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Lot 462
Larger Scale Plastic Model kits by various makers: Monogram 1/24 1926 Mack Dump Truck and 1926 Mack Tank Truck, Williams 1/32 Gee Bee Racer, Revell 1/40 Bell X-5, Heller 1/24 Bugatti T.50, Italeri 1/72 JU-52, Hales Hasegawa 1/32 Boeing Peasshooter and Humbrol Airbrush, in original boxes, G-VG, all appear complete, not checked, boxes, F-G, generally grubby, some creased (8)
Lot 554
Southwold (Stephen, i.e. Neil Bell). The Days Dividing, 1st ed., 1935, a few spots, presentation inscription, original cloth (some fading), d.j., spine darkened, 8vo, together with Immortal Dyer, 1st ed., 1948, a few spots, original cloth, d.j., spine a little chipped and stained, 8vo, signed by the author as Stephen Southwold, plus The Dark Page, 1st ed., 1951, light spots, original cloth, spine a little faded with small nick, a few spots, 8vo, signed as Neil Bell, dated 1962, with others by Bell, some signed, including The Endless Chain, 1956 and The Black Sheep, 1958 (45)
Lot 111
A carved pine and marble mounted console table in George I style, 20th century, marble top of geometric design, carved and pierced frieze incorporating scrolls and foliage, centred by a female mask, conforming scroll legs surmounted by female term figures, x shaped stretcher centred by a bell shaped finial, 90cm high, 124cm wide, 74cm deep
Lot 741
A French bronze and ormolu mantel clock the eight-day duration movement striking the hours and half hours on a bell with the backplate stamped with the trademark for the movement maker Japy Freres & Co, the white enamel dial with black Roman numerals and blued steel moon hands, the movement set within a bronze rectangular block surmounted by a Greek warriors helmet, with a depiction of the Goddess Diana the Huntress to one side with an ormolu pillar the other side adorned with a mount depicting a quiver of arrows and surmounted by a lamp, the base with raised relief to the front depicting Diana the Huntress stood before three classical figures, height 50cm.* Japy Freres was founded by Frederic Japy of Beaucount, born 1749 who first made movements for the clock industry at his factory in 1777, becoming the largest and most commercially important clockmaking concern in France. The business continued after his death.
Lot 742
L’Echopié Jne à Paris, a bronze, ormolu and marble mantel clock the eight-day duration movement striking the hours on a bell with an outside countwheel, the white enamel dial signed L’Echopié Jne à Paris, with black Roman numerals and decorative brass hands, the three tier bronze case with raised relief to the front depicting children playing instruments within a field, with goats to the case sides and floral swags set below, standing on ormolu cloven supports, surmounted by a suckling baby with mother, possibly Apollo with the Goddess Leto, seated on a classical day bed with ormolu griffin supports to the four corners, standing on a further green marble base with ormolu mounts to the edges and turned feet, height 45cm.* Adam L’Echopié was a good maker of clocks working in Paris in the late 18th century and was particularly known for his bronze and marble pieces, which his younger son, the maker of this clock, obviously continued. Adam actually had two sons, both of whom worked at Rue Neuve des Petits Champs from circa 1812, the same address from where the father is recorded working from 1772, they presumably continued his business and would’ve used the same casemaker. There is known a white marble and bronze clock entitled Femme Couronnée par un Amour, signed L’Echopié à Paris, that sold in 1913 for 8,800 francs, presumably by the father, Adam. * A near-identical clock, although signed Bassot à Paris, is illustrated and described in the Encyclopedie de La Pendule Francaise, by Pierre Kjellberg.
Lot 743
A French gilt-metal and porcelain mantel clock the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped ‘JJS, 6697’, the pink porcelain dial with a riverside scene to the centre, black Roman numerals and decorative brass hands, with two porcelain panels below, one depicting a similar scene, the other with floral decoration, the shaped gilt-metal case with fluted half columns to the sides and surmounted by a pink porcelain urn, on a shaped giltwood base and further ebonised oval base, height 32.5 cm (clock), 37cm (inc. base)
Lot 744
A French brass mantel clock the eight-day duration movement striking the hours and half hours on a bell with the round cast silvered dial having white enamel plaques for the black Roman numerals and blued steel hands, surmounted by a cast garland of flowers above and standing on a shaped base with shield & sword mounts to the front and standing on gadrooned brass feet, height 40.5 cm.
