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A LOUIS XVITH ORMOLU AND WHITE MARBLE MANTEL CLOCK signed Richard a Paris, circa 1780, the case surmounted by a figure of Minerva supported by twin obelisks applied with lion's masks and ormolu beaded and foliate mounts, the brass eight day movement has a countwheel that strikes the hour and half hours on a bell with a silk suspended sunburst and mask head pendulum, 21 3/4" high, 4 3/4" dial diameter
A GEORGE III MAHOGANY BRACKET CLOCK, signed Richards Gotobed, Staines, the mahogany case with bell top and brass carrying handle having fretted wood sounds, frets to the front door, silvered and engraved signed dial with strike silent facility and a date aperture, a twin fusee five pillar movement and foliate engraved backplate, 21" high
An historically interesting standish, carved from timber recovered from the wreck of H.M.S. Lutine the central inkwell with cover supported by three dolphins within circular dish with foliate border, the inkwell with white metal plaque engraved THIS INKSTAND / is made of the / RUDDER of LUTINE Frigate wrecked off the island of Vlieland Octr. 9 1799 / The Rudder was recovered in 1859 / after being submerged 60 years flanked by two carved sets of arms for Lloyds of London 7 x 10½in .(18 x 26.8cm.) The Lutine, a prize taken in 1793, was a 5th rate of 32-guns. She was wrecked on a bank near Vlieland, Holland in 1799 with a vast fortune in gold aboard. Much of this was subsequently recovered over a period of years, along with artefacts including her famous bell, which now hangs at Lloyds of London and is rung every time a ship insured by them founders.
The bridge bell from the Canadian-Pacific Liner Empress of Russia, 1912 the 7½in. diameter bell cast in brass with red-filled lettering over a semi circle with additional decoration, now mounted on an oak stand, complete with clapper and pull 11in. (28cm.) high. Built by Fairfield Shipbuilding & Engineering Co, Govan, Empress of Russia was launched on 28th Aug.1912, she displaced 16,810 gross tons, was 570ft long with a 68ft beam and, powered by quadruple screws, cruised at a speed of 19 knots. With accommodation for 284 1st, 100 2nd and 800 steerage class passengers she was a handsome addition to the Canadian-Pacific fleet for the trans-Pacific service. Converted to an armed merchant cruiser during the Great War, she formed part of the squadron blockading German merchant ships in the Philippines and later transferred to the Indian Ocean where she met with the Australian cruiser H.M.A.S. Sydney and took aboard 230 survivors from the German cruiser Emden. In Oct.1915 she was released from government service, refitted at Hong Kong and returned to the trans-Pacific service on 12th Feb.1916 but was requisitioned again briefly in early 1918 to carry American troops to Europe. She continued trans-Pacific sailings until Dec.1940 when, after her 310th voyage, she was used for trooping Australian and New Zealand Air Force recruits to Canada for their initial training and she was also involved in the North Africa landings in 1943. Employed thereafter on special duties, on 8th Sep.1945 she was gutted by fire at Barrow and was broken up by T. W. Ward & Sons.
A late 19th Century lacquered Brass and Porcelain panel mounted 8-day travelling type Mantel Clock, the Carriage Clock type Case with hinged carry handle and raised on a plinth base with bracket feet, with cobalt blue, gilt and enamel highlighted side panels, with glazed front door, enclosing a further porcelain panel, with gilt highlighted Roman lozenges and further gilt boss with moon hands, over painted Romanticised Scene of a Courting Couple, to a circular Brass Japy Freres circular Brass Movement with replacement platform escapement and strike on a bell, height 9 ½”
A late 19th Century Mahogany cased “Postman’s Alarm Clock”, the plain moulded surround to a spun Brass bezel with convex glass enclosing a painted wooden Roman dial with outside minute track, (hands lacking), to a wooden posted movement with anchor escapement and strike on a bell, width 12”
A late 19th Century Walnut and inlaid dial Wall Clock, the moulded surround over carved ears and drop trunk, with glazed and hinged door to a spun brass bezel enclosing 11 ½” painted Roman dial with outside track and black painted hands, to a spring driven movement with anchor escapement and strike on a bell, height 23 ½”
A simulated Rosewood Mahogany cased triple pad top Bracket Clock, with cast carry handle, the Brass mounted pads and strung corners, before fish scale sound frets and further cloth backed Brass frets beneath a cast Brass dial, to a plinth base and raised on Brass bracket feet, with a 6 ½” silvered circular dial, with outside minute track and blued steel pierced hands, to a movement with plain rectangular plates united by four knopped pillars and anchor escapement and strike on a bell, height 17”
