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A Continental carved birch oval tobacco box, possibly Finnish, circa 1800, the integral hinged lid decorated in relief with a circular panel depicting a lion looking back towards the sun, supported by a ribbon-tied flower festoon within a floral and scroll border, length approx 13.2cm. Note: a similar example is illustrated in Edward H. Pinto's Treen and Other Wooden Bygones, G. Bell & Sons, 1969, plate 357.
A George III mahogany longcase clock with eight day movement striking on a bell, the brass break-arch dial with rocking Old Father Time automaton within a silvered circle, inscribed 'John Glennie London', above strike/silent indicator, silvered chapter ring, subsidiary seconds and date aperture, the pagoda top hood with glazed door flanked by fluted columns, the trunk with arched panel door and panelled base, on bracket feet, height approx 232cm.
A 19th Century French carriage clock, thought to be by Lepaute of Paris and retailed by W.G. Shaw of Paris, the 2.25ins diameter white enamelled dial with Roman numerals within engraved gilt slip to the eight day two train alarum movement striking and repeating on a bell, contained in engraved brass and bevelled glass gorge pattern case, 5.75ins high
A 19th Century French ormolu mantel clock, the 4.25ins white enamelled dial with Roman and Arabic numerals and retailer's name of Joseph Barling of Maidstone, to the eight day two train movement No. 440-13-3, striking on a bell, contained in ormolu case surmounted by two handled urn hung with ribbon and acanthus leaf swags, fluted sides and shaped plinth base, 15.5ins high
A 19th Century French mantel clock by Vincenti & Cie, No. 1070, the 3.5ins white enamelled dial with Roman numerals to the eight day two train movement striking on a bell, contained in ormolu and bronze mounted case surmounted by an urn of flowers and fruiting vine, and supported by two putti, the base inset with white marble panels with acanthus leaf mounts and hung with baskets of fruit and flowers, on four turned feet, 14.75ins high
A 19th Century French ormolu and porcelain mantel clock in the Egyptian manner, the porcelain dial with Roman numerals and decorated in colours and gilt with Egyptian style hieroglyphics, conforming side panels to the eight day two train movement No. 30482 striking on a bell, contained in ormolu case surmounted by an Egyptian figure standing in a shell flanked by two crocodiles, leaf capped turned uprights and two Sphinx facing out to sides, 13.5ins high, and giltwood plinth for same
A 19th Century French gilt and patinated bronze mounted mantel clock by Ad. Mougin, the 4.25ins white enamelled dial with Arabic numerals to the eight day two train movement striking on a bell, contained in rouge veined marble and green veined marble case with gilt bronze mounts, flanked by a bronze standing figure of a classical muse to right side, and bold acanthus leaf and leaf scroll ornament and leaf mouldings, on five turned and leaf capped feet, 19.5ins high
A late George III mahogany cased mantel clock by Boxer of Folkestone, the 6ins painted metal dial with Roman numerals to the eight day two train fusee movement striking on a bell, with arched top plates and engraved borders, contained in mahogany arched top case inlaid with boxwood stringings, and with domed glass, gilt brass fretted grilles to sides, on ogee bracket feet, 14ins high (case with later folding loop handle to top - dial worn and rubbed, and case in need of restoration)
A 19th Century French mantel clock by S. Marti & Cie, No. 6222, the 4.75ins white enamelled chapter ring with Roman numerals and visible escapement to the eight day two train movement striking on a bell and with Ellicott compensated pendulum, contained in black slate and green veined marble fronted case of drum pattern, the scroll front inset with bevelled glass panel, on plinth base, 18ins high
A late 19th Century French bronze three piece clock garniture, the clock No. 9834, the 4ins cast gilt dial with enamel Roman numeral cartouches to the eight day two train movement striking on a bell, contained in ornate bronze case with urn finial and columns to front supported by rampant lions, on rectangular base with scroll toes, 22ins high, and a pair of conforming five light candelabra, 25ins high
A late 19th Century French green onyx and gilt metal mounted three piece clock garniture, the cloth with 3.25ins white enamelled dial with Arabic numerals to the eight day two train movement striking on a bell, contained in green onyx case surmounted by a kneeling figure of a putti within a shell, and on leaf scroll feet, 13ins high, complete with pair of matching figures - Standing figures of young woman, on conforming bases, 15ins high (lacking pendulum)
An 18th Century walnut longcase clock by Edwd. Blower of Beccles, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon within engraved borders to the eight day two train movement striking on a bell, contained in figured walnut case with swept top and moulded arched cornice, plain turned pillars to hood, arched trunk door veneered in figured matched veneer panels and crossbanded, on conforming base with double moulded plinth, 99ins high (including later finials)
