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Lot 248
A WOOD NETSUKE OF A MOKUGYO Unsigned Japan, Edo period (1868-1912), 19th century Finely carved as a mokugyo (temple bell) with neatly incised confronting dragon handles, the bell making a good hollow sound when struck. HEIGHT 5.9 cm Condition: Very good condition with minor surface wear. Provenance: French private collection.
Lot 255
AN IVORY NETSUKE OF A BAKU HEADED MOKUGYO IN THE STYLE OF GYOKUMIN Unsigned, style of Gyokumin (1800-1868) Japan, Asakusa, mid to late 19th century, Edo period (1615-1868) Depicted is a mokugyo temple bell with the handle shaped like the head of a baku with large inlaid eyes, small tusks, its tongue sticking outwards and a dominant long curling snout. Swirling flame-like curls trail down from its neck to both sides of the temple bell. The underside with the characteristic opening of the mokugyo. Natural himotoshi. HEIGHT 5.3 cm Condition: Generally good but used and worn condition with age cracks. Provenance: The Gabor Wilhelm Collection. Literature comparison: For similar works by Gyokumin see Kokusai the Genius: and Stag-antler Carving in Japan, Sydney L. Moss, Ltd., 2016, nos. 473-478.
Lot 3
AN INSCRIBED BRONZE SUITEKI (WATER DROPPER) Japan, Edo period (1615-1868) Shaped as a temple bell, the domed section removable, and with a fine, unctuous patina. With a circumferential inscription. HEIGHT 9.5 cm Condition: Excellent condition with associated surface wear. Fine patina. Provenance: German private collection.
Lot 1
Of Royal Interest: A rare Henry VII pewter dish, circa 1500The plain rim struck with a crowned ostrich-feather, the well with raised boss, a maker's mark in the form of a bell struck to rear centre (PS10611), possibly the mark of William Husthwaite, 10¼in diameterFootnotes:Provenance:This plate is one of a hoard of around twenty excavated in 1899 near Guy's Hospital, London. Presently eighteen of these plates are recorded, with only six remaining in private hands, with the balance in various British Museums. Literature:See Journal of The Pewter Society Autumn 2007. Vo. 27, pp. 7-16. This plate is listed as G17, p. 9.See also Proceedings of the Society of Antiquaries (1899-1901), Vol. XV111, pp. 114-5, where it is suggested the crowned feather mark could be a royal badge. And, H.J.L.J. Masse, Pewter Plate (1910), p. 173, where it is specifically suggests the 'housemark' belonged to Prince Arthur (1486-1502), eldest son of Henry VII and brother of Henry VIII. It does appear plausible that a group of plates unearthed at the end of the 19th century may have been part of a larger Royal garnish for use at Kennington Palace, the main residence of the Duchy of Cornwall (Arthur was made Duke of Cornwall at birth) and where Catherine of Aragon stayed the night before her wedding to Arthur in 1501, as Kennington Palace was approximately a mile and a half from Guy's hospital.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 42
A rare, fine and large Charles I leaded bronze mortar, dated 1638, made for Margaret Baldocke, Grocer, by John Palmar [or Palmer] of Canterbury, Kent (fl. 1621 in Gloucestershire, fl. c. 1636 - 1656 in Canterbury)An inscription beneath the rim reading, 'IOHN PALMAR MADE MEE FOR MARGRET BALDOCKE 1638', the words and the date spaced by vacant lozenge stops, the remainder of this band cast with highly stylised flowers and a portcullis, the waist with a broad cast band of alternating roses and flowers amidst foliage centred by a portcullis, with two cord mouldings above the waist, and four below, 32cm rim diameter x 23.5cm high (12 5/8in rim diameter x 9 1/4in high)Footnotes:Provenance: In 1887, noted by J. C. L. Stahlschmidt, author of The Church Bells of Kent, that this mortar was then in a grocer's shop in Canterbury, and thought to be a bell, 'its crown staple having been chipped or filed of'.Ex-Arthur G. Hemming Collection.Sold Christie's, 12th November 2003, The Collection of Robert Spalding, Lot 467.Sold Bonhams, these rooms, 21 January 2015, Lot 65, The Collection of Roger Rosewell FSA, Yelford Manor, Oxfordshire. Illustrated:- A. G. Hemming, 'Dated English Bell-Metal Mortars', Connoisseur (March, 1929), 165, No. VIII.- P. Hornsby, Collecting Antique Copper & Brass (1989), p. 14, Figure 5.