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Click here to subscribeA stained Sharp Gothic Timepiece with alarm. Jerome. American. Circa 1880. The 5.5in painted dial with Roman numerals, and with brass alarm dial in the centre, the single train movement sounding the alarm on a bell, the case with gable pediment and turned finials. 15in high (with pendulum and key)
A gilt bronze and porcelain Mantel Clock. Japy Freres. French. The 3in dial with blue Roman numerals, regulation square above XII and blued steel 'moon' hands, the two train movement striking on a bell, in drum case surmounted by a bird and encircled by a garland of foliage and flower heads, the rococo base incorporating a central panel painted with lovers in a landscape reserved on a bleu celeste ground, flanked by two panels painted with foliage and flower heads separated by standing putti and raised on shell feet. 10.5in high. Signed on the dial and the back plate for the retailers 'Folkard & Son, Brighton'. (Lacks pendulum, dial cracked)
A gilt bronze and porcelain Clock Garniture. A Ambrosoni. French. The 3in dial with white Roman numerals in bleu du roi enamelled cartouches, the two train movement striking on a bell and signed on the backplate 'A Ambrosoni a Paris', the case with leaf cast pediment surmounted by the figure of Pandora, the dial set above a panel painted en grisaille with a pair of cherubs, with porcelain side panels and base cast with foliage and flower heads, on turned feet. 10.5in high with a pair of accompanying candlesticks. 6.25in high (lacks pendulum)
An ebonised and brass inlaid small Bracket Clock. James Murray, Royal Exchange, London. The 3.25in diam enamelled dial with Roman numerals, blued steel hands, the hour hand with heart shaped terminal, signed as above in the centre and set in a gilt brass mask pierced overall with foliage and flower heads, the four pillar two train chain fusee movement with anchor escapement rack striking on a bell, and signed on the backplate 'James Murray, London', the case with pineapple finial sloping pagoda pediment, glazed side panels, apron inlaid with scrolling foliage, shallow plinth and brass bun feet. 10.75in high (with keys; pendulum with milled rating nut)
A Slate and Marble Mantel Clock. Vincenti et Cie. French. The 5in diam dial with annular chapter ring, Roman numerals, regulation square above XII, visible Brocot escapement and brass bezel, the two train movement with outside countwheel, striking on a bell in fluted drum case on scrolling supports and rectangular plinth. 12in high. 21.5in long (with pendulum)
A slate and marble Mantel Clock. French. 19th Century. The 3.5in diam dial with annular chapter ring, Roman numerals, regulation square above XII, blued steel 'moon' hands and visible Brocot escapement, the two train movement striking on a bell, in drum case, on shaped supports with plinth below. 10.25in high (with pendulum)
A mahogany and brass inlaid Mantel Clock. French. The 5in diam dial with Arabic numerals and fifteen minute intervals, regulation square above '12' and brass bezel, the two train movement striking on a bell, the case with turned finial, gadrooned pediment, brass stringing, and brass ball feet. 18in high (with pendulum and key)
A slate and marble Mantel Clock. Japy Fils, French. The 3.5in dial with Roman numerals, blued steel 'moon' hands and regulation square above XII, the two train movement with outside countwheel striking on a bell, the drum case on scrolling supports and plinth base. 8in high (lacks bell, minute hand and one marble mount)
A marble and ormolu Mantel Clock. Samuel Marti. French. The 3.25in diam dial with Arabic numerals, regulation square above '12', pierced gilt hands and beaded bezel the two train movement with outside countwheel striking on a bell, in drum case, surmounted by a bird, foliage and flower heads on spreading support, rectangular plinth with acanthus leaf border and applied mount, on cast feet. 9.25in high (with pendulum and keys)
A Gilt Spelter and Porcelain Mantel Clock. S Marti et Cie. French. The 3.5in dial with Roman numerals 'moon hands, and regulation square above XII, the two train movement with outside countwheel striking on a bell, in drum case, surmounted by an urn, on curving supports and breakfront plinth, incorporating porcelain panels and cast overall with leaves, foliage and flower heads, 13.75in high (with shaped giltwood stand, ebonised base, dome, pendulum and key)
A brass Lantern Clock with Alarm. Thomas Knifton, London. The 6.125in diam silvered chapter ring with Roman numerals, half hour markers and inner circle of fifteen minute intervals, the centre engraved with tulips and signed 'Thomas Knifton at the Lothbury Londini Fecit', the silvered alarum dial with Arabic numerals and with single pierced iron hand, the two train rope driven movement with balance wheel escapement striking at the hour on the top mounted bell, the alarm mechanism mounted externally on the back plate, the case with pierced frets, vase shaped finials, iron hoop and spikes (with six brass cased weights)
