A FRENCH LOUIS XV VERNIS MARTIN AND GILT METAL MOUNTED SMALL 8-DAY BRACKET CLOCK, c.1770, the two-train shaped circular movement with outside countwheel, bell strike and signed 'Boucheret a Paris', with 6.25 white Roman numeral dial signed 'Le Nepveu a Paris', in waisted case with festoon swag mounted cast urn surmount, acorn finials and scroll mounts applied to sides with festoon fronted glazed aperture to base, on scroll feet, the whole polychrome painted with floral decoration on an olive green ground, the case stamped twice with indistinct eboniste's signature, 50cm.
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A GEORGE III MAHOGANY BRACKET CLOCK, c.1795, the 5-pillar twin fusee bell-striking movement now with anchor escapement and finely engraved foliate backplate, with 7 white break-arch Roman numeral dial with strike/silent subsidiary dial to arch and perpetual calendar to centre, in break-arch case with gilt brass carrying handle, rectangular side windows and on moulded base, ht excl handle 39.5cm.
A George III oak 8-day longcase clock, c.1790, the 4-pillar rack and bell striking movement with 'phase 1' type 12 white Roman numeral painted break-arch dial with subsidiary seconds dial, arch calendar aperture and delicate gilt foliate scroll decoration to centre, plain gilt edged spandrels and urn amongst foliage to arch, in well proportioned pagoda pedimented case with integral reeded hood pilasters, break-arch trunk door and on plinth base with two-tier apron, 216cm.
A GOOD SOMERSET OAK 30-HOUR LONGCASE CLOCK, c.1720, the posted countwheel bell-striking movement with 11 square brass dial applied with silvered Roman numeral chapter ring with lozenge half-hour markers and signed 'E. Rundell, Norton' to lower edge, with twin cherub and crown pattern spandrels and finely engraved tulip decorated centre with calendar aperture, in flat-top pedimented case of good colour with integral hood pilasters, rectangular trunk door and on plain plinth base, 197cm.
A REGENCY BRASS INLAID FIGURED MAHOGANY BRACKET CLOCK, the 5-pillar twin fusee rack and bell striking movement with anchor escapement, foliate border engraved shouldered backplate and 8 white painted Roman numeral dial signed for 'John Grant, Fleet Street, London' to centre, in break-arch pedimented case with brass carrying handle, fishscale arched side frets and brass inlaid panel beneath dial, on reeded border base with brass ball feet, ht excl handle 39.5cm.
A French Sevres style porcelain mounted gilt metal mantel clock, c.1880, the 8-day bell-striking movement with blue ground Roman numeral cartouche dial with rose painted centre, the plinth shaped case with urn surmount and porcelain medallions mounted within side scrolls, on panel fronted base with toupe feet, 35.5cm; on giltwood stand.
A good French ormolu and patinated bronze four-glass mantel clock, c.1860, the circular countwheel bell-striking movement with brocot escapement, stamped Ad. Mougin to backplate and with mercury compensated pendulum, in glazed flat-top pedimented case applied with gilt classical foliate decoration to frieze and with reeded pilasters to each corner, on conforming base with engine-turned bun feet, 34.5cm.
A Welsh oak 30-hour longcase clock, c.1820, the bell-striking movement with 12 white Arabic numeral break-arch dial with rose painted spandrels, arch calendar aperture and signed 'Jn. Lloyd, Brecon' to centre, with classical maiden resting in a garden to arch, in swan neck pedimented case with turned hood pilasters, rectangular trunk door and on plinth base, 205cm.
A LINCOLNSHIRE OAK 8-DAY LONGCASE CLOCK, c.1810, the 4-pillar rack and bell striking movement with 12.5 white Roman numeral break-arch dial, with subsidiary seconds dial and signed 'Lamb, Horncastle' to centre, with gilt scallop shell spandrels and painted scene of lion attacking a deer after Stubbs to arch, in good quality swan neck pedimented case with reeded hood pilasters, break-arch trunk door flanked by reeded canted corners, on plinth base with bracket feet, 224cm.
A GEORGE III MAHOGANY 8-DAY LONGCASE CLOCK, c.1760, the 4-pillar rack and bell striking movement with 12 brass break-arch dial applied with Roman numeral chapter ring, subsidiary seconds dial, two bird and urn pattern spandrels and plaque signed 'James Jones, London' to the matted centre, the arch with rocking figure of Chronos within bezel engraved 'Tempus Fugit' flanked by dolphin spandrels, in break-arch pedimented case with cavetto cornice and fluted pilasters to hood, break-arch long door to trunk and on plain plinth base, 210cm, (AF).
A SUFFOLK OAK 30-HOUR LONGCASE CLOCK, c.1725, the posted countwheel bell-striking movement with 10 brass dial applied with silvered Roman numeral chapter ring signed 'Sam'll Hart, Stonham' to lower edge, twin cherub and crown pattern spandrels and with matted centre, in a flat-top case with dentil cornice and turned pilasters to hood, mitred trunk with break-arch long door and on plinth base with bracket feet, 212cm.
