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Click here to subscribeA George III oak longcase clock, the caddy top hood with blind fret frieze, with half round gilt capped columns, square brass dial with silvered chapter ring, subsidiary seconds and date apertures, black Roman numerals, with Arabic five minute divisions enclosed by cast spandrels inscribed on reverse W Barnard, the moulded arched door with bullseye aperature, on a plinth base, 8 day movement striking a on bell, dial 30cm (12" square), 210cm high overall
BELL, THOMAS A History of British Quadrupeds, Including the Cetacea. 1837; A HISTORY OF BRITISH REPTILES. 1839. 2 vols., cont. calf gilt. Text illustrations. -- BEWICK, THOMAS. A History of British Birds. Newcastle, 1809. Two parts in one. Cont. calf gilt (some wear to spine). Wood engravings. -- MONTAGU, Col. G. Ornithological Dictionary of British Birds. Second Edition . . . by James Rennie, 1831. Cont. half maroon morocco (darkened). Text illustration. With bookplates of George Becher Blomfield (4)
A George III mahogany longcase clock, late 18th century, the broken scroll pediment above a verre eglomise panel and arched glazed door enclosing a 13" brass dial with silvered chapter ring and Roman numerals, matted centre, subsidiary seconds dial and marked 'Richard Pugh, Newtown' in the arch, pierced cherub mask and dolphin spandrels, eight-day movement striking on a bell, flanked by later fluted pilasters over a full length shaped top trunk door between quarter pilasters, ogive moulding and raised panel baseboard and on later ogee bracket feet, restorations throughout, 94" high
A mid-Victorian crossbanded mahogany longcase clock, mid 19th century, the broken scroll pediment above an arched glazed door enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture marked 'JEH Matthews, Oswestry', painted with hunting dogs and game in the corners and a huntsman and dogs in the arch, eight day movement striking on a bell, flanked by turned pilasters over a three-quarter length crossbanded shaped top trunk door, between turned half columns over a canted apron and crossbanded base board, lacking feet, 88" high
An oak and rosewood and mahogany crossbanded cottage longcase clock, early 19th century, with shaped pediment and square glazed door flanked by turned pilasters enclosing a 12" white painted enamel dial with Roman numerals, subsidiary seconds dial and marked 'Horden, Kidderminster', painted flowers to the corners, eight-day movement striking on a bell, above a three-quarter length lozenge centred trunk door over a mahogany panel, flanked by fluted quarter pilasters above a crossbanded base board and on bracket feet, distressed, 83" high
A French Bronze and Onyx Figural Mantel Clock, circa 1880, the bronze titled "Mignon" after A Gaudez, as a young woman holding a mandolin leaning on a tree stump, upon a fluted cylinder with small 3 inch dial painted with swags of flowers between the Arabic numerals, the movement numbered 13205 by Vincenti, count wheel striking on a bell, the whole raised on frontal claw feet, (60.5cm high)
A French Ormolu Troubadour Clock, the engine turned radial centre dial over winged figures and a trophy of arrows and quivers, supporting a music stand, flanked by a lyre upon a stool, with a basal frieze of infants playing musical instruments, on block feet decorated with anchors, the movement count wheel striking a bell, numbered 937, (42cm high)
A Lantern Clock with Strike, 5 inch silvered chapter ring with Roman numerals set on brass surround signed Wm Barlow, Lynn Regis, the iron movement with count wheel strike on bell, the case with slender tapered corner pillars, turned feet and finials, (39cm high) (part 18th century with later additions and alterations)
A French Porcelain Mounted Gilt Bronze Clock Garniture, circa 1875, the movement No.5682 bell striking, the front porcelain plate painted with a young rustic couple in a landscape beneath a dial with Roman numerals in tablets, stop-fluted classical pilasters, upon ogee bracket feet, flanked by a pair of two-handled vases and covers, painted with panels of lovers in sylvan glades, (39cm and 27cm high respectively), each piece upon a giltwood stand, ebonised plinths beneath glass domes (the largest glass dome badly cracked)
