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A Sunbeam Roadster gentleman`s bicycle, frame no. 130917, circa 1915, finished in black, the 24 inch frame with 7 inch cranks and 28 x 1½ inch wheels, oil bath gearcase with two speed bottom bracket gear and three speed hub gear, fitted with Lucas LSD bell, replacement Terry`s mattress saddle and Phillips dynamo front lamp (defective wheel rim plating lifting, some surface rust and front brake defective).
Pieces of Mauchline ware, comprising; a bell form tape measure (photographic – damaged – Royal Mail Steamer Leaving Docks Cape Town/Souvenir From Cape Town), complete printed tape, 5cm, a slant top thimble case (St. Peter’s Church, Bournemouth) with Dorcas thimble, 3.7cm, a heart shaped pincushion (photographic – The Bridge, Brandon), 5.5cm, a drum form pincushion with applied print image (Great Malvern), 4.7cm diameter, and a notelet (High Street, Stroud/Stroud Church), catch s.d., 8.5cm x 5.5cm. (5)
Three pieces of Mauchline ware, comprising; a wool ball on cord (Stirling Castle From Back Walk/Bought In The Douglas Room … / Ye Towers Within …), 10.5cm, a thimble case in the form of a saucepan (Aula Brig O’Doon/Bought in the Monument/He’ll have misfortunes ...), with a thimble, 5cm, and a bell form tape measure (Photographic – Bournemouth from Boscobel Tower), shortened printed tape, 7.8cm. (3)
A silver bell form pincushion, a silver pincushion/ring stand, and a button hook, the bell of pierced form with triangular mount, Birmingham, Levi & Solomon, 7cm high, the circular ring stand with pincushion to centre below six ring hooks, Chester, dented, 6cm high, the button hook with pink enamel handle, Chester, 1947, 25cm. (3)
A mixed lot, comprising; two bell shaped knitting needle gauges, 7cm, another of rectangular form “Knitting Pin Gauge”, 10.6cm, an “M.P.” Handy Guide for Knitting and Crochet, 12cm x 9.2cm, a cone of toilet pins in basket, an ivory notelet, a folding corn knife, a wooden silk winder, a bodkin, a small ivory paperknife, a similar pierced and carved pen with Stanhope (six view Souvenir of Southampton), a steel needlecase, another as a deer hoof, a Berlin woolwork concertina form pattern sheet, a Napoleon III 5F coin, fitted with folding blade, file and scissors, and sundries. (qty)
2x Vic tennis carte de vistas and 1936 Olympic guide – both of 2 young boys holding tennis rackets incl a Sphairistike – overall 4 x 2.5" plus a fives ball and 1936 Berlin Olympic Games Transport Guide Map (English) and printed in Germany to incl when fully opened the centre pages form one large map of Berlin. The smaller pages give a mass of Public Transport information & the back page has an Olympic logo, bell & rings (G) (4)
2 Silverstone Signed Programmes: Kosset World Manufacturers 15/5/1977 signed by Jochen Mass, Jacky Ickx, Ronnie Peterson, John Fitzpatrick, Bob Wollek, Vittorio Brambilla, Rolf Stommelen, Derek bell, Tim Schenken, Toine Hezemans, together with Autosport 1000kms 7/8 May 1988 signed by Derek Bell, Martin Brundle, Johnny Dumfries, (2)
Collection of complete sets of Rugby League cards – including Merlin Collectors Trading Cards (160), JF Sporting Collectibles (24), British Coal Lions (25), Milliken Riversiders (Wigan), British Lions and Hall of Fame (60), British Gas North Eastern (Leeds) (20), Bell Cablemedia Playercard (20) plus team and individual photographs of Widnes 1990 (40), also Rugby League souvenir postcard pack and individual cards and Royal Mail Mint Stamps celebrating Rugby League Centenary.
A George III oak eight-day longcase clock with unusual chapter ring, Charles and Edward Gillet, Manchester, late 18th century, the four pillar movement with anchor escapement and hour striking on a bell controlled by locking pins fitted to the strike great wheel, the 12 inch square brass dial with subsidiary seconds and calendar dials to the symmetrical scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes to outer track and unusual half hour markers which comprise of letters to form the name JOSEPH JEPSON the lower edge signed Cha`s & Edw. Gillet, Manchester, the angles with rococo scroll cast spandrels, the case with ogee shaped caddy surmount above cavetto moulded cornice, foliate fretwork frieze and columns flanking the square hood door, the trunk with shaped-top mahogany crossbanded caddy-moulded door flanked by quarter columns to front angles, on raised-panel fronted plinth base with ogee bracket feet, 217cm (85.5ins) high. The partnership between Charles and Edward Gillet is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working circa 1790-1800. The name formed from letters positioned as half hour markers is highly unusual and probably spells out the name of the original owner.
