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Lot 41
GOOD QUALITY EARLY NINETEENTH CENTURY CARVED AND FIGURED MAHOGANY WEIGHT DRIVEN ""ACT OF PARLIAMENT"" WALL CLOCK, signed K.D. Sykes, Manchester, the 13"" painted roman dial with subsidiary seconds dial, polished by an eight day movement striking on a bell, housed in a moulded drum top case over a glazed trunk door, flanked by chamferred forecorners and sloping foot, 60"" (152.5cm) high
Lot 42
EARLY VICTORIAN CAHRLES, FRODSHAM, `CLOCK MAKER TO THE QUEEN` MAHOGANY CASED WALL CLOCK, the 11 3/4"" painted Roman dial signed and with address 84 Strand and No. 1555, powered by an 8 day twin fusee movement striking on a bell, housed in a case with moulded surround, silk lined side pierced front and pegged back, 15 1/4"" (38.8cm) diameter
Lot 47
EDWARDIAN MARQUETRY INLAID MAHOGANY BRACKET CLOCK, the silvered roman dial with silent/chime dial to the scroll engraved arch, powered by an eight day spring driven movement with eight hammers striking on four rods, housed in an arch top case with heavy brass handle, above bell husk and foliate scroll inlaid surround, flanked by a pair of brass capped free standing columns and raised on a plinth base and brass bun feet, 18"" (45.8cm) high
Lot 50
LATE EIGHTEENTH CENTURY OAK AND CROSSBANDED MAHOGANY LONGCASE COCK, with rolling moon phase, signed James Joyce, Whitchurch, the 12"" painted dial with subsidiary seconds dial, date aperture, gilt scrolled spandrels and rolling moonphase to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment, three gilt metal eagle and ball finials and brass capped free standing fluted columns, over a long trunk door with shaped top, flanked by fluted quarter columns and raised on a panelled base with fluted and chamferred fore corners and ogee bracket feet, 89"" 226cm) high
Lot 51
EARLY EIGHTEENTH CENTURY YEWWOOD AND STAINED BEECH LONGCASE CLOCK, signed Peter Stretch, Leek, the 12"" brass dial with silvered chapter ring, angelic mask spandrels and subsidiary seconds dial and date aperture to the matted centre, powered by an eight day movement striking on a bell, housed in a flat top case with scroll carved and part glazed frieze and barley twist fore columns, over a long trunk door with bulls eye glass and raised on a plain base with deep plinth, 82 1/4"" (209cm) high
Lot 53
EARLY NINETEENTH CENTURY FLAME CUT MAHOGANY LONGCASE CLOCK, signed Grant, Fleet Street, London, the 12"" silvered dial with subsidiary date and seconds dials to the centre and strike/silent dial to the arch, powered by and eight day movement striking on a bell, housed in a pagoda topped case, with scroll pierced panel and pair of flame finials, above stop fluted free standing columns and long trunk door with arch top, raised on a panelled base with shaped plinth, 92 1/2"" (235cm)
Lot 62
LATE EIGHTEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK with rolling moonphase, signed Thomas Williams, Preston, the 13"" brass dial with subsidiary seconds dial and date aperture to the matted and floral engraved centre, angelic mask spandrels and rolling moonphase to the arch, signed, powered by an eight day movement striking on a bell, housed in a flat top case with swan neck pediment above a pair of red tinted glass panels and pair of brass capped free standing fluted fore columns, over a flame cut long trunk door with shaped top, flanked by fluted quarter columns and raised on a conforming panelled base with shallow plinth, 89"" (226cm) high
Lot 63
EARLY 19th CENTURY OAK AND MAHOGANY LONGCASE CLOCK SIGNED J. TOPHAM, NANTWICH, the 13 3/4"" painted Roman dial with shell spandrels and subsidiary seconds dial and date aperture to the centre, powered by an 8 day movement striking on a bell, housed in a case with swan neck pediment, eagle and ball brass finials and part-fluted free standing square section fore columns, over a long trunk door with shaped top flanked by fluted panels and raised on a conforming base with moulded plinth, 85 1/2"" (217.2cm) high
Lot 67
A GOOD GEORGE III LANCASHIRE MAHOGANY LONG CASE CLOCK, the eight day movement striking on a bell with painted arched dial inscribed `G. Monks, Prescot`, with moon-phase and sweep seconds and calendar hands, the spandrels emblematic of the seasons, the case of good colour and attractive presentation with swan-neck pediment to the hood inset with South Staffordshire enamel roundels and painted glass tablets, brass corinthian capitals with fluted detached pillar flanking the door, the trunk with fluted quadrant forecorners with canted corners to the base, standing on ogee bracket feet, 94 1/4"" (240cm) high
Lot 69
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, with rolling moon phase, the 13"" square painted dial with fruit and flower spandrels and date aperture and rolling moon aperture to the floral painted centre, powered by a 30 hour movement striking on a bell and housed in a case with swan neck pediment, eagle and ball brass finials and brass capped free standing columns, over a long trunk door with shaped top, flanked by quarter columns and raised on a plain base with shaped plinth, 89"" (226cm) high (a.f.)