A 17th Century style brass Lantern Clock. The 6.5in diam dial with silvered chapter ring, Roman numerals, lozenge half hour markers, inner circle of fifteen minute divisions, signed in the centre 'Thos Moore, Ipswich', the two train movement with anchor escapement and outside countwheel, striking on a top mounted bell, the case with pierced frets, turned finials, iron hoop and later spikes. 14.5in high (lacks pendulum and bell)
A Longcase Clock Dial and Movement. Thomas Hill, Fleet Street, London. Circa 1765. Signed on the chapter ring 'Thos Hill, Fleet Hill, London' with Roman numerals, Arabic five minute intervals, finely matted centre with calendar aperture and seconds dial and with pierced foliage and flower head spandrels, the four pillar movement with anchor escapement, rack striking on a bell. ***Thomas Hill is recorded as working in Fleet Street in 1762. He died in 1782***
An oak and mahogany thirty hour Longcase Clock. The 12in square painted dial with Roman numerals, calendar aperture, pierced gilt metal hands, foliage and flower head spandrels, the centre painted with a young woman seated by a tree, a lake, parkland and a country house beyond, the four pillar chain driven two train movement with anchor escapement and outside countwheel, striking on a bell, the case with broken swans neck pediment on fluted pillars, long trunk door flanked by fluted pilasters and panelled plinth. 76.5in high (with pendulum, keys and weight)
A mahogany Longcase Clock. Saml Granville, Devonport. The 12in broken arch brass dial signed in the centre as above, with Roman numerals, seconds dial and calendar aperture, the arch inscribed 'Tempus Fugit', and with engraved foliage and flower head spandrels, the four pillar movement with anchor escapement rack striking on a bell, the case with broken arch pediment on turned pillars, long trunk door flanked by writhen carved pilasters, crossbanded plinth and splayed feet. 85in high (with pendulum, weights and keys). (Hood lacks glass)
An oak Thirty Hour Longcase Clock. Edmund Smith, Bury. No 759 The 10.75in square brass dial signed on a tablet in the centre 'Edwd Smith, Bury from London, No 759', with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture, matt centre and mask and foliage spandrels, the four pillar movement with anchor escapement and outside countwheel, striking on a bell, the case with flat pediment on turned pilasters, long trunk door and three tier plinth. 73in high (with ropes, pendulum and weight)
A scumbled pine Longcase Clock with alarm. William Uglow, Truro. The 8in broken arch brass dial signed in the centre 'Wm Uglow, Truro' with Roman numerals, alarm selector dial with Arabic numerals, foliage and flowerhead spandrels and the arch engraved with an eagle grasping a scroll inscribed 'Tempus Fugit', the single train four pillar movement with anchor escapement striking on a bell, the case with broken arch pediment on turned pillars, long trunk door and panelled plinth. 73in high (with pendulum, weight and winding key)
A walnut and marquetry month going Longcase Clock. Joseph Kenton. London. Circa 1695. The 11in square brass dial with silvered chapter ring, Roman numerals, small Arabic five minute intervals, half hour markers, inner circle of fifteen minute intervals, seconds dial, ringed winding holes, calendar aperture, matt centre, the hands set in a flower head, pierced gilt brass mask and foliage spandrels separated by engraved foliage and flower heads and signed below the chapter ring 'Joseph Kenton Londini Fecit', the five pillar movement with anchor escapement and small outside countwheel striking on a bell, the rising hood with moulded flat pediment on twist turned tapering pilasters, marquetry inlaid with borders of foliage and flower heads, the long trunk door with oval lenticle, marquetry inlaid with panels of birds among foliage and flowers over a similarly inlaid plinth, the sides crossbanded and divided into panels with boxwood stringing. 82in high (formerly on turned feet) with pendulum, brass cased weights, winding and case keys. *** Joseph Kenton, London, was apprenticed in 1679 and Free of The Clockmakers' Company in 1686 ***
An oak and mahogany Longcase Clock. Robert Simpson, Congleton. The 14in square painted dial signed in the centre 'Robt Simpson, Congleton', with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture and fan, foliage and flower head spandrels, the four pillar movement mounted upon a false dial plate, with anchor escapement rack striking on a bell, the case with broken swans neck pediment on fluted columns, long trunk door flanked by fluted pilasters, and panelled plinth with canted corners on ogee bracket feet. 85in high (with pendulum, weights and keys)
