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Click here to subscribeA Mahogany Eight Day Longcase Clock, unsigned, the case with swan neck pediment and pierced work, arched inlaid trunk door flanked by turned columns, inlaid plinth upon bracket feet, 14 inch brass break-arch dial with silvered chapter ring, moon disc in the arch, subsidiaries for date and seconds, falseplate stamped "Wilson", four pillar movement with anchor escapement and rack strike on bell, {244cm high} (case, movement and dial associated).
An Oak Chiming Longcase Clock, early 20th century, the "Mouseman" case with flat top and carved floral decoration, carved mouse to the side, glazed rectangular trunk door and moulded plinth, 11 inch square brass dial with silvered chapter ring, matted centre with subsidiary seconds and a silvered plaque signed "Sinclair Handing, Cheltenham", three train movement with eight hammers striking on eight bells and a further bell for the hours, {194cm high} .
An Oak Eight Day Longcase Clock, signed Jn Bell, Hexham, circa 1810, the oak case with flat top and turned pillars, the trunk flanked by canted angles, 13 inch painted dial signed Jn Bell, Hexham, and depicting painted figures to the arch and corners, subsidiaries for date and seconds, falseplate stamped "Wilson", four pillar rack striking movement on bell with anchor escapement, shortened plinth, {205cm high}.
A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment, gilt metal capped fluted Corinthian columns above a short trunk door, box base and bracket feet, the 30.5 cms painted dial with moonphase to the arch and fruit painted spandrels with a seconds subsidiary dial and calendar aperture, inscribed Benjamin Greening, Coleford, the 30 hour movement striking on a bell.
An Opaque White Glass Bottle Vase, circa 1770, of shaft and globe form with moulded vertical threads, and swept circular foot, {13cm high; An Opaque White Glass Pedestal Tazza, the shallow circular dish on a classic baluster stem and circular foot, probably early 19th century, {8.6cm high}; and A Victorian White Opaline Goblet, the bell shape bowl engraved with a basal band of petals, on a baluster stem and circular foot, {16.5cm high} (3).
A Continental Colour Twist Stem Wine Glass, the bell bowl on a double series colour twist stem of red and white alternating spirals round a central tubular gauze, {15.8cm high}; and An Air Twist Wine Glass, the drawn trumpet bowl on a multiple spiral air twist stem with basal knop and slightly domed foot, early 20th century, {18.4cm high} (2).
A Sweetmeat Glass, the honeycomb moulded double ogee bowl with everted rim, upon an eight-sided stem between collars, with conforming domed foot, circa 1750, {15.4cm high}; A Blue Glass Wine, the rounded funnel bowl on a plain stem and circular foot, circa 1830, {12.1cm high}; and A Goblet, of heavy baluster style, the bell bowl with solid base, upon a drop knop above a true baluster knop, domed and folded foot, {18.2cm high} (tiny flake to rim) (3).
A Set of Three Continental Opaque Twist Wine Glasses, each with bell bowl on a double series opaque twist stem, four spiral tapes around a spiral core, {16.5cm high}; Two Continental Opaque Twist Wine Glasses, each with engraved bell bowls on double series opaque twist stems, {16.5cm and 15.5cm high}; and A Small Continental Opaque Twist Wine Glass, with bell bowl and double series opaque twist stem, three spiral tapes around a central multiple spiral core, {12cm high} (chips to foot and rim), all 18th/19th century (6).
A Faceted Stem Wine Glass, the ovoid bowl engraved with an encircling band of repeat oval motifs, on an hexagonal faceted stem, circa 1790, {11.5cm high}; A Similar Ale Glass, with diamond faceted stem, {16.3cm high} (band of glass "sickness" internally); A Jelly Glass, the bell bowl upon a flattened knop, {11.5cm high} (two conjoined chips on foot rim); A Dwarf Ale Glass, the conical bowl engraved with a band of star motifs over a twelve-panel collar, {11.1cm high}; and Three Small Continental Drinking Glasses (7).