A mid 19th Century white Marble and patinated Bronze figural Mantel Clock, Gillion, the stepped plinth base with applied beaded borders, surmounted by a reclining classical female figure holding an oar, to a cast Brass bezel, enclosing a 3 ½” Roman enamel dial, signed Gorini Fres & Cie, A Paris (repaired), to a circular Brass movement, with anchor escapement, outside count wheel, strike on a bell, height 14 ½”
A late 19th Century cast Brass Mantel Clock, the domed case surmounted by an urn with scrolling side handles and pineapple finial, over further scrolling side pieces and pierced front panel, with lions mask detail, to a plinth base and raised on scrolling feet, to a 4 ¾” cast Brass bezel enclosing a cast Brass dial with applied Roman enamel lozenges and blued steeled fleur-de-lys hands, to a circular Brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 21”
A late 19th Century black slate and variegated green Marble Mantel Clock, R & C of Paris, the drum case raised on scrolling supports, to a stepped plinth base, with cast Brass bezel and bevelled glass enclosing a 4 ½” black slate dial with engraved and gilt highlighted Roman numerals and further gilt hands, to a circular Brass movement with anchor escapement and strike on a bell, height 11 ½”
A black slate Calendar Mantel Clock, the plinth shaped case with shaped front, to a cast brass bezel with heavy bevelled case, enclosing a 5” two-part Roman enamel dial, with sunk centre and visible brocot type escapement, and black painted hands, over a further cast brass bezel also with bevelled glass enclosing an enamelled dial, with 12 months to the surround and enclosing day and date subsidiaries beneath phases of the moon, to a circular brass movement with anchor escapement and strike on a bell, height 18”
A second quarter of the 20th Century Brass lantern type Timepiece, with passing strike, Tower commemorating the coronation of George VI, May 1937, the strap work bell support and pediment modelled in the form of a crown, to engraved diamond heraldic side panels, to an over sized Roman chapter ring enclosing the Royal Coat of Arms, raised on cast feet, to an 8-day spring drivn movement with anchor escapement, height 12”
An early 20th Century cast Brass Mantel Timepiece, modelled in the form of a lantern clock with strap work bell housing, and balauster finials to a pierced pediment and oversized Roman chapter ring with inside minute track and engraved centre, signed J Saul, Bury, with balck painted hands, to a spring driven movement, height 9 ¼”
A late 19th Century Walnut and ebonised 8-day Mantel Clock, retailed by J W Benson of Ludgate Hill, the drum case on scrolling supports, to an ogee frieze with carved and applied floral and foliate decoration, to a plinth base, with cast Brass bezel and bevelled glass enclosing a signed 4” Roman enamel dial with outside minute track and blue steel moon hands, to a circular Brass movement with anchor escapement, back counted count wheel and strike on a bell, height 10 ½”
A late 19th Century cast Brass and Iron Balance Scale, W & T Avery of Birmingham, to weight 10 lbs, Class B, the splayed and waisted iron foot, to a twisted and knopped column, with Brass cross bar with chain supported pan, and opposed by a removable compensated arm with removable tray, height 32”, together with a part set of cast Brass bell weights, and a further 12 concentric circular weights
A late 19th Century black slate and rouge marble mounted Mantel Clock, the architectural case with Palladian pediment, and a plinth base to a cast brass bezel enclosing a 4” Roman and Arabic chapter ring, and blued steel fleur-de-lys hands, to a circular brass movement, with anchor escapement and strike on a bell, height 10 ½”
A late 19th Century American Walnut cased Mantel Clock, the shaped surround decorated with fruiting Vine detail, to a single glazed door and raised on a plinth base, with composite two-part paper dial, with Roman numerals and outside minute track and blue steel hands, to a spring driven movement with anchor escapement, strike on a bell, height 24”
A late 18th Century Oak cased 8-day Long Case Clock, John Edwards of Norwich, the arched hood with giltwood finials, over freestanding columns, to an ogee throat and long arched trunk door to a reduced plinth base, with all over late heavily carved decoration, to a 12” arched Brass dial, with applied cast and pierced “C” scroll and foliate spandrels, decorated to the arch with a silvered and engraved boss depicting a bird in flight, a Roman and Arabic chapter ring, to a matted centre with sunk subsidiary seconds and nameplate with date sector, to a movement with plates united by four knopped pillars, anchor escapement, strike on a bell (associated), height 85”
A late 18th Century Oak cased 30-hour Long Case Clock, W Wenham of Watton, the hood with overhanging cornice and shaped pediment with giltwood finials, over ¾ gilt capped columns, to an ogee throat and long arched trunk door and reduced plinth base, to an 11” square first period painted dial, with gilt gesso foliate spandrels, to a Roman and Arabic chapter ring, signed centre, with black painted hands, to a movement with plated united by four knopped pillars and anchor escapement, strike on a bell, height 82”