A late 18th Century walnut longcase clock by Thomas Hall of Wells, the 14ins arched brass dial with wide silvered ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and strike/silent dial to the arch to the eight day two train movement striking on a bell, contained in plain walnut case with moulded cornice and plain turned pillars to hood with gilt brass Corinthian capitols, shaped trunk door crossbanded on two sides, and on bracket feet, 85ins high
A late 18th Century oak longcase clock by William Payne of Lenham, the 12ins arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, strike/silent dial to arch and gilt decorated spandrels to the eight day two train movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, arched trunk door and astragal panelled plinth, on bracket feet, 84ins high
An 18th Century oak longcase clock by Baddely of Tong, the 13ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and showing phases of the moon to the arch to the eight day two train movement striking on a bell, contained in dark oak case with moulded scroll pediment and turned and fluted pillars to hood, the whole later carved with gadroon, leaf and scroll ornament, the shaped trunk door carved with an urn and mythical beasts and fluted quarter columns, carved raised panel to plinth, on shaped bracket feet, 94ins high (case split to plinth and in need of some repair - phases of the moon surface rubbed to arch)
A 19th Century oak longcase clock by Dunn of Elham, the 12ins painted metal arched dial with Roman numerals and subsidiary seconds and date dials, the arch and spandrels decorated with fruit and floral ornament to the eight day two train movement striking on a bell, contained in plain oak case, probably by Goulden of Canterbury, with shaped cresting and turned and fluted pillars to hood, arched trunk door, on bracket feet, 87ins high
A 19th Century mahogany longcase clock by Thomas Heywood of Bangor, the 14ins arched painted dial with Arabic numerals and subsidiary seconds dial and date aperture, the arch showing phases of the moon, and the dial and spandrels decorated with floral sprays to the eight day two train movement striking on a bell, contained in figured mahogany case crossbanded in rosewood, the hood with moulded scroll pediment and turned and spiral reeded columns to hood, the shaped trunk door with conforming turned columns, on plinth base with cant corners and ogee bracket feet, 97ins high
An early 19th Century mahogany longcase clock by Kleyser & Co, 4 Broad Street, Bloomsbury, the 12ins diameter painted metal dial with Roman numerals and subsidiary seconds dial to the eight day two train movement striking on a bell, contained in mahogany case, the front veneered in figured mahogany, the arched top with shaped and fretted cresting and fluted frieze, domed glass and cant corners, arched trunk door and the base with astragal panelled moulding and plinth base, 84ins high
A late 18th Century mahogany longcase clock by John Vidion of Faversham, the 12ins arched silvered dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and strike/silent dial to the arch to the eight day two train movement striking on a bell, contained in good quality mahogany "London" style case with swept top and twin brass finials, turned, reeded and brass stopped pillars to hood, the arched trunk door with figured veneered panel flanked by quarter fluted and brass stopped columns, the base with raised astragal moulding, on double moulded plinth, 94ins high
A mid 19th century French ormolu and porcelain three piece clock garniture, the clock surmounted with a pedestal urn, having a porcelain dial and twin winding holes for a brass eight day cylinder movement, having outside count wheel striking on a bell, the whole with painted porcelain reserves, flanked by twin porcelain columns, all heightened in gilt, height 41.5cm, similar scale garniture having pedestal urn candle holders with covers, height 26cm, each raised on giltwood plinths (Illus.)
A circa 1900 French gilt metal cartel clock in the Rococo taste, having a convex bezel, white enamel dial with Arabic numerals, twin winding holes for a French brass eight day cylinder movement, having outside count wheel and striking on a bell, the case with all-over scroll leaf cast decoration, height 47.5cm (Illus.)
An early 19th century oak and mahogany banded longcase clock, the hood having broken swan neck pediment, twin turned pilasters flanking painted square dial (width 12") signed to the centre Wilkinson of Leicester (active 1815-1826), and having Roman numerals, rolling date dial, having a 30 hour weight driven striking movement (lacking bell), the trunk having plain panelled door with mahogany crossbanding above a panelled box base with further mahogany banding to bracket feet, height 208cm (Illus.)
