A third quarter 18th-century mahogany longcase clock with an 8-day movement by Thomas Mudge, London, the London mahogany case has a break arched hood with reeded and fluted columns with brass capitols, the straight-sided trunk has a break-arched moulded door with flame mahogany veneer, the base has a raised moulded panel to the centre, standing on a single moulded plinth, the 8-day movement has a break arched brass dial with strike/silent subsidiary to the arch, gilt mask and foliate spandrels, silvered chapter ring with outer Arabic five-minute marks and Roman numerals, the matted centre features a subsidiary seconds dial, calendar aperture and applied signature cartouche, the substantial 8-day movement is united by five knopped pillars, features bolt and shutter maintaining power, rack striking on a bell and long-shanked dead-beat escapement with a long brass crutch, 215cm high
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A late 18th-century flame mahogany longcase with associated movement and dial, signed Justin Vulliamy, the hood with architectural top has finely detailed mouldings to the door and cornice, reeded and fluted canted corners, the trunk, which also has canted, reeded and fluted corners, stands on a rectangular base with raised moulded panel and double moulded plinth, the 17th-century 8-day movement has an anchor escapement, internal countwheel, strikes the hours on a bell, and is united by five knopped and finned pillars, the later 11-inch silvered dial has outer Arabic five-minute markers, Roman numerals, calendar aperture, subsidiary seconds dial, and spurious signature, 207cm
An early 18th century walnut and seaweed marquetry month duration longcase by Edmund Day, London, the caddy-topped hood is surmounted by three gilt wood flambeau finials and has a finely pierced silk-lined fret, ebonised mouldings and brass terminals to the tapering ebonised columns, the trunk with convex throat moulding, panelled walnut veneer to the sides and all over seaweed marquetry to the front with ebonised mouldings, the square base has ebonised mouldings and a walnut plinth, the twelve inch dial has foliate engraving between the cherub and foliate spandrels, calendar aperture, subsidiary seconds dial and ringed winding holes, the signed silvered chapter ring has outer Arabic five-minute markers, Roman numerals, wheatear half-hour marks and inner quarter track, the blued-steel hands are elaborately pierced and sculpted, the four pillar month duration movement is united by four knopped and finned pillars, has passing half-hour strike with external countwheel to strike the hours on a bell, and anchor escapement with seconds-beating pendulum, 235cm tall
An early 18th century walnut and marquetry longcase clock with associated 11-inch dial and 8-day movement, signed D. Quare, London, the hood with seaweed marquetry to the cornice over a silk-lined fret with tapering ebonised columns, the dial aperture surrounded by floral marquetry, the trunk with burr walnut veneers to the sides, convex throat moulding, seaweed border and bird and foliate marquetry with inlaid bowmen to the door, and bulls' eye glass aperture, the square base with floral, bird and serpentine inlay with a seaweed border, standing on a moulded walnut plinth, the later 11-inch dial with mask and foliate spandrels, ringed winding holes and decorative steel hands, the silvered chapter ring with outer Arabic five-minute marks, Roman numerals, wheatear half-hour markers and inner quarter marks, the 8-day weight-driven movement has four ringed and finned pillars, internal countwheel for striking the hours on a bell, and anchor escapement with a seconds-beating pendulum, 215cm high
A Louis XV style scarlet boulle mantel clock, 19th century, the 5" dial with white and blue enamel chapters and Roman numerals, eight-day movement striking on a bell, gilt metal cast case on scroll feet, the interior with sunburst pendulum and simulated tortoiseshell part panels to the interior sides, figural mount, applied masks to each side, some boulle work lifting. 42cm high
A 19th CENTURY GILT METAL & CHAMPLEVE ENAMEL CLOCK GARNITURE, the dial marked 'Nathan & Co' set with blue Roman numeral indicators, the drum cased brass French movement chiming on a bell, matching two branch candlesticks, all on shaped giltwood and satin stands, the clock under a damaged glass dome, 41 cms high the clock
A WILLIAM & MARY MARQUETRY INLAID LONGCASE CLOCK by Daniel Mussard, London (registered as member of the Clockmakers' Company of London, 1686), 12.25 ins square brass dial with pierced brass spandrels and silvered chapter ring set with Roman numerals, subsidiary seconds dial and date aperture, before a twin wind double weight pendulum driven movement striking on a bell, the case with profuse marquetry inlay and ebonized mouldings, the long trunk door with pendulum viewing panel, inlaid with multiple figures amongst leaf and floral swags which are repeated to the trunk base, pendulum, weights and key present, 216.5 cms high
17th century brass lantern clock by Thomas Knifton at the Cross Keys in Lothbury, the pillared frame with side doors, with polished brass chapter ring round a floral engraved dial, cut steel hands, countable strike on bell, further inscribed William Woodcok, (probably the original owner) 34cm high
George III bracket clock by Thomas Delasalle, London, with signed, painted dial, twin fusee movement striking on a bell, engraved backplate, signed by maker and engraved pendulum, repeat pull, in dome-top mahogany case with pierced gilt brass grilles and red cloth ground, swing top handle, on bracket feet, 43cm high (key and pendulum present)
Late 19th century French gilt and bronzed spelter mantel clock in ornate case with lion attacking an Indian elephant with mahout on howdah on back - the dial with enamelled numerals and French movement striking on a bell, the base with elephant-head supports, 44cm high. An identical clock featured in the popular television drama 'Downton Abbey' and appeared on the Dowager's mantelpiece (key and pendulum present)
Gentlemen's 9ct gold open face pocket watch with English three-quarter plate movement, by J. Bell Ltd. of Leeds, with enamel dial in 9ct gold case CONDITION REPORT Dial is perfect but the glass is broken/cracked. Dial diameter is approx 39mm, watch diameter approx 47mm. Inner cover is gold, no presentation inscription, currently running and hands adjust. Total gross weight approx 77.6 gms
An early 19th century brass inlaid mahogany table clock, William North, York, the pagoda case with brass foliate inlay over ripple moulding and raised on four ball feet, the 8 inch repainted Roman dial with blued steel moon hands, the two train fusee movement with anchor escapement and rack strike to a bell, the shaped plates united by knopped pillars, height 18.5in. together with an associated mahogany wall bracket
A Regency mahogany bracket clock, Chater, Goswell Road, London, the case with sarcophagus caddy over reticulated brass sound frets and moulding, the 8 inch white painted Roman dial with blued steel moon hands, the two train fusee movement with anchor escapement and rack strike to a bell, the shaped plates united by five knopped pillars and fitted with a stirrup pattern pendulum, 21in.
