell ovoid pottery bowl, with white ground and facet cut roundels, height 5.5 cm, a Quentin Bell pottery oval wall plaque, depicting a lady in a long dress with blue and red border, signature to reverse, diameter 45 cm, a Julia Roxan studio pottery vase, in the form of a tear drop with brown liner decoration, signed to base, height 19 cm, a Alice Gaskell baluster bottle vase with flared rim, height 15 cm and a Wedgwood Eric Ravilious travel series circular plate, marks to reverse, diameter 23 cm, (7).
A Louis XVI style gilt metal and enamel mantel clock, 19th century, the C and S scroll gilt metal hands upon a blue enamel dial, Roman numerals surrounding a central painted panel of war regalia, flanked by panels with applied full length figures of knights, raised on a shaped oval base with nine oval enamel panels each with painted war motifs, raised on four feet, back glass plate revealing signature P Roussel engraved to bell striking movement, upon rosewood stand, height 40 cm.
A FRENCH GILT-BRASS STRIKING CARRIAGE CLOCK WITH ALARM MID 19th CENTURY White enamel dial with subsidiary alarm ring, blued steel hands, twin barrels movement with silvered platform to bimetallic balance with lever escapement, strike on bell and alarm on further bell to underside 6 in. (15 cm.) high View on Christie's.com
A WILLIAM IV MAHOGANY STRIKING EIGHT DAY TABLE CLOCK THWAITES AND REED, LONDON. CIRCA 1835 Silvered dial signed Thwaites & Reed/Clerkenwell/London, strike/silent above XII, blued steel hands, movement with shoulded plates, twin fusees, anchor escapement, rack strike and trip repeat on bell, back plate with repeat signature; pendulum 18¾ in. (48 cm.) high View on Christie's.com
A collection of miniature silver coloured items produced on the Isle of Sark, stamped with a letter T in a shaped surround, comprising: a bowl with spoon, a plate, a small dinner bell, a candle doubter; a small thimble; and a small Guernsey milk can, with marks for Bruce Russell & Son, Guernsey, 1982
A silver Royal commemorative goblet, Birmingham 1981, the bell shaped cup to a baluster stem on a spreading foot, in a fitted case, 13cm high, 174g (5.6 oz) gross; a silver three light candelabrum, Birmingham 1980, the circular loaded base to a tapering column with vase shaped sconces, 22cm high; a silver boat shaped pierced bon bon dish, 23g gross; and a Continental three piece silver coloured cruet set
An oak longcase clock, the white painted dial inscribed "J. Bell, Hexham", with roman numerals and date aperture, painted with anchors and triple-mast ship to arch, fitted two train striking eight day movement, with anchor escapement, the case with arched glazed panelled door flanked by turned columns, with arched waisted door below, raised on bracket feet, 80in. (203cms) high.
A Louis XV period boullework mantel clock, signed Langois, Paris, champleve dial with enamelled numerals, two-train movement with anchor escapement striking on a bell, outside countwheel, dial and backplate signed, the clock surmounted by a gilt-bronze figure of Poseidon, other ormolu mounts throughout, 27in. high - boullework in need of attention
Peter Welton (b1933-) ABSTRACT COMPOSITION signed and dated `65 pastel and pencil 43 x 68.5cms; 17 x 27in. Peter Welton was educated at Leeds, King`s College, Newcastle, and University of Durham, studying under Victor Pasmore, Lawrence Gowing, Richard Hamilton and Quentin Bell. After serving in the RAF he became a Professor of Fine Art and exhibited in many solo and group exhibitions including the Laing Art Gallery, Newcastle in 1963, University of Durham Gallery 1976 and Chesil Gallery, Portland 1985. He is author of many articles and three books and is currently Emeritus Professor of Fine Art at De Montfort University, Leicester.
Two 18th Century wine glasses, the first with bell shaped bowl, raised on a stem with white corkscrew, surrounded by a 10-ply spiral bands, on a conical foot (foot cracked); together with an ogee bowl glass, raised on a stem with white gauze surrounded by a white twist, with conical foot (foot chipped).
A pair of Elizabeth II candlesticks, by W.J. Broadway & Co., Birmingham modern, with bell-shaped nozzles, tapering stems, spreading and filled bases, 7 1/4in. (18.5cms); together with an Elizabeth II three-light two-branch candelabra, by W.A., Birmingham 1979, plain bell-shaped nozzles, on circular tapered stem, filled base, 8 1/4in. (21cms). (3)
MILITARIA -- MILLINGTON-DRAKE, Eugene (ed.). The Drama of the Graf Spee and the Battle of the Plate. London: Peter Davies, 1964. 8° (248 x 186mm). Folding map, plates and illustrations. Original red leather by the St. Giles Bindery, upper side blocked in gold, spine lettered in gold. FIRST EDITION, ONE OF 55 DELUXE COPIES, SIGNED BY OVER 40 CREW MEMBERS of 'Ajax', 'Achilles', and 'Exeter' including Captains Charles Woodhouse, Edward Parry, and Frederick Bell, and the author and contributors, including Mountbatten of Burma and Philip Vian. HOZIER, H.M. (ed.). The Franco-Prussian War. London: William Mackenzie, [c. 1872]. 2 vols, 4° (260 x 204mm). Frontispieces, additional engraved titles and 46 plates and maps. (Occasional marginal spotting.) Contemporary green calf gilt, gilt edges (extremities rubbed). Provenance: ?James Maxton (pencilled inscription on p.1). FIRST EDITION. NEWBOLT, Henry. The Book of the Thin Red Line. London: Longmans, Green and Co., 1915. 8° (186 x 130mm). Coloured plates, illustrations. Contemporary blue half morocco by Best & Co., top edge gilt (spine evenly faded). INSCRIBED BY THE AUTHOR: 'The cast of all earth's noble hearts is the right soldier's faith. Henry Newbolt'. (4) View on Christie's.com
2 Tri-ang Minic vehicles A double deck London bus on route 14 for Putney via South Kensington in an unconventional blue and cream livery advertising Penguin boats and Pedigree prams. Push and go motor (inoperative), rubber tyres, open windows and rear access, wooden seats. Also a small clockwork fire engine with plastic roof ladder, bell, opening hose lockers, rubber tyres (perished). Fire engine boxed, some wear/minor damage, vehicles VGC for age, minor scratches, bus showing a little rusting. Plate. 8 . .
6 WWII A3 civil defence posters: “Help to Fight Fire - Join the AFS” one with fire engine and crew on call, the other hand on nozzle of hose; “AFS - answer this Bell - Join the AFS now”; “Keep away from water tanks.....help the firemen....to save your home”; “The Citizens Service - Special Constabulary” head and shoulder man and women in uniform, “Help the Police - Join the Special Constabulary” text; in 3 sleeves. VGC
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123939 item(s)/page