A Meissen Porcelain Figural Mantel Clock, circa 1880, as cupid holding a torch beside an altar surmounted by a pair of doves and encrusted with floral swags, 6.5cm circular enamel dial, twin barrel movement striking on a bell, decorated overall in soft colours and gilt, on a guilloche plinth base with bun feet, crossed swords in underglaze blue, {31cm}.
A Chinese Export Enamelled Porcelain Mug, Qianlong, circa 1750, the bell bowl decorated with a family group in an interior watching two strutting cockerels, within red frame lines, C shape handle, {16cm high}; A Large Export Mug, circa 1790, the cylindrical body painted with two panels depicting Manchu families on verandas within scrolled frames, with lozenge repeat and diapered ground, entwined strapwork handles, {16cm high; and Another Export Mug, circa 1780, cylindrical, painted with five Manchu family members on a lakeside veranda, against a lozenge repeat pattern ground, the C shape handle applied with ruyi motifs, {13cm high} (3).
A 19th century carved oak longcase clock, the two-train eight-day movement with anchor escapement and rack-strike on a bell, the arched brass 12 1/4in dial with a painted arch depicting a cottage beneath the legend IMPROVE YOUR TIME, the brass chapter ring with Roman numerals and Arabic five-minute divisions, surrounding date and moon-phase aperture and inscribed Samuel Fletcher Dewsbury, the foliate carved case with an arched hood, 212cm high
A mahogany longcase clock in the George III style, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched brass dial with silvered chapter ring with Roman numerals and subsidiary seconds dial, inscribed with retailer's name W. Carter & Son SALISBURY, the arch with sunburst, the case with brass capped pilasters and the hood with three gilt-metal ball finials, 144cm high
A 19th century oak and mahogany banded longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted and arched dial with Roman numerals, Arabic sub-divisions, date aperture and subsidiary seconds dial, the arch painted and gilt with a shell motif, indistinctly inscribed Robt. Fletcher (?), the case with two brass capped fluted pilasters, the hood similarly ornamented and with broken pediment, 211cm high, (some wear to dial).
UpJohn, Exeter; a William IV/early Victorian mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the white painted circular dial with Roman numerals and subsidiary seconds dial, indistinctly inscribed UPJOHN EXETER, the plain case of figured mahogany and with canted corners, the arched hood applied with a carved wood frieze with central cabochon, 200cm high, (extensive flaking to dial).
A 19th century oak North Country longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched brass 13in dial with Roman numerals and Arabic five-minute divisions, date aperture, subsidiary seconds dial and inscribed William Pearson. Berwick on Tweed and engraved with scrolling foliage and surmounted with a basket of flowers, the plain case with a lancet door and blind fret canted corners, the hood with dentil frieze and flat pediment, 209cm high
A 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals and Arabic five-minute divisions, the centre with subsidiary seconds and date dials, painted with floral spandrels, the plain case with arched door, the hood with scroll pediment, 228cm high, (some wear to the dial)
A 19th century oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted and arched dial with Roman numerals and Arabic five-minute divisions, date aperture, subsidiary seconds dial and inscribed In. Darke Barnstable, the arch with ship automaton, the plain case with fluted pilasters, the hood with broken pediment, 209cm high, (worn and over-painted dial, replacement automaton)
An oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the 11inch brass dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial, putto-head spandrels and inscribed Well. Clofs SQUARE, plain case and flat pediment hood, 205cm high
Briggs, Skipton; a 19th century oak and mahogany North Country clock, the thirty-hour movement with anchor escapement and striking on a bell, the painted and arched dial with Roman numerals and subsidiary seconds dial, the arch painted with two figures and a horse, the case with lancet door and short fluted pilasters, the hood with swan-neck pediment, 216cm high, (suspension broken)
A pine longcase clock, the eight-day two-train movement with rack strike on a bell, the arched and painted dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial, date aperture and inscribed C. Boney Padstow, the arch with an automaton representing Adam and Eve, the plain case with a rectangular door applied with a lozenge boss, the domed hood with two small flamiform finials, 207cm high, (suspension of pendulum broken).