- M. Finlay, English Decorated Bronze Mortars & their Makers (2010), p. 49, Figure 58, where it is noted that only one other mortar by this maker is known at present.Margaret Baldocke married at least three times. She was born Margaret Bruxbie [or Bruxby, Brookesby, Brouxby] c. 1612, the daughter of John Bruxbie, tailor, of All Saint's, Canterbury. In 1632, she married William Turner (born c. 1608), grocer, at Chilham, Kent. William Turner dying very shortly after their wedding, Margaret Turner née Bruxbie then married again. The marriage licence for this second marriage in 1633 reads as follows:'Baldock, Robert of All Saints', Canterbury, grocer, widower and Margaret Turner, of the same place, widow of William Turner late of St. Andrew's, Canterbury, deceased, at All Saint's'.Robert Baldocke had been apprenticed in 1628 to Walter Southwell, a surgeon, apothecary and Mayor of Canterbury in 1634. A daughter called Mirian was born to them in January 1636. Robert Baldocke died in 1638, and was buried in June, the year that this mortar was made. It is likely that Margaret, his widow, took over their business, as many early modern women are known to have done, and commissioned this mortar for her use.Now 26 and having been widowed twice, Margaret married again. The marriage licence for her third marriage in September 1639 reads:'Edward Pullen, the Younger, of Chadwell in Essex, mercer, bachelor, 21 and upwards, son of Edward Pullen the Elder of the same place, innholder who consents, as is testified by John Bruxbie of Boughton Blean, tailor, and Margaret Baldock of Boughton Blean, widow of Robert Baldocke, late of Canterbury deceased.'In 1642, Edward Pullen stood as bondsman for a wedding - Margaret's father's wedding, as it happens - and is described in the records as a grocer of Canterbury, so apparently established himself in business alongside his third wife.What happens thereafter to Margaret Pullen alias Baldocke, alias Turner, née Bruxbie, is as yet undiscovered. Several Pullen children are born in Boughton Blean - where Margaret may have inherited property from her second husband - and her third husband was still alive in 1642. No record of her death, or of a fourth marriage, has been found.Mortars cast with a woman's full name, and only with a woman's full name, are rare. Conventionally, a woman's name appears alongside and following her husband's. Michael Finlay's 'Checklist of English Dated Mortars 1308- 1979' (Finlay, Decorated Mortars, pp. 169 - 198) includes over four-hundred dated mortars known to the author in 2010. Only three of them - including Margaret Baldocke's mortar - are inscribed with a woman's name alone.John Palmar probably started his career in Gloucester but was established in Canterbury by 1638. Whilst a posnet by him is recorded, as well as a number of skillets, only one other mortar made by him is at present known, and it was made in 1621 during his time in Gloucester. This mortar, made for Margaret Baldocke, is the only surviving mortar cast by him at Canterbury. See, ibid., pp. 49 - 50.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 462
A George III yew and elm Windsor armchair, Thames Valley, circa 1780Having a hooped back with four long spindles either side of a shaped fretwork and heart-pierced splat, the outsplayed arms on crook-shaped front supports, the bell-shaped well-figured elm seat on cabriole front legs with pad feet, joined by a crinoline stretcher, 63cm wide x 48cm deep x 102.5cm high, (24 1/2in wide x 18 1/2in deep x 40in high)For further information on this lot please visit Bonhams.com
Lot 471
A George II black Japanned longcase clock, circa 1740Thomas Moore, Ipswich (d.1762)The flat-topped hood with an arched door and tapering columns, arched trunk door with moulded edge, the 12-inch brass dial beneath a signed roundel within an arch flanked by 'dolphin' spandrels, urn and foliage corner spandrels, Roman and Arabic chapter ring, and fleur-de-lys half-hour marks, matted centre with subsidiary seconds dial and date aperture framed by dog-tooth engraving, the five pillar movement with anchor escapement and rack striking on a bell, 51cm wide x 25.5cm deep x 211cm high, (20in wide x 10in deep x 83in high)For further information on this lot please visit Bonhams.com
Lot 501
A limed-beech dressing stoolEarly 18th century and laterThe stuff-over seat upholstered in floral ivory silk, on square-tapering bell-flower carved legs, joined by a scroll-carved X-form stretcher, with paterae-headed waisted-square feet, 51cm wide x 42.5cm deep x 46cm high, (20in wide x 16 1/2in deep x 18in high)For further information on this lot please visit Bonhams.com
Lot 547
A group of mainly 18th/19th century English pottery and porcelain,Including a Worcester bell-shaped mug painted with the 'Walk in the Garden' pattern, 14.5cm high, another printed with the 'Natural Sprays Group', 15.5cm high, a Worcester mug transfer printed in black with 'The Milkmaids' to one side and 'May Day' to the other, 14.5cm high, and various other pieces, (22)For further information on this lot please visit Bonhams.com
