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Lot 878
A large and ornate 19th Century brass wool winder and counter, the moulded edge mahogany plinth raised on four turned legs, the hexagonal brass wheel with bell and mounted with a damaged enamel dial signed ‘John Nesbitt, Maker, 42, Market Street, Manchester’ below a further bell, the plinth with ivorine plaque for ‘John Greenwood Machinery Merchant, Rectory Road, Burnley’, 70 x 41 x 58cm
Lot 136
A French Boulle bracket clock the cast gilt brass dial with blue and white enamel Roman chapters, the movement with outside count wheel bell strike, signed Festeau Lejeune, Paris, the case with cherub finial over further gilt metal mounts and plain scroll feet, together with bracket, clock 82cm high
Lot 365
The Bubb family dolls’ house circa 1878, (not that Bubb) home built deep wooden house which unusually opens in two halves in the middle of the building, the façade with central front door, five windows, remains of working door bell, opening to reveal two rooms in each half of the house, old papers and fitted carpets, probably 1930s with a small quantity of furniture and tinplate fireplaces -24½in. (62cm.) high (old overpainting to outside) - a paper note inside reads this house was built by Mr Bubb Senior for his granddaughter in about 1878
Lot 488
A Tibetan brass temple bell, early 20th century, relief cast with a dragon chasing a flaming pearl and supported on a carved and wire inlaid black wood stand, character marks "Yonghe Zao". Height 44 cm, width 26 cm. CONDITION REPORT: The bell has been polished. The hammered decoration is slightly erased through polishing. There are no visible cracks or faults. The bell has been cast in two and each side has three matching character marks (see additional photograph). The ebonised carved stand is structurally sound with no obvious cracks however there is a small chip to the very top but nothing too distracting. The right hand carved dragon has its right inset eye missing.
Lot 1377B
Disney Aladdin Memorabilia. Includes Aladdin Photo Frame & Schmid Musical Ceramic Genie with Lamp Music Box - Which Plays ' A Friend Like Me ', Schmid Stamp to Base, Together with a Tinker bell Photo Frame - Damage to One Foot. Music Box 7 Inches High, Photo Frames 6 x 8 Inches ( 3 ) Items In Total. Please See Photo.
Lot 1433B
Autograph Interest Notecard With Peter Pan Reference Attributed To J M Barrie Dated February 1909 Framed Note Of Thanks believed to be handwritten by the author of Peter Pan and Wendy. Dated Feb 1909 (Between the first public performance of the play in 1904 and the publishing of the book in 1911) The note is hand written in cursive script, to the top left, printed in blue ink is the word 'Tinker Bell' with cursive underlining. The card reads 'Must get some "Fairy Dust" from the fairies if you want to fly. Love from Peter Pan'. Dear Diana, many thanks for your nice letter JM'. The card is dated to top left Feb 21/09. Framed and mounted in small period frame, the mount shows several areas of staining, there are some areas of foxing to the letter. According to our client this item has remained in the family's possession from the early 20th century.
Lot 1109
A French gilt metal and Cararra marble mantle clock, circa 1900, cast as a Classical styled female draping a garland of flowers over a cherub over a white enamelled dial with eight day movement chiming on a bell and signed for "Samuel Marti, Paris 1900", the base inset with gilt metal panels of mischievous putti and all upon raised short legs. Height 32 cm, width 27 cm (see illustration). CONDITION REPORT: The clock is in generally good order. The movement winds on both trains and seems to be ticking away as it should. The strike mechanism operates when manually advanced. The dial is in generally very good order. There is one small surface fracture to the enamel to the left of the numeral 10. This is not visible with the door closed. We have the pendulum but no key. The metalwork is all in generally good order. There is some rubbing to the original gilding particularly around the drapes and the extremities of the figures. All feet are present. There are some minor edge nibbles to the marble base but no significant losses.