Geo. Gemmel and Helen Hutton; a late Georgian/William IV mahogany and line-inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted gilt circular dial with Roman numerals, subsidiary seconds and date dials and inscribed GEO. GEMMEL and HELEN HUTTON, the case with figured mahogany, the hood with swan-neck pediment, 221cm high, (some wear to dial)
A Regency/William IV mahogany longcase clock, the eight-day two-train movement with rack-strike on a bell, the enamelled circular dial with Roman numerals, subsidiary seconds and date dials and indistinctly signed, the case with a pair of plain column supports, the domed hood with brass bezelled glass, 199cm high
A 19th century oak and mahogany inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial, date aperture and indistinctly inscribed ....HARRIS...., the arch painted with a cottage in a landscape, the case with a shaped door with rosette motif and flanked by a pair of fluted pilasters, the hood with broken pediment, 226cm high
J E Armson, Leebrooks; a 19th century mahogany North Country longcase clock, the eight-day two-train movement with rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds and date dials and inscribed J. E. ARMSON LEEBROOKS, the arch with moon-phase automaton, the figured case with lancet door and canted corners, the hood with broken pediment, 227cm high
Richard Gibbs, London; a George III black lacquer longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and inset plate inscribed Rich.d Gibbs LONDON, with finely cast mask-head spandrels, the arch with date dial with dolphin spandrels, the case japanned with Oriental figures and buildings, the hood with tall dome inset with a glass window, 227cm high.
A carved oak longcase clock; the thirty-hour movement with anchor escapement and striking on a bell, the brass 12 1/4inch square dial with silvered chapter ring, Roman numerals, Arabic five-minute divisions, date aperture and plate inscribed SAML LIDDELL OLDSWINFORD, the heavily carved case with a flat pediment hood, 195cm high
John Gladstone, Biggar; a 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals and Arabic quarter-hour divisions, subsidiary seconds dial and date dial, painted with birds and flowers, the plain case of figured mahogany and with two fluted pilasters, the hood with swan-neck pediment, 210cm high, (some over painted sections to dial).
A 19th century mahogany Scottish longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds and date dials and painted with Scottish figures, the line-inlaid case with canted corners, the hood with flat pediment, 205cm high.
A 19th century oak and mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted and arched dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and date aperture, indistinctly inscribed J. & S. Sunbery (?) Wolverhampton, the arch painted with a castle and with similar spandrels, the case with lancet door and brass-capped fluted columns, the hood with broken pediment and eagle and ball finial, 221cm high, (some wear to dial)
Thomas Crofts Junior, Newbury; a late George III oak longcase clock, the thirty-hour single-train movement with anchor escapement and striking on a bell, the 11 3/4in brass square dial with Roman numerals and Arabic five-minute divisions and engraved with foliate spandrels, inscribed Thos. Crofts. Junr. Newbury, with plain case and hood, the latter with flat pediment, 209cm high, (case partially stripped).
A late 19th century English-retailed French brass mantel clock, with a two-train movement striking on a bell and with half-hour pass-strike, the back-plate stamped E. ET E. EMANUEL THE HARD. PORTSEA, the enamelled dial with Roman numerals and Breguet hands, in a domed case, 31cm high (dial cracked); and with an ebonised wood stand and glass dome
Grohe, London, a late Victorian engraved brass Gorge cased carriage clock with alarm, the French eight-day three-train movement with detached lever escapement and striking on a bell with half hour pass-strike, the back-plate inscribed GROHE WIGMORE STREET LONDON, the foliate engraved rectangular dial-plate with an enamelled circular dial with blue Roman numerals and inscribed GROHE WIGMORE STREET LONDON, above a subsidiary alarm dial, the foliate engraved and glazed case with a shuttered door, 15cm high with handle extended (small section of alarm hand lacking).