Lot 572
Five pairs of candlesticksIncluding a pair of early to mid-18th century brass socket candlesticks, English, each with a facetted tapering stem and a square base with cut corners, 10.5cm wide x 20cm high, a pair of mid-18th century brass socket candlesticks, English, each with socket flange, tapering stem and base with re-entrant corners, 10cm across base x 18cm high, a pair of Sheffield Plate telescopic columnar socket candlesticks, by Roberts, Cadman & Co., of Sheffield, first quarter 19th century, one marked 'R.C.& Co, PATENT', the other with the mark of a bell in an oval, with round bases weighted with iron, 12cm base diameter x 26cm high (maximum), and two pairs of 19th century brass socket candlesticks, English, with push ejectors, the taller pair 11cm base diameter x 26cm high, (10)For further information on this lot please visit Bonhams.com
Lot 611
A gilt brass gorge-cased carriage clock, French, circa 1870By Leroy & Fils, Paris.The shuttered back stamped Aiguilles au réveil, and numbered '5236' above 'Repassée par Leroy & Fils, Palais Royal 13 & 15 Paris', the enamelled dial with Roman hours and Arabic numerals, the twin barrel movement with platform cylinder escapement, striking on a bell, together with leather travel case and key, (3)For further information on this lot please visit Bonhams.com
Lot 174
AN OAK AND PARCEL GILT SCALE MODEL OF THE CLOCK TOWER AT THE PALACE OF WESTMINSTERLATE 19TH CENTURY AND LATERFitted for electricity, with Smith's electric movement and internal light fittings to the dial and turret153cm high, in a bespoke wooden case, 178cm high Catalogue Note: The Clock Tower at The Palace of Westminster is colloquially known as Big Ben - correctly this names applies only to the Great Bell contained within the tower. In the reign of Queen Victoria the Tower was referred to as St Stephen's Tower. It was officially renamed the Elizabeth Tower in 2012 to mark the Diamond Jubilee of Her Majesty Queen Elizabeth II. Condition Report: Generally tired with losses to gothic tracery throughout. Loss of hands. Movement not plugged in. Would need testing by a qualified electrician Base measurements are 33 x 33 cm Condition Report Disclaimer
Lot 139
Macaulay (Kenneth). The History of St. Kilda, London: T. Becket & P.A. De Hondt, 1764, half-title, folding engraved map frontispiece, endpapers renewed, contemporary calf, rebacked, preserving morocco title label, 8vo, together with: Ibid., A Voyage to, and History of St. Kilda, Dublin: printed by James Hoey, 1765, half-title, advert leaf present at rear, contemporary calf, rebacked preserving original spine, 12mo, Knox (John), A Tour through the Highlands of Scotland, and the Hebride Isles, in MDCCLXXXVI, London: printed for J. Walter, R. Faulder, W. Richardson, et al., 1787, early annotations to first & last leaves, dust-soiling and few marks, edges untrimmed, lacking free endpapers, contemporary sheep-backed boards, worn, 8vo Wallace (James), An Account of the Islands of Orkney, London: Jacob Tonson, 1700, folding engraved map and one folding plate, signature at head of title, damp-soiling and fraying mostly to inner margins and repaired with tissue, lacking free endpapers, bookplate of Patrick Graham to upper pastedown, contemporary half calf, morocco title label to spine, 8vo, and two others, Rona, A Poem in Seven Books, Illustrated with a Correct Map of the Hebrides and Elegant Engravings, by John Ogilvie, London: J. Murray, 1777, and A Description of the Western Islands of Scotland, by Martin Martin, 2nd edition, London: A. Bell, 1716 (lacking map)Qty: (6)NOTESProvenance: David R. Wilson (1926-2020), bookseller and secretary of the British Trust for Ornithology.
Lot 27
Pierotti (Ermete). Jerusalem Explored. Being a Description of the Ancient and Modern City, with Numerous Illustrations consisting of Views, Ground Plans, and Sections. Translated by Thomas George Bonney, 2 volumes (text and plates), 1st edition, London: Bell and Daldy, 1864, half-title, errata slip, 63 lithographic plates (including 40 tinted views and 23 plans, 8 folding), marginal repairs to preliminary leaves of each volume and to descriptive leaves for plates 2 and 3, plate 1 (folding panorama) with paper disruption along one fold and other fold strengthened with linen tape verso, modern half morocco, custom slipcase, large 4to (36.7 x 26.7 cm)Qty: (2)NOTESBlackmer 1309. Pierotti was civil and military engineer to Süreya Pasha, Ottoman governor of Jerusalem. This English-language edition is the first overall.