A French Porcelain Mounted Ormolu Mantel Clock, circa 1875, the movement No.33237 12-2JBD striking a bell, the rectangular case surmounted by a two-handled urn, the front porcelain panel painted with a capriccio Italianate landscape with dial above with Roman numerals, flanked by Hermes, the side panels decorated with classical lovers in woodland glades, on leaf edged toupie feet, (28.5cm high)
A Gilt Brass Gothic Mantel Clock, W Robson, Newcastle, of architectural form, with battlemented cornice centred by an upswept crocket over the 5 1/4 inch silvered dial inscribed "W Robson, Newcastle", ogival arched side panels, eight day fusee bell striking movement, upon four inscrolled feet, (40cm high)
An Impressive Ebonised and Brass-Mounted Chiming Table Clock, late 19th century, the ebonised case with brass leaf mounts to four canted corners, side carrying handles above pierced sound frets, scroll feet, the bell top case with central urn finial upon bow decoration, dial with individual white enamel Roman cartouche chapters and painted seascape, the massive three train fusee and chain movement with anchor escapement, chiming on nine bells and striking on a further bell, (88cm high) (two finials lacking to case top)
A William IV Mahogany Bracket Clock, with pull repeat, mahogany, the fluted pediment with central pineapple finial, the sides with pierced brass sound frets and carrying handles, brass ball feet, painted white enamel dial signed "Wright, London", blued steel hands, Roman numerals, twin fusee movement with rack strike, pull repeating on one bell, signed "Wright, Lisle Street, Leicester Square, London", (55cm high), with associated mahogany fluted bracket
A Mahogany and Brass Inlaid Chiming Bracket Clock, signed Rowlands, Leadenhall St, London, circa 1840, the case with pagoda top and single brass pineapple finial, sound fret and handle sides, bun feet, re-painted white circular dial with Roman numerals, twin fusee movement, chiming on eight bells and striking the hour on one further bell, (59cm high)
An Oak Longcase Clock, Robert Simpson, Wirksworth, the 12 3/4 inch white enamel circular dial with date aperture painted with a bird on a cherry sprig within a laurel leaf frame, 30 hour movement striking a bell, in an oak and mahogany crossbanded case with broken pediment, reeded columns and stiles, on a base with inlaid leaf motif spandrels, (201cm high)
A George III Mahogany and Brass-Mounted Longcase Clock, signed Benj'n Ward, London, circa 1780, the pagoda top hood with brass ball and spire finials, centred by a pierced sound fret, brass top fluted columns, pierced glazed side panels, break arch door with moulded surrounds, the plinth with quatreform moulded panel, 12 inch brass dial with foliate spandrels to the a Roman and Arabic silvered chapter ring, silvered centre field, signed "Benj'n Ward, London", with date aperture and subsidiary seconds, strike/silent in the arch, five pillar movement with anchor escapement, rack strike on bell, (252cm high)
An Oak White Dial Eight Day Longcase Clock, signed John Winstanley, Holywell, circa 1820, arched trunk door with central shell motif, (later) feet, swan neck pediment with central finial, 13 inch square painted white dial with painted floral decoration, date aperture, subsidiary seconds, with falseplate to the four pillar movement, anchor escapement, rack strike on bell, (210cm high)
An Oak Eight Day Longcase Clock, signed John Watson, circa 1790, the hood with a flat top, turned columns, case with (restorations), 13 inch square brass dial, silvered chapter ring signed John Watson, Blackburn, date aperture, subsidiary seconds, four pillar movement with anchor escapement, (later bell), (213cm high)
A Marquetry Eight Day Longcase Clock, the case with profuse bird and floral marquetry, the trunk door with central lenticle, (later) bracket feet, the caddy top with floral marquetry, 12 inch square brass dial, silvered chapter ring, matted centre with subsidiary seconds, date aperture, four pillar movement with anchor escapement, rack striking on bell, movement and dial associated, (244cm high)
A Victorian Mahogany Eight Day Longcase Clock, the plinth with moulding upon bracket feet, arched trunk door flanked by reeded sides, the hood with swan neck pediment and surrounded by bell finials, 14 inch painted white circular dial, Roman numerals, subsidiary seconds, four pillar movement with anchor escapement, rack strike on bell, (223cm high)