Lot 745
Leroy à Paris, a black marble perpetual calendar mantel clock the eight-day duration movement striking the hours and half-hours on a bell, stamped on the backplate with the signature & serial number of the retailer, Leroy à Paris, 13492, and the trademark of the maker of the roulant blanc, S. Marti et Cie, Medaille de Bronze and oval stamp with the initials C.A.F quite probably the finisher of the movement for Leroy, with a visible Brocot escapement to the centre of the two-piece enamel dial, black Roman numerals and blued steel moon hands, signed to the centre for the retailer Leroy & Fils, 211 Regent Street, 13 & 15 Palais Royale, Paris, with a thermometer set below the dial showing both Reaumur and Fahrenheit, with a round barometer dial set to the lower right-hand side having two badges stamped on, with a second subsidiary dial having further subsidiary dials showing the moonphase, day & date and with the outer dial marked for the perpetual calendar changes and month, the black marble case of serpentine design with scroll sides, height 51 cms.* Le Roy et Fils were established by Basile Charles Le Roy in 1785 and were well known and fine makers of clocks. Basile Charles Le Roy was the Master Clockmaker to Napolean & along with his son Charles-Louis were clockmaker’s to the Princess Pauline and the Duke de Bourbon. Examples of their work are in all the major collections as well in the Ministere de la Guerre, Paris. The Maison de Le Roy was founded in 1785 at Palais Royal & continued until the death of Charles at Versailles in 1865. They took on premises at 13-15 Galerie Montpensier, Palais Royal, Paris when the Duc d’Orleans opened the Palais Royal gardens for both the trade and public’s use with many prestigious shops opening under the arcaded walkways. From 1885 their London retail outlet was at 57 Bond Street having moved from Regent Street. * Samuel Marti was one of the prolific French makers of the 1800’s and was known to be working circa 1860 at Le Pays de Montbeliard, Paris making roulant blancs. Along with Japy Freres and Roux they set up a business in 1863 to market their movements to such firms as L’Epee. Their Paris address was Rue Vieille-du-Temple from 1870.
Lot 749
Winterhalder & Hofmeier, Schrwazenbach an ebonised quarter chiming bracket clock, the triple-fusee movement chiming the quarters on eight bells or four gongs and the hour on a further gong, the backplate stamped W&H, Sch, 1886, for the maker, with the brass seven-inch arched dial having a raised silvered chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, with the two lower cast spandrels of cherub-head form and the further two of C-scroll form, the arch with three subsidary dials for regulation; strike/silent and Chime on Eight Bells/Chime on Four Gongs, the ebonised bell-top case with further cherub-head spandrels set within the door, carytids with grotesque masks to the corners, cast mounts to the plinth, with floral mounts to the top and four cast urn finials to the top corners and surmounted by a further large urn finial, standing on brass claw feet, height 70cm.* Anton Winterhalder founded the business in Schwarzenbach, Germany in 1810 taking Anton Hofmeier into partnership in 1850, with the company finally closing upon the death of Linus, last son of Winterhalder, in 1930. The movements and clocks made by this firm are often believed to be the among the best produced in Germany at this time.
Lot 752
Sam. Atfield, Brentford, a walnut Queen Anne style miniature longcase clock the eight-day duration, five-pillar movement striking the hours on a bell with an outside countwheel, the eight-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, meeting-arrowhead half-hour markings and signed Sam Atfield, Brentford either side of VI o’clock, with a matted dial centre and four cast brass floral spandrels to the corners with floriate engraving between, the walnut veneered case with a caddy top and turned columns to the hood, beaded moulding to the trunk door and crossbanding to the base, the backboard bearing a torn label stamped ‘Upjohn W, Maker, South Street’, height 182cm.* Samuel Atfield is unrecorded although a James Atfield is known working in Brentford in the mid 18th century. * William Upjohn is recorded working in Fore Street, Exeter in the late 18th century before moving to Southgate Street in circa 1800, having retired in 1803 he moved to London where he died in 1812.
Lot 754
John Michell, Chardstock, an early oak longcase clock the thirty-hour duration movement with five latched pillars, striking the hours on a bell and the half-hours on a small bell, with an outside countwheel, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed John Michell, Chardstock fecit either side of VI o’clock, with a matted centre, cast brass cherub head spandrels with floriate engraving between and fine blued steel hands, the later oak case with a swan-neck pediment, turned pillars to the hood and crossbanding to the trunk door and base, height 192cm.* John Michell was babtised in August 1675, being the son of Stephen and Elizabeth. He married Annie Fippen in May 1691 with whom he had a daughter, Ann, who eloped with the local Reverend’s son, Thomas Drayton, in 1727, marrying in Dorchester in September of that year. It is known John Michell made fine and distinctive lantern and longcase clocks. His brother James was also a clockmaker.