Lot 1640
A 19th century mahogany longcase clock, with foliate carved hood, painted circular dial and eight day striking movement by Patterson, Airdrie, with arched trunk door flanked by canted angles, the base matched. Height 227 cm. CONDITION REPORT: The clock case is in generally very good condition. There is a minor loss to the veneer above the circular door hinge. All of the scrolling mouldings are in good condition. The trunk door is not significantly warped and closes as it should. We have the key. The plinth which as stated appears to be from a different case is also in good order with no condition issues. The dial looks to have been fairly recently re-finished and is in generally very good order with only minor blemishes. The clock is currently ticking away. There is however no catgut to the strike train. We have only one weight. The striking mechanism namely the bell, rack and hammer are missing as is the date wheel mechanism.
Lot 921
An unboxed Tri-ang Pressed Steel 'Routemaster' Bus in London Transport livery, approximately 57cm long. Overall F to G, the bus retains its bell and clapper to the underside of the vehicle. Five vintage Tri-ang Catalogues are also included with this lot, Christmas 1962, Frog and three Railway catalogues.
Lot 327
A Mackie Micro Series 1202 - VLZ, 12 Channel Mic/Line Mixer, a Philips 520 integrated amp, a Pioneer Amp A119, a Trio AM-FM Tuner KT5500, an Eclipse CD Player CD101, a Sony Video multi colour corrector XV-C700, a Toshiba turntable SR-A230 & BSR Turntable, an Ambiophonic Unit Type 666 made by Grampian, serial no 571, an Auto transformer by Bell & Howell A.V Ltd, Input 0-200, 220-240v, Output 115v at 10.5 A, a dbx II Noise Reduction System 124, a Bizeq Listener Home Alarm box and a Multiplug unit in wooden housing, box of miscellaneous cables and remotes.(13 items) and four boxes of miscellaneous equipment, leads, remotes etc from the recording studio.
Lot 14
A Derby 'Sevres' style ice cup, circa 1785, of bell shape form with kidney moulded handle, enamelled with swags suspended from a purple and mauve border, gilt dentil rim, puce marks, 7cm (2.8in) high; a Derby sucrier and cover, pattern number 82, grey marks, 12cm (4.8in) high; a Derby rose box base, naturalistically moulded with feathered puce rims, 8.7cm (3.8in) diameter (4)
Lot 26
A Caughley blue and white ice or sorbet cup, circa 1782-92, the pedestal bell shaped body painted with Chantilly Sprigs, 'kidney' handle marked 'S' to base, 6cm (2.3in) high; a Sevres ice cup of identical shape painted with chantilly flowers around the red and blue banded body, gilt dentil rim, interlaced LL's (2) Literature: For a similar Caughley ice cup in the same pattern see Godden's, 'Caughley and Worcester Patterns', plate 120 for another example which the author refers to as an 'egg cup'
Lot 519
Robert Anning Bell, RA (British, 1863-1933) "The Warning" signed lower left "R A NE / Bell / '02" watercolour 18 x 25cm (7 x 10in) Other Notes: Robert Anning Bell was born in London on 14 April 1863, the son of Robert George Bell and Mary Charlotte Knight. He studied at University College School, Westminster College of Art and the Royal Academy Schools, followed by a time in Paris. He later shared a studio with George Frampton (1860-1928) with whom he created a series of designs for an altarpiece which was exhibited at the Arts and Crafts Exhibition Society and later installed in the Church of St Clare, Liverpool. From 1895 to 1899, Bell was an instructor at the Liverpool University School of Architecture. During this time he became associated with the Della Robbia Pottery in Birkenhead and became increasingly successful as a book designer and illustrator. In 1911, Bell was appointed Chief of the Design Section at the Glasgow School of Art and from 1918 to 1924, he was Professor of Design at the Royal College of Art. He continued to paint and exhibit at the Royal Academy, the New English Art Club and the Royal Society of Painters in Water Colours. Dated 1902. Condition appears fine.