A GOOD BRISTOL INLAID MAHOGANY 8-DAY LONGCASE CLOCK WITH MOONPHASE, c.1810, the 4-pillar rack and bell striking movement with 'Osborne's' falseplate and 12 white Roman numeral break-arch dial with subsidiary seconds dial, arch calendar aperture and signed 'James Clarke, Bristol' to centre, with rose painted spandrels and moonphase to arch, in fine swan neck pedimented case with fluted Corinthian pilasters to hood over shaped-top crossbanded trunk door flanked by fluted corner columns and on panel inlaid plinth base with tall bracket feet, 228cm.
An early Victorian figured mahogany bracket clock, the 5-pillar twin fusee bell-striking movement with anchor escapement and shouldered plates with 8 circular white Roman numeral painted dial, in shallow arch-top case with gadroon moulded plinth upstand and acorn finial over acanthus carved front and ogee moulded base with turned feet, 56cm.
A late 18th century mahogany longcase clock, the arched brass dial with silvered chapter ring, with alarm set engraved in reverse to the inner edge, with matted centre and subsidiaries for seconds and for date. The latter with aperture signed Robert Sampson, petty France, Westminster and with subsidiary in the arch for strike/silent. The twin train movement with anchor escapement and with alarm work to the side striking on a bell, the swan neck hood with original flambeau and leaf finials and fretwork sides the trunk showing 'Liverpool' brickwork carved features. 236cm high.
Hammered silver coins, Edward III (1327-1377), London mint, silver Groat and Penny; Henry VIII, Halfgroat, York, Bishop Lee, pierced, but good portriat, Edward VI, Sixpence; Elizabeth I, HalfGroat, mm hand; Charles I, Tower Shilling, mm bell; Shillings (2), Ireland, Penny of John; Scotland, Penny of Alexander III; other minors (4) including Short Cross cut Halfpenny, and a Long Cross Penny fragment. Fair, fine and better. (12)
A pair of Indian diamond, emerald and enamel earrings, the octagonal snowflake top section set brillian and baguette cut diamonds suspending below bell shape section each set with drop shape rose diamonds below a translucent red enamel dome and mounted with a fringe of polished emerald bead drops with baguette diamond upper gallery. Fitted case.
Joseph Smith, Chester, oak cased eight day longcase clock, circa 1740, the hood with cavetto cornice over two slender turned columns flanking a brass 30cm square dial with silvered chapter ring, signed and with Roman numerals, matted centre with subsidiary seconds dial and date aperture, four pillar movement striking on a bell, the trunk with a shaped door over a plain box base with plinth, height 198cm
Thomas Richardson, Weaverham, oak and mahogany eight day longcase clock, circa 1800, broken swan neck pediment over reeded columns flanking a painted 32cm square dial with Roman numerals, subsidiary seconds and date aperture, movement striking on a bell, the truck with a mahogany banded door flanked by reeded quarter pilasters raised on box base with raised panel canted corners, height 228cm
S J Bibby, Carnarvon (sic), a Victorian mahogany eight day longcase clock, swan neck pediment over double turned baluster columns flanking painted arched 41cm dial, signed and dated 1876, with Roman numerals, subsidiary seconds, the spandrels painted with wild beasts and a roving eye lion to the arch (mechanism deficient), the movement striking on a bell, the wide bodied trunk with turned baluster columns flanking an arch panel door, all raised on an arched raised panel base with bracket plinth feet, height 239cm
A French late 19th century white marble and ormolu mounted mantel clock, the brass drum case with swag decorated enamel dial and Arabic numerals, numbered bell-striking movement with outside countwheel, ribbon tied basket pendulum, the case surmounted by an urn, raised on four brass capped pillars with pendant swags, the demi-lune base with pierced grille band, upon four adjustable peg feet, 39cm high
Bridges, Okehampton. A walnut longcase clock, the arched brass dial with Tempus Fugit to the arch, gilt spandrels and shipping scene engraved to centre, and eight day four pillar bell-striking movement, the well-made 20th century case with barley-twist pilasters to the hood and bulls eye glass to the trunk, 219cm high
A 19th century French ormolu mounted mantel clock, the rococo scroll and floral cast case surmounted by Cupid holding his bow, the enamel dial with Roman numerals and Japy Freres bell-striking '1855' movement, the breakfront case mounted with floral painted porcelain panels, 30.5cm high, on a giltwood base and ebonised stand
A Louis XV gilt bronze mounted and lacquered wood mantel clock and bracket, the movement signed 'Bunon a Paris', mid 18th century, the 11" dial with blue enamel Roman chapters and foliate cast and marked 'A Dmyrauld a Paris', over a chequered case floor, the movement with five brass pillars and verge escapement and outside count wheel, the back inscribed 'Bunon, Paris' and striking on a bell, the glazed door cast with a classical couple and lap dog, supported on figurehead scroll bracket feet, the domed top surmounted by a winged figure with orb, the rear door inlaid with foliate strapwork, and a matching tapering gilt bronze mounted bracket with foliate wrapped acanthus cast finial, the clock 45" high overall, the bracket 17" high.
THOMAS CURRIE BELL (Fl.1892-1925) ELEGANT PORTRAIT OF LADY MAUD CHARRINGTON-JONES Seated full length in an interior, wearing a coral pink evening dress with a white fur cloak, signed and dated 1928, pastels on paper 156 x 110cm. ++ Good condition; no apparent damp damage, rubbing or foxing; good gilt frame
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123896 item(s)/page