Lot 756
Nathaniel Brown, Manchester, an 18th century longcase clock the eight-day duration movement striking the hours on a bell, the twelve-inch square brass dial with a raised chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals, flame half-hour markings and the makers name Nathl. Brown, Manchester, with cast-brass female-head spandrels the matted dial centre with a subsidiary seconds dial, date aperture and engraved with foliate decoration, with decorative blued steel hands, the oak case with crossbanding to the shaped trunk door, base and hood door, the caddy top hood with two brass ball-and-spire finials, full pillars to the front with giltwood capitals and a fretwork frieze below the top moulding, standing on bracket feet, height 218cm.* Nathaniel Brown is recorded as working in Manchester from circa 1750 until circa 1800.
Lot 757
John Carlyon, Falmouth, an 18th century oak longcase clock the eight-day duration movement striking the hours on a bell, with the twelve-inch break-arch dial having a raised chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals, fleur-de-lys half-hour markings and engraved either side of VI o’clock with the makers name John Carlyon, Falmouth, the matted centre with a subsidiary seconds dial and date aperture with engraved foliate decorative surround surmounted by a ho-ho bird, with wheat-ear border engraving , decorative blued steel hands and cast-brass urn spandrels to the four corners, the arch with a silvered boss engraved with a depiction of the sun, the oak case with a break-arch trunk door, turned three-quarter columns to the caddy-top hood with the plain base standing on bracket feet, height 226 cms.* John Carlyon is recorded as working in Falmouth in the early 18th century having married Ann Jenkins in 1729. He put his name to a marriage bond in 1740.
Lot 759
Robert Evans, Halstead, a walnut thirty-hour longcase clock the eleven-inch square brass dial with a raised silvered chapter ring engraved Rob’t Evans, Halstead either side of VI o’clock, with a matted centre, cast-brass foliate spandrels to the four corners and later decorative blued steel hands, the thirty-hour duration movement striking the hours on a bell with an outside countwheel, the later walnut case with cross banding to the trunk door and base, with the flat top hood having barley-twist columns to the front corners, height 193.5cm. * Robert Evans is recorded as being apprenticed to Henry Adeane junior of London in 1706 before working in Halstead, Kent from circa 1720 until circa 1740.
Lot 760
Mark Hawkins, St Edms Bury, a walnut eight-day longcase clock the eight-day duration five-pillar movement (fifth pillar removed) striking the hours on a bell, with the twelve-inch break-arch dial signed on a shaped silvered plaque, Mark Hawkins, St Edms, Bury with a matted centre, subsidiary seconds dial, date aperture and cast urn spandrels to the four corners, the silvered chapter ring engraved with fleur-de-lys half-hour markings, black Roman numerals and Arabic five-minute markings, the later walnut case with cross-banding to the base and break-arch trunk door, the flat-top hood with a break-arch door and three-quarter turned columns and wooden capitals, height 203cm. * There were two makers named Mark Hawkins, father and son, working in both Bury St Edmunds and Newmarket. The father was born circa 1674 and married Mary Deave in March 1701. He had five children including mark junior, born in February 1707. Mark Senior died in 1750 and two of his three sons, William and mark continued as clockmakers. Mark junior married Mary in circa 1745 and had one son. Mary Hawkins died in 1750 whilst Mark junior died on the 28th of April 1767.
Lot 750
William Webster, London, a walnut bracket clock with an eight-day duration, double-fusee, five-pillar movement striking the hours on a bell, converted from verge escapement to anchor escapement, the backplate engraved with C-scroll decoration and the makers name Wm Webster, Exchange Alley, London, the eight-inch square silvered dial en-graved with a repeat of the makers name, with black Roman numerals, Arabic five-minute markings, strike/silent to the top left-hand corner and with decorative blued steel hands, the later 17th century style case with a caddy-top, cast brass mounts and brass carrying handle, height 44cm (inc. handle)
Lot 195
18TH CENTURY CHINOISERIE LACQUERED EIGHT DAY LONGCASE CLOCK, by Charles Clay of London, having flat hood with arched aperture, arch waist door and panel base on bracket feet. The case overall decorated with sepia and gilded chinoiserie designs. Arch brass face with seesaw automoton featuring two gentlemen to the arch, the face with silvered chapter rings, having Roman numerals, seconds dial and date aperture with pierced gilded foliate spandrels, marked Chas Clay London. The face 17" High x 12". Eight day movement striking on one bell. Overall 88" High.
Lot 196
19TH CENTURY FRENCH GILT BRONZE PORCELAIN MOUNTED CLOCK GARNITURE, the clock with urn shaped finial, and overall decorated with leaves, birds and swags with painted porcelain portrait panel of two figures in a landscape flanked by two porcelain painted columns, the porcelain face painted with flowers and Roman numerals. French brass drum movement strikes on one bell together with two metal mounted porcelain urn shaped supporters, decorated with birds amongst flowers and cottages in landscapes. All with gilded wooden bases and under glass domes on ebonized metal plinths. The clock 17" High.