An 18th century oak longcase clock, the hood having an overlu cornice and twin three quarter turned pilasters flanking square brass dial (width 10"), the silver centre signed James Staples of Odiham (active 1757-1795), single pierced blue steel hand, brass chapter ring having Roman numerals, cast gilt brass corner spandrels, 30 hour weight driven four pillar movement striking on a bell, the trunk having plain panelled door to a box base raised upon a plinth, height 193cm (Illus.)
A French bronzed spelter and marble three piece garniture, the clock entitled 'L'AMOUR DEVOILANT LA VERITE Par Louis Moreau', the veined red marble base having gilt metal mounts, the clock face with white enamel dial, Arabic numerals, and twin winding holes for a brass eight day cylinder movement having outside countwheel and striking on a bell, clock height 65cm, the garniture as a pair of classical twin handled vases on marble bases, height 52cm (Illus.)
A French bronze spelter clock group, the raised dial surmounted by a cherub and flanked by child, and signed Poigevin of Caen, and having twin winding holes for a brass eight day cylinder movement, having outside countwheel and striking on a bell, the base cast with scroll leaves and flowers and raised on scroll feet, height 57cm (Illus.)
A 19th century mahogany and marquetry inlaid cheval mirror, the rectangular plate having a raised pediment inlaid with sheet music and instruments and within a continuous trailing scroll flower inlaid surround, all supported on square uprights with bell flower marquetry inlays, the base inlaid with swags, the whole raised on umbrella square tapering supports with brass castors, height 170cm (Illus.)
C19th Continental porcelain inkwell modelled as a stack of books; together with a late C19th / early C20th Continental porcelain reception bell; a Victorian porcelain vase modelled as a hand, with diamond registration mark (losses); a pair of late C19th / early C20th Continental porcelain salts modelled as hands; and a similar mustard pot with cover (6).
Armand Marseille 390 A10M bisque socket head 'jester' doll, with fixed blue eyes, open mouth, blond wig, wearing a silk tricorn hat with one bell remaining, together with a child's 'jester outfit' matching silk jacket and hat with attached brass bells; German small bisque socket head doll impressed 'Cbr 165 K', with blond wig, sleeping blue eyes and composition body wearing a suit and stockings, 28cms; a German bisque socket head doll impressed '914 PM' with replacement brown wig, fixed side glancing eyes (af), open mouth on a fabric body, 32cms (3)
18th Century gilt metal verge pocket watch, the movement signed Benjamin Gray, London dated C.C.L, silver and gilt disc regulator with serpent indicator, pierced and engraved balance cock with mask decoration, diamond end stone, turned baluster pillars. Lacks repeating train. Enamel dial with Roman and Arabic numerals. The back inner case with bell, the exterior with pierced and engraved decoration with foliate cartouche, a mask head, and a landscape - lacks outer case, 41mm diameter. Benjamin Gray is recorded as clock maker to King George II. From 1744 he entered into a partnership with Justin Vuillamy, his son-in-law
Good French ormolu musical mantel clock circa 1835, the movement signed Raingo Fes a Paris striking on a remote gong in the base and simulated striking on a bell in the tower, the 3.25" rose window dial within a case modelled as a Gothic tower with outset columns, crocketted finials and surmounted by a cupola containing the bell under a cockerel finial, raised on a stepped birds eye maple base containing the gong and a pull wind musical mechanism signed F. Nicole on the comb and Freres Nicole on the bed plate, playing a selection of airs, the music control to the side of the base with the original glass dome, 24" high
Good English ebonised double fusee bracket clock, the floral engraved back plate signed Charles Harvey, London, striking on a bell, the 6.5" brass arched dial also signed Charles Harvey, London, on an oval plate to the matted centre with false bob and calendar apertures, also with silvered chapter ring, strike silent lever and subsidiary seconds dial to the arch, within a gilded metal mounted case with repousse pierced arched balcony side panels, surmounted by a basket top with carrying handle and four turned finials, 20" high overall
1930's oak two train mantel clock, the F. Marti movement with outside countwheel striking on a gong, the 3.25" black dial with recessed visible escapement, within a stepped arched case, 12" high; also a French oak two train mantel clock, the F. Marti movement striking on a bell, the 4.75" white enamel chapter ring with recess gilded centre signed Bryson a Paris, within an arched case (2)
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123896 item(s)/page