![[Gilbert, Thomas]. [Thr?nod?]: or, Englands Passing-Bell, London: Printed in the Year 1679, [4], 24 pp., first word of title](https://cdn.globalauctionplatform.com/c48d82bc-ed62-44d5-8378-ac9400f91885/dc8dd183-2aa2-4d16-b443-acb001076938/468x382.jpg)
Lot 318
[Gilbert, Thomas]. [Thr?nod?]: or, Englands Passing-Bell, London: Printed in the Year 1679, [4], 24 pp., first word of title in Greek characters, light dampstaining at head, toning and marginal spotting, late 19th/20th century morocco-backed marbled boards, slim 4to, together with: [Hoadly, Benjamin], The Fears and Sentiments of all True Britains; With respect to National Credit, Interest and Religion, London: Printed and sold by A. Baldwin, 1710, 16 pp., late 19th/20th century half morocco, marbled boards, slim 8vo, Charles I, King Charles’s speech in the House of Lords, May the first, 1641. Before he past the Bill of attainder against the Earl of Strafford. With some other curious pieces..., London: R. Burleigh, 1715, 14, 9-16 pp., extra-illustrated with an engraved portrait frontispiece of Charles I and plate of the Earl of Strafford, late 19th/20th century half morocco, marbled boards, slim 8voQty: (3)NOTES(Gilbert) - Wing G723; ESTC R30410.
Lot 355
Borella (Mr.). The Court and Country Confectioner: or, the House-Keeper’s Guide..., To which is added, a dissertation on the different species of fruits, and the art of distilling simple waters, cordials, perfumed oils, and essences, by Mr. Borella, now head confectioner to the Spanish Ambassador in England, new edition, London: G. Riley, J. Bell, J. Wheble, York: C. Etherington, 1772, K4 torn to gutter margin, K5 lacking (provided as loosely inserted facsimile), edges untrimmed, original wrappers, worn and lacking spine, 8vo (Bitting p.49-50; Oxford p.102), together with: Caird (John), The Complete Confectioner and Family Cook; including all the late improvements in Confectionary, Preserving, Pickling, Jellies, Creams, Pastry, Baking, Cookery etc., with many valuable receipts..., Leith: Printed by and for Archibald Allardice and the author, 1809, without initial blank/half-title(?) & frontispiece, five engraved plates of table settings on three folding leaves (without plates 6 & 7), wood engraved illustrations, light dust-soiling and few marks, contemporary sheep, worn at head of spine, lacking title label, 12mo in 6s (Cagle 588; Axford p.73; Bitting p.72; Oxford p.137), Jeanes (William), The Modern Confectioner: A Practical Guide to the latest and most improved methods for making the various kinds of confectionary..., 2nd edition, London: John Camden Hotten, 1864, 15 lithograph plates (including frontispiece), occasional spotting, original green cloth, frayed at head & foot of spine, rubbed, 8vo (Cagle 779, for 1st edition), and other confectionery, cake decorating and cake making related, mostly early 20th century publications, including The Book of Cakes by T. Percy Lewis & A.G. Bromley, London: Maclaren & Sons, [1903]; Skuse's Complete Confectioner, A Practical Guide to the Art of Sugar Boiling in all its Branches, London: W.J. Bush & Co., circa 1894; Praktische Konditorei-Kunst, "Pra-ko-ku" das grosse Konditoren-Fachwerk der Welt, by J.M. Erich Weber, Dresden: J.M. Erich Weber, [1923]Qty: (32)
Lot 422
West (Rebecca). Black Lamb and Grey Falcon, 2 volumes, reprint edition, MacMillan & Co., 1943, monochrome illustrations, map front & rear endpaper, some minor marginal toning, uniform original cloth in dust jackets, covers slightly toned & rubbed with minor tears to head & foot, 8vo, together with; Murdoch (Iris), The Sandcastle, 3rd impression, Chatto & Windus, 1958, period inscription to the front endpaper, The Flight from the Enchanter, reprint edition, Chatto & Windus, 1969, previous owner stamp to the front endpaper, Under The Net, 6th impression, Chatto & Windus, 1969, The Bell, 1st edition, Chatto & Windus, 1958, all original cloth in dust jackets, some spines slightly rubbed to head & foot, plus 28 further volumes by Iris Murdoch, 8vo, and Spark (Muriel), Memento Mori, 1st edition, MacMillan & Co., 1959, original cloth in dust jacket, spine lightly faded & rubbed with minor tears to head & foot, 8vo, Voices At Play, 1st edition, MacMillan & Co., 1961, original cloth in dust jacket, spine lightly rubbed to head & foot, 8vo, plus 22 further volumes by Muriel Spark, and other modern literature by female authors, including Lisa St. Aubin de Terán, I. Compton-Burnett, Karen Blixen, Penelope Lively, mostly original cloth in dust jackets, G/VG, 8voQty: (6 shelves)
![Rackham (Arthur [illustrator]). The Rhinegold & The Valkyrie, by Richard Wagner, William Heinemann, 1910, 34 tipped-in co](https://cdn.globalauctionplatform.com/c48d82bc-ed62-44d5-8378-ac9400f91885/a284f6f7-2732-425d-84e4-ac9501204430/468x382.jpg)
Lot 443