Lot 570
Thomas Heaphy (English, 1775-1835) Portrait of a gentleman, standing full-length beneath a colonnaded veranda beside a console table on which lie books and maps including one entitled "Perth / S H " signed lower right "T Heaphy 1822" watercolour on paper 61 x 44cm (24 x 17in)Provenance: By inheritance in the Alington family at Little Barford Manor, Bedfordshire, and by descent to the present ownerOther Notes: The sitter seems to be in Court Dress and wearing a red sash with a medallion, likely to be the Order of the Bath.The map in the background is entitled " PERTH / S H " and appears to show the Western edge of Perthshire, Scotland. It is believed to be based on one of the two maps of Perthshire published prior to the date of this painting - both of which were drawn by John Stobie, the first published in 1787 and the second in 1805.Heaphy was the first President of the Society of British Artists and was portrait-painter to HRH The Princess of Wales and The Duke of Wellington.We are grateful to the Archives and History Department at the A K Bell Library, Perth, for their assistance with the catalogue entry.The sitter’s Neck Order has been identified by Cleave and Co.“We believe this to be the Baronet’s Badge of Nova Scotia as this is also oval in design with blue edged enamel and the same sandy coloured ribbon”Condition: Very faded and with loss of colour. Backboard needs taking off as causing discolouration.
Lot 673
A French 19th century ormolu and porcelain mantel clock, the drum head flanked by twin winged female torsos issuing from acanthus leaves, painted 8.5cm dial depicting a courting couple, on a waisted square socle and rectangular base with painted panels to the front and sides, urn topped columns to the corners, on toupie feet, the bell striking drum movement stamped 'Manoah Rhodes & Son Bradford' 40.50 x 19cm (16 x 7in)
Lot 674
Thomas Lister, an imposing 18th century musical longcase clock, the oak and banded case with caddy top hood having 13 inch brass dial, moonphase disc to the arch, with seasonal figural spandrels, signed 'Thos Lister' to the chapter ring below, cut away calendar dial below the centre, the movement with substantial pillars and large barrel train playing on 10 bells, striking on a further bell, four winding squares to the dial centre (one possibly for tune selection or adjustment), the pendulum swinging between the plates, the trunk with star inlaid door, 262cm (102in) Other Notes: Thomas Lister of Halifax, born in 1745 in Luddenden, Yorkshire, trained with his father (also Thomas) and others in this well-known family of clockmakers. He left his father's studio in 1765, setting up his own workshop in Halifax where he worked until his death in 1814. In his own workshop he concentrated on quality eight-day clocks in mahogany cases. His work and output increased after the death of his only serious local competitor, Thomas Ogden, in 1769. He made a number of very complicated clocks including world-time and musical clocks. Thomas Lister senior, of the well known family of Halifax clockmakers, started out producing 30hour cottage type longcase clocks, his son Thomas junior then began making more complicated clocks, this surely being one of those examples....
Lot 675
Thomas Hunter, London, an 18th century red lacquer and gilt chinoiserie bracket clock, the arched case with five finials above painted 19cm dial, music selection hand to the arch indicating 'Song, Minuet, Hornpipe, Silent', moon hands and Roman numerals, still leaf cast door frame, three train 8 bell movement converted to anchor escapement, striking on a further bell, Prince of Wales feathers engraved backplate, glazed rear door, radiant mask side fret panels, on leaf scroll bracket feet 49 x 35cm (19 x 14in) some retouching, front glass broken, few empty holes to movement
Lot 677
Justin Vulliamy, London, a George III brass mounted ebonised balloon-shaped chiming table timepiece, the urn finial above the shaped brass dial, signed below, strike/silent lever above, with three train fusee movement chiming on six bells and striking on a further bell, signed to the engraved backplate, with glazed side panels, the rear with plain rectangular door 56cm (22in) A similarly shaped clock by Vulliamy is in the Royal Collection at Buckingham Palace, ref. RCIN 2838 together with a later associated gilt metal mounted wall bracket
Lot 678
An 18th century German or Austrian red chinoiserie three train bracket clock, the carrying handle above 17cm gilt dial with twin subsidiaries signed 'Georg Fideli Schmid' above the silvered chapter ring, with mock pendulum aperture, twin bell verge movement and shaped glazed side panels, on shaped feet 47 x 26cm (18 x 10in)
Lot 683
A 19th century French gilt metal and 'Sevres' porcelain clock garniture, the elaborate shaped case with mid-blue dial and panels painted with classical figures, drum movement stamped 'Gay Vigarino & Co Paris', on leaf moulded disc feet, with the accompanying pair of four branch candelabra (3) 49 x 44cm (19 x 17in) movement lacking bell and pendulum; some rust and oxidation to various case parts, some wear to decoration and a few losses
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