A late 18th Century Oak cased 8-day Long Case Clock, Read of Aylsham, the hood with a pagoda pediment, to an over hanging cornice and freestanding columns, to an ogee throat and long arched trunk door, raised on a plinth base (plinth with losses), to a 12” first period painted dial, decorated to the arch with an oval head and shoulders portrait of Nelson within a gilt border and further gilt gesso scrolling detail, over spandrels decorated with the Union Jack, Anchors and Cannons, within gilt borders, to a Roman and Arabic chapter ring, enclosing subsidiary seconds and date sector, to a signed false plate movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 85”
A late 18th Century Walnut cased 8-day Long Case Clock, James Hughes of Carnarvon, the hood with an overhanging cornice, to Brass capped Three-quarter columns, to an ogee throat and long trunk door, raised on a plinth base with bracket feet, to a 12” square Brass dial, with cast and applied foliate and mask spandrels, enclosing a Roman and Arabic chapter ring with matted centre and subsidiary seconds, over date sector, winding square and name plate, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, (associated), height 78”
A mid 19th Century Oak Mahogany Boxwood and Ebony inlaid 8-day Long Case Clock, unsigned, the hood with overhanging cornice, over later freestanding columns to a single glazed door, over convex throat and panelled trunk with short trunk door, to a plinth base and raised on bracket feet, to a 12” arched Brass dial, with black and gilt detail or rural pursuits including a windmill, plough, harvest etc, to a Roman and Arabic quarters chapter ring, with outside minute track, enclosing subsidiaries for date and seconds, with pierced and stamped Brass hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 86 ½”
An early 19th Century Oak cased 30-hour Long Case Clock, John Warner of Campden, the hood with overhanging cornice to a plain frieze and freestanding columns to an ogee throat and long square trunk door, to a reduced plinth base, to an 11” square painted dial, with painted rose and honeysuckle spandrels, to a Roman chapter ring, centred with a bird and black steel painted hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 76”
A mid 18th Century oak longcase clock with thirty hour movement striking on a bell, the square brass dial with single hour hand and matt gilt centre framed by a silvered chapter ring with Roman numerals and inscribed 'Henry Jerard, Hindon', cornered by pierced scroll spandrels, the hood with moulded pediment above a fretwork frieze and glazed door flanked by pilasters, the trunk door carved with scrolled panels with foliate scroll borders, on a rectangular base carved with a shield, on bracket feet, height approx 202cm (alterations).
A George III stained pine longcase clock with thirty hour movement striking on a bell, the square dial painted with Roman numerals and inscribed 'J. Shipley, Derby', cornered by churches in landscapes, the hood with moulded pediment above a glazed door flanked by baluster columns, the shaped trunk door above a plain base, height approx 197cm (faults).
A Royal Worcester 'The Connoisseur Collection' candle snuffer modelled as a 'Blue Tit' on a conical base decorated with feathers, together with a Royal Worcester 'Robin', '3197' (faults), a Beswick 'Wren', '993', and an enamelled bird with hinge lid, together with a Royal Doulton figure 'Maytime', HN2113, a Royal Doulton figure 'Tinkle Bell', HN1677 (faults) and a Royal Doulton figure 'Dorcas, HN1558 (fault).
AN EARLY 19TH CENTURY WELSH OAK THIRTY HOUR LONGCASE CLOCK, by B. Rice of Neath, the case with hood having broken swan neck pediment above arched apeture flanked by turned columns, arched shaped inlaid door to the waist flanked by reeded angles on a panelled base with bracket supports. Painted face with Roman numerals and arch date apeture marked B. Rice Neath. Thirty hour movement striking on one bell. The dial 15” x 11”. Note : Benjamin Rice recorded in Neath, born 1757 died 1813. See Iorwerth C.Peate, Clock & Watch Makers in Wales.
AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, by Bartley of Bristol the hood with broken swan neck pediment flanking ball and spike finial over arched apeture flanked by reeded columns with gilt metal mounts, the waist with rectangular moulded doors with shell inlaid motif flanked by reeded quarter pilasters on a panel base with bracket feet. Arch brass dial with rolling moon marked ‘High Water’ at Bristol Dock, seconds and date dials with engraved decoration. Eight day movement striking on one bell. The face 18” x 12”. Clock overall 88” High.
A 19TH CENTURY WELSH OAK LONGCASE CLOCK, marked Thomas Evans, Caernarvon, the case with hood having broken swan neck pediment above arched apeture flanked by turned columns, the waist with angular arched door flanked by canted angles on a panel base. Arched painted face with floral decoration and Roman numerals, date apeture and gilded spandrels. Thirty hour movement striking on one bell dial measuring 15” x 11”. Case overall 84” High.
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123896 item(s)/page