Rackham (Arthur [illustrator]). The Rhinegold & The Valkyrie, by Richard Wagner, William Heinemann, 1910, 34 tipped-in colour plates, period inscription to the front endpaper, some light spotting, front & rear gutters cracked, publishers original gilt decorated brown cloth, boards & spine slightly rubbed, 8vo, together with; Crane (Walter), The Bases of Design, 1st edition, George Bell and Sons, 1898, numerous black & white illustrations, front gutters cracked, some light spotting & toning, top edge gilt, publishers original gilt decorated blue cloth, boards & spine lightly rubbed, 8vo, and Bunyan (John), The Pilgrim's Progress, new edition, Ward, Lock and Tyler, circa 1880, 100 black & white wood engraving illustrations by Thomas Dalziel, bookplate to front pastedown, some minor toning, all edges gilt, contemporary gilt decorated black full morocco, boards & spine slightly rubbed, 8vo, plus other late 19th & early 20th century literature, including The Works of William Shakespeare, 9 volumes, edited by William George Clarke & John Glover, MacMillan & Co., 1863-66, uniform gilt decorated plum cloth, 8vo, some leather bindings, mostly original cloth, overall condition is generally good/very good, 8vo, 4to, plus a small collection of vellum & paper deedsQty: (6 shelves)
Lot 52
David-Neel (Alexandra). Tibetan Journey, 1st edition, London: John Lane the Bodley Head, 1936, 16 photographic plates, folding map, half-title spotted, original cloth, dust jacket (repaired and restored), 8vo, together with: Holm (Frits). My Nestorian Adventure in China. A Popular Account of the Holm-Nestorian Expedition to Sian-Fu and its Results, 1st UK edition, London: Hutchinson & Co., 1924, 20 photographic plates, collector's ink-stamp (A. F. H. Lindner, Wimbledon) to front free endpaper, original cloth, remnants of ink-stamp to front cover, dust jacket (toned, spotted, heavily repaired), 8vo, Bredon (Juliet). A Historical and Intimate Description of its Chief Places of Interest, 2nd edition ('revised and enlarged'), Shanghai: Kelly & Walsh, Limited, 1922, 24 photographic plates, 6 folding maps (one proud and consequently rumpled along fore edge; large map at rear with closed handling tear), original orange pictorial cloth gilt, dust jacket (nicked and frayed; large area of loss to front panel), 8vo, Bell (Sir Charles). The Religion of Tibet, 1st edition, Oxford: Clarendon Press, 1931, all photographic plates as called for, 3 maps (2 folding), original cloth, dust jacket (repaired and restored), 8vo, Soothill (Lucy). A Passport to China. Being the Tale of her Long and Friendly Sojourning amongst a Strangely Interesting People, 1st edition, London: Hodder and Stoughton, 1931, 16 halftone plates, rear free endpaper creased, original cloth, dust jacket (spotted, a few repairs), 8voQty: (5)
Lot 78
Philby (Harry St John Bridger). The Empty Quarter, being a Description of the Great South Desert of Arabia known as Rub' al Khali, 1st edition, London: Constable & Company Ltd, 1933, half-title, 32 halftone plates including frontispiece, folding lithographic plan, 2 folding lithographic maps (one strengthened with clear tape along stub, not affecting image), modern dark green half morocco gilt, 8vo (22.8 x 13 cm), together with: Fellows (Charles). Travels and Researches in Asia Minor, more particularly in the Province of Lycia, 1st edition, London: John Murray, 1852, 8 engraved folding maps and plates on thin paper, 2 pp. advertisements, contemporary green calf gilt, large 12mo (18.8 x 11.2 cm), Warburton (Eliot). The Crescent and the Cross; or, Romance and Realities of Eastern Travel, 2 volumes, 3rd edition, London: Henry Colburn, 1845, tinted lithographic frontispiece to each volume, marginal repair to volume 2 text-leaf F1, engraved bookplates of Thomas Gladstone (1804-1889), Tory politician and brother of William Ewart Gladstone, later purple half pigskin, spines sunned, 8vo (19.4 x 11.9 cm), Barker (William Burckhardt). Lares and Penates: or, Cilicia and its Governors, 1st edition, London: Ingram, Cooke, and Co., 1853, wood-engraved frontispiece, 3 plates, folding map, advertisement leaf discarded, Eton leaving inscription to Charles Edward Buckland dated 1863 to initial blank, bookplate of the Viscounts Mountgarret, contemporary tan calf, 8vo (21.5 x 13.5 cm), [Parry, Edward Gambier]. Sudan Campaign 1896-1899. By 'an officer', 1st edition, London: Chapman & Hall, Ld., 1899, 8 folding maps, full-page maps and halftone photographic illustrations throughout, no half-title, contemporary tree calf gilt by Bickers & Son, 8vo (21.2 x 13.2 cm), Bell (Gertrude Lowthian). The Desert and the Sown, 1st edition, London: William Heinemann, 1907, half-title, colour frontispiece, halftone illustrations throughout (many full-page), folding map, edges untrimmed, modern half calf, 8vo (22.5 x 13.9 cm), and 1 other (The Voiage and Travaile of Sir John Maundeville, 1829, contemporary tree calf by Clarke and Bedford, front joint cracked, not collated)Qty: (8)NOTESAbbey Travel 363 (Warburton); Blackmer 78 (Barker); Macro 1781 (Philby), 501 (Bell).