A George III oak eight-day longcase clock, George Hewett, Martley, late 18th century, the four pillar rack and bell striking movement with 12 inch square brass dial with subsidiary seconds dial and signed signed George Hewett, Martley to the scroll engraved silvered centre within applied Roman numeral chapter ring with concentric calendar to the inner track and Arabic five minutes, the angles with scroll cast spandrels, in a case with cavetto moulded cornice and three-quarter columns to hood above rectangular caddy moulded door to trunk, on plain plinth base with moulded skirt, 198cm (78ins) high.
An oak eight-day longcase clock, the dial bearing signature for Springer, Stockport, 18th century and later, now with 19th century four pillar rack and bell striking movement fitted to an 11 inch square brass dial with ring turned calendar aperture to the foliate scroll engraved matted centre within applied Roman numeral chapter ring with fleur-de-lys half hour markers and bearing signature Springer, STOCKPORT to lower edge, the angles with female mask and scroll cast spandrels, now in a case with ogee moulded caddy above conforming cornice, blind fret fronted frieze and turned columns flanking dial, the trunk with shaped top door over plain plinth base with moulded skirt incorporating bracket feet, 206cm (81inches) high.
A walnut eight-day longcase clock, mid 18th century and later, the 19th century four pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary calendar and seconds dials and bearing signature Leddgeer, Norwich to centre, with game bird painted spandrels and conforming landscape with hunstman and hound to arch, now in an earlier case with later swan neck crest above moulded cornice and three-quarter columns to hood, the trunk with break-arch crossbanded door, on conforming plinth base with moulded skirt, 226cm (89ins) high.
A French gilt brass mounted walnut miniature longcase clock, Maple and Co. Paris, circa 1900, the eight-day bell striking movement stamped MAPLE & Co. PARIS within rectangular cartouche to backplate, the circular cream enamel dial painted to simulate a thirteen piece Roman numeral dial with Arabic five minutes to outer track and with glazed convex bezel, the case with foliate scroll crest and conforming side mounts terminating with stylised dolphins to hood section above glazed waisted trunk with further mounts to angles, on panel fronted plinth base with scroll cast feet, 49cm (19.25ins) high; with non original a gilt metal mounted oak wall bracket of ogee outline with cast mounts to angles and base, 19cm (7.5ins) high, the clock and wall bracket 58cm (22.75ins) high overall.
A French Louis XV style small gilt metal mounted boulle mantel clock, Thomas Pearce and Son, Paris, late 19th century, the eight-day bell striking movement with blue on white enamel Roman numeral dial signed THO.S PEARCE & SON, PARIS within circular glazed bezel, the waisted foliate brass and red stained shell marquetry veneered case with foliate bud finial surmount to the ogee shaped upstand above conforming foliate cast mounts to front angles and shaped glazed panel beneath dial, on outswept scroll feet with decorative apron between, 30cm (12ins) high.
A French patinated and gilt spelter mounted green marble mantel clock garniture, unsigned, circa 1900, the eight-day bell striking movement with circular white enamel Arabic numeral dial within glazed bezel with decorative foliate scroll cast surround, the case with surmount cast in the Art Nouveau manner as a semi clad standing female above plinth base with gilt ring handles to the outswept side sections, on plinth base with shaped apron flanked by gilt scroll supports, 60cm (23.5ins) high; with a pair of five light candelabra ensuite, each with four scroll branches over baluster upright, 61cm (24ins) high, (3).
A French Sevres style porcelain inset ormolu mantel clock, retailed by Arthur Jack, Paris and Cheltenham, late 19th century, the eight-day bell striking movement inscribed ARTHUR JACK PARIS & CHELTENHAM to backplate, the circular blue ground porcelain Roman numeral cartouche dial with centre painted with a putto above repeat signature within bead cast bezel, the elaborate case with detail highlighted with three varying tones of gilding with floral swag draped twin handled porcelain urn surmount above conforming festoon decoration to the scroll cast crest flanked by finials, the dial flanked by floral painted porcelain columns with curved landscape painted apron panel between, the sides cast with strapwork panels centred with a finial, on bowed invered breakfront base with leaf chased decoration to top moulding and porcelain panel inset drop centre, on cast toupe feet; with original giltwood plinth and on ebonised wood base with glass dome cover, the clock 38cm (15ins) high; 47cm (18.5ins) high overall. Please note: The dome of this clock is damaged
A French Sevres style porcelain inset ormolu mantel clock, mid 19th century, the eight-day bell striking movement stamped J.B.D. within an oval cartouche to backplate, the porcelain dial with floral garland to centre within blue ground cartouche Roman numeral chapter ring, the case with pineapple finial and music trophy panel decorated porcelain body to the urn surmount over female mask side handles and splayed pedestal support inset with a further polychrome painted panel and with acanthus cast side scrolls, on shaped plinth base with conforming inset panel and toupe feet, 33cm (13ins) high.
A French ormolu mantel clock, unsigned, circa 1870, the eight-day bell striking movement stamped J.B.D. within an oval cartouche to backplate, the circular white enamel Roman numeral dial with Breguet pattern moon hands within bead cast bezel, the case of waisted form with elaborate rococo scroll cast and chased dial surround above splayed foliate supports, mounted on integral base cast with conforming scrolls and incorporating scallop shell decorated feet, 32cm (12.5ins) high; with original giltwood base, 37cm (14.5ins) high overall.