Lot 197
LATE GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, by Herbert of Ludlow, the case with overall mahogany crossbanding and satinwood stringing, having broken swan neck pediment with brass ball and spike finial's above arched aperture flanked by plain turned columns, the waist with shaped door having inlaid Prince Of Wales feathers on panelled base with later platform support. Arch painted face with sportsman shooting over pointer to the arch and baskets of flowers to the spandrels, Arabic numerals, seconds dial and date aperture. Eight day movement striking on one bell, the face 20" x 13.75".
Lot 198
LATE 18TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, marked Gregory of Basingstoke, having moulded cornice above square aperture flanked three quarter turned pilasters, the waist with plain door on a panel base with platform support. Square painted dial with fan spandrels, seconds dial and date dial, 12" Square eight day two train movement striking on one bell. 80" High overall.
Lot 199
19TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK, by Richard Foote of Faversham, having arched moulded hood with arched aperture flanked by spirally turned columns, the waist with arched door flanked by quarter spirally moulded pilasters on a panel base with bracket feet. Arch painted face decorated with flowers to the arch and the spandrels, Roman numerals, seconds dial and date aperture. The face 18" x 12.5". Eight day movement with false plate, two train movement striking on one bell. 84" High approx.
Lot 202
19TH CENTURY WELSH MAHOGANY EIGHT DAY LONGCASE CLOCK, by Thomas Davies of Morriston, the case overall with checker bandings and having arched hood with ball and spike finials above arched aperture flanked by wrythen turned pilasters, the waist with rectangular moulded door flanked by quarter moulded wrythen pilasters on a panelled base with bracket feet. The face painted with cottages and castle ruins and having Roman numerals, seconds dial and date aperture. Eight day movement striking on one bell. The face 18" x 13.5" overall. 90" High.
Lot 203
EARLY 19TH CENTURY OAK AND MAHOGANY THIRTY HOUR LONGCASE CLOCK, by J Wells & Sons of Solihull, the hood with broken swan neck pediment and brass eagle finial above square aperture flanked by reeded columns, the waist with mahogany banded and shell inlaid door flanked by quarter reeded pilasters on a crossbanded panel base with bracket feet. The face with floral spandrels, Roman numerals and painted swan decoration with date aperture. Thirty hour movement strikes on one bell. The face 12" Square.
Lot 2001
A mid 18th century oak cased longcase clock by J Wainwright of Wellingborough, no.1605, the arched brass dial with engraved silvered roundel depicting Britannia flanked by dolphins to the arch, silvered chapter ring, subsidiary seconds dial, date aperture and twin winding holes flanked by spandrels, the movement striking on a bell, with pendulum, twin weights and winder, height approx. 224cm (illustrated)
Lot 12
A 19th century French Louis XV style bronze, ormolu, and alabaster figural mantel clock by Marquis a Paris, with circular Arabic and Roman numeral enamelled dial, eight day bell chiming movement, the ornate figure cast case depicting three musical cherubs on an ornate cast foliate base, height 43.5cm, width 54cm (illustrated)
Lot 254
An 18th century pair-cased pocket watch, the chain fusee movement quarter-repeating on three hammers to a single bell, signed 'Daniel de St. Leu of London no.2553 Servant to her Majesty' - (Queen Charlotte'), in pierced gilt brass case with top-plunger, the enamelled dial inscribed 'Markwich Markham, Perigal London' with Turkish numerals, the outer case with tortoiseshell mounts and pierced brass decoration, circa 1775 Condition Report Dial showing numerous hairline cracks, chip below '3' and to edge by '9', outer case very good although light scratching overall and a few small gilt pin heads missing, the inner case with one ding to pierced side panel, numerous small impressions to the back, glass missing but bezel staight and hinging easily, the movement appears complete but overwound
Lot 275
A George II 30 hour duration Longcase Clock, the 11in (28cm) brass dial with a brass chapter ring stamped John Rouckleiffe within applied mask and foliate spandrels, the oak case with mahogany crossbanding and boxwood and ebony chequer strung lines enclosing a crown medallion to the trunk door, striking on a bell, overall height, 79in (200.5cm)
Lot 280
W. Flather, Halifax, A Georgian mahogany Longcase Clock, having a 30 hour bell strike movement and arched 14in (35.6cm) dial painted with a figure of a seated lady and architectural spandrels enclosing subsidiary seconds and date dials, the case with a broken swan neck pediment, glazed hood and columns above a trunk door and stepped case.
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