Lot 532
A 19th century French mantel clock in arch top boulle case with ornate ormolu finial, feet and mounts, gilt dial with raised enamel numerals and French drum movement striking on bell, height 39 cm - Brass work and case all seems Ok but a little tarnished and dull, sunburst pendulum present, no key
Lot 338
A seaweed marquetry and walnut longcase clock, late 17th century and later, the square brass dial with a silvered chapter ring, subsidiary seconds dial and date aperture, enclosed by cherub spandrels, signed 'John Drew Johnson Court in Fleete Street Londini fecit', enclosing an eight-day movement striking on a bell, the hood with a blind fret cut panel above the glazed door, over a seaweed marquetry trunk door and plinth base, 213cm highCondition report: Movement and case not original to each other, seat board replaced, re-veneering to case, some splits and losses, one glass side panel to hood missing. Dial 30 x 30cm.Please see additional imags.
Lot 39
A collection of Royal Albert Old Country Roses, comprising teapot, milk jug, cream jug, six teacups, six saucers, two mugs, six side plates, sugar bowl, serving tray, serving dish, large plate, trinket dish, lidded pot, heart shaped lidded dish, small vase, bell, and a decorative flower display to celebrate the 25th Anniversary of Old Country Roses (qty.)Condition report: no damage - some minor gilt losses
Lot 53
A Swedish giltwood cased wall clock in the rococo manner, 21st century, with an eight-day movement striking on a bell, the painted dial signed 'Westerstrands Toreboda' with Roman numerals and ornate gilt brass hands, dial 15cm 29cm wide, 55cm wideCondition report: The condition is good and complete with pendulum
Lot 7226
Bruno Bielefeld (1879-1973), deutscher Maler, Radierer u. Lithograf, tätig in Berlin, Ausbildung am Kunstgewerbe Museum Berlin u. an der Gewerkschule Danzig. ''Späte Heimkehr'', abendlicher Hinterhof mit liebevollen Details wie einem alten Klingelzug, Katze und Bollerwagen. Öl auf Lwd., u. li. sign., verso betitelt, 60 x 50 cm, ger. 81 x 71 cmBruno Bielefeld (1879-1973), German painter, etcher a. lithographer, active in Berlin, trained at the Kunstgewerbe Museum Berlin a. at the Gewerkschule Danzig. ''Late homecoming'', evening backyard with loving details such as an old bell pull, cat and handcart. Oil on canvas, signed lower left, titled on verso, 60 x 50 cm, framed 81 x 71 cm
Lot 2728
Tasse mit UT, Meissen, 19. Jh., Glockentasse mit Volutenhenkel, umlaufend Ansicht von den Felsen bei Wehlen, u. bez., Goldrand ber., H. 9,5 cmCup with saucer, Meissen, 19th c., bell-shaped cup with volute handle, all around view of the rocks near Wehlen, u. marked, gold rim rubbed, h. 9,5 cm
Lot 3101
Tischuhr Kupfer geschwungen, skelettierte Blattsegmente mit Messing hinterlegt, Pendelfenster aus facettiertem Glas, Anfg. 20.Jh., vergoldetes Zifferblatt mit arab. Ziffern und geschwärzten Zeigern hinter gewölbtem Glas in vergoldetem Glasrand, franz. Rundwerk mit 1/2 Stunden Scheibenschlagwerk auf Glocke, läuft an, H. 32cm, B. 41cm, T. 13cmTable clock copper curved, skeletonized leaf segments backed with brass, pendulum window of faceted glass, early 20th c., gilded dial with arab. numerals and blackened hands behind curved glass in gilded glass rim, french. Round movement with 1/2 hour disc chime on bell, starts, h. 32cm, w. 41cm, d. 13cm
Lot 3103
Tischuhr Holz schwarz mit Weckerwerk auf Glocke, um 1900, Uhrwerk läuft an, Zifferblatt mit arab. Ziffern und schwarzen Zeigern hinter Glas, H. 25cm, B. 18cm, T. 13cmTable clock wood black with alarm movement on bell, around 1900, movement starts, dial with arab. numerals and black hands behind glass, h. 25cm, w. 18cm, d. 13cm
