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LEGEND - MOONSHINE AND LEGEND LPs - UK AND US ORIGINAL PRESSING LPs. Killer bundle of 2 x original pressing LPs from Legend. Titles are Moonshine (UK Vertigo swirl original 6360 063 - Ex record showing few marks, please note there is 'poly bag residue' that has likely been caused by the original swirl inner on side 1/play tested small sections of this side with no disturbance/Ex+ top condition gatefold sleeve showing only very minor edgewear) and Legend (US original pressing on Bell - BELL 6027 - Ex+ very smart condition record, a couple of very light hairlines/VG sleeve, front nice and clean, a tear on the 'pasted' paper on the reverse top section).
Music Collection 4 signed 10 x 8 inch photos including Louisa Allen aka Foxes, Eliza Doolittle singer Pack Up Skinny Jeans, Jamie Cullum, Andy Bell Oasis Bass Guitar,. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Robert Seabeck (American, B. 1945) "1970 Chevelle SS-454" Signed lower left. Original Mixed Media on Paper painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting appeared on the Republic of the Marshall Islands 60c 1970 Chevelle SS 454 stamp issued September 1, 1998. In 1970, long hair, bell bottoms and fast muscle cars were all the rage, and for many, the 1970 Chevelle Super Sport 454 was the muscle car supreme. Its 454-cubic-inch V-8 beast-of-an-engine could churn out a fearsome 450 horsepower. In 1970, 53,599 Super Sport Chevelle models were produced, but only 3,733 had the 454-cubic-inch V-8 engine. Of these, most were standard 454 V-8s that offered 360 horsepower. Only the high-performance, solid-lifter, high-compression LS-6 models, available in limited quantities, produced the coveted 450 horses. "You can make our tough one even tougher," promised Chevy. The ultimate Chevelle, the SS 454 LS-6 was one of the quickest muscle cars ever made -- a formidable adversary for anyone foolish enough to challenge it on a hot summer's night. Image Size: 7.75 x 18.25 in. Overall Size: 14.75 x 22.25 in. Unframed. (B15996)
A rare 19th Century German antique Ludwigsburg porcelain bell in the form of a woman having a hand painted floral dress with a green corset and gilt detailing throughout. Metal bell clapper to inner with double blue C marks for Ludwigsburg. Sadly missing one hand. Measures 11 cm tall x 13 cm.
GODFREY SYKES (1824-1866) FOR THOMAS BRADBURY & SONS, SHEFFIELD TOBACCO JAR AND COVER, CIRCA 1855 copper, electrotyped (Dimensions: 23cm high)(23cm high)Footnote: Literature: For a similar example lacking its finial see Victoria & Albert Museum Collection, London, museum no. 4031&B-1858 Note: Geoffrey Sykes was first apprenticed to an engraver, James Bell, in Sheffield and attended Sheffield School of Art in 1843. Sykes was strongly influenced by Alfred Stevens, who from 1850 was chief designer for iron founders Hoole & Co. of Sheffield, and Sykes worked for a period under Stevens at Hoole & Co. for no pay. This tobacco jar was designed by Sykes during this period and shown at the Dublin 1853 exhibition. In 1859, Sykes moved to London and worked on the decoration of the new South Kensington Museum, now the V&A, under the architect Captain Fowke. The work employed a variety of media: terracotta, mosaic, bronze, majolica, stained glass, paint and iron.
A Fine 18/19th century pictorial sampler, silk and wool finely worked on linen depicting a farm with animals grazing nearby, surrounded by a border of rose and blue bell garland, with a quote by the poet Alexander Pope "Teach me to feel another's woe, to hide the fault I feel, that mercy I to others show, that mercy shown to me" Margaret Houstoun, approx 31 x 38.5 cms, framed and glazed together with a 19th century Chinese silk embroidery panel, approx 20 x 46 cms framed and glazed. (2)
Middlesbrough Football Autographs: 11 players plus the trainer from 30/31 set out in a football formation. C/W a nice 53/54 page with 11 picture profiles signed by all and others including Mannion Bell Robinson and Walker. Lastly a picture card of a 49/50 team group with 11 autographs on plain page below including Mannion Gordon and Linacre.
Ca.800 - 600 BC. An early necklace formed with bronze and stone beads, large pendants in the form of a bell attached, possibly Hallstatt culture. Professionally restrung, suitable for contemporary wear. 740mm; beads- 480mm; 29.156x 18.912 in; 322g; Provenance: Private London collection, formed in the 1980s on the UK and European art market.
ca.400-300 BC. An amazing large size Greek Apulian wide-mouthed bell krater; The krater depicts a standing female holding an offering tray and wheat stock to the reverse possibly a young Dionysius also holding wheat stock and offering tray. Good condition; repaired; 240x270mm; 9.456x 10.638 in; 1671g; Provenance: Property of a central London Ancient Art Gallery; previously obtained from a British private collection formed in the 1980s in Kent.
ca.400-300 BC. An amazing large size Greek Apulian wide-mouthed bell krater; The krater depicts a standing female holding an offering tray and to the reverse possibly a young Dionysius holding a crown. Good condition; repaired; TEST REPORT; 290x310mm; 11.426x 12.214 in; 2339g; Provenance: Property of a central London Ancient Art Gallery; previously obtained from a British private collection formed since the 1980s in Kent.
