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A large glass and silver mounted scent bottle, London 1941, the body in clear cut glass of bell shape; with a powder bowl having a plain silver cover; two toilet bottles with green enamelled covers, another similar bottle with an engine turned cover; and two small cut glass salts with green enamelled silver rims
A fine George IV silver-gilt table bell, John Edward Terrey, London 1820-21. the cast body chased with shells, flowers and foliage against a matted ground, the handle formed as four plumes rising to a cushion knop chased with scrolls and flowers surmounted by a finial formed as a marquess’s coronet, 12.6cm high. 13oz. 10dwt, Literature: The Collection of Alan and Simone Hartman, Christie’s New York, 20th October 1999, lot 177. Provenance: The Collection of Alan and Simone Hartman, Christie's New York, 20th October 1999, lot 177
A George I silver desk stand, Courtauld, London 1721-22. the tray of rounded rectangular outline with moulded everted rim and engraved with armorial to opposing sides, centrally applied with simple raised stand with pull out drawer and applied with three moulded stands for chalk pot, inkwell and table bell all engraved with crest with coronet above, 31cm wide, 76oz, Heraldry: Engraved with the Arms of Thomas Howard, 8th Duke of Norfolk, the boxes and bell with the crest and Ducal coronet for the Dukes of Norfolk, Note: With engraved scratch weight to underside of tray 80=10. Drawers in inkstands are unusual, however the Courtaulds made others: One by Augustine, 1730 (illus. E. A. Jones, Old English Plate of the Emperor of Russia, 1909, pl.XLV). Another by Samuel Courtauld, 1749, is in the Ashmolean Museum, Engraved with the Arms of Thomas Howard, 8th Duke of Norfolk, the boxes and bell with the crest and Ducal coronet for the Dukes of Norfolk, Notes: with engraved scratch weight to underside of tray 80 . 10. An unusual form, drawers in inkstands are unusual, however the Courtaulds made others;, One by Augustine, 1730 (illus. E. A. Jones, Old English Plate of the Emperor of Russia, 1909, pl.XLV). Another by Samuel Courtauld, 1749, is in the Ashmolean Museum
A late 19th Century gilt brass mantel clock with urn finial and grotesque mask ring handles, the breakfront base with tongue and dart border on tapered feet, the circular dial having enamelled segmented chapter ring with black Roman numerals, fitted an eight-day movement striking on a bell, 32cm (12.5") high
A MID 19TH CENTURY MINTON PARIAN FIGURE "CLORINDA" impressed with name John Bell and date January 1848 to rear, impressed Minton factory mark to base with date code for 1848. 34cm high. *** A similar model can be viewed in "The illustrated Guide to Victorian Parian Ware " by Charles and Dorrie Shinn, plate 64, publishers Barrie and Jenkins Ltd London, 1971.
An unusual silver combination spirit flask, vesta case and compass by William Thomas Bell, London 1904, plain oblong, the bayonet cap inset with a compass, the vesta compartment to the base, 13cm (5.25in) high, 162g (5 oz) gross; and a Victorian oblong cheroot case by E. H. Stockwell, London 1891, the cover embossed with a startled pheasant and engraved 'Novr. 1892', 8.7cm (3.5in) long
A good set of late Victorian Brass and Cast Iron mounted Balance Scales by W & T Avery “Patent Gate Balance”; together with a graduated set of six circular Brass Weights, 1 ounce - 2 pounds; and a further Brass bell-shaped Weight, fitted on one side with a Brass dish and the other with a ceramic circular plate, the printed en grisaille with a heraldic motif “Justitia et Fides”, 34” high. NB – This Lots may be viewed as displayed on Rows Two and Three of the Furniture
A mid 18th century brass barrelled flintlock blunderbuss, 31½" overall, bell mouth barrel 16½" with London and maker's proofs and engraved JONES=TEMPLE=BAR=LONDON , rounded lock with unbridled frizzen, the plate engraved Jones in panel, walnut fullstock with engraved brass mounts including scrolled sideplate and baluster ramrod pipes, old brass tipped wooden ramrod. GWO & C (lock cleaned, cock a good old replacement) Plate 11
SUBSTANTIAL 19th CENTURY WHITE MARBLE AND GILT BRONZE MANTLE CLOCK, the case with break- front plinth base mounted with painted porcelain reserve, the clock supported on bronze c-scrolls, the dial with Arabic chapter and visible Brocot escapement, signed Reid & Sons, Paris, complete with spring driven two train movement also signed, countwheel striking on a bell, the grid iron pendulum with mechanical rise and fall adjustment. 39cm
WILLIAM GRIFFITH, DEVYNNOCK (DEFYNNOG), A MAHOGANY LONGCASE CLOCK OF ELEGANT SLENDER PROPORTIONS, with long rectangular trunk door, the hood with fluted pillars, 28cm square brass dial, signed, with date aperture, four pillar 30 hour movement with outside countwheel striking on a bell. 2.14m
FINE NEO-CLASSICAL REVIVAL PAINTED MAHOGANY AND SATINWOOD VITRINE CABINET, c.1900, of architectural form, the moulded dentilled cornice above a boldly fluted frieze centred by a rectangular tablet painted with Classical maidens and putti, above a pair of astragal glazed doors enclosing glass shelves and flanked by scrolling panels painted with stylised acanthus, above a plain frieze inlaid with stylised flowerheads, ribbon-tied bell-flower swags and raised on string-inlaid tapering square-section legs, terminating in spade feet. 1.92m by 1.40m by 0.40m
A Russian silver coloured table bell in the form of a dog, maker's mark 'H..', Russian 84 zolotnik mark for St Petersburg, Polish 1920-1963 .800 standard for Warsaw, Lombard owl mark for 1920-31, naturalistically chased with fur, on a moulded base, the gilt interior with a clapper, 7.7cm (3in) high, 183g (5.75 oz)
Brass sheep's head wall clock, 18th century and later, brass ring, 22.5cm, with roman numerals, hour hand, milled field, the dial lower inscribed Sam Stevens Londini Fecit , top bell with scrolled frets, single weight movement with anchor escapement, external countwheel, iron plates and posts, and long pendulum. Height 32cm.