Lot 3104
Tischuhr Bronze Frankreich 2.H. 19.Jh., auf Tatzenfüßen stehend, historisierend, durchbrochenes Dekor mit Fabeltieren, Zifferblatt mit weißen Emaille Kartuschen und röm. Ziffern hinter facettiertem Glas im Glasrand, franz. Rundwerk mit 1/2 Stunden Scheibenschlagwerk auf Glocke, H. 37cm, B. 29cm, T. 15cmTable clock bronze France 2.h. 19th c., standing on paw feet, historicizing, openwork decoration with mythical animals, dial with white enamel cartouches and roman numerals behind faceted glass in glass rim, french. Round movement with 1/2 hour disc chime on bell, h. 37cm, w. 29cm, d. 15cm
Lot 3105
Historismus-Pendule mit Putto und Rocaillen verziert, 2.H.19.Jh., dazu 2 passende Leuchter für je 4 Kerzen, H. 33cm, weißes Emaille Zifferblatt mit blauen röm. Ziffern und vergoldeten Zeigern, franz. Rundwerk mit 1/2 Stunden Scheibenschlagwerk auf Glocke, Uhrwerk läuft an, B. 25cm, H. 37cm, T. 15cmHistorism pendulum decorated with putto and rocailles, 2nd half of 19th century, with 2 matching candlesticks for 4 candles each, h. 33cm, white enamel dial with blue roman numerals and gilded hands, french clockwork. Round movement with 1/2 hour disc chime on bell, movement starts, w. 25cm, h. 37cm, d. 15cm
Lot 3107
Figuren-Kaminuhr, 2.H.19.Jh., Bronze, dargestellt ist ein Landmann mit Pflug, ovaler schwarzer Marmorsockel mit eingelagerter Uhr, weißes Emaille Zifferblatt mit röm. Ziffern und geschwärzten Breguet-Zeigern, facettiertes Glas im vergoldeten Glasrand, franz. Rundwerk mit 1/2 Stunden Scheibenschlagwerk auf Glocke, läuft an, H. 54cm, B. 39cm, T. 20cmFigure chimney clock, 2nd half 19th c., bronze, depicted is a farmer with plow, oval black marble base with embedded clock, white enamel dial with Roman numerals and blackened Breguet hands, faceted glass in gilded glass rim, french. Round movement with 1/2 hour disc striking on bell, starts, h. 54cm, w. 39cm, d. 20cm
Lot 3108
Reiseuhr 1.H. 20.Jh., Messing vergoldet, mit oben angebrachter Handhabe, weißes Emaillezifferblatt (rissig) mit röm. Ziffern und gebläuten Zeigern, allseitig und oben facettiert verglast (mit Schäden), Uhrwerk mit Zylindergang Echappement läuft, Weckwerk auf Glocke, Uhrwerk funktioniert, H. 15cm, B. 8cm, T. 7cmTravel clock 1st half 20th century, brass gilded, with top mounted handle, white enamel dial (cracked) with roman numerals and blued hands, all sides and top faceted glazed (with damage), movement with cylinder gear echappement running, alarm on bell, movement works, h. 15cm, w. 8cm, d. 7cm
Lot 3111
Franz. Kaminuhr um 1860, rosa/weinrot geäderter Marmor, bekrönt von einer Schale mit vergoldeten Handhaben, seitl. vergoldete Griffe und auf der Front vergoldete florale Motive, weißer Ziffernkranz mit arab. Ziffern, geschwärzte Zeiger, facettiertes Glas im vergoldetem Glasrand, franz. Rundwerk mit 1/2 Stundenschlagwerk auf Glocke, Uhrwerk läuft an, H. 45cm, B. 25cm, T. 14cmFrench. mantel clock around 1860, pink/wine red veined marble, crowned by a bowl with gilded handles, gilded handles on the sides and on the front gilded floral motifs, white dial with arab. numerals, blackened hands, faceted glass in gilded glass rim, french. Round movement with 1/2 hour strike on bell, movement starts, h. 45cm, w. 25cm, d. 14cm
Lot 3112
Empire-Pendule, Bronze, vergoldet sowie teilw. blau lackiert, hochrechteckiges Uhrenghäuse mit reliefierten Bücherrücken auf flachem Sockel mit Zungenfries und Balusterfüßen, bekrönt von Himmelsglobus als Allegorie der Wissenschaft, profilgerahmtes Emailzifferblatt, Werk mit Echappement sowie Halbstundenschlag auf Glocke, unter Glasdom, Höhe der Uhr 36 cmEmpire pendulum, bronze, gilt as well as partly blue lacquered, high rectangular clock case with book spines in relief on flat base with tongue frieze and baluster feet, crowned by celestial globe as allegory of science, profile framed enamel dial, movement with echappement as well as half hour strike on bell, under glass dome, height of clock 36 cm