5th - 4th Century BC - A Greek red figure bell krater, c. 400 BC, the broad everted rim with red ring to the interior and a band of laurel wreath to the underside of the exterior, palmette decoration below the upturned handles and Greek key meander below the designs. Side A depicting a seated, draped female holding a phiale in her left hand, before her a naked, standing male (possibly a young Dionysus or satyr) holding a thyrsus in his left hand. Side B showing two draped male characters each holding a staff before them, approximately 29 cm (h) Condition Report This piece has been professionally restored to a high standard, appears to have been in several pieces prior to restoration. Further pictures will be added
Greene (Graham, author, 1904-91) 4 Typed Letters signed "Graham" and "for Graham Greene" to Robin Midgley of The Haymarket Theatre, Leicester, comprising: 1 TLs from Greene & 3 TLs.s dictated by Greene and signed in absence by his sister and secretary Elisabeth Dennys, together 5pp., 8vo & sm. 4to, Antibes, France, 18th January 1980 - 10th October 1981, discussing his play, For Whom the Bell Chimes, "The play is intended to be purely farcical and therefore I prefer to think that the confusion is worse confounded rather than any light is cast. I am rather tempted by your idea that the woman police inspector turns out to be Ginger and I am also tempted by the idea of a completely new situation by the introduction of someone who has absolutely nothing to do with the play. Let me put all this up to my unconscious which produced Yes and No", and sending "extra pages for you to judge", and Yes and No, "... did you get a note from Michael Imison that the name of the dramatist in YES & NO should be changed. I had forgotten that Potter was a playwright. I suggested it should be changed to Privet", folds; and 12pp. of typed additions to For Whom the Bell Chimes, with a few small autograph corrections and some corrections by ?Robin Midgley, v.s. (18 pieces).
An antique late 19th / early 20th century Victorian servants call box / bell board. Mahogany construction with glazed front. Notation for various rooms of the house including Front Door, Dining Room, Drawing Room etc. Retains all of its original cardboard 'alert' notices. Measures approx; 35cm tall.
Mole Richardson - An original 20th Century retro vintage industrial film studio set theatre spot light lamp having a bell shaped shade with cylindrical bulb holder. Makers marks and numbers 18TV4 to verso. Raised on an associated yellow painted tripod. Originally taken from University of Bristol AVA Unit. Measures: 146cm tall.
EDISON THOMAS: (1847-1931) American Inventor of the phonograph and light bulb among many other items. Signed page, `Thos A Edison´, using his ''umbrella'' signature, folio, 13th June 1921. A bold black ink signature beneath a collector´s annotation to the heading stating "Autographs of the Leading People of the Whole World", and beneath, also in the collector´s hand the names of Guglielmo Marconi and Alexander Graham Bell, as future expected autographs. Folded, with overall minor age wear, otherwise G £250-350
AMERICAN INVENTORS: Elisha Gray (1835-1901) American Electrical Engineer, remembered for his development of a telephone prototype in 1876 and considered by some as the true inventor of the telephone ahead of Alexander Graham Bell. Gray is also considered to be the father of the modern music synthesizer. Vintage signed sepia cabinet photograph of Gray in a head and shoulders pose. Photograph by Gentile of Chicago and bearing their imprint to the lower mount and verso. Signed by Gray in dark fountain pen ink to the lower photographer's mount; Amos Dolbear (1837-1910) American Physicist & Inventor, remembered for his invention of a system for transmitting telegraph signals without wires in 1882. Vintage signed sepia cabinet photograph of Dolbear in a head and shoulders pose. Photograph by J. W. Black & Co. of Boston and bearing their imprint to the verso. Signed by Dolbear in dark fountain pen ink to the lower photographer's mount; Douglass Ottinger ( - ) American Captain with the United States Revenue Marine, credited as the inventor of the Life Car. Vintage signed sepia cabinet photograph of Ottinger in a half length pose wearing an official overcoat. Photograph by W. A. Morand of Erie, Pennsylvania and bearing his imprint to the lower mount. Signed by Ottinger with his name alone in fountain pen ink at the head of a printed biography to the verso. With a couple of pencil and ink annotations in another hand to the upper edge of the verso. An unusual grouping of signed cabinet photographs. Some light age wear and minor foxing and staining, G (2) to about VG, 3 £150-200
‘I open my fan mail from any corner, backwards, upside down…’ BERGMAN INGRID: (1915-1982) Swedish Actress, Academy Award winner. A somewhat curious A.L.S., Ingrid, one page, 8vo, n.p., n.d., to Mary Foster. Bergman writes in pencil on a sheet of feint ruled notepaper and states, in part, 'Now look what happened to your letter! You didn't pick it up right away and it fell from its superior place on the table into the fan mail. I open my fan mail from any corner, backwards, upside down and I read the name Mrs. Foster…..It rang a bell, I turn it and sure enough it's your letter. I didn't read it…..though I am dying to know what Mrs. Foster has to say!' With some heavy overall creasing and a series of tears to the upper edge, affecting some words of text but not the signature. FR £120-180
Referring to the Emperor, `Alex´ ministers are either idiots or thieves. They are enemies of the emancipation of peasants. Alex is better, but he is of such a feminine weakness…´ HERZEN ALEXANDER: (1812-1870) Russian Writer, known as the "Father of Russian Socialism". Herzen, while in exile in London, strongly influenced and contributed with his writings to the change of the political climate in Russia that led to the emancipation of the serfs in 1861 and further to the Russian Socialist Revolution. Extremely rare A.L.S., A. Herzen, one page, 4to, Percy Cross, Fulham, 24th December 1858, in French, with few words in German. A letter of extremely interesting content, referring to Tsar Alexander II and to the emancipation, stating in part `.. How can you ask which one is the relation between the "Bell" and the Emperor Alex and his ministers. Alex´ ministers are either idiots or thieves. They are enemies of the emancipation of peasants. Alex is better, but he is of such a feminine weakness… the necessity of chasing the rascals around him and urge the emancipation movement..´ Folded, otherwise VG £8000-12000
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123896 item(s)/page