A walnut and inlaid Longcase Clock. Christopher Gould, London. The 11in square brass dial with silvered chapter ring signed 'Chr. Gould, Londini fecit', with Roman numerals, Arabic five minute intervals, matt centre, ringed winding holes, seconds dial, calendar aperture, pierced hands and winged mask and foliage spandrels, the five pillar movement with anchor escapement and internal rack, striking on a bell, the case with shaped pediment, fluted pilasters, long trunk door inlaid with a six pointed star, repeated in the panelled base, on shallow plinth. 84in high (with pendulum, brass cased weights and 2 keys), *** Christopher Gould, London, was Free of The Clockmakers Company in 1682 and died in 1718 ***
An oak and mahogany Longcase Clock. Percy Evans, Salop. The 13in square brass dial signed in the centre as above, with Roman numerals, Arabic five minute intervals, calendar aperture, seconds dial, pierced foliage and flower head spandrels, the four pillar movement mounted upon a Wilson false dial plate, with anchor escapement, rack striking on a bell, the case with carved pediment on fluted pillars, long trunk door flanked by conforming pilasters and with panelled plinth. 83in high (with pendulum, weights and winding key)
A mahogany Longcase Clock. Jefferys & Son, Chatham. The 12in silvered broken arch dial signed in the centre as above, with Roman numerals, Arabic five minute intervals, seconds dial, calendar dial, Strike/Silent dial in the arch and with engraved foliage and flower head spandrels, the five pillar movement with anchor escapement rack striking on a bell, the case with broken arch pediment on fluted pillars, long trunk door flanked by conforming pilasters and fielded panelled plinth. 84.5in high (with pendulum, weights, winding and two case keys)
A walnut and marquetry Longcase Clock. Henry Jones, London. The 10in square brass dial signed 'Henry Jones in ye Temple', the silvered chapter ring with Roman numerals, small Arabic five minute intervals, half hour markers and inner circle of fifteen minute divisions, matt centre with seconds dial, calendar aperture, pierced blued steel hands and winged cherub mask spandrels, the five pillar movement with anchor escapement, bolt and shutter, maintaining power, and small outside countwheel, striking on a bell, the formerly rising hood with flat top, pierced fret carved frieze, twist turned tapering pilasters, long trunk door with circular lenticle, marquetry panels of foliage and flower heads, the plinth with a similar panel and spandrels, on turned feet. 77in high (with pendulum, brass cased weights, winding and case key) *** Henry Jones, a well known maker, was apprenticed in 1654, Free of the Clockmakers Company in 1663, Master of the Company in 1691 and died in 1695 ***
An oak and mahogany inlaid longcase clock 19th century the eight-day two-train movement with anchor escapement and rack-strike on a bell the arched brass 12in dial with Roman numerals Arabic five minute divisions subsidiary seconds dial and date aperture the arch with boss inscribed The Crofts HALTON N:99 the case with inlaid star motif the case with caddy top and inter eagle finial 230cm high (some damage to hood)
An oak longcase clock the eight-day two-train movement with anchor escapement and rack strike on a bell the arched and painted dial with Roman numerals subsidiary seconds dial and date aperture the arch with moonphase automaton inscribed THOS. GREEN LIVERPOOL the plain case with fluted pilasters the hood with swan-neck pediment 220cm high (some damage overpainting and repairs) See BrittenÕs Old Clocks and Watches where a Hhomas Green of Liverpool is listed 1781-1800.
A mahogany longcase clock the eight-day two-train movement with anchor escapement and rack strike on a bell the 12in square enamelled dial with Roman numerals Arabic quarter hour divisions subsidiary seconds dial and date aperture inscribed ALEX:R CUMMING LONDON the plain case with canted corners the hood with Doric pediment 217cm high
An oak longcase clock late 18th century the birdcage thirty-hour movement with anchor escapement and outside countwheel on a bell the 10in square brass dial with Roman numerals and inscribed Stepn Wilmshurst Basingstoke with plain case the hood with flat pediment 194cm high (hand broken) See BrittenÕs Old Clocks and Watches where a Stephan Wilshurst of Basingstoke is listed circa 1770.
An oak and mahogany longcase clock the eight-day two-train movement with anchor escapement and rack strike on a bell the arched brass dial with Roman numerals Arabic five minute divisions subsidiary seconds dial the arch with moonphase automaton and inscribed JOHN BENBOW NORTHWOOD the line inlaid case with brass capped Corinthian pilasters the hood with similar columns and broken pediment 224cm high (movement adapted dial restored) See BrittenÕs Old Clocks and Watches where a J. Benbow of Northwood Salop is listed circa 1796.