Lot 3113
Kamin-Uhrengarnitur, 3-tlg., Frankreich, 2. H. 19.Jh., vergoldet, im Historismusstil, verziert mit Rocaillen, Akanthusblättern und Blumen gekrönt, weißes Emaille Zifferblatt leicht haarrissig mit röm. Ziffern und geschwärzten Zeigern, facettiertes Glas in vergoldetem perlierten Glasrand, franz. Rundwerk mit 1/2 Stunden Scheibenschlagwerk auf Glocke, Werk läuft an, H.50cm, B. 35cm, T. 15cm, mit korrespondierenden Beistellern für jeweils 5 Kerzen, H. 66cmFireplace clock set, 3-piece, France, 2nd half 19th c., gilded, in historicism style, decorated with rocailles, acanthus leaves and flowers crowned, white enamel dial slightly hair cracked with roman numerals and blackened hands, faceted glass in gilded beaded glass rim, french. Round movement with 1/2 hour disc chime on bell, movement starts, h.50cm, w. 35cm, d. 15cm, with corresponding side plates for 5 candles each, h. 66cm
Lot 3116
3-teilige Marmor Kaminuhr, rot-braun-grau/schwarz, mit goldener Fadenritzgravur, gekrönt durch angedeutete Schale und Rocaillen, champagnerf. Emaille Zifferblatt mit arab. Ziffern und schwarzen Zeigern, facettiertes Glas im vergoldeten, perlierten Glasrand, seitl. vergoldete Handhaben, franz. Rundwerk mit 1/2 Stunden Scheibenschlagwerk auf Glocke, Uhr läuft an, H. 48cm, B. 22cm, T. 13cm, 2 korrespondierende Leuchter für je 5 Kerzen, H. 37cm3-piece marble mantel clock, red-brown-grey/black, with gold filigree engraving, crowned by indicated bowl and rocailles, champagne-f. Enamel dial with arab. numerals and black hands, faceted glass in gilded, beaded glass rim, lateral gilded handles, french. Round movement with 1/2 hour disc chime on bell, clock starts, h. 48cm, w. 22cm, d. 13cm, 2 corresponding candlesticks for 5 candles each, h. 37cm
Lot 3119
3-teilige Jugendstil Bronze Pendule undeutl. sign. C. mollfloer ?, mit klassischen Jugendstil Ornamenten, champagnerf. Emaille Zifferblatt mit arab. Ziffern und Blumendekor und vergoldeten Zeigern, Rückwand mit Spiegel ausgelegt, franz. Rundwerk mit 1/2 Stunden Scheibenschlagwerk auf Glocke, Uhrwerk läuft, H. 44cm, B. 36cm, T. 24cm, die Vasen mit Einsätzen H. 34cm3-piece art nouveau bronze pendulum indistinctly signed C. mollfloer ?, with classical art nouveau ornaments, champagnerf. enamel dial with arab. numerals and floral decor and gilded hands, backplate lined with mirror, french. Round movement with 1/2 hour disc chime on bell, clockwork running, h. 44cm, w. 36cm, d. 24cm, the vases with inserts h. 34cm
Lot 3129
franz. Figuren Pendule, 2.H. 19.Jh., dargestellt ist ein Seemann mit Anker, Globus und weiteren maritimen Motiven, der Sockel mit Rocaillen und floralen Motiven, die Uhrentrommel in einem bronzierten Aufbau, guillochiertes kaum erkennbares Zifferblatt mit röm. Ziffern, Minutenzeiger ergänzt, franz. Rundwerk mit 1/2 Stunden Scheibenschlagwerk auf Glocke, Uhrwerk läuft an, Hammer vom Schlagwerk lose, H. 39cm, B. 31cm, T. 11cmFrench. Figures Pendule, 2nd half 19th century, depicted is a sailor with anchor, globe and other maritime motifs, the base with rocailles and floral motifs, the clock drum in a bronzed superstructure, guilloché barely discernible dial with Roman numerals, minute hands supplemented, French. Round movement with 1/2 hour disc striking on bell, movement starts, hammer from striking loose, h. 39cm, w. 31cm, d. 11cm
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