A French Charles X gilt metal mounted mahogany portico mantel clock, early 19th century, the eight-day countwheel bell striking movement with knife-edge suspension for the `gridiron` pendulum, the dial with engine-turned gilt centre within narrow white enamel Roman numeral chapter ring and fruiting vine and ropetwist decorated milled bezel, the case with ogee cornice to the plain entablature above four columns with engine turned gilt caps and bases and with movement supported in a drum between, on conforming plinth base with disc feet, 49cm (19.25ins) high.
A French tole peinte mural wall clock, Horiot, Paris, circa 1830, the eight-day countwheel bell striking movement with circular white Roman numeral enamel dial signed Horiot A Paris to centre within glazed engine turned gilt bezel, the simulated rosewood painted metal octagonal case with stylised gilt foliate scroll decoration to the stepped fascia with concave sided facets to upper tier, the top with ball finial pierced with a ring for wall hanging, 46cm (18ins) high.
A brass mounted mahogany quarter chiming bracket clock, unsigned, circa 1900, the German triple train going barrel movement with rise/fall regulation and chiming a choice of two tunes on either four gongs or eight bells and stamped with L.F.S. trademark within oval cartouche to backplate, the 8 inch wide rectangular brass dial with matted centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles applied with foliate cast gilt spandrels with the upper margin extented to incorporate subsidiary SLOW/FAST and CHIME ON EIGHT BELLS/ WESTMINSTER ON GONGS dials, the bell-top case with brass carrying handle and pineapple finials above bevel glazed dial aperture fitted with silvered brass fillet flanked by brass line inlaid canted angles and brass grille side frets, on moulded skirt base with brass bracket feet, 46cm (18ins) high excluding handle.
Nineteenth century mantel clock with French eight day spring-driven movement, outside countwheel, striking on a bell with decorative brass dial with individual enamelled numerals, in a bronzed case with pierced decoration and classically inspired mounts, surmounted by an urn, 36cm overall height
Victorian clock garniture comprising a large mantel clock with eight day French movement, outside countwheel, striking on a bell, signed - L M, black enamel dial with gold numerals, in a black slate and marble case with scroll supports and inset gold floral decoration, together with a pair of black slate and marble tazza clock, 54.8cm wide (3)
Nineteenth century French mantel clock with eight day movement, outside countwheel striking on a bell, signed - Ducasse à Paris, white enamel dial with blue numerals and gold hands, in a classically decorated ormolu case surmounted with the figure of a seated angel with globe and telescope, 40cm overall height
Nineteenth century mantel clock with French eight day movement, outside countwheel striking on a bell, white enamel dial with floral decoration, in a drum case, standing on a circular plinth surmounted with bronzed figures of two male children on a picnic, climbing a tree, 67cm overall height
Selection of Edwardian and later miscellaneous silver, including a silver mounted clothes brush with classical bell floral decoration (Birmingham 1905), a curious Cranberry glass bottle with silver mount and hinged moving cover with mother of pearl insert (London 1922), a circular silver dish with bead edge and three pad feet and a clear glass base pressed flower display (Sheffield 1928), together with a 1930s silver mounted perfume bottle with silver and yellow guilloche enamel screw-cap (Birmingham 1933), dish 8.5cm diameter (4)
Late Victorian bracket clock of Georgian style, the substantial three train fusee anchor movement striking and chiming on eight bells and a gong, the silvered and brass arch dial with subsidiaries for rise and fall, chime/silent and selection of chimes, in ebonised case with gilt brass mounts and bell top on scroll supports, 66cm, also the original bracket with shaped supports. (2)
A George III Silver Caddy Spoon, Joseph Taylor, Birmingham 1804, the circular bowl engraved with an oval cartouche below a chequer engraved handle; Another, Cocks & Betteridge, Birmingham 1813, the pear shaped bowl with chequer engraving below a pierced gallery edge and bright cut engraved handle, engraved initial W; and Another, Joseph Taylor, Birmingham 1820, the bell shaped shovel bowl dot-prick engraved below a bright cut handle (3)
BACHMANN 31-275 LMS Maroon Parallel Boiler Royal Scot 4-6-0 with Commemorative Nameplates and Brass Bell. Mint with accessories Pack and envelope containing the Instructions and LE Certificate showing the Model to be no 3923 of the fourth of the LE`s numbered from 3001 to 4000. Missing outer cardboard carton.
Halfpenny 19th Century Warwickshire, Atherstone, Sir George Chetwynd, Grendon 1842. Obverse: Bust to right: “SIR GEORGE CHETWYND BARONET. 1842.”. Reverse: Coat of Arms of the Chetwynd family: “GRENDON HALFPENNY”. Plain edge. Privately issued by Sir George Chetwynd, a great numismatist of the 19th century, for fellow collectors. His collection was sold over four days in September 1872, Bell Warwickshire No: A2, Davis Token Coinage of Warwickshire No: 821 EF Rare
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123939 item(s)/page