Brass hanging lantern clock, silvered roman chapter ring, the field engraved with leaf scrolls, inscribed Cor. Manley, Norwich, single handed, posted bell with dolphin frets, single weight movement with anchor escapement, external countwheel, turned pillars. Height 41cm (oak bracket, two weights, non-fitting long pendulum)
Photographs - A 19th century album of topographical and portrait photographs, the subjects including The Cave of Smoo, Sutherlandshire (two different); Torquay from the New Pier; Ashley Manor House, Hampshire; Wimborne Minster; Sutterton, Lincolnshire; the Cape Wrath Hotel, Durness; Inverness from Huntly Place; The Old Man of Hoy, Orkney; Alice Emily Longden and 'Nana' [a Negro nanny]; Capt. J.W. Lambe, R.N.; Colonel Crofton, R.A.; Colonel Bell, 23rd R.W.F.; Viscount Palmerston and family at Broadlands; The Kostrama People (a father and son with hair-covered faces); the Shah of Persia, 1873; also silhouettes; watercolour sketches; clipped crests and monograms; an Alum Bay [Isle of Wight] sand picture; and other ephemera, all laid-down on card leaves, in a brown morocco album.
A replica Edison coin-slot phonograph, with Edison Standard mechanism, unusual four-minute gear attachment, H reproducer and replica oak Edison Bell cabinet with curved glass lid, 15in. wide, 16in. high, with replica brass horn. Note: The four-minute gear attachment, pivoted on the feed-screw shaft, was probably made by the Premier Manufacturing Co. (makers of Clarion cylinders); a similar device was made for the Gem. The case, with its traditional dovetailed joints, was copied from an early example thought to have been cased by Edison Bell before the Edison Excelsior was imported. The machine has been exhibited for many years as part of Ron Armstrong’s display at steam rallies.
A Cowey "Multigram" cabinet gramophone, with 6-spring motor wound from above via chain-and-sprocket, with record indicator dial on motor board, Edison Bell Electrotone Grand soundbox, arm for Radiocorder attachment, and Waveola type internal horn enclosed by fret and doors, in oak case, 37in. high, 22 1/4in. deep, 21in. wide. Note: The Recorder Indicator shows how many records can be played (of 10 or 12-inch size) before the motor will need to be rewound.
Mauchline Ware - A tape measure, of bell shape, 'Cromer'; a combined pin cushion and thimble holder, in the form of a pale, 'Dryburgh Abbey'; a tape measure, in the form of a bottle, 'Carpet Garden, Eastbourne'; a pin wheel, 'Abbey Church, Bath'; a thimble holder, 'The Pier, Felixstowe'; a needle holder, 'Watermouth Cave, Ilfracombe'; a needle case, 'Hastings Pier'; a needle case, 'The Ancient Entrance Gate, Stirling Castle'; and six other items, (14).
An early 19th Century bracket clock, the eight day movement striking on bell, the backplate engraved with a border of lunettes, white enamel dial, by Butler, Reading, contained in arched mahogany veneered case, the front inlaid in brass with lozenge, fleur-de-lys and foliate sprigs, on bun feet, brass carrying handles, Gothic arched fretwork side panels, 42cm high.
Jairzinho: a yellow & green Brazil No.7 international jersey worn in the match v England in Rio de Janeiro 12th June 1969, short-sleeved v-neck collar and embroidered cloth badge, displayed in a custom built Perspex case, with a Brazilian team photograph, brass plaque, and a signed & inscribed card 'The Champion 1970 Mexico Jairzinho', 80 by 81cm., 31 1/2 by 32in. This shirt was gained a swap by England full-back Keith Newton after the friendly match between Brazil and England in the Maracana Stadium, Rio de Janeiro on June 12th 1969, with Brazil winning 2-1 in front of 125000 spectators. England had sensationally taken the lead after 15 minutes when Colin Bell shot into the roof of the net, and for the next 65 minutes England controlled the game, before being caught out by Tostao who scored the equaliser in the 80th minute. Suddenly the Brazilians came to life and moments later Jairzinho scored the winning goal. The shirt is displayed in a custom built Perspex case, with a Brazilian team photograph, brass plaque, and a signed & inscribed card 'The Champion 1970 Mexico Jairzinho.
A collection of football autographs, i) two hardback plain paper albums with numerous team-group signings from the 1990s; ii) Football All Time Greats book inserted with signed pieces relating to Jennings, Bell, Moore, Peters, Lee, Lawton, Puskas, Charles, Bailey, Chivers and Matthews; iii) two scrapbooks with multiple signatures over magazine photographs from the 1960s and 1970s
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123896 item(s)/page