A George III Mahogany Eight Day Longcase Clock, signed Benjamin Grant, London, the plinth with rectangular moulded panel, arched door with moulded surrounds flanked by brass capped reeded columns, the hood with pagoda top surmounted by ball and eagle finials, brass capped and fluted columns, 12 inch brass dial, chapter ring with Arabic and Roman numerals, matted centre with a brass plaque signed Benjn Grant, London, subsidiary seconds dial, date aperture, the arched chapter ring and aperture for lunar scale, five pillar movement with anchor escapement, rack strike on a bell, (250cm high)
A George III Mahogany Longcase Clock, signed Jas Cawson, Liverpool, circa 1780, inlaid case on shaped bracket feet, rectangular panel to the plinth, shell motifs, flame veneered shaped trunk door flanked by reeded inset columns, hood with swan neck pediment above glass insets, reeded columns, 13 inch brass dial, silvered chapter ring with Roman and Arabic numerals, subsidiary seconds, inner date ring with corresponding central date hand, the painted arch with automaton rocking ship, four pillar movement with anchor escapement, rack strike on a bell, (240cm high)
A Double Series Opaque Twist Cordial, ogee bowl with a multi-ply spiral band outside a pair of spiral tapes, circular foot, circa 1860, (14cm high); and A Continental Wine Glass, the bell bowl with six small air bubbles around a central bubble, the stem enclosing spiral tapes outside a central vertical gauze, circular foot, (16cm) (2)
An 18th century oak longcase clock, the hood with broken swan neck pediment and Ionic columns above an arched trunk door and box base, the brass dial with strike silent ring to the arch and seconds subsidiary dial with Roman and Arabic numerals, bearing a plaque 'John Robinson, Westminster', the 30 hour movement, striking on a bell.
A 19th century West Country oak and crossbanded long case clock, the 8 day movement striking on a bell to a 12in square painted dial with subsidiary seconds dial and date aperture inscribed J. Weare, Wincanton, the glazed hood with a swan neck pediment and turned columns the waist door flanked by canted corners, the base with a raised panel, on bracket feet, 6ft 10.5in (209.5cm) high.
A mahogany longcase clock, the 8 day movement striking on a bell to a brass arched dial with a silvered chapter ring, seconds dial and date aperture, the boss inscribed Jno. Rowning, Newmarket, cast spandrels, the hood with an urn finial arched trunk door to a shaped base, 7ft 3in (221cm) high.
A mahogany longcase clock, the 8 day movement striking on a bell to an arched brass dial, with silvered chapter ring, subsidiary seconds dial and date aperture, the arch boss engraved a figure of Father Time and inscribed Tempus Fugit, the hood with a pagoda front top, reeded columns, arched waist door to reeded sides, the framed base to a shaped apron, 7ft 1.5in (217.2cm) high.
An early Victorian rosewood bracket clock, the 8 day twin fusee movement striking on a bell, to a circular enamel dial, the pointed arch case with a stepped top and ribbed finial, gilt brass capital cluster columns, flanking a shaped panel front with carved foliage, pierced brass side panels, on ribbed feet, 21in (53.3cm) high.
A Victorian banded agate brooch modelled as a hanging bell; a patented silver cross with pendant loop, formed of enamel forget-me-nots, set with a pearl, 3in long; a silver set citrine brooch of cruciform design; and two Aesthetic Movement silver brooches decorated with two colour gold flowers. (5)
George III mahogany and ormolu mounted bracket clock, by William Fox, London, the domed top with square platform applied with a pierced brass gallery, above an arched glazed door flanked by scroll and leaf cast fretwork panels, on a moulded plinth and four leaf cast scrolled feet, the seven inch arched and silvered brass dial with Roman hour numerals and Arabic minute numerals to the chapter ring and a strike silent dial to the arch, the twin train movement with single winding hole, inverted anchor escapement mounted with a bell, engraved back plate and pull repeat, 45cm high x 31.5cm wide.
Charles Frodsham, London, a repeating carriage clock, white enamel dial with engraved gilt mask, the going striking on a bell, Swiss compensated balance, the back plate signed Charles Frodsham... Made in England, in a case with bevelled glass sides and fluted column corners. Height 18cms 7" (with key)
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