A mahogany and inlaid longcase clock 19th century the eight-day two-train movement with anchor escapement and rack strike on a bell the arched and painted dial with Roman numerals subsidiary seconds dial and calendar dial the line inlaid case and hood with shell motifs the hood with swan-neck pediment 232cm high (some damage to case)
An oak longcase clock the eight-day two-train movement striking on a bell the square 10 1/4in dial with Roman numerals and date aperture inscribed John Coates Tetbury in a plain case the hood with caddy top 198cm high (adapted) See BrittenÕs Old Clocks and Watches where a John Coates of Cirencester is listed 1778-1812.
A George II walnut longcase clock the eight day two-train movement with anchor escapement and rack strike on a bell the arched brass 13in dial with Roman numerals and Arabic five minute divisions on a silvered chapter ring subsidiary seconds dial and date aperture the chapter ring inscribed John Dixon the arch with silvered automaton moonphase beneath inscription DUM DORMIUNT VIGILO with four elaborate Berainesque spandrels the case and hood with gilt-wood capitals the domed hood with a painted scrolling foliate frieze reserved on an ebonised ground the swan-neck pediment with three ball finials 246cm high (split to front of case plinth ball finials added) See BrittenÕs Old Clocks and Watches where there is a John Dixon listed in the ClockmakerÕs Co. 1748-56.
An oak and mahogany longcase clock 19th century the thirty hour movement striking on a bell the painted square 12in dial with Roman numerals subsidiary seconds dial and date aperture decorated with shell spandrels and inscribed Rich.d House MARLBOROUGH the case with flame mahogany panels fluted pilasters and gilt-metal Corinthian capitals the hood with fluted Corinthian columns and gilt-metal capitals broken pedimant and ball and eagle finial 214cm high (case and movement associated replacement parts to case)
An oyster-veneered longcase clock the eight-day three-train movement with deadbeat anchor escapement and striking the hours on a bell and chiming the quarters on eight graduated bells the square brass 12in dial with Roman numerals Arabic five-minute divisions subsidiary seconds dial and date aperture the silvered chapter ring inscribed Joseph Foster Exchange Alley and with Ôstrike/silentÕ Ôsilent/chimeÕ and Ô6 bells/4 bellsÕ levers in a case with geometric marquetry panels the hood with a pierced fret frieze and flat pediment 202cm high
An oak longcase clock 19th century the eight-day two-train movement with rackstrike on a bell and anchor escapement the arched and painted dial with Roman numerals Arabic five-minute divisions subsidiary seconds dial and inscribed G. Parker. WISBEACH painted with a bird and floral swags the plain case with shaped door and domed hood 211cm high
An oak longcase clock the substantial thirty-hour movement with Doric column supports anchor escapement and outside countwheel striking on a bell the 12in square brass dial with single hand and Roman numerals and inscribed Seymour Wantage in a plain case the hood with flat pediment 206cm high the movement 18th century
A French white-marble and gilt-metal-mounted clock garniture mid 20th century the eight-day two-train movement striking on a bell the enamelled round dial with Arabic numerals the rectangular case surmounted with a classical maiden and putti the shaped oval base with frieze panels of putti 36cm high; and a pair of cassolet urns ensuite 30cm high
Grohe Paris a late 19th century French carriage clock the eight-day two-train movement with platform lever escapement striking the hours on a bell and with half hour pass-strike the back-plate inscribed GROHE the enamelled dial with blue Roman numerals and Breguet hands inscribed GROHE in a Gorge case with button repeat the underside stamped No2457 14cm high handle raised; with black tooled leather travelling case
A French brass giltwood and gesso two-train wall clock the eight-day two-train movement with lever escapement and striking on a bell the enamelled convex round dial with Arabic numerals and inscribed E. Dreyfous 99 Mount Street LONDON the drum case mounted with bows and husks 35cm high (damage and losses to case)
A Victorian ebonised bracket clock the eight-day two-train fusee movement with anchor escapement and striking on a bell the back plate impressed FRODSHAM GRACECHURCH STREET LONDON with pull repeat the enamelled round dial with Roman numerals and inscribed J. FRODSHAM Gracechurch Street LONDON. in a pagoda case painted with a flower spray 39cm high (dial restored)
A George III ebonised bracket clock the eight-day two-train fusee movement with verge escapement and striking on a bell the arched and enamelled dial with Roman numerals and indistinctly inscribed WILLIAM BRAMBLE LONDON the arch with Ôstrike/ silentÕ dial in a plain domed case with carrying handle 45cm handle raised (back door of case missing dial crazed) See BrittenÕs Old Clocks and Watches William Bramble is listed at two addresses in Oxford St. 1784-1805
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