A third quarter of the 19th century French ormolu clock garniture, the architectural break arch case with applied foliate and grotesque mounts centred on the 4 inch Roman dial with applied enamel numeral plaques, the two train drum movement with brocot style escapement and outside countwheel strike on a bell, 20.5in.
An early 19th century single pad top mahogany table clock, with pull quarter repeat, the 7.75 inch painted dial with Roman numerals and blued steel spade hands, later signed to the centre Whitehurst, Derby, the two train fusee movement with anchor escapement and rack strike to a bell mounted on the backplate, and pull quarter repeat on a rack of six bells, the shaped plates with engraved decorated border united by five knopped pillars, height 19in.
A 19th century Chinese hardwood mantel clock, of characteristic design, the pierced and carved stand raised on a turntable base with scroll feet and shaped stretchers, the 5 inch Roman and Arabic enamelled dial with scrolled hands and centre seconds mounted on a brass dial plate cast with lions and dragons, the two train chain fusee movement with verge escapement and rack strike on a bell, 20in.
A 19th century French ormolu mounted Sienna marble mantel clock, surmounted by a figure group of the Seduction of Aegina over the double plinth base with applied mounts, raised on five toupie feet, the 3.5 inch gilt brass and enamelled dial with Roman chapter ring and blued steel hands, the two train drum movement with brocot type suspension and rack strike on a bell, height 17.75in.
A second quarter of the 19th century gilt and patinated bronze mounted antico verdi marble mantel clock, Naudin & Bazelaire, surmounted by a seated figure of Justinian over the double plinth base with applied ormolu mounts, the 3.75 inch engine turned silvered dial with Roman chapter ring and blued steel moon hands, signed Naudin Bronzier and Bazelaire horlogère, the two train drum movement with silk suspension and outside countwheel strike on a bell, height 22.25in.
An early 19th century mahogany brass inlaid single pad topped bracket clock, with 8 inch repainted Roman dial and blued steel hands, the two train fusee movement with anchor escapement and rack strike on a bell, the shaped plates with foliate engraved borders united by five turned pillars, height 19.5in.
A second quarter of the 18th century and later quarter chiming table clock, the ebonised inverted bell top case with shaped side frets raised on brass bracket feet, the 10 inch brass dial with foliate mask spandrels and mock pendulum aperture to the centre, the silvered Roman and Arabic chapter ring with fleur de lys half hour markers below a strike silent lever, signed 'Ephraim How, London' to an applied silvered plaque to the arch, over engraved ho ho birds and scrolled foliage, the late 19th century three train chain fusee movement with anchor escapement chiming the quarters on a rack of eight bells and the hour on a separate bell, the plates united by four tapered pillars, the backplate engraved with foliate scrolls within a wheat-ear border, height 25.5in.
Robert Sanderson, London. An early 19th century mahogany eight day longcase clock, the case of characteristic form with break arch hood and stop fluted quarter columns to the trunk over a plinth base, the 12 inch brass dial with silvered Roman and Arabic chapter ring beneath the signed arch with moonphase and age of moon, the foliate engraved centre with subsidiary seconds and calendar aperture, the two train weight driven movement with anchor escapement and rack strike on a bell, the T shaped front plate secured to the backplate by five knopped pillars, H.7ft 1.5in.
Nathaniel Seddon, St James's, London An early 18th century walnut longcase clock, the hood with doric columns over plain trunk and long front door, raised on a plinth base (reduced), the 11.75 inch brass dial with Indian mask spandrels, Roman and Arabic chapter ring with fleur de lys half hour and cruciform half quarter hour markers, the matted centre with subsidiary seconds and calendar aperture, the two train weight driven movement with anchor escapement and rack strike on a bell, the plates united by five knopped and finned pillars, H.6ft 9in.
Thomas Oldmeadow, Lynn. An early 19th century mahogany longcase clock, the pagoda top over stopped fluted hood columns, concave throat moulding and plain trunk with stop fluted quarter columns, the signed 12 inch brass dial with engraved Roman and Arabic chapter ring and strike silent to the arch, the centre with subsidiary seconds and calendar aperture, the two train weight driven movement with anchor escapement and rack strike on a bell, the plates united by four knopped pillars (the fifth lacking), H.7ft 8in.
Thomas Wheeler, London. A late 17th century burr elm longcase clock, the 10 inch dial with silvered chapter ring and signed at the base, subsidiary seconds dial and dated aperture, cherub head spandrels, the five pillar eight day movement with external locking plate striking on a bell, the case with formerly rising flat topped hood with spiral turned pilasters, the rectangular trunk door with lenticle glass, the crossbanded base with bun feet, H.6ft 6.25in.
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123896 item(s)/page