Lot 72
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, signed John Dumvile, Alderley, the 12"" silvered dial with brass angelic mask spandrels and subsidiary seconds and date dials to the centre, powered by an eight day movement striking on a bell, housed in a flat top case with three brass ball and spike finials and brass capped free standing, fluted fore columns, over a long trunk door with shaped top, flanked by fluted quarter columns and raised on a plain base with ogee bracket feet, 83 1/2"" (212.6cm) high
Lot 75
EARLY TWENTIETH CENTURY SPELTER AND BLACK VEINED MARBLE PRESENTATION MANTEL CLOCK, the 3 3/4"" Arabic dial with floral painted centre, powered by a drum shaped movement striking on a bell housed in a case surmounted by a seated semi naked female figure with open book `Lecture` and raised on an oblong base with central inscribed plaque and gilt metal feet, 18 1/2"" (47cm) high
Lot 76
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, signed Holliwell, Derby, the 13"" painted circular dial with date aperture to the floral painted centre, powered by a thirty hour movement striking on a bell, hosed in a case with swan neck pediment, brass eagle and ball finial, circular glazed aperture to the door and brass capped freestanding fluted fore columns, over a long trunk door with shaped top, flanked by fluted quarter columns and raised on an associated stepped base, 85 1/2"" (217.2cm) high
Lot 84
OLIVANT & BOTSFORD, MANCHESTER, ELLIOTT, GEORGIAN STYLE MAHOGANY CASED MANTLE CLOCK, with brass sing handle, decorated gilt dial with silvered roman chapter ring, movement marked ""F.W. ELLIOTT, CROYDEN ENGLAND 7 (SEVEN) JEWEL UNADJUSTED MOVEMENT"", 12561, sticking on a bell, raised on bun feet, with key, 9 ¼"" (23.5cm) high
Lot 726
A Carved and Gilded Lely Bolection Frame, 18th century, with leaf and flower head, gadrooned centres and acanthus corners, demi-fleur back edge, of lapped construction, 44.5x56.8cm: An English Gilt Composition Louis XIV Style Frame, early 20th century, with gilt slip, leaf sight, sanded flat, the ogee with continuous foliate scrollwork and leaf and bell flower corners, 54x37cm: A Carved and Giled Neoclassical Style Frame, early 19th century, with ogee leaf sight, plain ogee hollow and raked gadrooned front edge, 59.3x46cm., (3)
Lot 759
An English Carved and Gilded Louis XIV Style Frame, late 18th century, with leaf sight, sanded flat, the ogee with foliate and flower head scrollwork and acanthus corners, demi-fleur back edge, 27.5x35.3cm: A Gilded Reverse Profile Moulding Frame, 19th century, with leaf sight, plain front edge and reverse ogee, 33x28cm: A Pair of Gilded Bamboo Style Oxford Frames, early 20th century, 42x35.5cm., ea: A Gilt Composition Frame, early 20th century, with plain sight, ovolo and bell flower front edge, 37.5x31.5cm., (5)
Lot 803
A French Gilt Composition Second Empire Frame, with stepped sight. leaf course, plain hollow, the torus with tied laurel Leaf and berry, anthemion to reverse ovolo and cavetto back edge, 45x63cm: A Gilt Composition Empire Frame, mid 19th century, with cavetto sight, beaded course, reeded frieze, ribbon and stave, fluted hollow and acanthus corners, recessed guilloche to the front edge, plain reverse hollow and leaf back edge, 36x44.5cm: An English Aesthetic Gilt Composition Frame, with multiple leaf sight, bead course, the hollow with arched bell flower and leaf, tied laurel leaf and berry torus, plain reverse hollow, guilloche back edge, 43.5x35.7cm: A Gilt Compositioon Moulding Frame, late 19th/early 20th century, with cavetto sight, wedge hollow and bundled reed front edge with foliate ties, 51.5x69cm., (4)
Lot 854
An English Carved and Silver Gilt Convex Lely Frame, 18th century, with cavetto sight, with continuous bell flower on punched ground, flower head and foliate scrollwork and leaf corners, reverse hollow and leaf and shield back edge, bears label for J & W Vokins Dealers in Drawings and Works of Art 14 and 16 Gt Portland Street W also 15 King Street St James's SW London attached to the reverse, 128x105cm
Lot 889
A collection of clothing 1970s to include a pair of Biba bell bottom trousers, in a brown chevron design with turn ups, also a Bill Gibb tent dress multi coloured crepe, with pleated collar and cuffs (a/f) a brown leather waistcoat, a snakeskin waistcoat and belt by Sujon together with a floral print smock dress and belt by Sujon. (5) Provenance: From the collection of Suzy Menkes.
Lot 1667
A quantity of bone china including five Tea Plates and a Tea Cup by Royal Albert, a small collection of Coalport items including Elephant, Rabbit Bell etc, two Royal Grafton Dishes, a Minton Cup and Saucer, a Cotswold Royal Doulton Bowl,Royal Kendle Hedgehog Plate, an Elizabethan Plate, an orange and brown Vase,etc.
Lot 1835
An Oak and Elm cased 30 hour Longcase Clock, the 11'' square brass face having a polished brass chapter ring with Roman numerals and Arabic five minute digits, the centre of the face with engine turned patterning and with three cast brass spandrels and one beaten brass at the lower left of a differing design and probably made up of old lock plates, engraved to the base of the chapter ring is the name, ''Theophilus Jones, Aberg-avenny.'' The heavy brass plates of the movement are separated by two turned pillars and two rectangular section pillars and the movement striking the hours on a bell has an externally mounted count-wheel, the movement at one time having been cord driven is now driven by a chain. 75 3/4'' high x 17 3/8'' maximum width
Lot 417
An 18th century oak longcase - the hood with glazed door over a trunk door to a flat fronted plinth base, the 11" square brass dial with Roman numerals, mask head scrolling spandrels, matted centre, date aperture - inscribed John Huggins, Ashwellthorp - 30 hour striking movement on a bell - Height 196 cm
Lot 444
A.D. BELL "Clipper Ship at anchor", watercolour heightened with white, signed and dated 1946 bottom left, another by the same hand "River landscape with figure in a punt", watercolour heightened with white, signed and dated 1947 bottom left, and another by the same hand "River landscape with hills rising in background", watercolour heightened with white, unsigned (3)
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123896 item(s)/page