A late 19th century French mahogany and gilt-metal mounted portico clock, in the Charles X style, the eight-day two-train movement with anchor escapement, striking on a bell and with a large bi-metallic bob pendulum with floral boss, the gilt-metal dial with Roman numerals and Breguet hands, the pediment supported by four Etruscan columns, 48cm high
A late 19th century French ebonised and faux marquetry gilt-metal mounted portico clock, in the Charles X style, the eight-day two-train movement with anchor escapement, striking on a bell and with a large bi-metallic bob pendulum, the enamelled dial with Roman numerals, the shaped pediment supported on four barley-twist columns, 48cm high; and a stand en suite, (dial cracked)
A late 19th century French ebonised portico clock, in the Charles X style, the eight-day two-train movement with anchor escapement, striking on a bell and with a large bi-metallic bob pendulum with floral boss, the gilt-metal dial with Roman numerals and Breguet hands, the pediment supported by four Etruscan columns, 49cm high, (dial worn)
Henri Marc, Paris, a French brass-cased carriage clock with alarm, the eight-day three-train movement with lever escapement and striking the hours on a bell and with half-hour pass-strike and repeat button, the enamelled dial with Roman numerals and Breguet hands, above a subsidiary seconds dial, in a Corniche case, 18cm high with handle up; with leather-covered wooden carrying case
J. Edwards Stourbridge; a Regency mahogany drop-dial wall clock, the five-pillar two-train fusee movement with anchor escapement and striking on a bell, the round enamelled convex dial with Roman numerals, the plain case of a rich, figured mahogany and applied with a pair of fan-cut 'ears', 61cm high, (some wear to dial).
A late 19th century carved pine wall clock of Black Forest type, the French eight-day two-train movement with outside count-wheel strike on a bell, the carved wood dial applied with blue and white enamelled Roman numerals surrounded by carved game and hunting trophies and surmounted with a hound, the whole mounted on a shaped-oval shield, 82cm high
Josh: Gurney Bristol; a George III black japanned tavern clock, the month going two-train five-pillar movement with anchor escapement and striking on a bell, the painted white round dial with Arabic numerals and brass spade hands, the winding holes with brass shutters, the drop dial case inscribed Jos:h Gurney BRISTOL. above a japanned door decorated with figures on a garden terrace, 149cm high, (some over-painted areas to the dial).
A Regency mahogany bracket clock, the eight-day two-train fusee movement with anchor escapement striking on a bell, the enamelled circular convex dial with Roman numerals, the brass inlaid case with two brass carrying handles and pierced sound frets, the gadrooned domed top surmounted with a ball finial, 51cm high, (some chips to dial)
Jacob Rodet, London; a George I/II quarter repeat ebony-veneered bracket clock, the eight-day two-train fusee movement with verge escapement, striking the hour on a bell and with pull-repeat for the quarters on three bells, the foliate engraved back-plate inscribed Jacob Rodet London, the square brass seven inch dial with silvered chapter ring with Roman numerals, Arabic five minute divisions, date aperture and false pendulum aperture, within putto head spandrels, inscribed Jacob Rodet London, the plain domed case surmounted with a gilt-metal carrying handle, 39cm high with handle up.
A mahogany bracket clock, the eight-day two-train fusee movement with verge escapement and striking on a bell, with bob pendulum and engraved back-plate, the enamelled circular dial with Roman numerals, Arabic five minute divisions, subsidiary date dial and inscribed T: HUNTER LONDON, the figured mahogany case with gilt-metal bracket feet and carrying handle, 39cm high with handle up; and a wall bracket
A 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds and date dials, the arch painted with a Highland shepherd and shepherdess, the dial with spandrel figures emblematic of the Four Seasons, with chequer line-inlaid case and flat pediment hood, 208cm high
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